This book examines the different means through which Spain has revisited its ex-colony - the Philippines - since 2000. Focusing on several major exhibitions organised in the period 1998-2017, the ‘poetics’ (narratives and meaning) and ‘politics’ (institutional power) of Spanish representations of the Philippines are critically examined. Even though Spain’s intention was to offer a fresh and updated look at the Philippines through the events organised, there was also a tendency to refer to and recreate a colonial past, posing important questions about the continuity of conceptions concerning the old Spanish Empire in the 21st Century. Díaz Rodríguez further analyses Spanish cultural policy concerned with cultural promotion outside Spain and, in particular, in the Philippines. He considers the Spanish official approach to cultural exchange in the Philippines and the consequences of particular intercultural events supported by Spanish institutions in the Philippines. This is evidenced by unique data gathered from a number of interviews conducted by the author with Spanish and Filipino artists and cultural workers. His conclusions contribute to the understanding of the transnational movement of culture, including cultural representation, arts funding, and the links between politics and the arts.
A young man’s fate is tied to the Protestant Reformation—and the violent upheaval that follows—in this prize-winning novel of sixteenth-century Spain. On October 31st, 1517, Martin Luther nails his ninety-five theses to a church door and launches the movement that will divide the Roman Catholic Church. On that same day, a child is born in the Spanish city of Valladolid. The young Cipriano Salcedo's fate is marked by the political and religious upheaval taking root across Europe. Cipriano grows up to become a prosperous merchant and joins the Reformation movement, which is secretly advancing on the Iberian Peninsula, the historical bastion of the Catholic church. But before long, the Spanish Inquisition will drive the Reformers to put their lives at stake. Through Cipriano’s story, Delibes paints a masterful portrait of the time of Spain's Charles V and recreates the social and intellectual atmosphere of Europe at one of history's most pivotal moments. Winner of Spain’s Premio Nacional de Narrativa
Miguel La Serna's gripping history of the Tupac Amaru Revolutionary Movement (MRTA) provides vital insight into both the history of modern Peru and the link between political violence and the culture of communications in Latin America. Smaller than the well-known Shining Path but just as remarkable, the MRTA emerged in the early 1980s at the beginning of a long and bloody civil war. Taking a close look at the daily experiences of women and men who fought on both sides of the conflict, this fast-paced narrative explores the intricacies of armed action from the ground up. While carrying out a campaign of urban guerrilla warfare ranging from vandalism to kidnapping and assassinations, the MRTA vied with state forces as both tried to present themselves as most authentically Peruvian. Appropriating colors, banners, names, images, and even historical memories, hand-in-hand with armed combat, the Tupac Amaristas aimed to control public relations because they insightfully believed that success hinged on their ability to control the media narrative. Ultimately, however, the movement lost sight of its original aims, becoming more authoritarian as the war waged on. In this sense, the history of the MRTA is the story of the euphoric draw of armed action and the devastating consequences that result when a political movement succumbs to the whims of its most militant followers.
This publication has been produced on the occasion of Dr. Libia Posada's residence as Katz Family Fellow and her exhibit during Fall 2017 titled "Be patient / Se paciente: artistic and medical entanglements in the work of Libia Posada" at the Fredric Jameson Gallery at Duke University, August-September 2017"--Title page verso.
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