Upon its initial release in 1977, many critics regarded Star Wars as a childish retort to the mature American cinema of the seventies. Though full of sound and fury, some felt that it signified nothing. Four decades later, the significations are multiple as interpretations of the film's strange imagery and metaphoric potential continue to pile up. Interpreting Star Wars analyses and contextualises the dominant trends in Star Wars interpretation from the earliest reviews, through Lucasfilm's attempts to use its position as copyright holder to promote a single meaning, to the 21st century where the internet has rendered such authorial control impossible and new entries to the canon present new twists on old hopes.
In 1975, Marvel Comics revived the X-Men, a failed title which hadn't used new material for half a decade. It was a marginal project in an industry then in crisis. Five years later, it was the bestseller in a revived comics market. Unusually in the comics world, one man, Chris Claremont wrote the comic over seventeen years, from 1975 to 1991, developing new characters such as Wolverine and Storm, and taking themes from Freudian psychology, Christian temptation narratives, Existentialist philosophy and the language of sub-cultural identity. Marvel's Mutants is the first book to be devoted to the aesthetics of these comics that laid the foundation for the worldwide X-Men franchise we know today. Miles Booy explores Claremont's recurrent themes, the evolution of his reputation as an auteur within a collaborative medium, the superhero genre and the input of the artists with whom Claremont worked. Also covered are the successful spin-off projects, which Claremont wrote: solo Wolverine mini-series and whole new teams of mutant superheroes.
Scholar and Who fan Miles Booy has written the first historical account of the public interpretation of Doctor Who. Love and Monsters begins in 1979 with the publication of 'Doctor Who Weekly', the magazine that would start a chain of events that would see creative fans taking control of the merchandise and even of the programme's massively successful twenty-first century reboot. From the twilight of Tom Baker's years to the newest Doctor, Matt Smith, Miles Booy explores the shifting meaning of Doctor Who across the years - from the Third Doctor's suggestion that we should read the Bible, via costumed fans on television, up to the 2010 general election in Britain. This is also the story of how the ambitious producer John Nathan-Turner, assigned to the programme in 1979, produced a visually-excessive programme for a tele-literate fanbase, and how this style changed the ways in which Doctor Who could be read. The Doctor's world has never been bigger, inside or out!
This comprehensive, practical, user-friendly book provides a wealth of data analysis strategies that are essential for any qualitative research. It is a must-have tool book for moving from data analysis to writing for publication!" –Guofang Li, University of British Columbia, Canada Miles, Huberman, and Saldaña’s Qualitative Data Analysis: A Methods Sourcebook is the authoritative text for analyzing and displaying qualitative research data. The Fourth Edition maintains the analytic rigor of previous editions while showcasing a variety of new visual display models for qualitative inquiry. Graphics are added to the now-classic matrix and network illustrations of the original co-authors. Five chapters have been substantially revised, and the appendix’s annotated bibliography includes new titles in research methods. Graduate students and established scholars from all disciplines will find this resource an innovative compendium of ideas for the representation and presentation of qualitative data. As the authors demonstrate, when researchers "think display," their analyses of social life capture the complex and vivid processes of the people and institutions studied.
In 1975, Marvel Comics revived the X-Men, a failed title which hadn't used new material for half a decade. It was a marginal project in an industry then in crisis. Five years later, it was the bestseller in a revived comics market. Unusually in the comics world, one man, Chris Claremont wrote the comic over seventeen years, from 1975 to 1991, developing new characters such as Wolverine and Storm, and taking themes from Freudian psychology, Christian temptation narratives, Existentialist philosophy and the language of sub-cultural identity. Marvel's Mutants is the first book to be devoted to the aesthetics of these comics that laid the foundation for the worldwide X-Men franchise we know today. Miles Booy explores Claremont's recurrent themes, the evolution of his reputation as an auteur within a collaborative medium, the superhero genre and the input of the artists with whom Claremont worked. Also covered are the successful spin-off projects, which Claremont wrote: solo Wolverine mini-series and whole new teams of mutant superheroes.
Scholar and Who fan Miles Booy has written the first historical account of the public interpretation of Doctor Who. Love and Monsters begins in 1979 with the publication of 'Doctor Who Weekly', the magazine that would start a chain of events that would see creative fans taking control of the merchandise and even of the programme's massively successful twenty-first century reboot. From the twilight of Tom Baker's years to the newest Doctor, Matt Smith, Miles Booy explores the shifting meaning of Doctor Who across the years - from the Third Doctor's suggestion that we should read the Bible, via costumed fans on television, up to the 2010 general election in Britain. This is also the story of how the ambitious producer John Nathan-Turner, assigned to the programme in 1979, produced a visually-excessive programme for a tele-literate fanbase, and how this style changed the ways in which Doctor Who could be read. The Doctor's world has never been bigger, inside or out!
Harold Miles' picaresque new novel, Bad Ol' Boy, records the fantastic saga of Will Cotton's many outlandish adventures-how Will gambles, connives, plunders, philanders, drinks, embezzles, and murders...how everywhere he creates spectacularly varied carnage as he pursues his wily and bizarre life of crime...how he's always matching wits with, and keeping just barely a step ahead of, the clever and relentless Pinkerton detectives. When you first encounter the raffish Will, he's burnt out, dying, and terrified of the Southern Baptist hellfire and torment all the spectacular misdeeds of his wicked life have so richly earned him. Will believes that full confession alone can bring about his salvation, and only his young nephew, Gene, the sole relative not eagerly hoping to see Will die, is willing to hear the old reprobate out. Will's tales carry you roaring away on a wild journey of crime, escapades grittily traversing much of the early 20th century South and mid-America. It's an uproarious but murderous spree and manhunt-often careening along on a grand Harley-Davidson-that ranges from rural Georgia to Lexington, from Chicago to St. Louis, from Baton Rouge to Dallas, from Corpus Christi to El Paso, from Brownsville to New Orleans to Atlanta. Along the way you'll meet such remarkable characters as: • Gene's hardbitten harridan-tongued Ma, who fears he's headed down the same rough road as Uncle Will • Preacher Nelson, the wealthiest man in Plowshare, Kentucky, whose bank Will plunders • Josie Nelson, the preacher's daughter, a poet whose beauty, it was said, would make a freight train take a dirt road, and whom Will promises to marry, but instead cruelly destroys • G. B. Balls, the great Pinkerton detective, who brilliantly tracks Will down, but ultimately loses their murderous game • Kathy Taylor, Will's second wife and innocent companion in flight, increasingly horrified by her realization of the depth of his unbridled criminality • Ol' Ebo, the inner devil Will's so long embraced, now wrestling for his immortal soul • Fanny Hawk-either a fancy lady or carnival whore, depending on who's speaking of her-Will's great love, clever counterpart, and most important wife Bad Ol' Boy will take you along on a wanton, hilarious romp with an original American rapscallion and general scapegrace. Will Cotton is droll and lethal, murderous and penitent, archetypal but all-too-real-you won't forget him soon!
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“Funny, bighearted...Miles specializes in giving fully rounded humanity to characters who might elsewhere be treated as stock figures...pitch-perfect.” — New York Times Book Review "Miles is a writer so virtuosic that readers will feel themselves becoming better, more observant people from reading him." — Los Angeles Review of Books A profound new novel about a paralyzed young man’s unexplainable recovery—a stunning exploration of faith, science, mystery, and the meaning of life Rendered paraplegic after a traumatic event four years ago, Cameron Harris has been living his new existence alongside his sister, Tanya, in their battered Biloxi, Mississippi neighborhood where only half the houses made it through Katrina. One stiflingly hot August afternoon, as Cameron sits waiting for Tanya during their daily run to the Biz-E-Bee convenience store, he suddenly and inexplicably rises up and out of his wheelchair. In the aftermath of this “miracle,” Cameron finds himself a celebrity at the center of a contentious debate about what’s taken place. And when scientists, journalists, and a Vatican investigator start digging, Cameron’s deepest secrets—the key to his injury, to his identity, and, in some eyes, to the nature of his recovery—become increasingly endangered. Was Cameron’s recovery a genuine miracle, or a medical breakthrough? And, finding himself transformed into a symbol, how can he hope to retain his humanity? Brilliantly written as closely observed journalistic reportage and filtered through a wide lens that encompasses the vibrant characters affected by Cameron’s story, Anatomy of a Miracle will be read, championed, and celebrated as a powerful story of our time, and the work of a true literary master.
Bictor is a pretty typical eight-year-old: he races to get his chores done, finds math challenging and likes to play with his friends. One day, the new school teacher introduces Bic and the other students to the idea of equality between boys and girls. Bic has never really thought about it before, but he soon begins to notice the disparities around him. Like all the older girls and women in their Malawi village, his twin sister, Linesi, now walks the long walk to the river to collect water for the family. Now she can't go to school anymore. It's just the way things have always been. But does it have to be? And is there a way for Bic to change it? When Bic has an idea about how to help, he discovers that even small changes can have an impact."--
Fanatical about cricket since he was a boy, MILES JUPP would do anything to see his heroes play. But perhaps deciding to bluff his way into the press corps during England's Test series in India wasn't his best idea. By claiming to be the cricket correspondent for BBC Scotland and getting a job with the (Welsh) Western Mail, Miles lands the press pass that will surely be the ticket to his dreams. Soon, he finds himself in cricket heaven - drinking with David Gower and Beefy, sharing bar room banter with Nasser Hussain and swapping diarrhoea stories with the Test Match Special team. Amazing! But struggling in the heat under the burden of his own fibs, reality soon catches up with Miles as - like a cricket-obsessed Boot from Evelyn Waugh's Scoop - he bumbles from one disaster to the next. A joyous, charming, yet cautionary tale, Fibber in the Heat is for anyone who's ever dreamt about doing nothing but watching cricket all day long.
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