Who holds the whip hand? From a young mother stealing back her child to a disillusioned lover seeking revenge with a potion, from house cleaners contemplating a life of crime to a woman parting ways with Jesus, these are stories of people living on the edge. In their collections ‘The Returning' and ‘Playing Dead', Mihaela Nicolescu and Nadine Browne illuminate the complexity of the everyday with compassionate but unflinching accounts of the ways in which people gain, lose or reclaim control of their lives.
This book presents an original way of articulating a discussion of Mircea Eliade’s journalism, a lesser-known chapter in the literary biography of the celebrated philosopher of religion. As it shows, Eliade’s articles serve as the starting point of interesting comments regarding the movement of ideas in the interwar era, historical and cultural contexts, Romania’s cultural life and its relation to European modernism, the dramatic destiny of Mircea Eliade and his generational colleagues under the pressure of a succession of totalitarian regimes, the post-war Romanian diaspora, and the reception of Eliade in Romania and abroad. It shows how Eliade’s approach to culture is subject to a phenomenological variation, examining it from a range of perspectives.
Who holds the whip hand? From a young mother stealing back her child to a disillusioned lover seeking revenge with a potion, from house cleaners contemplating a life of crime to a woman parting ways with Jesus, these are stories of people living on the edge. In their collections ‘The Returning' and ‘Playing Dead', Mihaela Nicolescu and Nadine Browne illuminate the complexity of the everyday with compassionate but unflinching accounts of the ways in which people gain, lose or reclaim control of their lives.
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