Becoming Modern Women: Love and Female Identity in Prewar Japanese Literature and Culture is a literary and cultural history of love and female identity in Japan during the 1910s-30s.
This is the definitive work on the first and greatest of Japan's twentieth-century philosophers, Nishida Kitaro (1870-1945). Interspersed throughout the narrative of Nishida's life and thought is a generous selection of the philosopher's own essays, letters, and short presentations, newly translated into English.
Based on the universally respected concepts of Shinichi Suzuki, this teacher's text was developed to aid young students in learning music theory while learning to read music. 168 games are presented with illustrated step-by-step suggestions.
Hiroshima Immigrants in Canada, 1891-1941 is a fascinating investigation of Japanese migration to Canada prior to the Second World War. It makes Japanese-language scholarship on the subject available for the first time, and also draws on interviews, diaries, community histories, biographies, and the author's own family history. Starting with the history of the feudal fiefs of Aki and Bingo, which were merged into Hiroshima prefecture, Ayukawa describes the political, economic, and social circumstances that precipitated emigration between 1891 and 1941. She then examines the lives and experiences of those migrants who settled in western Canada. Interviews with three generations of community members, as well as with those who never emigrated, supplement research on immigrant labour, the central role of women, and the challenges Canadian-born children faced as they navigated life between two cultures. This book is a must-read for scholars of migrations, diaspora, and transnationalism, and will also be of great interest to general readers who wish to learn more about the lives and experiences of Japanese Canadians.
Introduction to Japanese Architecture provides an overview of Japanese architecture in its historical and cultural context. It begins with a discussion of prehistoric dwellings and concludes with a description of contemporary trends in areas as diverse as country inns, underground malls, and love hotels. The intervening 12,000 years are analyzed in reference to major changes in architecture caused by Buddhist and indigenous influences, feudalism, and finally the influence of Western culture in the 19th century. The architecture book provides insights into the dynamic nature of this contrast and how it reflects the underlying diversity of Japanese culture. The comprehensive, accessible text is complemented by over 340 color photographs, diagrams, and specially commissioned watercolors.
A concise guide for business people or tourists, Japanese Etiquette Today contains vital information for navigating tricky Japanese social interactions. Japan today "looks" more and more Western, principles governing social and business relations become harder to see. Most foreigners know that Japanese etiquette differs from that of other countries, but few people know the extent of the differences. It is this diversity that first attracted the authors of Japanese Etiquette Today, a book written to make working and living in Japan enjoyable and rewarding experiences. The authors look at a variety of formal and informal occasions governed by subtle rules--visiting a Japanese office and home, giving and returning gifts, attending weddings and funerals, and much more. The result is an informal overview of Japanese society and a manual of practical advice on getting a long in that society. Complete with essential vocabulary and phrases, this handy guidebook explains what to do and perhaps more important what not to do, what to say, what to wear, indeed, whatever you need to observe the complex rules of modern Japanese etiquette.
The Asia literacy dilemma brings forward a novel approach to the long-standing global debates of Asia-related teaching and learning. By bringing into focus ‘Asia’ as a curriculum area, the book provides original commentary on the rationale and feasibility of ‘Asia literacy’ and its role and significance within and for twenty-first-century education. The book’s unique contribution lies in a comprehensive problematisation of ‘Asia’ as planned, enacted and experienced curriculum, bringing together policy, teacher practice and student experiences to present an extensive discussion. By contextualising the problematics of Asia-related curriculum within contemporary national and transnational curriculum challenges, Cairns and Weinmann take account of conflicting discourses of nation-building, ethnocentrism, transnationalism, geo-economics and the purposes of twenty-first-century education. Its use of interview data with teachers and students recentres key actors that are often sidelined in official curriculum policy discourse. The book also introduces the concept of curricularisation to describe the process through which objects and discourses of curriculum are produced and reproduced. In doing so, the book presents a comprehensive discussion of the impossibilities and possibilities of Asia curriculum in the Australian context, providing an innovative longitudinal and integrated understanding of the status quo of Asia curriculum. Highlighting the urgent need to reinvigorate the re-emerging centrality of curriculum in recent education debates around policy, teacher standards, assessmentand learning outcomes, this book is an important reference for education policy experts and academics in the fields of curriculum studies, teacher education and studies of Asia.
An urgent examination of how disruptive politics, technology, and art are capsizing old assumptions in a great wave of change breaking over today’s world, creating both opportunity and peril—from the Pulitzer Prize–winning critic and author of the New York Times bestseller The Death of Truth. “In this dazzling and brilliant book, Michiko Kakutani explains the cascading chaos of our era and points to ways that we can regain some stability.”—Walter Isaacson, author of Elon Musk The twenty-first century is experiencing a watershed moment defined by chaos and uncertainty, as one emergency cascades into another, underscoring the larger dynamics of change that are fueling instability across the world. Since the global financial crisis of 2008, people have increasingly lost trust in institutions and elites, while seizing upon new digital tools to sidestep traditional gatekeepers. As a result, powerful new voices—once regarded as radical, unorthodox, or marginal—are disrupting the status quo in politics, business, and culture. Meanwhile, social and economic inequalities are stoking populist rage across the world, toxic partisanship is undermining democratic ideals, and the internet and AI have become high-speed vectors for the spread of misinformation. Writing with a critic’s understanding of cultural trends and a journalist’s eye for historical detail, Michiko Kakutani looks at the consequences of these new asymmetries of power. She maps the migration of ideas from the margins to the mainstream and explores the growing influence of outsiders—those who have sown chaos and fear (like Donald Trump), and those who have provided inspirational leadership (like Ukraine’s president Volodymyr Zelensky). At the same time, she situates today’s multiplying crises in context with those that defined earlier hinge moments in history, from the waning of the Middle Ages to the transition between the Gilded Age and the Progressive Era at the end of the nineteenth century. Kakutani argues that today’s crises are not only signs of an interconnected globe’s profound vulnerabilities, but also stress tests pointing to the essential changes needed to survive this tumultuous era and build a more sustainable future.
This Japanese design book, featuring over 200 stunning photographs, captures the delightful, modern style of the Japanese home. Japan has always intrigued the world with its deceptively simple blending of architecture, landscape and design. Zen temples, the famous tea ceremony, formal gardens, the use of wood, paper and other materials in the form of screens and floors--all have evolved over the years to create a varied, yet indisputably unique style. Japan Style showcases 40 contemporary homes, many never photographed before, and explores the unique Japanese design in all its manifestations. The book is divided into four chapters-- Reworking Tradition Managing Space Experimenting with Materials Personal Statements Each home is representative in its own way of the changing face of Japanese interior design and architecture and will be sure to inspire some new design ideas for your own home.
This is a critical study of the major novels and short stories of Minako Oba (1930-) the undisputed leader in the resurgence of women writers in Japan. Oba is a postmodernist, rethinking gender and culture, encompassing the theme of female Bildungsroman, and drawing on marinated memories.
The Art of Japanese Architecture presents a complete overview of Japanese architecture in its historical and cultural context. The book begins with a discussion of early prehistoric dwellings and concludes with a description of works by important modern Japanese architects. Along the way it discusses the iconic buildings and architectural styles for which Japan is so justly famous--from elegant Shinden and Sukiya aristocratic villas like the Kinkakuji "Golden Pavilion" in Kyoto, to imposing Samurai castles like Himeji and Matsumoto, and tranquil Zen Buddhist gardens and tea houses to rural Minka thatched-roof farmhouses and Shinto shrines. Each period in the development of Japan's architecture is described in detail and the most important structures are shown and discussed--including dozens of UNESCO World Heritage Sites. The aesthetic trends in each period are presented within the context of Japanese society at the time, providing a unique in-depth understanding of the way Japanese architectural styles and buildings have developed over time and the great variety that is visible today. The book is profusely illustrated with hundreds of hand-drawn 3D watercolor illustrations and color photos as well as prints, maps and diagrams. The new edition features dozens of new photographs and a handy hardcover format that is perfect for travelers.
From the reviews: "This book is a very welcome and valuable addition to the accelerator literature. As noted by the authors, there is relatively little material in the book specifically for low-energy machines, but industrial users may still find it useful to read." Cern Courier
Often considered an exotic garment of “traditional Japan,” the kimono is in fact a vibrant part of Japanese modernity, playing an integral role in literature and film throughout the twentieth century. Reading the Kimono in Twentieth-Century Japanese Literature and Film is the first extended study to offer new ways of interpreting textual and visual narratives through “kimono language”—what these garments communicate within their literary, historical, and cultural contexts. Kimonos on the page and screen do much more than create verisimilitude or function as one-dimensional symbols. They go beyond simply indicating the wearer’s age, gender, class, and taste; as eloquent, heterogeneous objects, they speak of wartime and postwar histories and shed light on everything from gender politics to censorship. By reclaiming “kimono language”—once a powerful shared vernacular—Michiko Suzuki accesses inner lives of characters, hidden plot points, intertextual meanings, resistant messages, and social commentary. Reading the Kimono examines modern Japanese literary works and their cinematic adaptations, including Tanizaki Jun’ichirō’s canonical novel, The Makioka Sisters, and its film versions, one screened under the US Occupation and another directed by Ichikawa Kon in 1983. It also investigates Kōda Aya’s Kimono and Flowing, as well as Naruse Mikio’s 1956 film adaptation of the latter. Reading the Kimono additionally advances the study of women writers by discussing texts by Tsuboi Sakae and Miyao Tomiko, authors often overlooked in scholarship despite their award-winning, bestselling stature. Through her analysis of stories and their afterlives, Suzuki offers a fresh view of the kimono as complex “material” to be read. She asks broader questions about the act of interpretation, what it means to explore both texts and textiles as inherently dynamic objects, shaped by context and considered differently over time. Reading the Kimono is at once an engaging history of the modern kimono and its representation, and a significant study of twentieth-century Japanese literature and film.
Often considered an exotic garment of “traditional Japan,” the kimono is in fact a vibrant part of Japanese modernity, playing an integral role in literature and film throughout the twentieth century. Reading the Kimono in Twentieth-Century Japanese Literature and Film is the first extended study to offer new ways of interpreting textual and visual narratives through “kimono language”—what these garments communicate within their literary, historical, and cultural contexts. Kimonos on the page and screen do much more than create verisimilitude or function as one-dimensional symbols. They go beyond simply indicating the wearer’s age, gender, class, and taste; as eloquent, heterogeneous objects, they speak of wartime and postwar histories and shed light on everything from gender politics to censorship. By reclaiming “kimono language”—once a powerful shared vernacular—Michiko Suzuki accesses inner lives of characters, hidden plot points, intertextual meanings, resistant messages, and social commentary. Reading the Kimono examines modern Japanese literary works and their cinematic adaptations, including Tanizaki Jun’ichirō’s canonical novel, The Makioka Sisters, and its film versions, one screened under the US Occupation and another directed by Ichikawa Kon in 1983. It also investigates Kōda Aya’s Kimono and Flowing, as well as Naruse Mikio’s 1956 film adaptation of the latter. Reading the Kimono additionally advances the study of women writers by discussing texts by Tsuboi Sakae and Miyao Tomiko, authors often overlooked in scholarship despite their award-winning, bestselling stature. Through her analysis of stories and their afterlives, Suzuki offers a fresh view of the kimono as complex “material” to be read. She asks broader questions about the act of interpretation, what it means to explore both texts and textiles as inherently dynamic objects, shaped by context and considered differently over time. Reading the Kimono is at once an engaging history of the modern kimono and its representation, and a significant study of twentieth-century Japanese literature and film.
This book examines the history of the Japanese Red Cross Society (JRCS) and through it offers a new account of the humanitarian movement in modern Japan. Michiko Suzuki argues that contrary to its typical portrayal, the JRCS was not wholly subordinate to the government and the Imperial Family, nor was it derivative of Western values and institutional models. Instead, the JRCS operated within a transnational discourse, both contributing to and borrowing from peacetime and wartime international humanitarianism. Grounded in extensive research in the JRCS archives and archives outside Japan, this book explores the melding of Western and Japanese humanitarian traditions and organizational forms. Suzuki examines the role of grassroots efforts in the steady growth of the JRCS, showing how the society became Japan’s largest international organization by the First World War, as well as its pioneering role in Red Cross disaster relief. She traces the inclusion of non-Western national societies in the International Red Cross and Red Crescent Movement and the evolution of the JRCS from a national into a transnational organization with branches in Japan’s overseas empire as well as in the Asia Pacific and the Americas. A comprehensive chronicle of the JRCS, Humanitarian Internationalism Under Empire provides a fresh vantage point on major historical questions relating to Japanese modernization and internationalism before the Second World War.
Based on the universally respected concepts of Shinichi Suzuki, this teacher's text was developed to aid young students in learning music theory while learning to read music. 168 games are presented with illustrated step-by-step suggestions.
This is the definitive work on the first and greatest of Japan's twentieth-century philosophers, Nishida Kitaro (1870-1945). Interspersed throughout the narrative of Nishida's life and thought is a generous selection of the philosopher's own essays, letters, and short presentations, newly translated into English.
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