Christoph Rothmann wrote a treatise on the comet of 1585 shortly after it disappeared. Though it was not printed until 1619, Rothman sent a copy of his treatise in 1586 to Tycho Brahe, decisively influencing the latter's rejection of solid celestial spheres two years later. In his treatise, Rothmann joined the elimination of the solid celestial spheres to his concept of air as the substance filling the cosmos. He based his argument on the absence of refraction and the celestial location of the comet. The treatise also contained clear statements reflecting Rothmann’s adoption of Copernicanism. This first critical edition of the treatise is accompanied by an English translation and a thorough commentary. Some appendices with archival documents illustrate the genesis of Rothmann’s treatise.
Michael Maestlin was a main protagonist of the astronomical and cosmological revolution between Copernicus and Galileo. This book presents the first-ever edition of his German manuscript treatise on the Great Comet of 1618, accompanied by an English translation with a full introduction and commentary.
One of the most significant events in the history of Western civilization was the cosmological revolution of the 16th and 17th centuries. Among the most salient factors in this change, described by Alexandre Koyré as the ‘destruction of the cosmos’ inherited from ancient Greece, were Copernican heliocentrism and the substitution of a homogeneous universe for the hierarchical cosmos of the Platonic and Aristotelian tradition. Starting with a new approach to the issue of the presence of Islamic astronomical devices in Copernicus’ work and a thorough reappraisal of the cosmological views of Paracelsus, the book deals mainly with the abolition of cosmological dualism and the ways in which it affected the decline of astrology over the 17th century. Other related topics include planetary order and theories of world harmony, the cause of planetary motion in the Tychonic world system or the discussion on comets in Germany through the first presentation of a manuscript treatise by Michael Maestlin on the great comet of 1618.
Miguel de Cervantes is probably the greatest writer of the Spanish Golden Age, whose influence on the Spanish language has been profound. Readers who know Cervantes only as the author of Don Quijote will be surprised and delighted by what they find in the Novelas ejemplares, published in 1613 and whose composition spanned a decade and more preceding their publication. Don Quijote may be the most celebrated novel in western literature, but the Novelas ejemplares are among its most unjustly neglected masterpieces. They consist of twelve long short stories or short novels, each quite unlike the others. The geographical contrast alone could not be sharper, with settings ranging from the Aegean to the Caribbean and from Britain to North Africa. The stories teem with characters drawn from an equally broad social spectrum, from the new, affluent nobility to self-made merchants, feisty women, confidence tricksters, criminals and excluded minorities. Scarcely a contemporary conflict goes unreferenced, scarcely an important European town or city goes unvisited, while many,especially in Spain, play a major role in the economic, social and political context of the stories. Furthermore none of the major fictional genres of Cervantes's time is missing from the rich mix of literary allusion designed to appeal to a well-read, metropolitan audience.The Novelas ejemplares are a narrative tour de force, an exhibition of sophisticated story-telling, daringly original in concept, executed with subtlety and imagination, wide-ranging, entertaining and amusing, to be read for pleasure as well as profit. Taken together, they provide an overview of many of Cervantes's recurring themes - the complexity of human nature and the unpredictability of human behaviour. They provide a series of working models of what happens when people are put under extreme pressure, all viewed from Cervantes's typically ironic standpoint. A modern English translation was not available until the original appearance of the versions that follow, in four volumes, in 1992. Now for the first time all twelve stories are collected in one volume. For the second fully updated edition Barry Ife's authoritative General Introduction has been re-written and more of the important original preliminaries have been edited and translated so that the reader has a greater sense of the context of the 1613 publication. Specifically these are the four aprobaciones the work received and Cervantes's dedication to the Count of Lemos, both translated into English for the first time.
From the creator of Don Quixote, the most famous figure in Spanish literature, comes this trio of novellas: "La gitanilla," a gypsy romance; "El coloquio de los perros," a dialogue between two dogs; and "Rinconete y Cortadillo," a day in the underworld of 18th-century Seville. Introduction, new English translation, and notes.
For the first in digital publishing history, this comprehensive eBook presents the complete novels of the Spanish master Miguel de Cervantes, with numerous illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Cervantes’ life and works * Concise introductions to the novels and other texts * All four novels, with individual contents tables * LA GALATEA and PERSILES are available in other collection * Images of how the books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the texts * Both parts of the famous DON QUIXOTE are fully illustrated with Gustave Doré’s celebrated artwork * Includes Cervantes’ complete works in the original Spanish – ideal for students * Special criticism section, with essays and interesting extracts evaluating Cervantes’ contribution to literature * Features a bonus biography – discover Cervantes’ literary life * Scholarly ordering of texts into chronological order and literary genres Please note: no known translations of Cervantes’ plays or poetry are available in the public domain and so they are unable to appear in the collection. To compensate for this, the Spanish works are included. CONTENTS: The Novels LA GALATEA THE INGENIOUS GENTLEMAN DON QUIXOTE OF LA MANCHA THE SECOND PART OF THE INGENIOUS GENTLEMAN DON QUIXOTE OF LA MANCHA THE WANDERINGS OF PERSILES AND SIGISMUNDA The Short Stories THE EXEMPLARY NOVELS The Spanish Texts LIST OF CERVANTES’ WORKS The Criticism A LECTURE ON ‘DON QUIXOTE’ by Samuel Taylor Coleridge CERVANTES by William Dean Howells An Extract from ‘THE BODY OF THE NATION’ by Mark Twain An Extract from ‘HUMOUR’ by G. K. Chesterton An Extract from ‘READING’ by Virginia Woolf The Biography CERVANTES AND DON QUIXOTE by John Ormsby Please visit www.delphiclassics.com to browse through our range of exciting titles
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