Electing the Pope in Early Modern Italy, 1450-1700 offers a radical reassessment of the history of early modern papacy, constructed through the first major analytical treatment of papal elections in English. Papal elections, with their ceremonial pomp and high drama, are compelling theater, but, until now, no one has analyzed them on the basis of the problems they created for cardinals: how were they to agree rules and enforce them? How should they manage the interregnum? How did they decide for whom to vote? How was the new pope to assert himself over a group of men who, until just moments before, had been his equals and peers? This study traces how the cardinals' responses to these problems evolved over the period from Martin V's return to Rome in 1420 to Pius VI's departure from it in 1798, placing them in the context of the papacy's wider institutional developments. Miles Pattenden argues not only that the elective nature of the papal office was crucial to how papal history unfolded but also that the cardinals of the fifteenth to eighteenth centuries present us with a unique case study for observing the approaches to decision-making and problem-solving within an elite political group.
Drawing from new archival research, Pius IV and the Fall of the Carafa shows how the popes of the mid-sixteenth century sought to re-assert and project their authority over the Catholic Church during the first phase of the Counter-Reformation. Its narrative focus is the trial of cardinals Carlo and Alfonso Carafa, nephews of Paul IV (1555-1559), who, together with Carlo's brother Giovanni, were arrested and indicted by their uncle's successor Pius IV (1559-65) on charges of murder, theft, and corruption. Taking place from June 1560 to April 1561 as preparations were underway for a resumption of the Council of Trent, this was the only occasion in the early modern period in which a papal family were impeached for their actions in government. It provided a well-publicized forum in which questions about the nature and extent of the pope's authority were raised, contested, and answered by different groups within the Roman political and ecclesiastical elite. While the Carafa trial has previously been understood to have been primarily of importance only to the development of papal nepotism, Miles Pattenden now demonstrates how Pius used it as a vehicle by which to intimidate the College of Cardinals and to re-impose stricter hierarchical control over the institutions of the Catholic Church.
“Eravamo anti-sistema in tutto e per tutto, nella musica e nell’arte. Volevamo distruggere qualsiasi cosa avesse regole prestabilite, tutto quel che c’era di asfissiante, tutte le certezze. Eravamo decisi a infrangere tutte le regole in tutti i modi possibili”. La Londra di Barry Miles è quella della cultura underground che nasce fra le macerie della Seconda guerra mondiale ed esplode nel corso degli anni Sessanta e Settanta, concentrandosi sul West End e su Soho, le zone in cui era confluita un’eterogenea popolazione di personaggi creativi e fuori dalle righe, intolleranti nei confronti delle costrizioni della cultura e del costume ufficiale: scrittori, poeti, registi, musicisti, artisti, pubblicitari, architetti, stilisti, e una miriade di più anonimi personaggi decisi a fare della propria vita un’arte. È la storia di una rivoluzione culturale determinata a ottenere una “totale confusione dei sensi”, che si sviluppa fra le vie di una metropoli artisticamente onnivora, fatta di locali, librerie, club, pub, teatri, piazze, vicoli, scantinati, case occupate o case borghesi. Una storia di sconvolgente energia vitale e al tempo stesso autodistruttiva, raccontata sul filo di quell’ironia che solo un testimone diretto può comunicare. Mettere in fila i nomi che si incontrano fra queste pagine fa tremare l’idea stessa di ‘controcultura’, poiché vi si ritrova molta della creatività che animerà per ibridazione la cultura ufficiale del Novecento: Dylan Thomas, Francis Bacon, i Situazionisti, il cool jazz, il rock ’n’ roll, Mary Quant, Kingsley Amis, J.G. Ballard, i Rolling Stones, i Beatles, William Burroughs, Jimi Hendrix, i Pink Floyd, Allen Ginsberg, Pete Townshend, Yoko Ono, Derek Jarman, David Hockney, i Clash, i Police, Gilbert & George, Vivienne Westwood, i Sex Pistols, Boy George, Charles Saatchi, Lucian Freud, Damien Hirst e moltissimi altri. Un libro-mondo brulicante di storie e di personaggi, il ritratto più preciso e divertente mai scritto sull’avventura gloriosa e infame di un’epoca oggi entrata nella leggenda.
Miles Pattenden takes an analytic approach to the papal elections of the fifteenth to eighteenth centuries, with their ceremonial pomp and high drama, to understand the broader history of the early modern papacy and how this elite political group approached decision-making and problem-solving through four centuries of dramatic change in the Church
Drawing from new archival research, Pius IV and the Fall of the Carafa shows how the popes of the mid-sixteenth century sought to re-assert and project their authority over the Catholic Church during the first phase of the Counter-Reformation. Its narrative focus is the trial of cardinals Carlo and Alfonso Carafa, nephews of Paul IV (1555-1559), who, together with Carlo's brother Giovanni, were arrested and indicted by their uncle's successor Pius IV (1559-65) on charges of murder, theft, and corruption. Taking place from June 1560 to April 1561 as preparations were underway for a resumption of the Council of Trent, this was the only occasion in the early modern period in which a papal family were impeached for their actions in government. It provided a well-publicized forum in which questions about the nature and extent of the pope's authority were raised, contested, and answered by different groups within the Roman political and ecclesiastical elite. While the Carafa trial has previously been understood to have been primarily of importance only to the development of papal nepotism, Miles Pattenden now demonstrates how Pius used it as a vehicle by which to intimidate the College of Cardinals and to re-impose stricter hierarchical control over the institutions of the Catholic Church.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.