Turquoise oceans, warm sultry nights, intoxicating music and fantastic food - we could all do with a little more of the Carribean in our lives and this unique cookbook shows you how to recreate its unforgettable scents and flavours in your home kitchen.
A lush, modern vegetarian cookbook celebrating the bold flavors and unique ingredients of the Caribbean In Provisions, Michelle and Suzanne Rousseau share 150 recipes that pay homage to the meals and market produce that have been farmed, sold, and prepared by Caribbean people -- particularly the women -- for centuries. Caribbean food is often thought of as rustic and unrefined, but these vibrant vegetarian dishes will change the way we think about this diverse, exciting, and nourishing cuisine. The pages are spiced with the sisters' fond food memories and fascinating glimpses of the islands' histories, bringing the region's culinary past together with creative recipes that represent the best of Caribbean food today. With a modern twist on traditional island ingredients and flavors, Provisions reinvents classic dishes and presents innovative new favorites, like Ripe Plantain Gratin, Ackee Tacos with Island Guacamole, Haitian Riz Djon Djon Risotto, Oven-Roasted Pumpkin Flatbread, and Caramelized Fennel and Grilled Green Guava with Mint. Stunning full-color photographs showcase the variety of these dishes: hearty stews, easy one-pot meals, crunchy salads, flavorful pickles, preserves, and hot sauces, sumptuous desserts, cocktails, and more. At once elegant, authoritative, and accessible, Suzanne and Michelle's recipes and stories invite you to bring fresh Caribbean flavors to your table.
Henri Rousseau wanted to be an artist. But he had no formal training. Instead, he taught himself to paint. He painted until the jungles and animals and distant lands in his head came alive on the space of his canvases. Henri Rousseau endured the harsh critics of his day and created the brilliant paintings that now hang in museums around the world. Michelle Markel's vivid text, complemented by the vibrant illustrations of Amanda Hall, artfully introduces young readers to the beloved painter and encourages all readers to persevere despite all odds. Watch the trailer:
Joni Mitchell is one of the most celebrated artists of the last half century, and her landmark 1971 album, Blue, is one of her most beloved and revered works. Generations of people have come of age listening to the album, inspired by the way it clarified their own difficult emotions. Critics and musicians admire the idiosyncratic virtuosity of its compositions. Will You Take Me As I Am -- the first book about Joni Mitchell to include original interviews with her -- looks at Blue to explore the development of an extraordinary artist, the history of songwriting, and much more. In extensive conversations with Mitchell, Michelle Mercer heard firsthand about Joni's internal and external journeys as she composed the largely autobiographical albums of what Mercer calls her Blue Period, which lasted through the mid-1970s. Incorporating biography, memoir, reportage, criticism, and interviews into an illuminating narrative, Mercer moves beyond the "making of an album" genre to arrive at a new form of music writing. In 1970, Mitchell was living with Graham Nash in Laurel Canyon and had made a name for herself as a so-called folk singer notable for her soaring voice and skillful compositions. Soon, though, feeling hemmed in, she fled to the hippie cave community of Matala, Greece. Here and on further travels, her compositions were freshly inspired by the lands and people she encountered as well as by her own radically changing interior landscape. After returning home to record Blue, Mitchell retreated to British Columbia, eventually reemerging as the leader of a successful jazz-rock group and turning outward in her songwriting toward social commentary. Finally, a stint with Bob Dylan's Rolling Thunder Revue and a pivotal meeting with the Tibetan lama ChÖgyam Trungpa prompted Mitchell's return to personal songwriting, which resulted in her 1976 masterpiece album, Hejira. Mercer interlaces this fascinating account of Mitchell's Blue Period with meditations on topics related to her work, including the impact of landscape on music, the value of autobiographical songwriting for artist and listener, and the literary history of confessionalism. Mercer also provides rich analyses of Mitchell's creative achievements: her innovative manner of marrying lyrics to melody; her inventive, highly expressive chords that achieve her signature blend of wonder and melancholy; how she pioneered personal songwriting and, along with Bob Dylan and Leonard Cohen, brought a new literacy to the popular song. Fans will appreciate the previously unpublished photos and a coda of Mitchell's unedited commentary on the places, books, music, pastimes, and philosophies she holds dear. This utterly original book offers a unique portrait of a great musician and her remarkable work, as well as new perspectives on the art of songwriting itself.
During the Romantic era, psychology and literature enjoyed a fluid relationship. Faubert focuses on psychologist-poets who grew out of the literary-medical culture of the Scottish Enlightenment. They used poetry as an accessible form to communicate emerging psychological, cultural and moral ideas.
Explore the rich history and influence of Christian art from Antiquity to the present day. Michelle Brown traces the rich history of Christian art, crossing boundaries to explore how art has reflected and stimulated a response to the teachings of Christ, and to Christian thought and experience across the ages. Embracing much of the history of art in the West and parts of the Middle East, Africa, Asia, the Americas and Australasia, Michelle considers art of the earliest Christians to the modern day. Featuring articles by invited contributors on subjects including Icons; Renaissance Florence; Rubens and the Counter-Reformation; Religious Folk Art; Jewish Artists; Christian Themes; Making the St Johnâs Bible, and Christianity and Contemporary Art in North America, Christian Art is an ideal survey of the subject for all those interested in the worldâs artistic heritage. â¢â Comprehensive and authoritative text from the Early Christian period to the modern day â¢â Wide international coverage â¢â Feature articles on special subjects by a team of experts from around the world
Communities today face unprecedented racial tension, conflict, and turmoil. Social unrest, political rhetoric, authoritarian rulers, and economic disparities contribute to unprecedented levels of community violence and extremism. The Evolution of Human Cooperation and Community Development: A Greener Approach to Understanding the Dynamics of Conflict proposes a more comprehensive and community-oriented approach to address conflict through the development of community resources and ecologically sustainable green space programs, such as community gardening programs. The authors draw on empirical research to identify how resources may be utilized to promote increased positive intergroup contact and provide greater collaboration among community residents. This book provides the essential interpersonal mechanisms to achieve a more resilient, empowered, and peaceful community.
Discover the ghostly presences that haunt this historic region of the South and its famed university—photos included! The Auburn and Opelika region is home to one of the most historic universities in the South. It is a region with a history stretching back generations—and it is a history that is very much still alive. Chilling remnants of the past continue to haunt Auburn-Opelika and the communities of Alabama’s Lee County. Join a team of expert ghost hunters as they reveal for the first time the stories of the spirits still lingering throughout the area. The haunting of the University’s Samford Hall, the legend of historic Springvilla mansion, and the Headless Man of Highway 80, among many other ghostly tales, uncover the darker side of Auburn-Opelika.
Presents lesson plans and reproducible patterns for and/or illustrations of finished work for thirty-six art lessons. Each lesson plan includes sections on the purpose of the lesson, its art history background, materials needed, procedures, assignment choices for students, and a connection section that links lesson contents with the work of a featured artist.
American Enchantment presents a new understanding of the social order after the American Revolution, one that enacts the concept of "enchantment" as a unique way of describing and coalescing popular power and social affiliation.
This invaluable, time-saving resource provides intercultural ideas for every month of the year. For each festival and tradition you will find background information, key vocabulary, detailed lists of possible teaching activities and optional pupil sheets. Ideas range from making cards and reading/writing poems to playing game and cooking traditional recipes.
Book history has emerged in the last twenty years as one of the most important new fields of interdisciplinary study. It has produced new interpretations of major historical events, has made possible new approaches to history, literature, media, and culture, and presents a distinctive historical perspective on current debates about the future of the book. The Broadview Introduction to Book History provides the most comprehensive and up-to-date introduction to this field. Written in a lively, accessible style, chapters on materiality, textuality, printing and reading, intermediality, and remediation guide readers through numerous key concepts, illustrated with examples from literary texts and historical documents produced across a wide historical range. An ideal text for undergraduate and graduate courses in book history, it offers a road map to this dynamic inter-disciplinary field.
We typically think of resentment as an unjustifiable and volatile emotion, responsible for fostering the worst political divisions. Recognizing Resentment argues instead that sympathy with the resentment of victims of injustice is vital for upholding justice in liberal societies, as it entails recognition of the equal moral and political status of those with whom we sympathize. Sympathizing with the resentment of others makes us alive to injustice in a way no rational recognition of wrongs alone can, and it motivates us to demand justice on others' behalves. This book rehabilitates arguments for the moral and political worth of resentment developed by three influential thinkers in the early liberal tradition - Joseph Butler, David Hume, and Adam Smith - and uses these to advance a theory of spectatorial resentment, discussing why we should be indignant about the injustice others face, and how such a shared sentiment can actually bring liberal citizens closer together.
An erudite and highly enjoyable exploration of the most intriguing of personal spaces, from Greek and Roman antiquity through today The winner of France’s prestigious Prix Femina Essai (2009), this imaginative and captivating book explores the many dimensions of the room in which we spend so much of our lives—the bedroom. Eminent cultural historian Michelle Perrot traces the evolution of the bedroom from the time of the ancient Greeks and Romans to today, examining its myriad forms and functions, from royal king’s chamber to child’s sleeping quarters to lovers’ trysting place to monk’s cell. The history of women, so eager for a room of their own, and that of prisons, where the principal cause of suffering is the lack of privacy, is interwoven with a reflection on secrecy, walls, the night and its mysteries. Drawing from a wide range of sources, including architectural and design treatises, private journals, novels, memoirs, and correspondences, Perrot’s engaging book follows the many roads that lead to the bedroom—birth, sex, illness, death—in its endeavor to expose the most intimate, nocturnal side of human history.
Using the tools of the "new" art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art. Michelle Facos goes beyond existing histories of nineteenth-century art, which often focus solely on France, Britain, and the United States, to incorporate artists and artworks from Scandinavia, Germany, and Eastern Europe. The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social and historical context. In this way, the student reader achieves a more nuanced understanding of the way in which the story of nineteenth-century art is the story of the ways in which artists and society grappled with the problem of modernity. Key pedagogical features include: Data boxes provide statistics, timelines, charts, and historical information about the period to further situate artworks. Text boxes highlight extracts from original sources, citing the ideas of artists and their contemporaries, including historians, philosophers, critics, and theorists, to place artists and works in the broader context of aesthetic, cultural, intellectual, social, and political conditions in which artists were working. Beautifully illustrated with over 250 color images. Margin notes and glossary definitions. Online resources at www.routledge.com/textbooks/facos with access to a wealth of information, including original documents pertaining to artworks discussed in the textbook, contemporary criticism, timelines and maps to enrich your understanding of the period and allow for further comparison and exploration. Chapters take a thematic approach combined within an overarching chronology and more detailed discussions of individual works are always put in the context of the broader social picture, thus providing students with a sense of art history as a controversial and alive arena of study. Michelle Facos teaches art history at Indiana University, Bloomington. Her research explores the changing relationship between artists and society since the Enlightenment and issues of identity. Prior publications include Nationalism and the Nordic Imagination: Swedish Painting of the 1890s (1998), Art, Culture and National Identity in Fin-de-Siècle Europe, co-edited with Sharon Hirsh (2003), and Symbolist Art in Context (2009).
Volume III of A History of Women draws a richly detailed picture of women in early modern Europe, considering them in a context of work, marriage, and family. At the heart of this volume is "woman" as she appears in a wealth of representations, from simple woodcuts and popular literature to master paintings; and as the focal point of a debate--sometimes humorous, sometimes acrimonious--conducted in every field: letters, arts, philosophy, the sciences, and medicine. Against oppressive experience, confining laws, and repetitious claims about female "nature," women took initiative by quiet maneuvers and outright dissidence. In conformity and resistance, in image and reality, women from the sixteenth through the eighteenth centuries emerge from these pages in remarkable diversity.
The world knows Madame Tussaud as a wax artist extraordinaire, but who was this woman who became one of the most famous sculptresses of all time? From the internationally bestselling author of Nefertiti comes a “rollicking drama” (Good Housekeeping) that is “intimate and entertaining” (Associated Press). “Both a gripping, fictionalized biography of an intriguing woman and a well-paced, illuminating chronicle of the French Revolution.”—New York Journal of Books Smart and ambitious, Marie Tussaud has learned the secrets of wax sculpting by working alongside her uncle in their celebrated wax museum, the Salon de Cire. From her popular model of the American ambassador, Thomas Jefferson, to her tableau of the royal family at dinner, Marie’s museum provides Parisians with the very latest news on fashion, gossip, and even politics. Her customers hail from every walk of life, yet her greatest dream is to attract the attention of Marie Antoinette and Louis XVI; their stamp of approval on her work could catapult her and her museum to the fame and riches she desires. Though many people are starving and can no longer afford bread, Marie’s business is booming. In salons and cafés across Paris, people like Maximilien Robespierre are lashing out against the monarchy. Soon, there’s whispered talk of revolution. Spanning five years, from the budding revolution to the Reign of Terror, Madame Tussaud brings us into the world of an incredible heroine whose talent for wax modeling saved her life and preserved the faces of a vanished kingdom.
This collection of specially commissioned essays provides the first social history of masculinity in the ‘long eighteenth century’. Drawing on diaries, court records and prescriptive literature, it explores the different identities of late Stuart and Georgian men. The heterosexual fop, the homosexual, the polite gentleman, the blackguard, the man of religion, the reader of erotica and the violent aggressor are each examined here, and in the process a new and increasingly important field of historical enquiry is opened up to the non-specialist reader. The book opens with a substantial introduction by the Editors. This provides readers with a detailed context for the chapters which follow. The core of the book is divided into four main parts looking at sociability, virtue and friendship, violence, and sexuality. Within this framework each chapter forms a self-contained unit, with its own methodology, sources and argument. The chapters address issues such as the correlations between masculinity and Protestantism; masculinity, Englishness and taciturnity; and the impact of changing representations of homosexual desire on the social organisation of heterosexuality. Misogyny, James Boswell's self-presentation, the literary and metaphorical representation of the body, the roles of gossip and violence in men's lives, are each addressed in individual chapters. The volume is concluded by a wide-ranging synoptic essay by John Tosh, which sets a new agenda for the history of masculinity. An extensive guide to further reading is also provided. Designed for students, academics and the general reader alike, this collection of essays provides a wide-ranging and accessible framework within which to understand eighteenth-century men. Because of the variety of approaches and conclusions it contains, and because this is the first attempt to bring together a comprehensive set of writings on the social history of eighteenth-century masculinity, this volume does something quite new. It de-centres and problematises the male ‘standard’ and explores the complex and disparate masculinites enacted by the men of this period. This will be essential reading for anyone interested in eighteenth-century British social history.
Paris, 1917. The notorious dancer Mata Hari sits in a cold cell awaiting freedom ... or death. Alone and despondent, Mata Hari is as confused as the rest of the world about the charges she's been arrested on: treason leading to the deaths of thousands of French soldiers. As Mata Hari waits for her fate to be decided, she relays the story of her life to a reporter who is allowed to visit her in prison. Beginning with her carefree childhood, Mata Hari recounts her father's cruel abandonment of her family as well her calamitous marriage to a military officer. Taken to the island of Java, Mata Hari refuses to be ruled by her abusive husband and instead learns to dance, paving the way to her stardom as Europe's most infamous dancer.
The Social Cognition and Object Relations Scale-Global Rating Method (SCORS-G) is a clinician rated measure that can be used to code various forms of narrative material. It is comprised of eight dimensions which are scored using a seven-point Likert scale, where lower scores are indicative of more pathological aspects of object representations and higher scores are suggestive of more mature and adaptive functioning. The volume is a comprehensive reference on the 1) validity and reliability of the SCORS-G rating system; 2) in depth review of the empirical literature; 3) administration and intricacies of scoring; and 4) the implications and clinical utility of the system across settings and disciplines for clinicians and researchers.
Harlequin® Romance brings you a collection of four new titles, available now! Experience the rush of falling in love! This Harlequin® Romance box set includes: #4607 BABY SURPRISE FOR THE SPANISH BILLIONAIRE Wedding Island by Jessica Gilmore Dr. Anna Gray has stepped out of her comfort zone to help her mother prepare her resort for its first-ever wedding. But when delicious billionaire Leo di Marquez sails into La Isla Marina, Anna’s tempted into dropping her guard—with unexpected consequences! #4608 BEAUTY AND HER BOSS Once Upon a Fairytale by Jennifer Faye Handsome but guarded former Hollywood star Deacon Santoro prefers the confines of his mansion since an accident left him scarred, both inside and out. Can his new PA, Gabrielle Dupré, convince Deacon that love will give them the fairy-tale ending they deserve? #4609 A BABY IN HIS IN-TRAY by Michelle Douglas Liv Gilmour can’t say no when her identical twin asks her to take her place for a week at work. And when someone abandons a baby with a note demanding Lord Sebastian Tyrrell take care of it, Liv’s suddenly up close and personal with the sexy boss…and a baby who needs them both! #4610 HER LAS VEGAS WEDDING by Andrea Bolter When hotel heiress Audrey Girard’s safe, convenient wedding is called off, she’s left to contend with her ex-fiancé’s brother—brooding chef Shane Murphy! And there’s nothing safe about her attraction to Shane… Could there be a Las Vegas wedding in the cards after all? Join HarlequinMyRewards.com to earn FREE books and more. Earn points for all your Harlequin purchases from wherever you shop.
London, 1921. The world's greatest wax sculptor watches in horror as flames consume his museum and melt his uncannily lifelike creations. Twelve years later, he opens a wax museum in New York. Crippled, disfigured, and driven mad by the fire, he resorts to body snatching and murder to populate his displays, preserving the bodies in wax. "In a thousand years you will be as lovely as you are now, " he assures one victim. In The Mystery of the Wax Museum (1933), director Michael Curtiz perfectly captures the macabre essence of realistic wax figures that have excited the darker aspects of the public's imagination ever since Madame Tussaud established her famous museum in London in 1802. Artists, too, have been fascinated by wax sculptures, seeing in them--and in the unique properties of wax itself--an eerie metaphoric power with which to address sexual anxiety, fears of mortality, and other morbid subjects. In Waxworks, Michelle E. Bloom explores the motif of the wax figure in European and American literature and art. In particular, she connects the myth of Pygmalion to the obsession with wax statues of women in the nineteenth-century fetishization of prostitutes and female corpses and as depicted in such "wax fictions" as Dickens's The Old Curiosity Shop (1841). Filmmakers, too, have sought inspiration from wax museums, and Bloom analyzes works from the silent era to such waxwork-themed Hollywood horror films as Mad Love (1935) and House of Wax (1953). Bringing her discussion to the present, Bloom examines the work of contemporary artists who use the medium of wax in ways never imagined by Madame Tussaud. As extravagant new wax museums open in Las Vegas, Times Square, and Paris, Waxworksoffers a provocative cultural history of this enduring--and disturbing--art form.
Michelle Devereaux explores the underlying philosophical and aesthetic Romantic connections between a selection of seven films from four popular filmmakers: Wes Anderson, Sofia Coppola, Spike Jonze and Charlie Kaufman.
Set against the glamorous 1960s Jet Set—a failed debutante's new job as assistant to society photographer Slim Aarons takes her into Palm Beach’s inner circle, and into a beguiling friendship with the star at its center, fashion designer Lilly Pulitzer “This glittering novel shines as brightly as its heroine. A true delight.” —Nicola Harrison, author of Hotel Laguna Washington Post Best Book of April * PureWow Best Book of Summer It’s 1961, and for Margo Hightower, everything is about to change. True, her engagement is off, her family has fallen in scandal, and she's completely broke. But she’s just been hired as assistant to photographer Slim Aarons—famous for his vibrant pictures of high society, royalty, and Hollywood stars—and she knows this opportunity is her ticket to something better. From the bright beaches of Acapulco to glitzy parties in New York, Margo is thrown headfirst into the glamorous jet-set world she so covets, observing its ways from behind the camera as Slim’s sidekick. There’s Jackie Kennedy, Truman Capote's Swans, a host of Vanderbilts. Beautiful people in beautiful places. But when they land in Palm Beach, a scene with few rules and many riches, the lines between work and play begin to blur. As Margo becomes swept up in the city’s social circle—and into a friendship with heiress and rising fashion designer Lilly Pulitzer—the golden life seems increasingly in reach. Until she finds herself entangled in a complicated web of loyalties and secrets that could bring it all crashing down…
Beginning with the publication of The Lion, the Witch and the Wardrobe in 1950 and concluding with the appearance of The Last Battle in 1956, C. S. Lewis's seven-book series chronicling the adventures of a group of young people in the fictional land of Narnia has become a worldwide classic of children's literature. This stimulating collection of original essays by critics in a wide range of disciplines explores the past place, present status, and future importance of The Chronicles of Narnia. With essays ranging in focus from textual analysis to film and new media adaptations, to implications of war/trauma and race and gender, this cutting-edge New Casebook encourages readers to think about this much-loved series in fresh and exciting ways.
This invaluable, time-saving resource provides intercultural ideas for every month of the year. For each festival and tradition you will find background information, key vocabulary, detailed lists of possible teaching activities and optional pupil sheets. Ideas range from making cards and reading/writing poems to playing game and cooking traditional recipes.
LOST Thought is a lively collaboration between 22 leading experts in the online LOST world and the academic community. Every contributor brings unrestrained passion to these 25 wide-ranging and vital discussions of the personal, cultural, social, and literary implications of the most fascinating, multi-faceted creation ever presented on television. LOST is approached as living, breathing text whose mythology, themes, and theses challenge our culture and our society at every level. Scholars specializing in literary theory, English literature, film theory, art history, LOST studies, theology, pop culture, music theory, art, religious studies, and theater have come together to produce the most extensive analysis of LOST ever presented in a single volume. These 22 experts discuss LOST from 25 different perspectives, taking on issues ranging from the cultural impact of the series as a whole to the social implications of specific characters.
Engaging variously with the legacy of Paul L. Lehmann, these essays argue for a reorientation in Christian theology that better honours the formative power of the gospel to animate and shape doctrine and witness, as well as ethical and political life. The authors explore key themes in Christian theology and ethics - forgiveness, discernment, responsibility, spirituality, the present day tasks of theology and the role of faith in public life - making plain the unabated importance of Lehmann's work at this juncture in contemporary theology. The internationally recognized contributors draw crucial connections between the gospel of reconciliation, the form of Christian theology and witness, and the challenges of contemporary ethical and political reflection. This book demonstrates why this close friend of Dietrich Bonhoeffer, and author of Ethics in a Christian Context and The Transfiguration of Politics continues to influence generations of theologians in both the English-speaking world and beyond.
In a corner of south-western France, a young rose grower nurtures a private passion to breed an exotic new flower. But the year is 1789, and the world is about to change... The Rose Grower throws a subtle, slanting light on the underside of history, as a young woman and her family are caught up in the bloodthirsty years of the French Revolution. Her private passion is to create a repeat-flowering crimson rose, the first of its kind in Europe. But, as public events in Paris are duplicated in Gascony, her world turns upside down. An American balloonist falls out of the sky and into her life; while Joseph, a young working-class doctor, is also drawn into her orbit, and finds himself fatally torn between reason and desire, revolutionary zeal and unrequited love.
To Build a Shadowy Isle of Bliss casts new light on the political radicalism and social thought of nineteenth-century artist, author, and revolutionary, William Morris. Standing on the cusp of a new wave of scholarship, this book presents an exciting convergence of views among internationally renowned scholars in the field of Victorian Studies. Balancing variety and unity, this collection reappraises Morris’s concept of social change and asks how we might think beyond the institutions and epistemologies of our time. Though the political significance of Morris’s creative work is often underestimated, the essays in this volume showcase its subtlety and sophistication. Each chapter discerns the power and novelty of Morris’s radicalism within his aesthetic creations and demonstrates how his most compelling political ideas bloomed wherever his dexterous hand had been at work - in wallpapers, floral borders, medievalist romances, and verse. Morris's theory and practice of aesthetic creation can be seen as the crucible of his entire philosophy of social change. In situating Morris's radicalism at the heart of his creative legacy, and in reanimating debates about nineteenth-century art and politics, To Build a Shadowy Isle of Bliss challenges and expands received notions of the radical, the aesthetic, and the political.
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