Not all dreams are magical things filled with hope and light, some dreams are murkier and far more sinister. From the shared dreams of her famous sons John Waters and Edgar Allen Poe, Baltimore is known for her share of peculiar oddity, but beyond the bouffant hairdos of her trademark Hons and the quirky neighborhood bars is a world even darker and stranger
In the depths of the cosmos there is madness to be found and there are stories to be told... The Elder Gods, Cthulhu, Nyarlethotep, and the like have a taste for fear, for madness, for flesh... But over the years they have grown bored with the taste of the standard straight, white male so often portrayed in the tales of the Mythos. Like a human being with a hankering for Thai after a steady diet of steak and potatoes, the Gods of the Mythos are craving something different... An African Igbo head man defends his tribe against eldritch incursion with the help of his own Gods... A deeply scarred man gathers strength from Sobek, the Egyptian God who claimed him young, as he stands against the horrors shoulder to shoulder with a Priestess of Bast... A Jewish lesbian rides into town to save it from the Unspeakable, with a little help from her girlfriend and her rich heritage... All this and more await you in these pages. Welcome to equal opportunity madness...
Miles of Stare explores the problem of nineteenth-century American literary vision: the strange conflation of visible reality and poetic language that emerges repeatedly in the metaphors and literary creations of American transcendentalists. The strangeness of nineteenth-century poetic vision is exemplified most famously by Emerson’s transparent eyeball. That disembodied, omniscient seer is able to shed its body and transcend sight paradoxically in order to see—not to create—poetic language “manifest” on the American landscape. In Miles of Stare, Michelle Kohler explores the question of why, given American transcendentalism’s anti-empiricism, the movement’s central trope becomes an eye purged of imagination. And why, furthermore, she asks, despite its insistent empiricism, is this notorious eye also so decidedly not an eye? What are the ethics of casting a boldly equivocal metaphor as the source of a national literature amidst a national landscape fraught with slavery, genocide, poverty, and war? Miles of Stare explores these questions first by tracing the historical emergence of the metaphor of poetic vision as the transcendentalists assimilated European precedents and wrestled with America’s troubling rhetoric of manifest destiny and national identity. These questions are central to the work of many nineteenth-century authors writing in the wake of transcendentalism, and Kohler offers examples from the writings of Douglass, Hawthorne, Dickinson, Howells, and Jewett that form a cascade of new visual metaphors that address the irreconcilable contradictions within the transcendentalist metaphor and pursue their own efforts to produce an American literature. Douglass’s doomed witness to slavery, Hawthorne’s reluctantly omniscient narrator, and Dickinson’s empty “miles of Stare” variously skewer the authority of Emerson’s all-seeing poetic eyeball while attributing new authority to the limitations that mark their own literary gazes. Tracing this metaphorical conflict across genres from the 1830s through the 1880s, Miles of Stare illuminates the divergent, contentious fates of American literary vision as nineteenth-century writers wrestle with the commanding conflation of vision and language that lies at the center of American transcendentalism—and at the core of American national identity.
Not all dreams are magical things filled with hope and light, some dreams are murkier and far more sinister. From the shared dreams of her famous sons John Waters and Edgar Allen Poe, Baltimore is known for her share of peculiar oddity, but beyond the bouffant hairdos of her trademark Hons and the quirky neighborhood bars is a world even darker and stranger
Treated with disdain by her family her entire life for not living up to their expectations-or prophesy-Arabella Leyden forges her own path and attains her greatest wish: to join the Sisterhood of Witches, doing so in a manner no one ever anticipated. As the first-ever technomancer, the way before her is fraught with peril. Can she survive the machinations of her order, or be ground between the gears of reluctant progress? More important yet, can she succeed at her first assignment: find the root cause of the famine sweeping through Ireland? A task that has already claimed two witches of the Sortilege line. Her future hangs in the balance... perhaps even her very life...
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