Parsons and Pervo argue that singular authorship of Luke and Acts (which they accept) does not automatically imply generic, narrative, and theological 'unity.' Their challenge to rethink each of these issues is concise, well-informed, engagingly written, and should stimulate interesting discussion among students of the Lukan writings."? Susan R. Garrett, Louisville Presbyterian Theological Seminary"Professors Mikeal C. Parsons and Richard I. Pervo are well aware that they are framing the questions rather than seeking to settle issues once and for all. In fact, the importance of their book lies in the challenging questions they address to scholars and students of Luke-Acts. What is the precise understanding of 'Luke-Acts'? Do these two volumes have different genres, different theological constructs, and different 'narrators'?"? Robert F. O'Toole, S.J., Gregorian University Foundation
While the commentary tradition has, with some notable exceptions, shifted away from philology to take up questions of the social values, rhetorical conventions, and narrative strategies, this volume provides the textual, philological, and grammatical essentials to any act of interpretation. By working through this text systematically, readers will not only gain a firmer grasp on the peculiar shape of Acts' grammar, but given Acts' length and complexity, they will also become better equipped to approach the other New Testament documents with increased confidence.
Parsons and Pervo argue that singular authorship of Luke and Acts (which they accept) does not automatically imply generic, narrative, and theological 'unity.' Their challenge to rethink each of these issues is concise, well-informed, engagingly written, and should stimulate interesting discussion among students of the Lukan writings."? Susan R. Garrett, Louisville Presbyterian Theological Seminary"Professors Mikeal C. Parsons and Richard I. Pervo are well aware that they are framing the questions rather than seeking to settle issues once and for all. In fact, the importance of their book lies in the challenging questions they address to scholars and students of Luke-Acts. What is the precise understanding of 'Luke-Acts'? Do these two volumes have different genres, different theological constructs, and different 'narrators'?"? Robert F. O'Toole, S.J., Gregorian University Foundation
While the commentary tradition has, with some notable exceptions, shifted away from philology to take up questions of the social values, rhetorical conventions, and narrative strategies, this volume provides the textual, philological, and grammatical essentials to any act of interpretation. By working through this text systematically, readers will not only gain a firmer grasp on the peculiar shape of Acts' grammar, but given Acts' length and complexity, they will also become better equipped to approach the other New Testament documents with increased confidence.
Since the iconoclastic controversies of the eighth and ninth centuries, the visual arts have been the subject of much ecclesiastical discussion and contention. In particular, since the mid-1960s Protestant scholars and clergy have been paying more attention to the potential role of the visual arts in theology and liturgy of the Christian Church. As a result, numerous programs were begun under a variety of nomenclature, e.g., Religion and the Arts, Theology and the Arts, etc. Most of the essays in this book were originally presented as part of the Pruit Symposium on "Interpreting Christian Art, " held at Baylor University in October 2000. The symposium provided the opportunity to bring together scholars, clergy, and laity who are interested in the question of how religious art can contribute to the life of the contemporary Christian community. The resulting essays are a rich fare in interdisciplinary exploration of Christian art by art historians, theologians, and biblical scholars. Essayists include Margaret Miles, Robin M. Jensen, Graydon F. Snyder, Charles Barber, Anthony Cutler, William M. Jensen, Paolo Berdini, John W. Cook, and the editors, Heidi J. Hornik and Mikeal C. Parsons.
In Acts, the third of eighteen volumes in the Paideia commentary series, leading biblical scholar Mikeal Parsons gleans fresh theological insight into Acts by attending carefully to the cultural and educational context from which it emerges. Parsons see Acts as a charter document explaining and legitimating Christian identity for a general audience of early Christians living in the ancient Mediterranean world. Pastors, graduate and seminary students, and professors will benefit from this readable commentary, as will theological libraries. The Paideia commentaries are designed to be read through and used, not shelved and referenced. The main text is supplemented with maps, sidebars, and photographs. Indexes and reference lists help readers locate discussions in the commentary and in other secondary literature.
Ham" MacPherson is a promising left-handed baseball pitcher at Wilkes Central High School whom the Atlanta Braves have told will be selected with the third pick of the 1976 MLB draft, complete with a generous signing bonus. Within a twenty-four hour period, however, Ham's world goes topsy-turvy. His relationships with his girlfriend, Nora, and best friend, JC, are turned upside down and inside out. A life-changing catastrophe transforms Ham and the way he views the world. Accidents and deaths soon follow. How will Ham deal with all the tumult in his life? The story ends where it began, in a hearse.
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