How can Third World experiences of colonialism and statehood be expressed within the confines of the International Court of Justice? How has the discourse of international law developed to reflect postcolonial realities of universal statehood? In a close and critical reading of four territorial disputes spanning the Arab World, Burgis explores the extent to which international law can be used to speak for and speak to non-European experiences of authority over territory. The book draws on recent, critical international legal scholarship to question the ability of contemporary, international adjudication to address Third World grievances from the past. A comparative analysis of the cases suggests that international law remains a discourse only capable of capturing a limited range of non-European experiences during and after colonialism.
How can Third World experiences of colonialism and statehood be expressed within the confines of the International Court of Justice? How has the discourse of international law developed to reflect postcolonial realities of ‘universal’ statehood? In a close and critical reading of four territorial disputes spanning the Arab World, Burgis explores the extent to which international law can be used to speak for and speak to non-European experiences of authority over territory. The book draws on recent, critical international legal scholarship to question the ability of contemporary, international adjudication to address Third World grievances from the past. A comparative analysis of the cases suggests that international law remains a discourse only capable of capturing a limited range of non-European experiences during and after colonialism.
Book 7 in the Michelle Book Blog Series. This book go all out so if you have a faint heart, read with care because this book is so not for you. If you are homosexual, heterosexual and Rasta then this book is for you.
Book 18 in the Michelle's Book Blog Series. As usual this book is hard hitting and no holds barred. In this book I talk about my dreams The Klu Klux Klan and more.
This book is my take on the Foota Hype UFO situation. Bunny Wailer's comment on Rita Marley and the $25 million pound injection into Jamaica to build a new prison there.
The China Cabinet is a series of short stories written from the perspective of a modern woman. It tells of a woman's struggles as well as successes. Michelle Metje is a Consultant that works with individuals and companies who, like herself, are committed to professional and personal growth.
The hand print in the last page of this book was the foundation of “I Am Essential” shirts that were used years later for the Essential Art Musicians and Friends fundraiser. Michelle organized it to benefit the Harry Chapin Food Bank after organizing a food and fund drive for St Matthew’s House a week before Thanksgiving when she learned there were no turkeys or side dishes yet for about 1000 families that were expected for dinner. Thanks to the loving actions of her friends in the Little Black Dress Club, there was plenty of food served that Thanksgiving. Since 2000, Michelle has been painting “The Prints of Freedom” by turning people’s hands into art that embodies who a person is and what they do to celebrate freedom.
In taking a fresh approach to the study of contracts and commissioning, The Business of Art demonstrates the fundamental quality of negotiation, involving the equal input of both parties, to the gestation of a new work of art. It underlines the contributions made by both parties, working together, to deciding such issues as the approach to the production of a work, the costs involved in its creation, and the details of its subject matter.
Cleansing the City: Sanitary Geographies in Victorian Londonexplores not only the challenges faced by reformers as they strove toclean up an increasingly filthy city but the resistance to their efforts.Beginning in the 1830s, reform-minded citizens, under the banner of sanitaryimprovement, plunged into London's dark and dirty spaces and returned withthe material they needed to promote public health legislation and magnificentprojects of sanitary engineering. Sanitary reform, however, was not alwaysmet with unqualified enthusiasm. While some improvements, such as slumclearances, the development of sewerage, and the embankment of the Thames,may have made London a cleaner place to live, these projects also destroyedand reshaped the built environment, and in doing so, altered the meanings andexperiences of the city. From the novels of Charles Dickens and George Gissing to anonymous magazinearticles and pamphlets, resistance to reform found expression in the nostalgicappreciation of a threatened urban landscape and anxiety about domestic autonomyin an era of networked sanitary services. Cleansing the City emphasizes the disruptions and disorientation occasioned by purification--a process we are generally inclined to see as positive. By recovering these sometimes oppositional, sometimes ambivalent responses, Michelle Allen elevates a significant undercurrent of Victorian thought into the mainstream and thus provides insight into the contested nature of sanitary modernization.
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