If only visiting old friends was merely a social call… When Nyx’s quest to discover the secrets behind the Harvester’s rings leads her to the Meerkin homeworld of Kyvren, she’s only too happy to have an excuse to visit them. Since going their separate ways from Arkadia’s Station, she’s been unable to find any information on the state of their planet—or their attempt to reclaim it—and she only knows of one entity capable of covering up a civil war. Of course, the one person who could probably answer every question she has is also the last person she wants to ask. But as Nyx dives beneath the surface of the conflict on Kyvren, circumstances may have her spending a little more quality bonding time with that individual than she’s comfortable with...
Kiev A-Morridahn must pay. This is the vow Nyx Fortuna has sworn. Keeping it is all but impossible, but it is the one thing that motivates her. Whatever she must do, she will do. Whatever she must sacrifice, she will give. But if she succeeds, she’ll have to reckon with everything she’s pushed aside in her quest for vengeance. As it turns out, feelings—and friends—don’t like being ignored.
This time, leaving Earth was not Nyx’s choice... After her latest trip off-planet, Nyx Fortuna has every intention of keeping both feet firmly on her Station. Between trying to figure out why the Kumir have been hunting her friend Seth, searching for a way to destroy the Harvester of Worlds, and getting frustrated by the glacially slow return of her memories, she doesn’t have any time for planet-hopping. Unfortunately, the universe has other plans. When she’s abducted from Earth Between, Nyx finds herself in the remote reaches of the universe, on planets unconnected to the Station’s ley lines. Her only hope lies in mastering the portal magic she’s only just discovered she has. But even if she can manage its use, does she have enough magic—and determination—to find her way back home?
Just once, Nyx Fortuna would like something in her life to be easy... Nyx has finally managed to dismantle the magic keeping her from her missing memories, but things are a bit...fractured. Her mind keeps slipping into different points in her past, and she's not always aware of when the present is. The issue couldn't have come at a worse time, because she finally has a lead on the Kumir—the race of identical assassins who have hunted the Hidden to the brink of extinction—but following that lead involves another interstellar trip. Recognizing that covert operations on a foreign planet aren't a good idea with her current problems, Nyx reluctantly agrees to let her friends go without her. But when a malfunctioning memory combines with an unintended use of portal magic, Nyx ends up right where she shouldn't be. Complications prevent her from returning to Earth, leaving Nyx to navigate an alien metropolis while hoping her skipping memory doesn't get her killed.
Welcome to Earth Between. The inhabitants are magical, the fugitives dashing, and the new Guardian is having a seriously strange life. It’s easy to feel forgettable. Nyx literally is, and the condition seems to be getting worse. Homeless, alone, and with no memory of her past, she's at the end of her rope when she stumbles into Earth Between. Here, a Waystation connects the planet to the rest of the inhabited universe, and magic and intergalactic travel are just the order of the day. Becoming the Station’s Guardian seems too good to be true. It means a home and stability, surrounded by people who can actually remember she exists. But when an illegal traveler slips into Earth Between, she’s given an ultimatum: apprehend him or lose Guardianship of the Station. Nyx will do whatever it takes to keep her new life, even if it means following the fugitive to the world’s most dangerous prison planet. But that action has life-altering consequences, thrusting her into the middle of a conflict that started centuries before her birth. Nyx is about to come face to face with the powers of the universe—and discover that being seen is even harder than being forgotten. Honorable mention in the fantasy category of the Writer's Digest 9th Annual Self-Published E-Book Awards.
Siren Savage doesn't stay in one place for longer than six months. Nightmare creatures stalk her footsteps, and the gray-eyed man who controls them will do anything to claim her power for himself-the power to heal or kill with a single touch. She's accepted that constant running means she can never have a normal life, but when she meets Jace Winters, she finds herself wanting everything she knows she can't have.Old wounds have Jace staying as far away from Aspect-the power that runs in his family's bloodline-as possible. But when he meets Siren, a woman with more Aspect than any one person should be able to contain, he's incapable of turning down her plea for help-even if it means diving back into the very society he once swore he'd have nothing more to do with.Siren's tired of running, but her past is about to catch up to her, and it just might kill the only man she's ever slowed down long enough to love.
Book 7 in the Michelle Book Blog Series. This book go all out so if you have a faint heart, read with care because this book is so not for you. If you are homosexual, heterosexual and Rasta then this book is for you.
This book is my take on the Foota Hype UFO situation. Bunny Wailer's comment on Rita Marley and the $25 million pound injection into Jamaica to build a new prison there.
Book 18 in the Michelle's Book Blog Series. As usual this book is hard hitting and no holds barred. In this book I talk about my dreams The Klu Klux Klan and more.
The China Cabinet is a series of short stories written from the perspective of a modern woman. It tells of a woman's struggles as well as successes. Michelle Metje is a Consultant that works with individuals and companies who, like herself, are committed to professional and personal growth.
Some would argue that Brandi Chastain single-handedly made women s soccer popular. Few people knew much about the best female soccer players in the world after the 1999 Women s World Cup finals. That s when Brandi scored a goal on a penalty kick after the second overtime of the U.S. versus China match and struck her famous pose. She was photographed on her knees, mouth wide open, eyes closed, fists in the air, wearing a black sports bra and white soccer shorts. Her celebration pose was featured on magazines and newspapers around the world. After that, Brandi became a household name. Breeze through this book and discover how Brandi became the fabulous athlete and wonderful person she is today.
The hand print in the last page of this book was the foundation of “I Am Essential” shirts that were used years later for the Essential Art Musicians and Friends fundraiser. Michelle organized it to benefit the Harry Chapin Food Bank after organizing a food and fund drive for St Matthew’s House a week before Thanksgiving when she learned there were no turkeys or side dishes yet for about 1000 families that were expected for dinner. Thanks to the loving actions of her friends in the Little Black Dress Club, there was plenty of food served that Thanksgiving. Since 2000, Michelle has been painting “The Prints of Freedom” by turning people’s hands into art that embodies who a person is and what they do to celebrate freedom.
This time, leaving Earth was not Nyx’s choice... After her latest trip off-planet, Nyx Fortuna has every intention of keeping both feet firmly on her Station. Between trying to figure out why the Kumir have been hunting her friend Seth, searching for a way to destroy the Harvester of Worlds, and getting frustrated by the glacially slow return of her memories, she doesn’t have any time for planet-hopping. Unfortunately, the universe has other plans. When she’s abducted from Earth Between, Nyx finds herself in the remote reaches of the universe, on planets unconnected to the Station’s ley lines. Her only hope lies in mastering the portal magic she’s only just discovered she has. But even if she can manage its use, does she have enough magic—and determination—to find her way back home?
If only visiting old friends was merely a social call… When Nyx’s quest to discover the secrets behind the Harvester’s rings leads her to the Meerkin homeworld of Kyvren, she’s only too happy to have an excuse to visit them. Since going their separate ways from Arkadia’s Station, she’s been unable to find any information on the state of their planet—or their attempt to reclaim it—and she only knows of one entity capable of covering up a civil war. Of course, the one person who could probably answer every question she has is also the last person she wants to ask. But as Nyx dives beneath the surface of the conflict on Kyvren, circumstances may have her spending a little more quality bonding time with that individual than she’s comfortable with...
Brown provides a synopsis of each of the major phases of development, a bibliography at the beginning of each section, and comments on regional and chronological diffusion where appropriate.
Michelle Peterie’s revealing research offers a fresh angle on the human costs of immigration detention. Drawing on over 70 interviews with regular visitors to Australia’s onshore immigration detention facilities, Peterie paints a unique and vivid picture of these carceral spaces. The book contrasts the care and friendship exchanged between detainees and visitors with the isolation and despair that is generated and weaponised through institutional life. It shows how visitors become targets of institutional control, and theorises the harm detention imposes beyond the detainee. As the first research in this area, this book bears important witness to Australia’s onshore immigration detention system, and offers internationally relevant insights on immigration, deterrence and the politics of solidarity.
Forced displacement affects millions annually, as they search for safety, yet how many of us take the time to truly understand the asylum seeker experience? Not only confronted with the risks of irregular migration, asylum seekers must navigate border politics imposed by countries seeking to deter and punish those in need. Nameless bodies who wash up on the shores globally have become a contemporary norm. As humans are all deeply connected, a moral responsibility exists to comprehend why asylum seekers seek refuge even if the stakes of death are high. When understanding prevails, compassion and welcome often follow. However, policies of deterrence, signalling to refugees that they are “not welcome” have overshadowed an appreciation to understand. Despite asylum seeker deaths being well-publicised, government policies that focus on preventing “illegal immigration” often resonate with the populous. The question arises as to why a lack of understanding and hospitality is the dominant discourse. Possible clues are found on faraway Christmas Island, an Australian outpost located in the Indian Ocean, situated much closer to Indonesia than Australia. This book, the result of extensive research, reveals how Australia’s asylum seeker policy plays out at the Australian border. It examines how Christmas Islanders responded to asylum seekers and provides insights into why humans respond to strangers in need or turn them away. It opens the aperture for future discussions around the global complexities of welcoming asylum seekers, host communities and immigration border policies, and encourages replacing asylum seeker border deaths with hope and solidarity.
This is where I begin. This blank page draws me nearer to you, the day sweltering, my courage quickens, the curtains billowing and the punkah swaying, the punkah rattling as I sit at my writing bureau ... it is a soothing sound.' Mina, a writer, is navigating her place in the world, balancing creativity, academia, her sexuality and the expectation that a wife and mother abandons herself for others. For her, like so many women of mixed ancestry, it is too easy to be erased. But her fire and intellect refuse to bow. She discovers 'the dark, adorable' Eurasian woman Daisy Simmons, whom Peter Walsh plans to marry in Virginia Woolf's Mrs Dalloway. Daisy disappeared from Woolf's pages, her story unfinished - never given a voice in the novel, nor a footnote in any of the admiring Woolf scholarship that followed. While dealing with the remains of another life, Mina decides to write Daisy's story. Travelling from Australia to England, India and China, freelancing and researching, she has to navigate cultural and race barriers, trying hard not to look back or flinch at the personal cost. Like Woolf, her writing both sustains and overwhelms her. But in releasing Daisy from her fictional destiny, Mina finds the stubbornness and strength to also break free. 'An elegant meditation on race, class and privilege ... Daisy and Woolf not only brings us stories of brave, clever women in an eloquent way, it also leaves questions for us readers to think of our own trajectory of reading and influences' ArtsHub 'Cahill writes beautifully ... Daisy and Woolf is a novel about reclamation. Highlighting the inadvertent racism inherent in much of the classical literary canon, it reinforces the the importance of Own Voices writing, and shines a light on the lives of people of colour that cannot be understood or expressed without their input' The Age 'an impressive, ambitious postmodern novel that raises questions around race, class, feminism, Empire, the post-colonial voice and so much more ... a fascinating work, it's rare to see something of its kind in the Australian literary landscape' Readings PRAISE FOR MICHELLE CAHILL: 'Her deftness and linguistic grace masks her purpose, till she reveals a shocking glimpse of the price that art can exact' - HILARY MANTEL 'Traverses centuries, cultures and continents to deftly explore how race, gender and class have the power to shape a narrative' - MAXINE BENEBA CLARKE 'A dauntless novel of empire, and its ever-replicating costs. There are echoes of Michael Ondaatje in this novel's lush and observant prose-craft. This is fiction at its most human and humane' - BEEJAY SILCOX 'In luminous prose, she has brought an old world back to life. Her background as a poet is clear in her evocative and detailed descriptions of colonial India. Daisy's voice is perfectly tuned and her story is compelling' - MELANIE CHENG 'At once critically acute and narratively rich, Daisy and Woolf shows us that there are always new ways to read the past in order to understand the present' - PATRICK FLANERY 'Michelle Cahill deploys poetry and history in the most powerful manner possible to write back to Virginia Woolf, and expose the colonial gaze that did not (does not) acknowledge the full humanity of others. This novel will be to Mrs Dalloway what Wide Sargasso Sea was to Jane Eyre' - MEENA KANDASAMY
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