This book is an essentially self contained introduction to topological dynamics and ergodic theory. It is divided into a number of relatively short chapters with the intention that each may be used as a component of a lecture course tailored to the particular audience. Parts of the book are suitable for a final year undergraduate course or for a masters level course. A number of applications are given, principally to number theory and arithmetic progressions (through van der waerden's theorem and szemerdi's theorem).
Let the good times roll with this rom-com about sushi rolls, secret crushes, and a summer spent chasing your dreams! Susannah Mikami dreams of becoming a famous sushi chef like her dad. And this summer, she plans to learn everything about his traditional kitchen. Only he refuses to teach her, and won’t tell her why. Is it because he doesn’t want her to embarrass him in front of the documentary crew filming at his restaurant? Or worse, because she’s a girl? Either way, Sana decides he’s not the only one who can keep secrets. So when she meets Koji, a cute boy who wants to help her cook up some trouble in the kitchen -- and film online tutorials to show the world her mad skills -- Sana is all in. But sneaking around means lying to her parents, something Sana’s never done before. Can she take the heat, or will she get out of the kitchen for good?
This is a critical study of the major novels and short stories of Minako Oba (1930-) the undisputed leader in the resurgence of women writers in Japan. Oba is a postmodernist, rethinking gender and culture, encompassing the theme of female Bildungsroman, and drawing on marinated memories.
From the reviews: "This book is a very welcome and valuable addition to the accelerator literature. As noted by the authors, there is relatively little material in the book specifically for low-energy machines, but industrial users may still find it useful to read." Cern Courier
Often considered an exotic garment of “traditional Japan,” the kimono is in fact a vibrant part of Japanese modernity, playing an integral role in literature and film throughout the twentieth century. Reading the Kimono in Twentieth-Century Japanese Literature and Film is the first extended study to offer new ways of interpreting textual and visual narratives through “kimono language”—what these garments communicate within their literary, historical, and cultural contexts. Kimonos on the page and screen do much more than create verisimilitude or function as one-dimensional symbols. They go beyond simply indicating the wearer’s age, gender, class, and taste; as eloquent, heterogeneous objects, they speak of wartime and postwar histories and shed light on everything from gender politics to censorship. By reclaiming “kimono language”—once a powerful shared vernacular—Michiko Suzuki accesses inner lives of characters, hidden plot points, intertextual meanings, resistant messages, and social commentary. Reading the Kimono examines modern Japanese literary works and their cinematic adaptations, including Tanizaki Jun’ichirō’s canonical novel, The Makioka Sisters, and its film versions, one screened under the US Occupation and another directed by Ichikawa Kon in 1983. It also investigates Kōda Aya’s Kimono and Flowing, as well as Naruse Mikio’s 1956 film adaptation of the latter. Reading the Kimono additionally advances the study of women writers by discussing texts by Tsuboi Sakae and Miyao Tomiko, authors often overlooked in scholarship despite their award-winning, bestselling stature. Through her analysis of stories and their afterlives, Suzuki offers a fresh view of the kimono as complex “material” to be read. She asks broader questions about the act of interpretation, what it means to explore both texts and textiles as inherently dynamic objects, shaped by context and considered differently over time. Reading the Kimono is at once an engaging history of the modern kimono and its representation, and a significant study of twentieth-century Japanese literature and film.
A concise guide for business people or tourists, Japanese Etiquette Today contains vital information for navigating tricky Japanese social interactions. Japan today "looks" more and more Western, principles governing social and business relations become harder to see. Most foreigners know that Japanese etiquette differs from that of other countries, but few people know the extent of the differences. It is this diversity that first attracted the authors of Japanese Etiquette Today, a book written to make working and living in Japan enjoyable and rewarding experiences. The authors look at a variety of formal and informal occasions governed by subtle rules--visiting a Japanese office and home, giving and returning gifts, attending weddings and funerals, and much more. The result is an informal overview of Japanese society and a manual of practical advice on getting a long in that society. Complete with essential vocabulary and phrases, this handy guidebook explains what to do and perhaps more important what not to do, what to say, what to wear, indeed, whatever you need to observe the complex rules of modern Japanese etiquette.
This book examines the history of the Japanese Red Cross Society (JRCS) and through it offers a new account of the humanitarian movement in modern Japan. Michiko Suzuki argues that contrary to its typical portrayal, the JRCS was not wholly subordinate to the government and the Imperial Family, nor was it derivative of Western values and institutional models. Instead, the JRCS operated within a transnational discourse, both contributing to and borrowing from peacetime and wartime international humanitarianism. Grounded in extensive research in the JRCS archives and archives outside Japan, this book explores the melding of Western and Japanese humanitarian traditions and organizational forms. Suzuki examines the role of grassroots efforts in the steady growth of the JRCS, showing how the society became Japan’s largest international organization by the First World War, as well as its pioneering role in Red Cross disaster relief. She traces the inclusion of non-Western national societies in the International Red Cross and Red Crescent Movement and the evolution of the JRCS from a national into a transnational organization with branches in Japan’s overseas empire as well as in the Asia Pacific and the Americas. A comprehensive chronicle of the JRCS, Humanitarian Internationalism Under Empire provides a fresh vantage point on major historical questions relating to Japanese modernization and internationalism before the Second World War.
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