Shortlisted for the 2022 Miles Franklin Literary Award A profoundly original exploration of racism, misogyny, and ageism—three monsters that plague the world—this novel from a beloved and prize-winning author is made up of two narratives, each told by a South Asian migrant to Australia “When my family emigrated it felt as if we’d been stood on our heads.” Michelle de Kretser’s electrifying take on scary monsters turns the novel upside down, just as migration has upended her characters’ lives. Lili’s family migrated to Australia from Asia when she was a teenager. Now, in the 1980s, she’s teaching in the south of France. She makes friends, observes the treatment handed out to North African immigrants, and is creeped out by her downstairs neighbor. All the while, Lili is striving to be A Bold, Intelligent Woman like Simone de Beauvoir. Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation and embraces “Australian values.” He’s also preoccupied by his ambitious wife, his wayward children, and his strong-minded elderly mother. Islam has been banned in the country, the air is smoky from a Permanent Fire Zone, and one pandemic has already run its course. Three scary monsters—racism, misogyny, and ageism—roam through this mesmerizing novel. Its reversible format enacts the disorientation that migrants experience when changing countries changes the stories of their lives. With this suspenseful, funny, and profound book, Michelle de Kretser has made something thrilling and new. “Which comes first, the future or the past?”
A flamboyant beauty who once partied with the Prince of Wales and who now, in her seventh decade, has "gone native" in a Ceylonese jungle. A proud, Oxford-educated lawyer who unwittingly seals his own professional fate when he dares to solve the sensational Hamilton murder case that has rocked the upper echelons of local society. A young woman who retreats from her family and the world after her infant brother is found suffocated in his crib. These are among the linked lives compellingly portrayed in a novel everywhere hailed for its dazzling grace and savage wit -- a spellbinding tale of family and duty, of legacy and identity, a novel that brilliantly probes the ultimate mystery of what makes us who we are.
“This is a gorgeous, delicately surprising piece of writing. . . . It's like spirit photography, all fuzzy outlines and unaccountable light: a snapshot of something that may or may not exist.” —Terrence Rafferty, The New York Times Book Review When Frances met Charlie at a party in Melbourne, he was married with a young son. Now that the couple has moved to subtropical Sydney, a lusher and more chaotic city, Frances has an unshakable sense that the world has tipped on its axis. Everything seems alien, and exotic—and Frances is haunted by the unknowability of Charlie's previous life. A young art historian studying the objects in paintings––the material world––Frances takes mind–clearing walks around her neighborhood with her dog. Behind the fence of one garden, she thinks she sees a woman in an old–fashioned gown, but something is not right. It's as if the garden exists in a vacuum suspended in time, "at an angle to life." Springtime is a ghost story that doesn't conform to the genre's traditions of dark and stormy nights, graveyards and ruins. It breaks new ground by unfolding in sunny, suburban Australia, and the realism of the characters and events make the story's ambiguities and eeriness all the more disquieting. The richness of observation here is immediately recognizable as Michelle de Kretser's, a writer who has been praised by Hilary Mantel as a master of ""the sharp, almost hallucinatory detail.
Winner of the Miles Franklin Literary Award Shortlisted for the Stella Prize Longlisted for the International Dublin Literary Award “For a novel concerned with dislocation, there's a lot of grounding humor in The Life to Come. Most of it comes at the expense of Pippa and her ilk, but de Kretser's observations are so spot on, you'll forgive her even as you cringe.”—Amelia Lester, New York Times Book Review Set in Australia, France, and Sri Lanka, The Life to Come is about the stories we tell and don’t tell ourselves as individuals, as societies, and as nations. Driven by a vivid cast of characters, it explores necessary emigration, the art of fiction, and ethnic and class conflict. Pippa is a writer who longs for success and eventually comes to fear that she “missed everything important.” Celeste tries to convince herself that her feelings for her married lover are reciprocated. Ash makes strategic use of his childhood in Sri Lanka, but blots out the memory of a tragedy from that time. Sri Lankan Christabel endures her dull job and envisions a brighter future that “rose, glittered, and sank back,” while she neglects the love close at hand. The stand–alone yet connected worlds of The Life to Come offer meditations on intimacy, loneliness, and our flawed perception of reality. Enormously moving, gorgeously observant of physical detail, and often very funny, this new novel by Michelle de Kretser reveals how the shadows cast by both the past and the future can transform and distort the present. It is teeming with life and earned wisdom—exhilaratingly contemporary, with the feel of a classic.
In a corner of south-western France, a young rose grower nurtures a private passion to breed an exotic new flower. But the year is 1789, and the world is about to change... The Rose Grower throws a subtle, slanting light on the underside of history, as a young woman and her family are caught up in the bloodthirsty years of the French Revolution. Her private passion is to create a repeat-flowering crimson rose, the first of its kind in Europe. But, as public events in Paris are duplicated in Gascony, her world turns upside down. An American balloonist falls out of the sky and into her life; while Joseph, a young working-class doctor, is also drawn into her orbit, and finds himself fatally torn between reason and desire, revolutionary zeal and unrequited love.
Laura Fraser grows up in Sydney, motherless, with a cold, professional father and an artistic bent. Ravi Mendis lives on the other side of the globe -- exploring the seductive new world of the Internet, his father dead, his mother struggling to get by.Their stories alternate throughout Michelle de Kretser's ravishing novel, culminating in unlikely fates for them both, destinies influenced by travel -- voluntary in her case, enforced in his. With money from an inheritance, Laura sets off to see the world, eventually returning to Sydney to work for a publisher of travel guides. There she meets Ravi, now a Sri Lankan political exile who wants only to see a bit of Australia and make a living. Where do these two disparate characters, and an enthralling array of others, truly belong? With her trademark subtlety, wit, and dazzling prose, Michelle de Kretser shows us that, in the 21st century, they belong wherever they want to and can be -- home or away. "It is not really possible to describe, in a short space, the originality and depth of this long and beautifully crafted book." -- A.S. Byatt, The Guardian
On a cloudless summer afternoon in 1789, labourers working in the fields around Montsignac, a village in Gascony, saw a man fall out of the sky. The balloon had drifted over a wooded ridge and into their valley. The farmworkers, straightening up one by one, shaded their eyes against the dazzle of the sun on crimson and blue silk. The thing hung in the sky - sumptuous, menacing - like a sign from God or the devil. Then there was thunder and fire, and a man plummeting earthwards. It was the 14th of July. The world was about to change. The timeless story of Sophie nursing the ambition to create a repeat-flowering crimson rose, the like of which has never been seen in Europe. Then Stephen, the American balloonist falling out of the sky and into Sophie's life - a love story that unfolds against the sensuous green landscape of Gascony. It is the 14th of July, the year is 1789 and revolution hangs in the air closing in on the private world of the Saint-Pierre family and threatening to change their world forever. Michelle de Krester's gripping tale of love, roses and the French revolution is seductive, moving and beautifully written. The popularity of this book has made it a bestseller in Australia and the UK and the US.
Winner of the Miles Franklin Award, 2018 Longlisted for the International Dublin Literary Award, 2018 New Statesman's best books of the year, 2018 Michelle de Kretser's fifth novel is both a delicious satire on the way we live now and a deeply moving examination of the true nature of friendship. Pippa is a writer who longs for success. Céleste tries to convince herself that her feelings for her married lover are reciprocated. Ash makes strategic use of his childhood in Sri Lanka but blots out the memory of a tragedy from that time. Driven by riveting stories and unforgettable characters, here is a dazzling meditation on intimacy, loneliness and our flawed perception of other people. Profoundly moving as well as bitingly funny, The Life to Come reveals how the shadows cast by both the past and the future can transform, distort and undo the present. Travelling from Sydney to Paris and Sri Lanka, this mesmerising novel feels at once firmly classic and exhilaratingly contemporary.
Winner of the Miles Franklin Literary Award Shortlisted for the Stella Prize Longlisted for the International Dublin Literary Award “For a novel concerned with dislocation, there's a lot of grounding humor in The Life to Come. Most of it comes at the expense of Pippa and her ilk, but de Kretser's observations are so spot on, you'll forgive her even as you cringe.”—Amelia Lester, New York Times Book Review Set in Australia, France, and Sri Lanka, The Life to Come is about the stories we tell and don’t tell ourselves as individuals, as societies, and as nations. Driven by a vivid cast of characters, it explores necessary emigration, the art of fiction, and ethnic and class conflict. Pippa is a writer who longs for success and eventually comes to fear that she “missed everything important.” Celeste tries to convince herself that her feelings for her married lover are reciprocated. Ash makes strategic use of his childhood in Sri Lanka, but blots out the memory of a tragedy from that time. Sri Lankan Christabel endures her dull job and envisions a brighter future that “rose, glittered, and sank back,” while she neglects the love close at hand. The stand–alone yet connected worlds of The Life to Come offer meditations on intimacy, loneliness, and our flawed perception of reality. Enormously moving, gorgeously observant of physical detail, and often very funny, this new novel by Michelle de Kretser reveals how the shadows cast by both the past and the future can transform and distort the present. It is teeming with life and earned wisdom—exhilaratingly contemporary, with the feel of a classic.
On Shirley Hazzard is a vibrant and personal tribute in which the Miles Franklin Award–winning novelist Michelle de Kretser offers a masterclass in writing and reading. She celebrates the precision and musicality of Hazzard’s prose and illuminates the humor and humanity in her work. This exhilarating book is both a brilliant introduction to Hazzard and a gift for her longtime readers. On Shirley Hazzard reveals Michelle de Kretser’s lively intelligence at work and her distinctive wit. This testament to her sustained engagement with Hazzard’s work is, at its core, an appreciation of the significance and joy of good fiction. Receptiveness when reading is a prerequisite for perceptive analysis, according to both de Kretser and Hazzard. And for prose, the “simple and precise,” the “transient and insignificant” are key qualities: “Not moonlight but the glitter of broken glass,” for de Kretser as for Chekhov. Selective biographical details about Hazzard are relayed, too—her leaving Australia and formal education at the age of sixteen, her working, unhappily, at the United Nations in Manhattan, her long friendship with Graham Greene. Hazzard’s morality is also invoked—“solidarity with the vulnerable” and pacifism being of prime importance. Shirley Hazzard (1931–2016) published her first short story in The New Yorker in 1961. The magazine continued to publish her work in the decades thereafter, including excerpts from her most successful and beloved novel, the bestseller and National Book Critics Circle Award winner, The Transit of Venus (1980). Michelle de Kretser’s insightful and provocative appreciation does Hazzard fine justice.
Winner of the 2013 Miles Franklin Award Winner of the 2013 ALS Gold Medal Laura travels the world before returning to Sydney, where she works for a publisher of travel guides. Ravi dreams of being a tourist until he is driven from Sri Lanka by devastating events. An enthralling array of people, places and stories surround these superbly drawn characters - from Theo, whose life plays out in the long shadow of the past, to Hana, an Ethiopian woman determined to reinvent herself. Michelle de Kretser illuminates travel, work and modern dreams in this brilliant evocation of the way we live now. Questions of Travel is infused with wit, imagination, uncanny common sense and a deep understanding of what makes us tick.
*** WINNER OF THE 2023 RATHBONES FOLIO FICTION PRIZE*** ONE OF SLATE'S 10 BEST BOOKS OF 2022 'Every page of her story feels charged, like an open circuit waiting for its switch; a lurking wallop. It's magnificent, peerless writing' Guardian 'When my family emigrated it felt as if we'd been stood on our heads.' Michelle de Kretser's electrifying take on scary monsters turns the novel upside down - just as migration has upended her characters' lives. Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation and embraces 'Australian values'. He's also preoccupied by his ambitious wife, his wayward children and his strong-minded elderly mother. Islam has been banned in the country, the air is smoky from a Permanent Fire Zone, and one pandemic has already run its course. Lili's family migrated to Australia from Asia when she was a teenager. Now, in the 1980s, she's teaching in the south of France. She makes friends, observes the treatment handed out to North African immigrants and is creeped out by her downstairs neighbour. All the while, Lili is striving to be A Bold, Intelligent Woman like Simone de Beauvoir. Three scary monsters - racism, misogyny and ageism - roam through this mesmerising novel. Its reversible format enacts the disorientation that migrants experience when changing countries changes the story of their lives. With this suspenseful, funny and profound book, Michelle de Kretser has made something thrilling and new. 'Which comes first, the future or the past?
Shortlisted for the 2022 Miles Franklin Literary Award A profoundly original exploration of racism, misogyny, and ageism—three monsters that plague the world—this novel from a beloved and prize-winning author is made up of two narratives, each told by a South Asian migrant to Australia “When my family emigrated it felt as if we’d been stood on our heads.” Michelle de Kretser’s electrifying take on scary monsters turns the novel upside down, just as migration has upended her characters’ lives. Lili’s family migrated to Australia from Asia when she was a teenager. Now, in the 1980s, she’s teaching in the south of France. She makes friends, observes the treatment handed out to North African immigrants, and is creeped out by her downstairs neighbor. All the while, Lili is striving to be A Bold, Intelligent Woman like Simone de Beauvoir. Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation and embraces “Australian values.” He’s also preoccupied by his ambitious wife, his wayward children, and his strong-minded elderly mother. Islam has been banned in the country, the air is smoky from a Permanent Fire Zone, and one pandemic has already run its course. Three scary monsters—racism, misogyny, and ageism—roam through this mesmerizing novel. Its reversible format enacts the disorientation that migrants experience when changing countries changes the stories of their lives. With this suspenseful, funny, and profound book, Michelle de Kretser has made something thrilling and new. “Which comes first, the future or the past?”
Tom Loxley, an Indian-Australian professor, is less concerned with finishing his book on Henry James than with finding his dog, who is lost in the Australian bush. Joining his daily hunt is Nelly Zhang, an artist whose husband disappeared mysteriously years before Tom met her. Although Nelly helps him search for his beloved pet, Tom isn't sure if he should trust this new friend. Tom has preoccupations other than his book and Nelly and his missing dog, mainly concerning his mother, who is suffering from the various indignities of old age. He is constantly drawn from the cerebral to the primitive -- by his mother's infirmities, as well as by Nelly's attractions. The Lost Dog makes brilliant use of the conventions of suspense and atmosphere while leading us to see anew the ever-present conflicts between our bodies and our minds, the present and the past, the primal and the civilized.
Offering breakthrough and effective holistic methods to manage and reduce thyroid problems naturally from a leading naturopathic doctor. Thyroid health problems have already reached epidemic proportions in North America. Due to modern day medical treatment protocols, protecting one's thyroid is no longer as simple as providing a few key nutrients to maintain its function and vital body support. Reverse Thyroid Disease Naturally provides a comprehensive overview of thyroid disease and other related problems and how to effectively and naturally treat them. The book is a complete resource of healing remedies, dietary recommendations and protocols to bolster the systems of the body. Reverse Thyroid Disease Naturally offers practical tips and alternative solutions to popular drugs as well as beneficial supplements and home remedies.
This volume clarifies in a logical and didactic manner the sequence of events that characterize the human menstrual cycle. Each major organ involved in the cycle, the brain, the pituitary gland, the ovary, and the uterus is discussed and its contribution specifically outlined. The chapters trace the physiologic events within each of these organs, describe the hormones by which they communicate, and outline how critical aspects of the cycle are synchronized so that an ovulatory cycle can occur. Thus neuroendocrine control of the menstrual cycle is examined in detail, and the processes of follicular development, maturation, ovulation, and maintenance of the corpus luteum are thoroughly covered. The book then turns to pathophysiology and examines the conditions under which the menstrual cycle may become abnormal. Pathophysiological mechanisms that cause cycle disturbance, anovulation, and infertility are reviewed, as are clinical presentations of common menstrual disorders and their treatment. Progress in reproductive biology has been rapid, and the research spans several disciplines. In this volume information dispersed in many publications has been synthesized and concisely presented, providing an in-depth understanding of the processes that control reproductive function in the female.
We can’t avoid insects. They scurry past us in the kitchen, pop up in our gardens, or are presented to us in jars by inquisitive children. Despite encountering them on a daily basis, most people don’t know an aphid from an antlion, and identifying an insect using field guides or internet searches can be daunting. Miniature Lives provides a range of simple strategies that people can use to identify and learn more about the insects in their homes and gardens. Featuring a step-by-step, illustrated identification key and detailed illustrations and colour photographs, the book guides the reader through the basics of entomology (the study of insects). Simple explanations, amusing analogies and quirky facts describe where insects live, how they grow and protect themselves, the clues they leave behind and their status as friend or foe in a way that is both interesting and easy to understand. Gardeners, nature lovers, students, teachers, and parents and grandparents of bug-crazed kids will love this comprehensive guide to the marvellous diversity of insects that surrounds us and the miniature lives they lead.
Line by line, Cahill’s writing is musical, assured: cumulatively, her seriousness is evident, her ambition impressive." - Hilary Mantel Letter to Pessoa is the first collection of short stories by award-winning Goan-Australian poet Michelle Cahill. It is an imaginative tour de force, portraying the experiences of a whole range of characters, including a scientist, a cat and a young Indian female version of Joseph Conrad, in settings across the world, from Barcelona to Capetown, Boston to Chiang Mai, Kathmandu to Kraków. Like the poet Fernando Pessoa, who gives the collection its title, and who created as many as seventy versions of himself, Cahill displays a remarkable inventiveness, making distant landscapes and situations come alive, in compelling detail, as they express the fear and longing, obsession and outrage, of the people caught up in them. Displaying its awareness of the power of writing to create realities, the collection also includes a number of fictions in letter form, to Jacques Derrida, Virginia Woolf, Jean Genet and Margaret Atwood – and to JM Coetzee, from his character Melanie Isaacs.
Farm dams, creeklines, vegetation and rocky outcrops are natural assets that are essential for healthy, sustainable farms. Protecting and enhancing these elements of natural capital on farms not only supports biodiversity, but also contributes to farm productivity and to the well-being of farmers and farming communities. Natural Asset Farming: Creating Productive and Biodiverse Farms reveals seven key natural assets and why they are so valuable for biodiversity and productivity on farms. Drawing on two decades of long-term ecological monitoring and knowledge exchange with farmers, Landcare groups and natural resource management experts, this book is a tool for building and enhancing natural assets in agricultural landscapes. In bringing together ecological science and the experience of farmers in the wheat–sheep belt of south-eastern Australia, Natural Asset Farming will help foster ideas, boost resilience and improve the sustainability of agricultural production.
Laura Fraser grows up in Sydney, motherless, with a cold, professional father and an artistic bent. Ravi Mendis lives on the other side of the globe -- exploring the seductive new world of the Internet, his father dead, his mother struggling to get by.Their stories alternate throughout Michelle de Kretser's ravishing novel, culminating in unlikely fates for them both, destinies influenced by travel -- voluntary in her case, enforced in his. With money from an inheritance, Laura sets off to see the world, eventually returning to Sydney to work for a publisher of travel guides. There she meets Ravi, now a Sri Lankan political exile who wants only to see a bit of Australia and make a living. Where do these two disparate characters, and an enthralling array of others, truly belong? With her trademark subtlety, wit, and dazzling prose, Michelle de Kretser shows us that, in the 21st century, they belong wherever they want to and can be -- home or away. "It is not really possible to describe, in a short space, the originality and depth of this long and beautifully crafted book." -- A.S. Byatt, The Guardian
On Shirley Hazzard is a vibrant and personal tribute in which the Miles Franklin Award–winning novelist Michelle de Kretser offers a masterclass in writing and reading. She celebrates the precision and musicality of Hazzard’s prose and illuminates the humor and humanity in her work. This exhilarating book is both a brilliant introduction to Hazzard and a gift for her longtime readers. On Shirley Hazzard reveals Michelle de Kretser’s lively intelligence at work and her distinctive wit. This testament to her sustained engagement with Hazzard’s work is, at its core, an appreciation of the significance and joy of good fiction. Receptiveness when reading is a prerequisite for perceptive analysis, according to both de Kretser and Hazzard. And for prose, the “simple and precise,” the “transient and insignificant” are key qualities: “Not moonlight but the glitter of broken glass,” for de Kretser as for Chekhov. Selective biographical details about Hazzard are relayed, too—her leaving Australia and formal education at the age of sixteen, her working, unhappily, at the United Nations in Manhattan, her long friendship with Graham Greene. Hazzard’s morality is also invoked—“solidarity with the vulnerable” and pacifism being of prime importance. Shirley Hazzard (1931–2016) published her first short story in The New Yorker in 1961. The magazine continued to publish her work in the decades thereafter, including excerpts from her most successful and beloved novel, the bestseller and National Book Critics Circle Award winner, The Transit of Venus (1980). Michelle de Kretser’s insightful and provocative appreciation does Hazzard fine justice.
Tom Loxley, an Indian-Australian professor, is less concerned with finishing his book on Henry James than with finding his dog, who is lost in the Australian bush. Joining his daily hunt is Nelly Zhang, an artist whose husband disappeared mysteriously years before Tom met her. Although Nelly helps him search for his beloved pet, Tom isn't sure if he should trust this new friend. Tom has preoccupations other than his book and Nelly and his missing dog, mainly concerning his mother, who is suffering from the various indignities of old age. He is constantly drawn from the cerebral to the primitive -- by his mother's infirmities, as well as by Nelly's attractions. The Lost Dog makes brilliant use of the conventions of suspense and atmosphere while leading us to see anew the ever-present conflicts between our bodies and our minds, the present and the past, the primal and the civilized.
“This is a gorgeous, delicately surprising piece of writing. . . . It's like spirit photography, all fuzzy outlines and unaccountable light: a snapshot of something that may or may not exist.” —Terrence Rafferty, The New York Times Book Review When Frances met Charlie at a party in Melbourne, he was married with a young son. Now that the couple has moved to subtropical Sydney, a lusher and more chaotic city, Frances has an unshakable sense that the world has tipped on its axis. Everything seems alien, and exotic—and Frances is haunted by the unknowability of Charlie's previous life. A young art historian studying the objects in paintings––the material world––Frances takes mind–clearing walks around her neighborhood with her dog. Behind the fence of one garden, she thinks she sees a woman in an old–fashioned gown, but something is not right. It's as if the garden exists in a vacuum suspended in time, "at an angle to life." Springtime is a ghost story that doesn't conform to the genre's traditions of dark and stormy nights, graveyards and ruins. It breaks new ground by unfolding in sunny, suburban Australia, and the realism of the characters and events make the story's ambiguities and eeriness all the more disquieting. The richness of observation here is immediately recognizable as Michelle de Kretser's, a writer who has been praised by Hilary Mantel as a master of ""the sharp, almost hallucinatory detail.
In a corner of south-western France, a young rose grower nurtures a private passion to breed an exotic new flower. But the year is 1789, and the world is about to change... The Rose Grower throws a subtle, slanting light on the underside of history, as a young woman and her family are caught up in the bloodthirsty years of the French Revolution. Her private passion is to create a repeat-flowering crimson rose, the first of its kind in Europe. But, as public events in Paris are duplicated in Gascony, her world turns upside down. An American balloonist falls out of the sky and into her life; while Joseph, a young working-class doctor, is also drawn into her orbit, and finds himself fatally torn between reason and desire, revolutionary zeal and unrequited love.
A flamboyant beauty who once partied with the Prince of Wales and who now, in her seventh decade, has "gone native" in a Ceylonese jungle. A proud, Oxford-educated lawyer who unwittingly seals his own professional fate when he dares to solve the sensational Hamilton murder case that has rocked the upper echelons of local society. A young woman who retreats from her family and the world after her infant brother is found suffocated in his crib. These are among the linked lives compellingly portrayed in a novel everywhere hailed for its dazzling grace and savage wit -- a spellbinding tale of family and duty, of legacy and identity, a novel that brilliantly probes the ultimate mystery of what makes us who we are.
Elizabeth Harrower: Critical Essays is the first sustained study of this acclaimed Australian author. It brings together two celebrated novelists and ten noted critics of Australian literature to consider the legacy and continuing importance of this major literary figure. The essays examine all of Harrower’s published fiction, from her first short story to the long-delayed publication of In Certain Circles in 2014. Together they provide an wide ranging introduction to the extraordinary imaginative and intellectual project of her work. They explore her engagement with twentieth-century history and post-war society, with modernism and modernity, and with the personal impacts of mass media, technology and industry. They demonstrate her grasp of the ethical and philosophical challenges confronting her readers and characters in late modernity as seen from a number of distinctive vantage points including the harbourside mansions and commercial centres of post-war Sydney, the suburbs of industrial Newcastle, and the bed-sitters of expatriate London in the 1960s. Together they offer new insights into an Australian writer at the crossroads of modernism and postmodernism, inviting readers to read and re-engage with Harrower’s work in a new light.
Set in Sydney, Paris and Sri Lanka, this is a mesmerising novel about the stories we tell and don't tell ourselves as individuals, as societies and as nations. It feels at once firmly classic and exhilaratingly contemporary. Pippa is a writer who longs for success. Celeste tries to convince herself that her feelings for her married lover are reciprocated. Ash makes strategic use of his childhood in Sri Lanka but blots out the memory of a tragedy from that time. Driven by riveting stories and unforgettable characters, here is a dazzling meditation on intimacy, loneliness and our flawed perception of other people. Profoundly moving as well as wickedly funny, this novel reveals how the shadows cast by both the past and the future can transform, distort and undo the present. This extraordinary novel by Miles Franklin-winning author Michelle de Kretser will strike to your soul.
Laura travels the world before returning to Sydney, where she works for a publisher of travel guides. Ravi dreams of being a tourist until he is driven from Sri Lanka by devastating events. An enthralling array of people, places, and stories surround these superbly drawn characters - from Theo, whose life plays out in the long shadow of the past, to Hana, an Ethiopian woman determined to reinvent herself.
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