The Chillicothe Paints play baseball the way it was meant to be played--talented young men chasing their dreams to play pro ball before sell-out crowds in small town America. A charter member of the Frontier League, the team has thrilled local fans at historic V.A. Stadium for over a decade. It was from Chillicothe that the Frontier League sent its first alumnus, pitcher Brian Tollberg, in 2001, up to the big leagues. And major league legends from Reds Country--Johhny Bench, Pete Rose, Marty Brennaman--have become a regular part of promotional evenings at the V.A., attracting a packed house every time. All this local baseball excitement has deep roots in Chillicothe, dating back to the city's entry into the Ohio State Association in 1884.
One thing about Max was that he was about as well-adjusted to his disability, if you want to call it that, as anyone could be... He even used his eye once to shut up an obnoxious high school coach. After he'd heard all the complaining he wanted to hear, Max took his eye out of the socket and handed it to the stunned coach, saying, 'You want to umpire this game? Here, be my guest.'" Everything Happens in Chillicothe is an authentic, behind-the-scenes look at the lowest rung of professional baseball, and a biography of Max McLeary, the one-eyed umpire and a most intriguing individual. Author Mike Shannon spent the 2000 Frontier League season attending games with McLeary and gives his account of the season here. The book speaks volumes about umpiring as a profession, relationships (particularly between Max and his estranged son, a minor league player; between Max and his long-suffering wife Patty; and between Max and his umpiring partner Jim Schaly), life in small-town America, and the various people connected with the Chillicothe Paints and other teams in the Frontier League. Many humorous and poignant stories, are told here for the first time, by McLeary, Schaly, and others.
Can an individual act of suicide be socially significant, or does it present too many imponderable features? This book examines suicide like no other. Unconcerned with the individual dispositions that lead a person to commit such an act, Usurping Suicide focuses on the reception suicides have produced – their political, social and cultural implications. How does a particular act of suicide enable a collective significance to be attached to it? And what contextual circumstances predispose a politicised public response? From Mohamed Bouazizi's self-immolation during regime change in Tunisia to Dimitris Christoulas's public shooting at a time of increased political upheaval in Greece, and beyond – this remarkable work examines how the individuality of the act of suicide poses a disturbing symbolic conundrum for the dominant liberal order.
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