A dual portrait of the music team that shaped rock-and-roll music in the 1950s and 1960s describes their humble origins, their relationships with such performers as Elvis Presley and the Coasters, and their record-setting collaborative achievements.
Jerry Lieber and Mike Stoller shaped the rock and roll era - this is their story in their own words. In 1950 a couple of rhythm and blues loving teenagers named Jerry Leiber and Mike Stoller met for the first time. Leiber was looking for someone to help compose music for lyrics he'd written, and a friend recommended a Piano player named Mike Stoller. They discovered their mutual affection for R&B, and, as Jerry and Mike put it in this fascinating autobiography, it was the beginning of an argument that has been going on for more than fifty years with no resolution in sight. With the assistance of David Ritz, they describe what it was like when Elvis was a fresh new face and when two young guys with tons of talent and an insatiable love of good old American R&B could create the soundtrack for a generation - and have a great time doing it. Jerry Leiber was born in Baltimore, Maryland on April 25th 1933, and Mike Stoller was born in Queens, New York on March 13th 1933. They first met in Los Angeles in 1950, moved to New York in 1957 and returned to L.A. in 1989, where they both still reside. They were inducted into the Songwriters Hall of Fame in 1985 and the Rock and Roll Hall of Fame in 1987.
Includes 14 catchy classics: Charlie Brown * Hound Dog * Jackson * Jailhouse Rock * Kansas City * Love Me * Love Potion Number 9 * Loving You * On Broadway * Ruby Baby * Searchin' * Stand by Me * Yakety Yak * Young Blood.
Jerry Lieber and Mike Stoller shaped the rock and roll era - this is their story in their own words. In 1950 a couple of rhythm and blues loving teenagers named Jerry Leiber and Mike Stoller met for the first time. Leiber was looking for someone to help compose music for lyrics he'd written, and a friend recommended a Piano player named Mike Stoller. They discovered their mutual affection for R&B, and, as Jerry and Mike put it in this fascinating autobiography, it was the beginning of an argument that has been going on for more than fifty years with no resolution in sight. With the assistance of David Ritz, they describe what it was like when Elvis was a fresh new face and when two young guys with tons of talent and an insatiable love of good old American R&B could create the soundtrack for a generation - and have a great time doing it. Jerry Leiber was born in Baltimore, Maryland on April 25th 1933, and Mike Stoller was born in Queens, New York on March 13th 1933. They first met in Los Angeles in 1950, moved to New York in 1957 and returned to L.A. in 1989, where they both still reside. They were inducted into the Songwriters Hall of Fame in 1985 and the Rock and Roll Hall of Fame in 1987.
A dual portrait of the music team that shaped rock-and-roll music in the 1950s and 1960s describes their humble origins, their relationships with such performers as Elvis Presley and the Coasters, and their record-setting collaborative achievements.
From the churches and street corners of Harlem and The Bronx to the underground clubs of the East Village, New York City has been a musical mecca for generations, and Rock & Roll Explorer Guide to New York City is the definitive story of its development throughout the five boroughs. Plug in and walk the same streets a young Bob Dylan walked. See where Patti Smith, the Ramones, Beastie Boys, and Jeff Buckley played. Visit on foot the places Lou Reed mentions in his songs or where Paul Simon grew up; where the Strokes drowned their sorrows, Grizzly Bear cut their teeth and Jimi Hendrix found his vision. Rock and Roll Explorer Guide gives fans a behind-the-scenes look at how bands came together, scenes developed, and classic songs were written. Artists come and go, neighborhoods change, venues open and close, but the music lives on. Contents Upper Manhattan and Harlem Upper West Side The Velvet Underground Upper East Side The Beatles John & Yoko Central Park Patti Smith Midtown West Beastie Boys Midtown East Madonna Chelsea & Hudson Yards Jimi Hendrix & Electric Lady Union Square & Madison Square New York Dolls West Village Bob Dylan East Village Blondie Soho & TriBeCa Sonic Youth Lower East Side The Strokes Brooklyn Talking Heads Queens Ramones Simon & Garfunkel The Bronx Kiss Staten Island Rock & roll may not have been born in New York, but this is one of the places it grew up and blew up and presented itself to the world. From the churches and street corners of Harlem and the Bronx to the underground clubs of the East Village, New York City has been a musical Mecca for generations, and The Rock & Roll Explorer Guide to New York City is an historical journey through its development across all five boroughs. The Rock & Roll Explorer Guide to New York City restores a sense of time and place to music history by identifying and documenting critical points of interest spanning genres and eras, and delineating the places in New York City critical to its musical development and ultimate triumphs and tragedies. Through this lens, we can see and understand how bands came together, scenes developed, and classic songs were written. In some cases, the buildings are still there, in others only the address remains, but you still get a sense of the history that happened there. Among the many locations in this book are addresses musicians and other key rock & roll figures once called home. In a very few instances we’ve included current addresses, but only when the location is historically significant and widely known; otherwise, we consciously left current residences out. The Rock & Roll Explorer Guide to New York City is intended as a fun travel guide through music history rather than a means of locating famous musicians. Most New Yorkers understand that everyone has a right to privacy. That’s one of the reasons many of these artists live here. Because of the city’s rich history, this book cannot be a comprehensive encyclopedia of music, rock venues, or the music industry; nor do we present the definitive biographies of the musicians included. The artists and locations chosen represent a sometimes broad look at the history of rock & roll in the city, with an eye on those who either grew up or spent their formative years here. But there’s so much more we couldn’t include, and we hope readers will be inspired to go even further, whether they’re hitting the streets themselves or experiencing the city vicariously from afar. Artists come and go, neighborhoods change, venues open and close, but the music lives on.
Why is Elvis Presley's body of recorded work still so relevant nearly 60 years after he began recording? ÊElvis Music FAQÊ is for anyone who has been inspired by an Elvis Presley record. Following in the tradition of the FAQ series in ÊElvis Music FAQÊ a lot of rare information is woven together in one concise entertaining package. There are chapters about every year of Elvis's career including a look at his pioneering original record label Sun; insight on his management; the continued importance of television in his career; a summation of each Presley concert tour; the inside scoop about the role Elvis's band members and songwriters played in his sound; stories about the amusing musical oddities created by those trying to ride on the Elvis success train; details about the contentious role drugs played in his career; and finally a full review of every record the King ever issued. One might say that the only truths about Elvis Presley can be found in the grooves of his records where his natural talent and passion for music comes through always. ÊElvis Music FAQÊ aims to be the one essential companion that explains the reason why the voice heard over the speakers still carries such resonance. Dozens of rare images accompany this engaging text.
Rock music, since its pre-history in blues, country music and 40s and early 50s pop, through to the well-publicised excesses of touring bands of today, has left a legacy of thousands of weird and wonderful stories in its wake. We’ve all read about the Who’s Keith Moon driving a Rolls Royce into a hotel swimming pool, but far more bizarre tales of on-the-road mayhem have never been widely told. Likewise, Svengali-like managers have manipulated starstruck musicians since rock began, though hanging your well-known client from a third floor window was a less usual way of ensuring their loyalty. And just where was the stalled hotel lift in which all four Beatles, according to legend, were turned on to marijuana? There are the unsung heroes of rock – pioneering eccentrics who helped make the music what it is and ended up as mere footnotes in the history books. Men such as UK producer Joe Meek who created seminal classics from a bed-sit above a cleaners on the Holloway Road, and the New York DJ who originally coined the phrase ‘rock 'n’roll’ and died in alcoholic poverty. Not to mention the stories behind the stars: when Debbie Harry was a 'Playboy' Bunny, Paul Simon wrote ‘Homeward Bound’ on Widnes railway station in Lancashire, and the Gallagher brothers (so they claim) were petty thieves.
Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.” They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.
30-Second Rock Music starts with 1950s rock'n'roll (and its roots) and explores blues and folk, progressive and heavy metal, punk, indie and alt rock, profiling extraordinary bands and musicians along the way. Featuring groups as diverse as Wilco, The Killers, Fleetwood Mac, Stevie Wonder and The White Stripes, this book promises rock fans the world tour of a lifetime, from Detroit to Tokyo and everywhere in between.
The award-winning account of how America's educational system fails it students and what can be done about it Remedial, illiterate, intellectually deficient—these are the stigmas that define America’s educationally underprepared. Having grown up poor and been labeled this way, nationally acclaimed educator and author Mike Rose takes us into classrooms and communities to reveal what really lies behind the labels and test scores. With rich detail, Rose demonstrates innovative methods to initiate “problem” students into the world of language, literature, and written expression. This book challenges educators, policymakers, and parents to re-examine their assumptions about the capacities of a wide range of students. Already a classic, Lives on the Boundary offers a truly democratic vision, one that should be heeded by anyone concerned with America’s future. "A mirror to the many lacking perfect grammar and spelling who may see their dreams translated into reality after all." -Los Angeles Times Book Review "Vividly written . . . tears apart all of society's prejudices about the academic abilities of the underprivileged." -New York Times
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