Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019.
Use of historical and comparative approach to examine and critique the development of paid care work in the twentieth-century including health care, education and child care, and social services.
Millions of fans around the globe punctuate properly and communicate clearly thanks to Mignon Fogarty's practical and easy-to-remember advice about writing style and word usage. Her first book, Grammar Girl's Quick and Dirty Tips for Better Writing, hit the New York Times bestseller list, and her weekly grammar podcast has been downloaded more than 100 million times and hailed by USA Today as "authoritative but warm." Now, in tip-of-the-day form, Grammar Girl serves up 365 lessons on language that are sure to inspire. Filled with new, bite-size writing tips, fun quizzes and puzzles, and efficient memory tricks, The Grammar Devotional gives you a daily dose of knowledge to improve your writing and also serves as a lasting reference you'll use for years to come.
An updated edition of the classic tip-a-day grammar guide from New York Times bestselling author and creator of the Grammar Girl podcast, Mignon Fogarty. One hundred million podcast downloads say it all: Mignon Fogarty's kicky, practical, and easy-to-remember advice about style and usage has won her fans around the globe. Her first book, Grammar Girl's Quick and Dirty Tips for Better Writing, hit the New York Times bestseller list, and her weekly grammar podcast has been hailed by USA Today as "authoritative but warm." Here in tip-a-day form, Grammar Girl offers 365 lessons on language that are sure to inspire. Chock-full of bite-sized writing tips, fun quizzes, and efficient memory tricks, The Grammar Daily gives you the tools you need to improve your grammar and become an even better communicator, one day at a time. This revised edition of the book, previously published as The Grammar Devotional, has been updated throughout with new lessons and revised content to reflect shifting concerns in style and usage since initial publication.
An autobiography of the seven-foot, two-inch Black basketball star whose life has been greatly influenced by his family, basketball, and the religion of Islam.
Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019.
The Bijlmer Spinoza-Festival is an artwork, a sculpture, created by Swiss artist Thomas Hirschhorn in a peripheral borough of Amsterdam's south-east known as the Bijlmer in 2009. This book recounts the event through the eyes of its "Ambassador", art historian Vittoria Martini, who was invited by the artist to be an eyewitness to the existence of this "precarious" work. A term Hirschhorn sees as positive and creative: a means of asserting the importance of the moment and of the place, of asserting the Here and Now to touch eternity and universality. Appreciating the art historian's presence as a central element of his sculpture, Hirschhorn consciously challenged the certainties of the profession by empowering and activating the role, thus leading Martini to find a new working methodology that she calls "precarious art history". Accompanying the readers through her experience of the physical existence of The Bijlmer Spinoza-Festival, Martini's commentary leads to the profound understanding of how a work that no longer exists physically, can live on in the mind—elsewhere, at some other time—because in the meantime it has become universal. Paris-based artist THOMAS HIRSCHHORN (*1957, Bern) is best known for his sculptures in public space—monuments, kiosks, and altars. Questioning the autonomy, the authorship, and resistance of a work of art, he asserts the power of art to touch and transform the other. He represented Switzerland at the 54th Venice Biennale in 2011 and received numerous awards, including the Prix Marcel Duchamp and the Joseph Beuys Stiftung Prize. VITTORIA MARTINI (*1975, Kinshasa) is an independent art historian living in Italy. She has a doctorate from Università Ca' Foscari/Università Iuav di Venezia. Since 2013 she teaches History of exhibitions and curatorial practices and holds the Art Writing workshop at CAMPO – Program of curatorial studies and practices established by the Fondazione Sandretto Re Rebaudengo (Turin, Italy). Her research focuses mainly on the institutional structures that produce exhibitions.
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