Hailed as one of the most important portrayals of the dark years of Nazism, this powerful chronicle by the Romanian Jewish writer Mihail Sebastian aroused a furious response in Eastern Europe when it was first published. A profound and powerful literary achievement, it offers a lucid and finely shaded analysis of erotic and social life, a Jew’s diary, a reader’s notebook, a music-lover’s journal. Above all, it is an account of the “rhinocerization” of major Romanian intellectuals whom Sebastian counted among his friends, including Mircea Eliade and E.M. Cioran, writers and thinkers who were mesmerized by the Nazi-fascist delirium of Europe’s “reactionary revolution.” In poignant, unforgettable sequences, Sebastian follows the grinding progression of the “machinery” of brutalization and traces the historical context in which it developed. Despite the pressure of hatred and horror in the “huge anti-Semitic factory” that was Romania in the years of World War II, his writing maintains the grace of its perceptive and luminous intelligence. The legacy of a journalist, novelist, and playwright, Sebastian’s Journal stands as one of the most important human and literary documents of the climate that preceded the Holocaust in Eastern Europe.
Available in English for the first time, Mihail Sebastian’s classic 1934 novel delves into the mind of a Jewish student in Romania during the fraught years preceding World War II. This literary masterpiece revives the ideological debates of the interwar period through the journal of a Romanian Jewish student caught between anti-Semitism and Zionism. Although he endures persistent threats just to attend lectures, he feels disconnected from his Jewish peers and questions whether their activism will be worth the cost. Spending his days walking the streets and his nights drinking and conversing with revolutionaries, zealots, and libertines, he remains isolated, even from the women he loves. From Bucharest to Paris, he strives to make peace with himself in an increasingly hostile world. For Two Thousand Years echoes Mihail Sebastian’s struggles as the rise of fascism ended his career and turned his friends and colleagues against him. Born of the violence of relentless anti-Semitism, his searching, self-derisive work captures a defining moment in history and lights the way for generations to come—a prescient, heart-wrenching chronicle of resilience and despair, resistance and acceptance.
A rediscovered classic from the author of For Two Thousand Years, this remarkable novel presents nuanced snapshots of love in the early twentieth century. Stefan Valeriu, a young man from Romania who has just completed his medical studies in Paris, spends his vacation in the Alps, where he quickly becomes entangled with three different women. We follow Stefan after his return to Paris as he reflects on the women in his life, at times playing the lover, and at others observing shrewdly from the periphery. Women's four interlinked stories offer moving, strikingly modern portraits of romantic relationships in all their complexity, from unrequited loves and passionate affairs to tepid marriages of convenience. In the same eloquent style that would characterize his later, more political writings, Mihail Sebastian explores longing, otherness, empathy, and regret.
In the tradition of Sándor Márai, Mihail Sebastian is a captivating Central European storyteller from the first half of the twentieth century whose work is being rediscovered by new generations of readers throughout Europe, Latin America, and the United States. The 2000 publication of his Journal 1935-1944: The Fascist Years introduced his writing to an English-speaking audience for the first time, garnering universal acclaim. Philip Roth wrote that Sebastian's Journal "deserves to be on the same shelf as Anne Frank's Diary and to find as huge a readership." Outside of the English-speaking world, Sebastian's reputation rests on his fiction. This publication of The Accident marks the first appearance of the author's fiction in English. A love story set in the Bucharest art world of the 1930s and the Transylvanian mountains, it is a deeply romantic, enthralling tale of two people who meet by chance. Along snowy ski trails and among a mysterious family in a mountain cabin, Paul and Nora, united by an attraction that contains elements of repulsion, find the keys to their fate. Mihail Sebastian (1907-1945) was born in southeastern Romania and worked in Bucharest as a lawyer, journalist, novelist, and playwright until anti-Semitic legislation forced him to abandon his public career. His long-lost diary, Journal 1935-1944: The Fascist Years, was published in seven countries between 1996 and 2007, launching an international revival of his work. Sebastian's novels and plays are available in translation throughout Europe, and also have been published in Chinese, Hindi, Bengali, and Hebrew.
Fiction. Translated by Christina Tudor-Sideri. The late Mihail Sebastian's brief 1932 book available in English for the first time."One November evening (in circumstances that would take too long to narrate here) I found in Paris, on the Mirabeau Bridge, a notebook with black, glossy, oilcloth covers, like the ones in which grocers used to keep accounts. There were exactly 126 pages--commercial paper--filled with small writing, streamlined, without erasures. A curious reading, tiring in places, obscure passages, notations that appeared foreign to me, in fact even absolutely contrasting."--Mihail Sebastian
Deserves to be on the same shelf as Anne Frank's Diary and to find as huge a readership' - Philip Roth Mihail Sebastian was a promising young Jewish writer in pre-war Bucharest, a novelist, playwright, poet and journalist who counted among his friends the leading intellectuals and social luminaries of a sophisticated Eastern European culture. Because of Romania's opportunistic treatment of Jews, he survived the war and the Holocaust, only to be killed in a road accident early in 1945. His remarkable diary was published only recently in its original language and is here translated into English for the first time. Sebastian's Journal offers not only a chronicle of the darkest years of European anti-Semitism but a lucid and finely shaded analysis of erotic and social life, a reader's notebook, and a music lover's journal. Above all, it is a measured but blistering account of the major Romanian intellectuals, Sebastian's friends, writers and thinkers who were mesmerised by the Nazi-fascist delirium of Europe's 'reactionary revolution'. In poignant and memorable sequences, Sebastian touches on the progression of the machinery of brutalisation and on the historical context that lay behind it. One of the most remarkable literary achievements of the Nazi period, Sebastian's journal vividly captures the now-vanished world of pre-war Bucharest. Under the pressure of hatred and horror in the 'huge anti-Semitic factory' that was Romania in the years of World War II, his writing maintains the grace of its intelligence, standing as one of the most important human and literary documents to survive from a singular era of terror and despair.
On a cold bright day, fifteen year old Adriana Dunea wakes up to find that her world has transformed overnight. Her parents irritate her, school is a bore and her body is changing in ways she does not understand. As the seasons turn, she grows into a beautiful young woman, forges new friendships and falls in and out of love. Yet her days spent dreaming of romance and listening to the latest gramophone records in her provincial town swiftly come to an end when the sudden opportunity arises to move to Bucharest. Seduced by the charms of the ‘Little Paris of the East’, a chance encounter with the hot-headed composer Cello Viorin tests her attachment to her longstanding sweetheart, Gelu. In this witty, lyrical coming-of-age novel, Mihail Sebastian sensitively charts his heroine’s journey of self-awakening as she discovers the limits of her freedom and strives to shape her identity as a woman.
Voici enfin ce fameux Journal auquel le roman intitulé Depuis deux mille ans a servi en quelque sorte de préface. Resté inédit jusqu'en 1996, ce remarquable document couvre les années 1935 à 1944. On y retrouve, cette fois sous leur vrai nom, la quasi totalité des grandes figures de la scène intellectuelle roumaine, dont Cioran et Mircea Eliade, frayant gaiement avec la Garde de fer, sous la houlette de Nae Ionescu devenu à partir de 1934 le maître à penser officiel de ce mouvement fasciste. Grand témoin et première victime de cet antisémitisme terrifiant de violence et vertigineux de bêtise qui imprégnait tout le pays, et en premier lieu ses élites, Sebastian garde un ton d'une sobriété percutante pour en décrire les absurdités et en rapporter les méfaits. "Plutôt un protectorat allemand qu'une Roumanie envahie une fois encore par les youpins", lui déclare par exemple Mircea Eliade au début de la guerre... Mais on découvre aussi à travers ces pages les angoisses et les bonheurs de l'écrivain, tout- comme les passions amoureuses d'un jeune homme que ses doutes et sa pudeur ne cessent de rendre toujours plus attachant. Et qui nous livre là un chef d'oeuvre.
By covering theory, design, and fabrication of nanostructured superconducting materials, this monograph is an invaluable resource for research and development. Examples are energy saving solutions, healthcare, and communication technologies. Key ingredients are nanopatterned materials which help to improve the superconducting critical parameters and performance of superconducting devices, and lead to novel functionalities. Contents Tutorial on nanostructured superconductors Imaging vortices in superconductors: from the atomic scale to macroscopic distances Probing vortex dynamics on a single vortex level by scanning ac-susceptibility microscopy STM studies of vortex cores in strongly confined nanoscale superconductors Type-1.5 superconductivity Direct visualization of vortex patterns in superconductors with competing vortex-vortex interactions Vortex dynamics in nanofabricated chemical solution deposition high-temperature superconducting films Artificial pinning sites and their applications Vortices at microwave frequencies Physics and operation of superconducting single-photon devices Josephson and charging effect in mesoscopic superconducting devices NanoSQUIDs: Basics & recent advances Bi2Sr2CaCu2O8 intrinsic Josephson junction stacks as emitters of terahertz radiation| Interference phenomena in superconductor-ferromagnet hybrids Spin-orbit interactions, spin currents, and magnetization dynamics in superconductor/ferromagnet hybrids Superconductor/ferromagnet hybrids
Hailed as one of the most important portrayals of the dark years of Nazism, this powerful chronicle by the Romanian Jewish writer Mihail Sebastian aroused a furious response in Eastern Europe when it was first published. A profound and powerful literary achievement, it offers a lucid and finely shaded analysis of erotic and social life, a Jew’s diary, a reader’s notebook, a music-lover’s journal. Above all, it is an account of the “rhinocerization” of major Romanian intellectuals whom Sebastian counted among his friends, including Mircea Eliade and E.M. Cioran, writers and thinkers who were mesmerized by the Nazi-fascist delirium of Europe’s “reactionary revolution.” In poignant, unforgettable sequences, Sebastian follows the grinding progression of the “machinery” of brutalization and traces the historical context in which it developed. Despite the pressure of hatred and horror in the “huge anti-Semitic factory” that was Romania in the years of World War II, his writing maintains the grace of its perceptive and luminous intelligence. The legacy of a journalist, novelist, and playwright, Sebastian’s Journal stands as one of the most important human and literary documents of the climate that preceded the Holocaust in Eastern Europe.
In the tradition of Sándor Márai, Mihail Sebastian is a captivating Central European storyteller from the first half of the twentieth century whose work is being rediscovered by new generations of readers throughout Europe, Latin America, and the United States. The 2000 publication of his Journal 1935-1944: The Fascist Years introduced his writing to an English-speaking audience for the first time, garnering universal acclaim. Philip Roth wrote that Sebastian's Journal "deserves to be on the same shelf as Anne Frank's Diary and to find as huge a readership." Outside of the English-speaking world, Sebastian's reputation rests on his fiction. This publication of The Accident marks the first appearance of the author's fiction in English. A love story set in the Bucharest art world of the 1930s and the Transylvanian mountains, it is a deeply romantic, enthralling tale of two people who meet by chance. Along snowy ski trails and among a mysterious family in a mountain cabin, Paul and Nora, united by an attraction that contains elements of repulsion, find the keys to their fate. Mihail Sebastian (1907-1945) was born in southeastern Romania and worked in Bucharest as a lawyer, journalist, novelist, and playwright until anti-Semitic legislation forced him to abandon his public career. His long-lost diary, Journal 1935-1944: The Fascist Years, was published in seven countries between 1996 and 2007, launching an international revival of his work. Sebastian's novels and plays are available in translation throughout Europe, and also have been published in Chinese, Hindi, Bengali, and Hebrew.
Thrown off the train for not having a ticket, Mona finds herself, alone, in a rural town at night. Although she is fashionably dressed, she has no money and nowhere to stay. Fortunately, the local schoolteacher, Marin, invites her to stay at his home while he sleeps over at a friend's place. However, an attraction soon develops. Marin, a keen astronomer, reveals that he has discovered a star which is not marked on any star chart. They share a wonderfully happy night together. But their idyll is soon shattered by the arrival of Mona's boyfriend, Grig. Will Mona choose to return to her old life in the city or settle for a quieter life with Marin? This play was a hit in Romania at the time it was written and has subsequently been adapted for film in both France and Russia. Available for the first time in a new English translation by Gabi Reigh.
On a cold bright day, fifteen year old Adriana Dunea wakes up to find that her world has transformed overnight. Her parents irritate her, school is a bore and her body is changing in ways she does not understand. As the seasons turn, she grows into a beautiful young woman, forges new friendships and falls in and out of love. Yet her days spent dreaming of romance and listening to the latest gramophone records in her provincial town swiftly come to an end when the sudden opportunity arises to move to Bucharest. Seduced by the charms of the ‘Little Paris of the East’, a chance encounter with the hot-headed composer Cello Viorin tests her attachment to her longstanding sweetheart, Gelu. In this witty, lyrical coming-of-age novel, Mihail Sebastian sensitively charts his heroine’s journey of self-awakening as she discovers the limits of her freedom and strives to shape her identity as a woman.
Available in English for the first time, Mihail Sebastian’s classic 1934 novel delves into the mind of a Jewish student in Romania during the fraught years preceding World War II. This literary masterpiece revives the ideological debates of the interwar period through the journal of a Romanian Jewish student caught between anti-Semitism and Zionism. Although he endures persistent threats just to attend lectures, he feels disconnected from his Jewish peers and questions whether their activism will be worth the cost. Spending his days walking the streets and his nights drinking and conversing with revolutionaries, zealots, and libertines, he remains isolated, even from the women he loves. From Bucharest to Paris, he strives to make peace with himself in an increasingly hostile world. For Two Thousand Years echoes Mihail Sebastian’s struggles as the rise of fascism ended his career and turned his friends and colleagues against him. Born of the violence of relentless anti-Semitism, his searching, self-derisive work captures a defining moment in history and lights the way for generations to come—a prescient, heart-wrenching chronicle of resilience and despair, resistance and acceptance.
The frustrated wife of a French-Tunisian plantation owner, a mysterious older woman, a world weary tomboy, an unhappy mistress, a Parisian factory worker destined for tragedy, an acrobat turned cabaret sensation – these are the women whose lives are linked by their relationship with one man – Ștefan Valeriu. Divided into four separate stories connected by one man, Women takes us from Ștefan’s amorous entanglements at an Alpine lake resort, to his life in Bucharest and Paris, as each of the women in his life opens up new worlds for him. Women is a hymn to love in all its forms, romantic or platonic, sometimes reckless, often glorious and always, ultimately, ephemeral. Reviews: "He wonderfully captures the atmosphere of prewar Romania in all its complexity, all the beauty and the horror... I love Sebastian for his lightness, for his wit...” -- John Banville, BBC4 ‘It’s an edgy account of sexuality, desire, and the strictures of contemporary relationships... a compelling portrait of desire in its many convoluted manifestations.’ -- Kirkus Reviews, Kirkus Reviews ‘..these concise stories... showcase Sebastian’s brilliant eye for emotional detail.’ --Publishers' Weekly ‘His prose is like something Chekov might have written – the same modesty, candour, and subtleness of observation.’ -- Arthur Miller “Nothing I have read is more affecting than Mihail Sebastian’s magnificent, haunting 1934 novel, For Two Thousand Years.” -- Phillipe Sands, The Guardian
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