One of us is soon to tell in all its details the story of the life of Michael Bakunin, but its general features are already sufficiently familiar. Friends and enemies know that this man was great in thought, will, persistent energy; they know also with what lofty contempt he looked down upon wealth, rank, glory, all the wretched ambitions which most human beings are base enough to entertain. A Russian gentleman related by marriage to the highest nobility of the empire, he was one of the first to enter that intrepid society of rebels who were able to release themselves from traditions, prejudices, race and class interests, and set their own comfort at naught. With them he fought the stern battle of life, aggravated by imprisonment, exile, all the dangers and all the sorrows that men of self-sacrifice have to undergo during their tormented existence. A simple stone and a name mark the spot in the cemetery of Berne where was laid the body of Bakunin. Even that is perhaps too much to honor the memory of a worker who held vanities of that sort in such slight esteem. His friends surely will raise to him no ostentatious tombstone or statue. They know with what a huge laugh he would have received them, had they spoken to him of a commemorative structure erected to his glory; they knew, too, that the true way to honor their dead is to continue their work—with the same ardor and perseverance that they themselves brought to it. In this case, indeed, a difficult task demanding all our efforts, for among the revolutionists of the present generation not one has labored more fervently in the common cause of the Revolution. In Russia among the students, in Germany among the insurgents of Dresden, in Siberia among his brothers in exile, in America, in England, in France, in Switzerland, in Italy, among all earnest men, his direct influence has been considerable. The originality of his ideas, the imagery and vehemence of his eloquence, his untiring zeal in propagandism, helped too by the natural majesty of his person and by a powerful vitality, gave Bakunin access to all the revolutionary groups, and his efforts left deep traces everywhere, even upon those who, after having welcomed him, thrust him out because of a difference of object or method. His correspondence was most extensive; he passed entire nights in preparing long letters to his friends in the revolutionary world, and some of these letters, written to strengthen the timid, arouse the sluggish, and outline plans of propagandism or revolt, took on the proportions of veritable volumes. These letters more than anything else explain the prodigious work of Bakunin in the revolutionary movement of the century. The pamphlets published by him, in Russian, French, and Italian, however important they may be, and however useful they may have been in spreading the new ideas, are the smallest part of Bakunin’s work. The present memoir, “God and the State,” is really a fragment of a letter or report. Composed in the same manner as most of Bakunin’s other writings, it has the same literary fault, lack of proportion; moreover it breaks off abruptly: we have searched in vain to discover the end of the manuscript. Bakunin never had the time necessary to finish all the tasks he undertook. One work was not completed when others were already under way. “My life itself is a fragment,” he said to those who criticised his writings. Nevertheless, the readers of “God and the State” certainly will not regret that Bakunin’s memoir, incomplete though it be, has been published. The questions discussed in it are treated decisively and with a singular vigor of logic. Rightly addressing himself only to his honest opponents, Bakunin demonstrates to them the emptiness of their belief in that divine authority on which all temporal authorities are founded; he proves to them the purely human genesis of all governments; finally, without stopping to discuss those bases of the State already condemned by public morality, such as physical superiority, violence, nobility, wealth, he does justice to the theory which would entrust science with the government of societies. Supposing even that it were possible to recognize, amid the conflict of rival ambitions and intrigues, who are the pretenders and who are the real savants, and that a method of election could be found which would not fail to lodge the power in the hands of those whose knowledge is authentic, what guarantee could they offer us of the wisdom and honesty of their government? On the contrary, can we not foresee in these new masters the same follies and the same crimes found in those of former days and of the present time? In the first place, science is not: it is becoming. The learned man of to-day is but the know-nothing of to-morrow. Let him once imagine that he has reached the end, and for that very reason he sinks beneath even the babe just born. But, could he recognize truth in its essence, he can only corrupt himself by privilege and corrupt others by power. To establish his government, he must try, like all chiefs of State, to arrest the life of the masses moving below him, keep them in ignorance in order to preserve quiet, and gradually debase them that he may rule them from a loftier throne.
Statism and Anarchy is a complete English translation of the last work by the great Russian anarchist Michael Bakunin, written in 1873. Then he assails the Marxist alternative, predicting that a 'dictatorship of the proletariat' will in fact be a dictatorship over the proletariat, and will produce a new class of socialist rulers. Instead, he outlines his vision of an anarchist society and identifies the social forces he believes will achieve an anarchist revolution. Statism and Anarchy had an immediate influence on the 'to the people' movement of Russian populism, and Bakunin's ideas inspired significant anarchist movements in Spain, Italy, Russia and elsewhere. In a lucid introduction Marshall Shatz locates Bakunin in his immediate historical and intellectual context, and assesses the impact of his ideas on the wider development of European radical thought. A guide to further reading and chronology of events are also appended as aids to students encountering Bakunin's thought for the first time.
He is remembered as one of the originators of modern anarchy, a foe to Marx, and a radicalizer of youth through Russia and Europe in the 19th century. His name has been honored by pop culture of late in Tom Stoppard's trilogy of plays The Coast of Utopia, and on the philosophical playground of TV's Lost, which features characters named for-and often interpreted to represent the thinking of-famous philosophers through history. He is Russian revolutionary MIKHAIL ALEXANDROVICH BAKUNIN (1814-1876), and God and the State is his only published work. Unfinished at the time of his death and rambling and disjointed at best, this is nevertheless a provocative exploration of Bakunin's ideas on the enslavement of humanity by religion, its use by the state as a weapon against the people, and the necessity of throwing off the chains of God-worship. It remains a vital document of the anarchist movement, and is essential reading for anyone wishing to understand the upheavals of 19th-century Russia.
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