My book is about a lady Della who sees a man getting ready to drown in the ocean. Will she, with God's help be able to save him from drowning. Will he be able to accept God's love and forgivness? Will these two get together? What about his handicapped sister? Find out in He Stilled The Waters.
The China Cabinet is a series of short stories written from the perspective of a modern woman. It tells of a woman's struggles as well as successes. Michelle Metje is a Consultant that works with individuals and companies who, like herself, are committed to professional and personal growth.
The hand print in the last page of this book was the foundation of “I Am Essential” shirts that were used years later for the Essential Art Musicians and Friends fundraiser. Michelle organized it to benefit the Harry Chapin Food Bank after organizing a food and fund drive for St Matthew’s House a week before Thanksgiving when she learned there were no turkeys or side dishes yet for about 1000 families that were expected for dinner. Thanks to the loving actions of her friends in the Little Black Dress Club, there was plenty of food served that Thanksgiving. Since 2000, Michelle has been painting “The Prints of Freedom” by turning people’s hands into art that embodies who a person is and what they do to celebrate freedom.
This book is my take on the Foota Hype UFO situation. Bunny Wailer's comment on Rita Marley and the $25 million pound injection into Jamaica to build a new prison there.
Book 18 in the Michelle's Book Blog Series. As usual this book is hard hitting and no holds barred. In this book I talk about my dreams The Klu Klux Klan and more.
This little book is a collection ofessays on discipleship and community, and one story, written for theSpiritus Christi community in Rochester, New York. Taken together, theseessays become the story of one woman's inner journey through mid-life.Beginning at a time when the author still had children at home, the essaysmove through her time in seminary and her work at St. Joseph's House ofHospitality, the Rochester Catholic Worker, as she explores God's call andlearns that life after children is full and rich after all. Profits from the sale of this book will benefit the Spiritus Christi MentalHealth Ministry.
Through a series of events, a young woman named Marla Haines finds her world crumbling all around her. She could not manage to see how she would pick up the pieces of her life or find the good she longed for until she received a gift--an unwrapped gift.
In Imagination, Meditation, and Cognition in the Middle Ages, Michelle Karnes revises the history of medieval imagination with a detailed analysis of its role in the period’s meditations and theories of cognition. Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure’s meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love’s Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.
The first one thousand days of human life, or the period between conception and age two, is one of the most pivotal periods of human development. Optimizing nutrition during this time not only prevents childhood malnutrition but also determines future health and potential. The Politics of Potential examines early life interventions in the first one thousand days of life in South Africa, drawing on fieldwork from international conferences, government offices, health-care facilities, and the everyday lives of fifteen women and their families in Cape Town. Michelle Pentecost explores various aspects of a politics of potential, a term that underlines the first one thousand days concept and its effects on clinical care and the lives of childbearing women in South Africa. Why was the First One Thousand Days project so readily adopted by South Africa and many other countries? Pentecost not only explores this question but also discusses the science of intergenerational transmissions of health, disease, and human capital and how this constitutes new forms of intergenerational responsibility. The women who are the target of first one thousdand days interventions are cast as both vulnerable and responsible for the health of future generations, such that, despite its history, intergenerational responsibility in South Africa remains entrenched in powerfully gendered and racialized ways.
Making the Modern Primitive provides an anthropological analysis of the encounter between local residents and tourists in the Trobriand Islands, a place renowned in anthropology and represented in various media as "culturally authentic." In such a place, how are ideas about authenticity implicated in creating and representing the self and cultural Others in the context of cultural tourism? Michelle MacCarthy addresses this question by examining four arenas of interaction between Trobriand Islanders and tourists: formal performances, informal village visits, souvenir shopping, and tourist photography. Drawing on both symbolic/interpretive approaches and concepts drawn from economic anthropology, she examines the relationship of tourism to the commoditization of culture, the ways in which local residents actively represent and enact "Trobriandness," and the ways tourists interpret and narrate their experience. MacCarthy offers an anthropological critique of concepts of authenticity, tradition, and cultural commodification, based on long-term fieldwork among Trobriand Islanders and tourists. These notions, which have particular meanings as analytical concepts in anthropology, are also used and strategically deployed in the discourses of both Trobriand Islanders and tourists. Ideas about primitivity and cultural essentialism, while critiqued by anthropologists, are nonetheless used by both parties in tourism interactions to conceptualize and contextualize difference. MacCarthy demonstrate how such tropes are employed in ways that fit with prevailing metanarratives which each side holds about the other, and how these tropes are reproduced both in individual narratives of both tourists' and Trobrianders' experiences and in their interpretations (often misconstrued) of the lives of cultural Others with whom they interact. She examines the social dimensions of cross-cultural exchange in these four arenas (performance, village life, souvenirs, photography) to argue that cultural commodities are conceived of as singularities, a special category whose commodity status is downplayed in order to generate an increased sense of authenticity and to perpetuate the myth of a "primitive" economy and way of life more generally. In touristic encounters, experience itself is a sort of commodity, but relationships (real or imagined) are central to investing these experiences with meaning and value. This analysis contributes new understandings of the role and significance of authenticity in the anthropology of tourism, and its relationship to exchange; that is, how meaning and value are ascribed to the cultural products produced and consumed in the cultural tourism encounter with reference to ideas about what is and isn't authentic.
The all too brief career of film star Olive Borden (1906-1947) is chronicled in this definitive biography. Apprenticing in short slapstick silent comedies, the vivacious Virginia-born actress rose to stardom after signing with Fox in 1925, enlivening such films as John Ford's 3 Bad Men (1926). Borden's career declined after she severed her ties with Fox, and by the early 1930s she was finished in Hollywood. Alcoholism and a devastating series of personal setbacks hastened her death at age forty-one. Olive Borden's controversial contract debacle with Fox and her long-term relationship with actor George O'Brien are thoroughly detailed. Personal anecdotes and insights are offered by Ralph Graves, Jr., who befriended Borden in the late 1920s. Dozens of heretofore unattributed screen appearances by the actress are included in the filmography.
The investigative journalist author of Kingdom Coming explores the ways in which restrictions against women's reproductive rights are directly linked to consequences in global development, in a cautionary report that covers such topics as abortion, female circumcision, and human trafficking.
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