In this indispensable guide to digital film-making, leading film-maker Mike Figgis offers the reader a step-by-step tutorial in how to use digital technology so as to get the best from it. Mike Figgis, with experience from films such as Miss Julie and Leaving Las Vegas - for which he received two Oscar nominations - is an authoritative and insightful guide through the details of film-making. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process - from working with actors to lighting, framing, and camera movement. He further dispenses wisdom on the editing process and the use of sound and music, all the while establishing a sound aesthetic basis for the digital format. This handbook is essential whether your goal is to make no-budget movies, or simply to put your video camera to more use than just holidays and weddings.
Mike Figgis has always been intrigued by the workings of the Hollywood System. As he progressed from his acclaimed US debut Internal Affairs, through hellish studio wrangles on Mr. Jones, to Oscar-laurelled success with Leaving Las Vegas, Figgis always wanted to find a way to document the mores of the Hollywood industry, before it could swallow him whole. For Projections, he accepted an invitation to return to LA in late 1998 and create just such a document. In conversation with established players such as Mel Gibson, Jodie Foster and Jerry Bruckheimer, plus ascending talents such as Salma Hayek and Paul Thomas Anderson, Figgis paints a refreshingly honest but unmistakably dark portrait of an industry where money does more than talk. Mike Figgis's witnesses include Mel Gibson, Jodie Foster, Mickey Rourke, Nastassja Kinski, Elizabeth Shue, Salma Hayek, Paul Thomas Anderson, Jerry Bruckheimer and many more . . .
Ben Sanderson is an alcoholic who has hit rock bottom. Cutting all personal and professional ties to his L.A. existence, he sets off for the lights of Vegas on a mission: to drink himself to death. There he meets Sera, a beautiful, seen-it-all hooker. From the moment Ben and Sera connect, they form a unique bond based upon unconditional acceptance and mutual respect that will change each of them forever. In the words of David Thompson of Los Angeles Magazine, Leaving Las Vegas is a masterpiece. Best Actor Oscar (R) winner Nicolas Cage and Best Actress nominee Elisabeth Shue set the screen ablaze in this profoundly moving love story. Nominated for two additional Academy Awards (R), Director and Adapted Screenplay, this emotionally charged powerhouse of a film graced over 100 '10 Best' lists including Roger Ebert's #1 Movie of the Year.
The original 36 Dramatic Situations was written in in French by Georges Polti in the 1850s. Polti synthesised all drama as belonging to combinations of 36 situations. In the book he illustrates each 'situation' with examples from classical and French theatre. When Mike Figgis used the book as an aid in putting together a treatment for a film, he found that his landscape of creativity had altered quite radically and ideas came forth with relative ease.He realised that Polti's book was system of reference which could be a powerful tool for writers. So he began updating all of the references, moving the focus away from theatre and focussing primarily on cinema. In the first half, each 'Dramatic Situation' is laid out under the 36 headings. The specific 'Situation' is then explained more fully, followed by an example from a specific film, accompanied by an explanation of how the device is used in the film. In the second half of the book there are a series of charts which analyse 150 great films (of all genres) based on the 36 situations.
Mike Figgis is known for his iconoclastic portrayals of outsiders." Stormy Monday "(1988) depicts a janitor turned jazz club partner while in "Liebestraum "(1991) two affairs shed light on a 30-year old murder-suicide. But it was with "Leaving Las Vegas" (1995) that Figgis became a household name. The heartbreaking story of the friendship between a prostitute and a man drinking himself to death, the film garnered numerous accolades and awards including Oscar nominations for Best Screenplay and Best Director, and has since become a contemporary classic.
Whether working in England or America, Mike Figgis is one of the most innovative and iconoclastic writer-directors in cinema today, and this collection of screenplays displays the rich diversity of his tastes in style and subject matter. Stormy Monday (1988) In the era of Reagan and Thatcher's 'special relationship', Newcastle hosts a special 'America Week', and US businessman-gangster Frank Cosmo seeks to capitalise by pressurising jazz club owner Finney to sell his premises. Finney receives unexpected assistance from Brendan, his newly-hired young janitor, who is also romancing Kate, an escort girl who works part-time for Cosmo. Liebestraum (1991) Architecture professor Nick Kaminsky travels to Elderstown, Illinois, to be by the bedside of his dying mother. He runs into Paul, an old college friend, whose construction company is demolishing a beautiful old cast-iron department store, scene of a notorious murder / suicide 30 years ago. Nick becomes steadily more fascinated, by the building and its history, and by Paul's beautiful wife, Jane. Leaving Las Vegas (1995) Alcoholic Ben Sanderson loses his Hollywood job, takes his severance pay, and drives to Vegas with the mission of drinking himself to death. On the Strip he encounters working girl Sera: she falls for him, and he moves in with her, at the same time extracting a solemn promise that she will not try to divert him from his chosen path of self-annihilation.
Mike Figgis's Loss of Sexual Innocence is a fascinating fusion of stories, dreams, images and music. The film is a meditation on the process of growing up, and the inevitable loss of innocence this entails. The central image is the expulsion of Adam and Eve from the Garden of Eden; and as in all of Mike Figgis's work, the focus is upon the passionate and often troublesome nature of relationships between men and women. The film was shot in Italy, Tunisia, and Figgis'snative Newcastle, on the lowest of imaginable budgets. In an introduction to the screenplay, Figgis describes how he brought off this remarkable task.
Ben Sanderson is an alcoholic who has hit rock bottom. Cutting all personal and professional ties to his L.A. existence, he sets off for the lights of Vegas on a mission: to drink himself to death. There he meets Sera, a beautiful, seen-it-all hooker. From the moment Ben and Sera connect, they form a unique bond based upon unconditional acceptance and mutual respect that will change each of them forever. In the words of David Thompson of Los Angeles Magazine, Leaving Las Vegas is a masterpiece. Best Actor Oscar (R) winner Nicolas Cage and Best Actress nominee Elisabeth Shue set the screen ablaze in this profoundly moving love story. Nominated for two additional Academy Awards (R), Director and Adapted Screenplay, this emotionally charged powerhouse of a film graced over 100 '10 Best' lists including Roger Ebert's #1 Movie of the Year.
Now there is no reason to prevent anybody from making a film. The technology exists, the equipment is much cheaper than it was, the post-production facilities are on a laptop computer, the entire equipment to make a film can go in a couple of cases and be carried as hand luggage on a plane. —Mike Figgis In this indispensable guide, Academy Award nominee Mike Figgis offers the reader a step-by-step tutorial in how to use digital filmmaking technology so as to get the very best from it. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process—from working with actors to lighting, framing, and camera movement. He dispenses further wisdom on the editing process and the use of sound and music, all while establishing a sound aesthetic basis for the digital format. Offering everything that you could wish to know on the subject, this is a handbook that will become an essential backpocket eference for the digital film enthusiast—whether your goal is to make no-budget movies or simply to put your video camera to more use than just holidays and weddings.
Martin Scorsese's Documentary Histories: Migrations, Movies, Music is the first comprehensive study of Martin Scorsese's prolific work as a documentary filmmaker. Highlighting the historiographic aims of the director's various non-fiction film, video, and television productions, Mike Meneghetti re-examines Scorsese's documentaries as resourceful audiovisual histories of migrations, movies, and popular music. Italianamerican's critical immersion in the post-Sixties ethnic revival inaugurates Scorsese's decades-long documentary project in 1974, and the era's developing vernacular of reclamation would shape each of his subsequent non-fiction efforts. Martin Scorsese's Documentary Histories surveys the succeeding films' decisive adherence to this language of retrieval. With extended analyses of Italianamerican, American Boy: A Profile of Steven Prince, The Last Waltz, Shine a Light, Feel Like Going Home, No Direction Home: Bob Dylan, Il mio viaggio in Italia, and A Letter to Elia among others, Meneghetti resituates Scorsese's filmmaking within the wider contexts of documentary history and American culture.
This guide covers everything, from Wales' pumping nightlife and rural cosmopolitanism to its crags and castles. Critical reviews are given on accommodation and restaurants suiting all pockets, from budget to luxury. There are detailed descriptions of numerous walks, from gentle lakeside strolls to serious mountain scrambles, and water sports, including surfing and the locally pioneered sport of coasteering.
This major, authoritative reference work embraces the spectrum of organized political activity in the British Isles. It includes over 2,500 organizations in 1,700 separate entries. Arrangement is in 20 main subject sections, covering the three main p
This Companion introduces readers to the practice of Christian theology, covering what theologians do, why they do it, and what steps readers can take in order to become theological practitioners themselves. The volume aims to capture the variety of practices involved in doing theology, highlighting the virtues that guide them and the responsibilities that shape them. It also shows that the description of these practices, virtues and responsibilities is itself theological: what Christian theologians do is shaped by the wider practices and beliefs of Christianity. Written by a team of leading theologians, the Companion provides a unique resource for students and scholars of theology alike.
“An under-read and engaging show-biz memoir.” –The New Yorker "If I had a talent for anything, it was a talent for knowing who was talented." Mike Medavoy is a Hollywood rarity: a studio executive who, though never far from controversy, has remained well loved and respected through four decades of moviemaking. What further sets him apart is his role in bringing to the screen some of the most acclaimed Oscar-winning films of our time: Apocalypse Now, One Flew Over the Cuckoo's Nest, Amadeus, The Silence of the Lambs, Philadelphia, and Sleepless in Seattle are just some of the projects he green-lighted at United Artists, Orion, TriStar, his own Phoenix Pictures. "The ultimate lose-lose situation for a studio executive: to wind up with a commercial bomb and a bad movie." Of course, there are the box office disasters, and the films, as Medavoy says, "for which I should be shot." They, too, have a place in his fascinating memoir -- a pull-no-punches account of financial and political maneuvering, and of working with the industry's brightest star power, including Steven Spielberg, Martin Scorsese, Francis Ford Coppola, Kevin Costner, Robert De Niro, Jodie Foster, Sharon Stone, Michael Douglas, Meg Ryan, and countless others. "Putting together the elements of a film is a succession of best guesses." Medavoy speaks out on how movie studio buyouts have stymied the creative process and brought an end to the "hands-off" golden age of filmmaking. An eyewitness to Hollywood history in the making, he gives a powerful and poignant view of the past and future of a world he knows intimately.
For the last 150 years, every Londoner, tourist, and visitor uses the tube to explore and enjoy London. But behind the facade of ox-blood brick buildings and colourful diagrams lies a wealth of history and interesting facts. This book tests your knowledge in this area with 250 questions (and answers) about this incredible network.
Sixteen-year-old Kelly has never known her Dad. Turns out he's from Iraq, which her mum never mentioned, and he's brought an ancient Mesopotamian vase as some kind of present. But Kelly doesn't want a vase. She wants her dad to stay and get to know her. It's not the reunion either of them expected and for Kelly, it's the beginning of an epic and dangerous journey. Mike Bartlett has been described as 'One of the most exciting new talents to emerge in recent times'. (The Stage). His first play My Child was called 'Brutal, thrilling, unmissable' (Evening Standard) and 'the theatrical equivalent of a firecracker'. (Metro).
When dark forces push the current Nexus into his work with a brutal vengeance, classic Nexus Horatio Hellpop must step in before he goes too far! But as the Nexuses square off, an even greater threat looms on the cosmic horizon! Collects Nexus volume 2 #66–#80. * Don’t miss original Nexus stories in Dark Horse Presents! * Over 400 pages!
Major Richard Llewellyn, who fought at Quatre Bras, wrote in 1837 that, 'Had it not been so closely followed by the... victory of Waterloo, perhaps the gallant exploits and unexampled bravery that marked that day would... have excited even more admiration than was actually associated with it.' This book stands out from the wealth of Napoleonic literature in that it is the first English-language account to focus solely on the battle of Quatre Bras. It is based upon extensive research and in many cases unpublished personal accounts from all participating countries, as well as a detailed topographic, aerial survey of the battlefield. These combine to provide a highly personal, balanced and authoritative work. The author unravels the controversies of a battle where commanders made errors of omission and commission and where cowardice rubbed shoulders with heroism. This is the story of a battle that turned a campaign; of triumph and disaster. It is a story of two great generals, but more importantly, of the intense human experience of those that they led. It is a book that will appeal to both the scholar and the generalist.
The Virgin Mary’s part in history doesn’t begin and end with her yes to God. Popular Catholic author Mike Aquilina points out that Mary is at the center of history from creation to the end of time and everywhere in between. In History’s Queen, you’ll learn about the many ways the mother of humanity has left her mark on the great events of time, not only as we see them in the Bible, but also in pivotal events such as Fatima, the battle of Lepanto, and the plague. In this journey through two thousand years of Mary’s active participation in world events, each chapter of History’s Queen highlights a Marian intervention that is emblematic of a particular era, and opens our eyes to the ways in which Mary provides a vital key for understanding both our past and our future. Mike Aquilina—author of The History of the Church in 100 Objects and editor of the Reclaiming Catholic History series—provides a fresh, fascinating, and classical view of history to today’s readers, exploring: Mary’s centrality in the Church Fathers’ view of history; Mary’s role in preserving Byzantium during the explosive rise of Islam; Marian devotion in medieval Ireland that inspired generations of great missionaries; Mary’s role in military victories at Lepanto and Vienna; and the message of peace received by three shepherd children in Fatima that sustained the world through a century of unprecedented violence and apostasy.
In this indispensable guide to digital film-making, leading film-maker Mike Figgis offers the reader a step-by-step tutorial in how to use digital technology so as to get the best from it. Mike Figgis, with experience from films such as Miss Julie and Leaving Las Vegas - for which he received two Oscar nominations - is an authoritative and insightful guide through the details of film-making. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process - from working with actors to lighting, framing, and camera movement. He further dispenses wisdom on the editing process and the use of sound and music, all the while establishing a sound aesthetic basis for the digital format. This handbook is essential whether your goal is to make no-budget movies, or simply to put your video camera to more use than just holidays and weddings.
The original 36 Dramatic Situations was written in in French by Georges Polti in the 1850s. Polti synthesised all drama as belonging to combinations of 36 situations. In the book he illustrates each 'situation' with examples from classical and French theatre. When Mike Figgis used the book as an aid in putting together a treatment for a film, he found that his landscape of creativity had altered quite radically and ideas came forth with relative ease.He realised that Polti's book was system of reference which could be a powerful tool for writers. So he began updating all of the references, moving the focus away from theatre and focussing primarily on cinema. In the first half, each 'Dramatic Situation' is laid out under the 36 headings. The specific 'Situation' is then explained more fully, followed by an example from a specific film, accompanied by an explanation of how the device is used in the film. In the second half of the book there are a series of charts which analyse 150 great films (of all genres) based on the 36 situations.
An astounding collaboration between Agent Provocateur, Mike Figgis and Kate Moss, "The 4 Dreams of Miss X" breaks new ground. Genius innovators in haute couture, AP have commissioned Mike Figgis to portray Moss in her first acting role, resulting in four unique films: "Shadows", "Scale", "Exhibitionist and "Narcissus" - "The 4 Dreams of Miss X". Shot in night vision, these films are intensely intimate: a beautiful woman's private dream experiences. Two films have been released online in 2006, with the final two released in January and March 2007. Brought together for the first time on DVD, you can now enjoy Kate Moss' first ever speaking role at home and full screen.
More than 500 movies are released directly to video each year, while another 100 or so have extremely limited theatrical releases. To learn about these mysterious movies and buried treasures, turn to "VideoHound's Video Premieres", a collection of reviews and ratings for 1,000 of the best and worst direct-to-video movies and limited in every genre. 100 photos.
Features of this Rough Guide to Wales include thorough coverage of Wales' mountain walks, pointers on alternative culture in Wales, Welsh environmental issues and Welsh nationalism. This new edition features more maps, walks and lesser known beaches.
As the title suggests, One Night Stand centres round a bittersweet sexual encounter between two people and how that event triggers a crisis in both the marriage and the career of the male protagonaist, Max. With his best friend dying of AIDS, Max has to decide which path his life should take. As with Leaving Las Vegas, Mike Figgis looks on his characters in a non-judgemental way, seeking to create the complex texture of ordinary life.
A distinctive and incomparable collection from "Mighty" Mike McGee, the class clown of spoken word and poetry slam's geek champion. This debut includes his most notable performance poems, stories, humorous anecdotes and how-to's. This handbook moves between serious love tomes, like "Open Letter to Neil Armstrong" and "Every Day," to his most irreverent and requested works, like "Puddin'" and "Like." A true road-dog, McGee travels with words and camera, many results of which are captured in this collection. The humor contained in these pages are a campfire on a lonely winter night, the poetry – a reason to shout about love.
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