Morality and mental health are now inseparably linked in our view of character. Alcoholics are sick, yet they are punished for drunk driving. Drug addicts are criminals, but their punishment can be court ordered therapy. The line between character flaws and personality disorders has become fuzzy, with even the seven deadly sins seen as mental disorders. In addition to pathologizing wrong-doing, we also psychologize virtue; self-respect becomes self-esteem, integrity becomes psychological integration, and responsibility becomes maturity. Moral advice is now sought primarily from psychologists and therapists rather than philosophers or theologians.In this wide-ranging, accessible book, Mike W. Martin asks: are we replacing morality with therapy, in potentially confused and dangerous ways, or are we creatively integrating morality and mental health? According to him, it's a little bit of both. He surveys the ways in which morality and mental health are related, touching on practical concerns like love and work, self-respect and self-fulfillment, guilt and depression, crime and violence, and addictions. Terming this integrative development "the therapeutic trend in ethics," Martin uses examples from popular culture, various moral controversies, and draws on a line of thought that includes Plato, the Stoics, Freud, Nietzsche, and contemporary psychotherapeutic theories. Martin develops some interesting conclusions, among them that sound morality is indeed healthy, and that moral values are inevitably embedded in our conceptions of mental health. In the end, he shows how both morality and mental health are inextricably intertwined in our pursuit of a meaningful life. This book will be of interest to philosophers, psychologists, psychiatrists, and sociologists, as well as the general reader.
They called it Satan’s Circus—a square mile of Midtown Manhattan where vice ruled, sin flourished, and depravity danced in every doorway. At the turn of the twentieth century, it was a place where everyone from the chorus girls to the beat cops was on the take and where bad boys became wicked men; a place where an upstanding young policeman such as Charley Becker could become the crookedest cop who ever stood behind a shield. Murder was so common in the vice district that few people were surprised when the loudmouthed owner of a shabby casino was gunned down on the steps of its best hotel. But when, two weeks later, an ambitious district attorney charged Becker with ordering the murder, even the denizens of Satan’s Circus were surprised. The handsome lieutenant was a decorated hero, the renowned leader of New York’s vice-busting Special Squad. Was he a bad cop leading a double life, or a pawn felled by the sinister rogues who ran Manhattan’s underworld? With appearances by the legendary and the notorious—including Big Tim Sullivan, the election-rigging vice lord of Tammany Hall; future president Theodore Roosevelt; beloved gangster Jack Zelig; and the newly famous author Stephen Crane—Satan’s Circus brings to life an almost-forgotten Gotham. Chronicling Charley Becker’s rise and fall, the book tells of the raucous, gaudy, and utterly corrupt city that made him, and recounts not one but two sensational murder trials that landed him in the electric chair.
In this utterly immersive volume, Mike Wallace captures the swings of prosperity and downturn, from the 1898 skyscraper-driven boom to the Bankers' Panic of 1907, the labor upheaval, and violent repression during and after the First World War. Here is New York on a whole new scale, moving from national to global prominence -- an urban dynamo driven by restless ambition, boundless energy, immigrant dreams, and Wall Street greed. Within the first two decades of the twentieth century, a newly consolidated New York grew exponentially. The city exploded into the air, with skyscrapers jostling for prominence, and dove deep into the bedrock where massive underground networks of subways, water pipes, and electrical conduits sprawled beneath the city to serve a surging population of New Yorkers from all walks of life. New York was transformed in these two decades as the world's second-largest city and now its financial capital, thriving and sustained by the city's seemingly unlimited potential. Wallace's new book matches its predecessor in pure page-turning appeal and takes America's greatest city to new heights.
Explains how to select rods, tackle, and flies, demonstrates spinning, bait, casting, and fly-fishing, and tells how and where to fish for bass, trout, salmon, perch, and other fish.
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Edward Albee: The American Dream (1960), Who's Afraid of Virginia Woolf? (1962), A Delicate Balance (1966) and Tiny Alice (1964 ); * Amiri Baraka: Dutchman (1964), The Slave (1964) and Slaveship (1967); * Adrienne Kennedy: Funnyhouse of a Negro (1964), Cities in Bezique (The Owl Answers and A Beast's Story, 1969), and A Rat's Mass (1967); * Jean-Claude van Itallie: American Hurrah (1966), The Serpent (1968) and War (1963).
“One of the most spectacular cases of police corruption in the city.” —New York Times Friends of the Family is a look deep inside the most notorious case to rock the NYPD: The story of Louis Eppolito and Stephen Caracappa, the two police detectives who moonlighted as mob hit men. As told by Tommy Dades and Michael Vecchione—the cop and District Attorney investigator who solved New York’s coldest case—along with co-writer David Fisher, Friends of the Family is shocking true crime in the tradition of Nicolas Pileggi’s Wiseguys and Underboss by Peter Mass—a chilling, in-depth examination of what the New York Daily News calls “the worst betrayal of the badge in the NYPD’s history.”
Avant-Garde Performance and the Limits of Criticism looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counterculture. This groundbreaking book examines the role of the scholar and critic in the cultural struggles of radical artists and reveals how avant-garde performance identifies the very limits of critical consideration. It also explores the popularization of the avant-garde: how formerly subversive art is eventually discovered by the mass media, is gobbled up by the marketplace, and finds its way onto the syllabi of college and university courses. This book is a timely and significant book that will appeal to those interested in avant-garde literary criticism, theater history, and performance studies.
In this wonderful page-turner, veteran sports journalist Mike Vaccaro brings to life a bygone era in cinematic and intimate detail—and re-creates the magic and suspense of the world’s first classic series. Despite a major presidential election, the near-assassination of Teddy Roosevelt, and the most sensational trial of the young century, baseball dominated front-page headlines in October 1912. The Boston Red Sox and the New York Giants of that year—two of the finest ball clubs that had ever been assembled—went head-to-head in a thrilling eight-game battle that ultimately elevated the World Series from a regional October novelty to a national obsession.
The story is all too-familiar: On April 20, 2010, the Deepwater Horizon oil rig exploded, killing eleven workers and creating the largest oil spill in the history of U.S. offshore drilling. But, this wasn't the first time British Petroleum and its cost-cutting practices destroyed parts of the natural world. It also was not the first time that BP's negligence resulted in the loss of human life, ruined family businesses or shattered dreams. Journalist Mike Magner has been tracking BP's reckless path for years and, for the first time, focuses on the human price of BP's rise to power. From Alaska to Kansas to the Gulf, Magner has talked to people whose lives have been destroyed by BP's almost unparalleled corporate greed. When BP acquired an abandoned Kansas refinery in 1998, it discovered one of the most contaminated groundwater plumes in the U.S. Rather than begin a full cleanup, BP declared there was no cause for concern. A former schoolteacher alarmed by cancer cases in the town pushed her community to take BP to court. In 2005, an explosion at BP's Texas City refinery, operating with a raft of safety problems because of neglected maintenance, killed fifteen people including the mother and father of a young woman who was driving there to spend the Easter holidays with her parents. A year later, thousands of gallons of oil spilled onto Alaska's North Slope from a corroded BP pipeline. Following a hurricane, BP's Thunder Horse rig almost sank because of a flaw in its construction, and repair work exposed even more serious problems. Poisoned Legacy is the searing true story of the rise and fall of BP, a company that went from being a green maverick promising a world "Beyond Petroleum" to one of the most notorious corporate villains in history.
Edgar Award Finalist: Someone may be tampering with witnesses to protect the powerful in this “thoroughly involving” thriller (Booklist, starred review). John Mahoney, Minority Leader of the House and Joe DeMarco’s longtime employer, has kept more than one secret from his wife over the years, but none so explosive as this: He has a son, and that son has just been shot dead in a bar in Manhattan. Mahoney immediately dispatches DeMarco to New York to assist prosecutor Justine Porter, but with five bystanders willing to testify against the rich-kid killer, the case seems like a slam-dunk. That is, until Porter begins to suspect that someone is interfering with those witnesses, and that this may be connected to a pattern of cases across the country. Is someone getting witnesses out of the way when the fate of a wealthy defendant is on the line? With the help of Porter’s intern, as outrageously smart as she is young, veteran DC fixer DeMarco becomes determined to follow that question through to its violent resolution in House Witness, “one of the best in a superior series” (Deadly Pleasures).
Reporting on China has long been one of the most challenging and crucial of journalistic assignments. Foreign correspondents have confronted war, revolution, isolation, internal upheaval, and onerous government restrictions as well as barriers of language, culture, and politics. Nonetheless, American media coverage of China has profoundly influenced U.S. government policy and shaped public opinion not only domestically but also, given the clout and reach of U.S. news organizations, around the world. This book tells the story of how American journalists have covered China—from the civil war of the 1940s through the COVID-19 pandemic—in their own words. Mike Chinoy assembles a remarkable collection of personal accounts from eminent journalists, including Stanley Karnow, Seymour Topping, Barbara Walters, Dan Rather, Melinda Liu, Nicholas Kristof, Joseph Kahn, Evan Osnos, David Barboza, Amy Qin, and Megha Rajagopalan, among dozens of others. They share behind-the-scenes stories of reporting on historic moments such as Richard Nixon’s groundbreaking visit in 1972, China’s opening up to the outside world and its emergence as a global superpower, and the crackdowns in Tiananmen Square and Xinjiang. Journalists detail the challenges of covering a complex and secretive society and offer insight into eight decades of tumultuous political, economic, and social change. At a time of crisis in Sino-American relations, understanding the people who have covered China for the American media and how they have done so is crucial to understanding the news. Through the personal accounts of multiple generations of China correspondents, Assignment China provides that understanding.
Create more scientific thinking in your company—two popular guides in one convenient packageThe Toyota Kata Field Guide Power Pack includes Mike Rother’s groundbreaking companion volumes to his internationally renowned Toyota Kata—the book that launched a global business movement toward a scientific thinking management process that drives continuous improvement. The package includes: The Toyota Kata Practice Guide—a hands-on guide giving both the coach and the learner all the “starter Kata” for everyday practice, and Toyota Kata Culture—an illustrated look at how to deploy a Kata coaching chain that creates organizational capability to continually adapt, improve, and innovate.
The transcendent Christ found in the Bible is rediscovered and plugged back into the wayward, truth-hungry, over-Americanized world in A Western Jesus.
Best of the Best profiles thirty-five today's hottest stars and gives the reader a look into the personality behind the performances on the field. Each chapter gives a short biography of one of the players, an overview of his time in the Major Leagues, highlights from the previous season's play and color photographs showing the athlete both on and away from the -- diamond at work and at the player's career are also included.
Most studies of 1960s jazz underscore the sounds of famous avant-garde musicians like John Coltrane, Ornette Coleman, and Albert Ayler. Conspicuously absent from these narratives are the more popular jazz artists of the decade that electrified dance clubs, permeated radio waves, and released top-selling records. Names like Eddie Harris, Nancy Wilson, Ramsey Lewis, and Jimmy Smith are largely neglected in most serious work today. Mike Smith rectifies this oversight and explores why critical writings have generally cast off best-selling 1960s jazz as unworthy of in-depth analysis and reverent documentation. The 1960s were a time of monumental political and social shifts. Avant-garde jazz, made by musicians indifferent to public perception aligns well with widely held images of the era. In with the In Crowd: Popular Jazz in 1960s Black America argues that this dominant, and unfortunately distorted, view negates and ignores a vibrant jazz community. These musicians and their listeners created a music defined by socialization, celebration, and Black pride. Smith tells the joyful story of the musicians, the radio DJs, the record labels, and the live venues where jazz not only survived but thrived in the 1960s. This was the music of everyday people, who viewed jazz as an important part of their cultural identity as Black Americans. In an era marked by turmoil and struggle, popular jazz offered a powerful outlet for joy, resilience, pride, and triumph.
Widely recognized by sportswriters and fans as the most complete and accurate annual sports record, this sixth edition promises to be the best volume yet. Impeccably researched, it features 64 additional pages and expanded sections on the Winter Olympics and World Cup soccer, 275 photos and cartoons, specially commissioned essays, complete statistics, thumb tabs, and much more.
Through a careful examination of the work of the canonical nineteenth-century novelists, Mike Davis traces conspiracies and conspiratorial fantasy from one narrative site to another.
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