Just Me and My Three Sons is a gutsy, wry, and smartly told tale of maternal devotion. Michele Weldon doesn’t just cope when her husband abandons her and their three young sons, she does everything in her power—and then some—to assure that her three children thrive. She is a warrior mom in the best possible way—fiercely protective of her sons yet respectful of their growing independence, even when cancer threatens to upend the family’s hard-won stability. Weldon beats the odds on every page.
Winner, 2021 Gilda Women's Book Award In this honest and tender collection of essays, award-winning memoirist Michele Weldon asks what it means to be a mature woman seeking a life of purpose and meaning through work, family, and relationships. Facing ageism and invisibility within popular culture, Weldon examines the effects of raising children, striving for applause, failing expectations, forming new friendships, reconciling lost dreams, and restoring one’s faith. With sincerity and humor, she unwraps family traditions, painting classes, lap swimming, dress codes, and career disappointments. She addresses white privilege and her evolving understanding of racism. And she asks crucial questions about mortality, finding connection in writing and stories. Frank, eloquent, and daring, Weldon dissects the intricacies of life, journeying toward self-discovery as a mother, daughter, sister, and friend. Readers of any age or gender will recognize the universal experience of learning to accept oneself and asking essential questions—even if there are no easy answers.
Society of Midland Authors Literary Award Finalist in Biography & Memoir Award-winning journalist Michele Weldon provides a potent antidote to the harried single mom stereotype in this beguiling memoir of raising three sons alone in the face of cancer, an ambitious career, and the shadow of her ex. Untethered from a seemingly idyllic life with a handsome but abusive attorney husband, Weldon relates the challenges and triumphs of the years that followed her divorce as she maneuvers through a complicated life of long daily commutes, radiation treatments, supporting the boys' all-consuming high school wrestling careers, and trying to mitigate their hurt and resentment at an absent father. By turns humorous and heartbreaking, Weldon describes facing her fears and failures honestly, guided by a belief in the power of staying calm, doing one's best, and asking for help. She provides a graceful example of how a single mother, and her children, can succeed when others—neighbors, family, teachers, and in this case an incredible high school wrestling coach—step in to fill the void and she can stay the course with common sense and dutiful love.
A candid and cathartic exploration of pandemic life, from family to pop culture to healthcare—and beyond At a time when so many are dealing with collective and personal grief, award-winning author and journalist Michele Weldon’s new collection of essays navigates the revelatory and upending nature of this extraordinary pandemic era through a lens of love and connection. Weldon explores pain and pleasure alike with emotional texture, empathy, wisdom, vulnerability, and humor. She interrogates moments of joy, despair, and triumph, offering readers the possibility for a richly cathartic experience. With honesty and agility, Weldon creates poignant intersections of her narrative with popular culture, history, media, news, consumerism, family traditions, and healthcare. Employing honest and daring language, Weldon examines the concepts of safety, importance of beloved objects, power of words, shift to remote relationships, concepts of feminism, betrayal of public lies, and more. Ultimately, with grace and heart, Weldon offers in these essays useful pathways toward framing this swath of time so that we might arrive at a sense of understanding, belonging, and peace with our new realities.
Examines how newspapers have changed over the past few years, becoming story papers. Comparing 850 stories, story approaches, and unofficial sourcing in twenty American newspapers from 2001 and 2004, Weldon reveals a shift toward features over hard news, along with an increase in anecdotal or humanistic approaches to all stories"--Provided by publisher.
Michele Weldon introduces the regimen of "scribotherapy" as a process for using one's own words to find relief from life's difficulties. Weldon draws on poignant stories to expertly demonstrate how writing can be an instrumental part of the healing process.Writing to Save Your Life is a therapeutic book and with helpful exercises and assignments in each chapter, it is also a useful reference.
A candid and cathartic exploration of pandemic life, from family to pop culture to healthcare—and beyond At a time when so many are dealing with collective and personal grief, award-winning author and journalist Michele Weldon’s new collection of essays navigates the revelatory and upending nature of this extraordinary pandemic era through a lens of love and connection. Weldon explores pain and pleasure alike with emotional texture, empathy, wisdom, vulnerability, and humor. She interrogates moments of joy, despair, and triumph, offering readers the possibility for a richly cathartic experience. With honesty and agility, Weldon creates poignant intersections of her narrative with popular culture, history, media, news, consumerism, family traditions, and healthcare. Employing honest and daring language, Weldon examines the concepts of safety, importance of beloved objects, power of words, shift to remote relationships, concepts of feminism, betrayal of public lies, and more. Ultimately, with grace and heart, Weldon offers in these essays useful pathways toward framing this swath of time so that we might arrive at a sense of understanding, belonging, and peace with our new realities.
Society of Midland Authors Literary Award Finalist in Biography & Memoir Award-winning journalist Michele Weldon provides a potent antidote to the harried single mom stereotype in this beguiling memoir of raising three sons alone in the face of cancer, an ambitious career, and the shadow of her ex. Untethered from a seemingly idyllic life with a handsome but abusive attorney husband, Weldon relates the challenges and triumphs of the years that followed her divorce as she maneuvers through a complicated life of long daily commutes, radiation treatments, supporting the boys' all-consuming high school wrestling careers, and trying to mitigate their hurt and resentment at an absent father. By turns humorous and heartbreaking, Weldon describes facing her fears and failures honestly, guided by a belief in the power of staying calm, doing one's best, and asking for help. She provides a graceful example of how a single mother, and her children, can succeed when others—neighbors, family, teachers, and in this case an incredible high school wrestling coach—step in to fill the void and she can stay the course with common sense and dutiful love.
Examining four major institutions, Michele Strong considers the experiences of working men and women, particularly artisans, but also young apprentices and clerks, who travelled abroad as participants in an educational reform movement spearheaded by middle-class liberals.
In Network Nations, Michele Hilmes reveals and re-conceptualizes the roots of media globalization through a historical look at the productive transnational cultural relationship between British and American broadcasting. Though frequently painted as opposites--the British public service tradition contrasting with the American commercial system--in fact they represent two sides of the same coin. Neither could have developed without the constant presence of the other, in terms not only of industry and policy but of aesthetics, culture, and creativity, despite a long history of oppositional rhetoric. Based on primary research in British and American archives, Network Nations argues for a new transnational approach to media history, looking across the traditional national boundaries within which media is studied to encourage an awareness that media globalization has a long and fruitful history. Placing media history in the framework of theories of nationalism and national identity, Hilmes examines critical episodes of transnational interaction between the US and Britain, from radio’s amateurs to the relationship between early network heads; from the development of radio features and drama to television spy shows and miniseries; as each other’s largest suppliers of programming and as competitors on the world stage; and as a network of creative, business, and personal relationships that has rarely been examined, but that shapes television around the world. As the global circuits of television grow and as global regions, particularly Europe, attempt to define a common culture, the historical role played by the British/US media dialogue takes on new significance.
The Souls of Mixed Folk examines representations of mixed race in literature and the arts that redefine new millennial aesthetics and politics. Focusing on black-white mixes, Elam analyzes expressive worksnovels, drama, graphic narrative, late-night television, art installationsas artistic rejoinders to the perception that post-Civil Rights politics are bereft and post-Black art is apolitical. Reorienting attention to the cultural invention of mixed race from the social sciences to the humanities, Elam considers the creative work of Lezley Saar, Aaron McGruder, Nate Creekmore, Danzy Senna, Colson Whitehead, Emily Raboteau, Carl Hancock Rux, and Dave Chappelle. All these writers and artists address mixed race as both an aesthetic challenge and a social concern, and together, they gesture toward a poetics of social justice for the "mulatto millennium." The Souls of Mixed Folk seeks a middle way between competing hagiographic and apocalyptic impulses in mixed race scholarship, between those who proselytize mixed race as the great hallelujah to the "race problem" and those who can only hear the alarmist bells of civil rights destruction. Both approaches can obscure some of the more critically astute engagements with new millennial iterations of mixed race by the multi-generic cohort of contemporary writers, artists, and performers discussed in this book. The Souls of Mixed Folk offers case studies of their creative work in an effort to expand the contemporary idiom about mixed race in the so-called post-race moment, asking how might new millennial expressive forms suggest an aesthetics of mixed race? And how might such an aesthetics productively reimagine the relations between race, art, and social equity in the twenty-first century?
Public sculpture is a major draw in today’s cities, and nowhere is this more the case than in New York. In the Big Apple, urban art has become synonymous with the municipal “brand,” highlighting the metropolis as vibrant, creative, tolerant, orderly, and above all, safe. Sculpture in Gotham tells the story of how the City of New York came to be committed to public art patronage beginning in the mid-1960s. In that era of political turbulence, cultural activists and city officials for a time shifted away from traditional monuments, joining forces to sponsor ambitious sculptural projects as an instrument for urban revitalization. Focusing on specific people, agencies and organizations, and both temporary and permanent projects, from the 1960s forward, Michele H. Bogart reveals the changing forms and meanings of municipal public art. Sculpture in Gotham illustrates how such shifts came about at a time when art theories and styles were morphing markedly, and when municipalities were reeling from racial unrest, economic decline, and countercultural challenges—to culture as well as the state. While sculptural installations on New York City property took time and were not without controversy, Gotham’s processes and policies produced notable results, providing precedents and lessons for cities the world over.
Just Me and My Three Sons is a gutsy, wry, and smartly told tale of maternal devotion. Michele Weldon doesn’t just cope when her husband abandons her and their three young sons, she does everything in her power—and then some—to assure that her three children thrive. She is a warrior mom in the best possible way—fiercely protective of her sons yet respectful of their growing independence, even when cancer threatens to upend the family’s hard-won stability. Weldon beats the odds on every page.
What if there were more women in Congress? Providing the first comprehensive study of the policy activity of male and female legislators at the federal level, Michele L. Swers persuasively demonstrates that, even though representatives often vote a party line, their gender is politically significant and does indeed influence policy making. Swers combines quantitative analyses of bills with interviews with legislators and their staff to compare legislative activity on women's issues by male and female members of the House of Representatives during the 103rd (1993-94) and 104th (1995-96) Congresses. Tracking representatives' commitment to women's issues throughout the legislative process, from the introduction of bills through committee consideration to final floor votes, Swers examines how the prevailing political context and members' positions within Congress affect whether and how aggressively they pursue women's issues. Anyone studying congressional behavior, the role of women, or the representation of social identities in Congress will benefit from Swers's balanced and nuanced analysis.
This is a bundle of the best Harlequin comics! The vol. 127 is featuring the theme In Love with Childhood friend vol.1Vol.1. It contains This bundle offers "THE MARRIAGE CAMPAIGN","MR AND MISCHIEF", and "SEDUCING MR. RIGHT".
At the same time that the Civil Rights Movement brought increasing opportunities for blacks, the United States liberalized its immigration policy. While the broadening of the United States's borders to non-European immigrants fits with a black political agenda of social justice, recent waves of immigration have presented a dilemma for blacks, prompting ambivalent or even negative attitudes toward migrants. What has an expanded immigration regime meant for how blacks express national attachment? In this book, Niambi Michele Carter argues that immigration, both historically and in the contemporary moment, has served as a reminder of the limited inclusion of African Americans in the body politic. As Carter contends, blacks use the issue of immigration as a way to understand the nature and meaning of their American citizenship-specifically the way that white supremacy structures and constrains not just their place in the American political landscape, but their political opinions as well. White supremacy gaslights black people, and others, into critiquing themselves and each other instead of white supremacy itself. But what may appear to be a conflict between blacks and other minorities is about self-preservation. Carter draws on original interview material and empirical data on African American political opinion to offer the first theory of black public opinion toward immigration.
African Americans have a culture rich in diversity, knowledge, and wisdom. The valuable lessons learned from slavery through the present day will be passed on for generations, many times in the form of quotes, which implore us to expand our minds to reach a higher level of being. Quotes resonate within your soul in a way that opens your world to a whole new outlook. “Rhythm ... Uplifting Quotes from the African American Perspective” highlights inspirational, motivating, and encouraging life lessons from noteworthy African Americans. It takes you on a journey to enlightenment, insight, and self-awareness on a variety of life’s most important topics. This collection of quotes is not specific to any one race. All ethnicities can learn from the history, challenges, and obstacles that African Americans have had to endure. In essence, these quotes can aid all cultures into coming together and understanding our community more empathetically.
Words have power, and those that Black women often use to describe their hair are derogatory: nappy, steel wool, out of control. They often personally inherit these terms and pass them along without even realizing the crushing effects these words have on their feelings about the person they see in the mirror. While many books on the market address the practical ways of styling Afro-textured hair naturally, Hairlooms asks: Why is it so difficult for Black women to embrace their hair? and How can Black women overcome the multi-layered challenge of embracing their natural hair and beauty? Author Michele Tapp Roseman helps readers answer these questions for themselves, to write a new story that they can pass along. A recent Huffington Post article "Natural Hair Becoming Even More Popular Among Black Women" revealed a marked increase in the number of Black women who do not chemically treat their hair, yet also struggle to accept their natural hair and beauty. Through personal, revealing stories Hairlooms examines the issues behind these struggles. Guided exercises throughout help readers "comb through" their self-perceptions and form a plan for self-acceptance and personal empowerment. Hairlooms includes 32 compelling personal stories about those who have embraced their God-given hair and beauty, including: Major General Marcia Anderson--Senior advisor to the Chief on policies and programs for the U.S. Army Reserve, and the first woman to earn the distinction of a two-star general in the U.S. Army Reserve. The late Dr. Maya Angelou--World-renowned poet and author. The recipient of 30 honorary degrees and former Reynolds Professor of American Studies at Wake Forest University. Lisa Price--Founder of Carol's Daughter hair and beauty brand, a favorite of celebrities, and now sold in stores from coast-to-coast. Now owned by L'Or al, Price is still at the helm of this growing business. Jane Carter--A professional hair stylist/colorist and salon owner, she founded the Jane Carter Solution after an allergic reaction caused by prolonged exposure to chemicals in traditional hair care products. Today, Jane Carter Solution sells millions of dollars' worth of products in Whole Foods Market, Sally Beauty Supply, Walmart, Target, CVS, and Walgreens stores. A'Lelia Bundles--Great-great granddaughter of the first Black female millionaire and hair-care creator, Madam C. J. Walker. She has teamed with Sephora and Sundial Brands to launch the Madam C.J. Walker Beauty Culture product line. A'Lelia is also a seasoned journalist, public speaker, and author of the New York Times bestseller, On Her Own Ground: The Life and Times of Madam C. J. Walker. Kim Coles--Hollywood actress, comedian, and featured guest on Dr. Drew's Lifechangers "Good Hair Debate" episode. Tomiko Fraser--The first African-American woman signed exclusively to Maybelline, and the longest-serving spokesperson for any cosmetics company.
Between 1877 and 1930--years rife with tensions over citizenship, suffrage, immigration, and "the Negro problem--African American activists promoted an array of strategies for progress and power built around "racial destiny," the idea that black Americans formed a collective whose future existence would be determined by the actions of its members. In Righteous Propagation, Michele Mitchell examines the reproductive implications of racial destiny, demonstrating how it forcefully linked particular visions of gender, conduct, and sexuality to collective well-being. Mitchell argues that while African Americans did not agree on specific ways to bolster their collective prospects, ideas about racial destiny and progress generally shifted from outward-looking remedies such as emigration to inward-focused debates about intraracial relationships, thereby politicizing the most private aspects of black life and spurring race activists to calcify gender roles, monitor intraracial sexual practices, and promote moral purity. Examining the ideas of well-known elite reformers such as Mary Church Terrell and W. E. B. DuBois, as well as unknown members of the working and aspiring classes, such as James Dubose and Josie Briggs Hall, Mitchell reinterprets black protest and politics and recasts the way we think about black sexuality and progress after Reconstruction.
Inter sectionality, or the consideration of race, class, and gender, is one of the prominent contemporary theoretical contributions made by scholars in the field of women's studies that now broadly extends across the humanities, social sciences, and natural sciences. Taking stock of this transformative paradigm, The Intersectional Approach guide...
This book presents a skeptical eliminativist philosophy of race and the theory of racelessness, a methodological and pedagogical framework for analyzing "race" and racism. It explores the history of skeptical eliminativism and constructionist eliminativism within the history of African American philosophy and literary studies and its consistent connection with movements for civil rights. Sheena M. Mason considers how current anti-racist efforts reflect naturalist conservationist and constructionist reconstructionist philosophies of race that prevent more people from fully confronting the problem of racism, not race, thereby enabling racism to persist. She then offers a three-part solution for how scholars and people aspiring toward anti-racism can avoid unintentionally upholding racism, using literary studies as a case study to show how "race" often translates into racism itself. The theory of racelessness helps more people undo racism by undoing the belief in "race.
First published in 1990, Michele Wallace’s Invisibility Blues is widely regarded as a landmark in the history of black feminism. Wallace’s considerations of the black experience in America include recollections of her early life in Harlem; a look at the continued underrepresentation of black voices in politics, media, and culture; and the legacy of such figures as Zora Neale Hurston, Toni Cade Bambara, Toni Morrison,and Alice Walker. Wallace addresses the tensions between race, gender, and society, bringing them into the open with a singular mix of literary virtuosity and scholarly rigor. Invisibility Blues challenges and informs with the plain-spoken truth that has made it an acknowledged classic.
From divorce proceedings to personal injury disputes to lawsuits over busing, affirmative action, and labor relations, most conflicts in American society may eventually find their way into a courtroom. Such civil conflicts, which do not involve violations of the criminal code, encompass both actions between private parties and public controversies. This clear and direct book by two distinguished professors of law describes and analyzes civil litigation in the United States. Geoffrey C. Hazard, Jr., and Michele Taruffo discuss both specific details and broader themes of American civil litigation, explaining (without legalese) jury trial, the adversary system, the power of courts to make law as well as to "declare" it, and the role of civil justice in government and in the resolution of controversial social issues. Hazard and Taruffo examine the stages of civil procedure, including the lawyers' role in: preparing and presenting cases; the pretrial, pleading and discovery, trial, and appeal process; and procedural variations. They explore the historical evolution of common law and procedure and compare American civil procedure with that in other modern societies in Europe, Latin America, and Japan. They conclude by discussing the economic, political, and moral constraints on litigation, possible innovations to the process, and the political significance of public access to civil justice.
Michele Wallace burst into public consciousness with the 1979 publication of Black Macho and the Myth of the Superwoman, a pioneering critique of the misogyny of the Black Power movement and the effects of racism and sexism on black women. Since then, Wallace has produced an extraordinary body of journalism and criticism engaging with popular culture and gender and racial politics. This collection brings together more than fifty of the articles she has written over the past fifteen years. Included alongside many of her best-known pieces are previously unpublished essays as well as interviews conducted with Wallace about her work. Dark Designs and Visual Culture charts the development of a singular, pathbreaking black feminist consciousness. Beginning with a new introduction in which Wallace reflects on her life and career, this volume includes other autobiographical essays; articles focused on popular culture, the arts, and literary theory; and explorations of issues in black visual culture. Wallace discusses growing up in Harlem; how she dealt with the media attention and criticism she received for Black Macho and the Myth of the Superwoman, which was published when she was just twenty-seven years old; and her relationship with her family, especially her mother, the well-known artist Faith Ringgold. The many articles devoted to black visual culture range from the historical tragedy of the Hottentot Venus, an African woman displayed as a curiosity in nineteenth-century Europe, to films that sexualize the black body—such as Watermelon Woman, Gone with the Wind, and Paris Is Burning. Whether writing about the Anita Hill–Clarence Thomas hearings, rap music, the Million Man March, Toshi Reagon, multiculturalism, Marlon Riggs, or a nativity play in Bedford Stuyvesant, Wallace is a bold, incisive critic. Dark Designs and Visual Culture brings the scope of her career and thought into sharp focus.
Many scholars and activists argue that the practice of racialization and the belief in race are necessary because even if race is not real, racism is. While such an approach might help lessen some effects of racism, it inevitably strengthens the very foundation of racism. As Sheena Michele Mason argues in The Raceless Antiracist, fighting racism by ignoring or upholding the idea of race and the practice of racialization is like trying to stop a flood by dousing it with water. To end racism, particularly antiblack racism, we must question, acknowledge, and translate race as an integral part of racism itself. In presenting her case for charting a future without racism, Mason weaves insights from philosophy, sociology, statistics, biology, history, and literary studies. She presents a map, which she refers to as the “ togetherness wayfinder,” for how to discuss, teach, identify, and stop the causes and effects of racism without hardening any of its components. With this guide, we can end the idea of race and the practice of racialization and start to navigate more effectively toward a post-racist world.
Behavior Trees (BTs) provide a way to structure the behavior of an artificial agent such as a robot or a non-player character in a computer game. Traditional design methods, such as finite state machines, are known to produce brittle behaviors when complexity increases, making it very hard to add features without breaking existing functionality. BTs were created to address this very problem, and enables the creation of systems that are both modular and reactive. Behavior Trees in Robotics and AI: An Introduction provides a broad introduction as well as an in-depth exploration of the topic, and is the first comprehensive book on the use of BTs. This book introduces the subject of BTs from simple topics, such as semantics and design principles, to complex topics, such as learning and task planning. For each topic, the authors provide a set of examples, ranging from simple illustrations to realistic complex behaviors, to enable the reader to successfully combine theory with practice. Starting with an introduction to BTs, the book then describes how BTs relate to, and in many cases, generalize earlier switching structures, or control architectures. These ideas are then used as a foundation for a set of efficient and easy to use design principles. The book then presents a set of important extensions and provides a set of tools for formally analyzing these extensions using a state space formulation of BTs. With the new analysis tools, the book then formalizes the descriptions of how BTs generalize earlier approaches and shows how BTs can be automatically generated using planning and learning. The final part of the book provides an extended set of tools to capture the behavior of Stochastic BTs, where the outcomes of actions are described by probabilities. These tools enable the computation of both success probabilities and time to completion. This book targets a broad audience, including both students and professionals interested in modeling complex behaviors for robots, game characters, or other AI agents. Readers can choose at which depth and pace they want to learn the subject, depending on their needs and background.
Not only is depression among the elderly treatable but, given its increase in incidence and a rapidly aging population, it is a critical issue for the mental-health and medical communities. The authors review the range of late-life depressive syndromes and the strategies for assessing and treating them, and illustrate the problems and principles with fourteen extended case studies-rare in the geropsychology literature and the core of the book. They also provide a guide to medications, screening tools, innovative models, and supplementary resources, invaluable tools for mental-health professionals and medical practitioners alike.
“Building on extensive real-life experience with EBP, this expert team from University of Iowa Hospitals & Clinics provides vital guidance to clinicians at the cutting edge of care improvement.” –Kathleen R. Stevens, EdD, MS, RN, ANEF, FAAN Castella Endowed Distinguished Professor School of Nursing and Institute for Integration of Medicine & Science (CTSA) University of Texas Health Science Center San Antonio “This new edition is essential for all who want to deliver evidence-based care. Beautifully organized, it is readable, practical, and user-friendly.” –Kathleen C. Buckwalter, PhD, RN, FAAN Professor Emerita, University of Iowa College of Nursing Distinguished Nurse Scientist in Aging, Reynolds Center Oklahoma University Health Sciences Center, College of Nursing “Evidence-Based Practice in Action, Second Edition, will continue to ensure high-quality, evidence-based care is implemented in healthcare systems across the country — and the world. It should also be a well-worn tool in every implementation scientist’s toolkit. –Heather Schacht Reisinger, PhD Professor, Department of Internal Medicine Associate Director for Engagement, Integration and Implementation Institute for Clinical and Translational Science, University of Iowa Translate knowledge, research, and clinical expertise into action. The biggest barrier to effective evidence-based practice (EBP) is the failure to effectively translate available knowledge, research, and clinical expertise into action. This failure is rarely due to lack of information, understanding, or experience. In fact, it usually comes down to a simple lack of tools and absence of a clear plan to integrate EBP into care. Problem solved: Evidence-Based Practice in Action, Second Edition, is a time-tested, application-oriented EBP resource for any EBP process model and is organized based on The Iowa Model Revised: Evidence-Based Practice to Promote Excellence in Health Care. This book offers a proven, detailed plan to help nurses and healthcare professionals promote and achieve EBP implementation, adoption, sustained use. TABLE OF CONTENTS Chapter 1: Identify Triggering Issues/Opportunities Chapter 2: State the Question or Purpose Chapter 3: Is This Topic a Priority? Chapter 4: Form a Team Chapter 5: Assemble, Appraise, and Synthesize Body of Evidence Chapter 6: Is There Sufficient Evidence? Chapter 7: Design and Pilot the Practice Change Chapter 8: Evaluation Chapter 9: Implementation Chapter 10: Is Change Appropriate for Adoption in Practice? Chapter 11: Integrate and Sustain the Practice Change Chapter 12: Disseminate Results Appendix A: The Iowa Model Revised: Evidence-Based Practice to Promote Excellence in Health Care Appendix B: Iowa Implementation for Sustainability Framework Appendix C: Select Evidence-Based Practice Models Appendix D: Glossary
Winner, 2021 Gilda Women's Book Award In this honest and tender collection of essays, award-winning memoirist Michele Weldon asks what it means to be a mature woman seeking a life of purpose and meaning through work, family, and relationships. Facing ageism and invisibility within popular culture, Weldon examines the effects of raising children, striving for applause, failing expectations, forming new friendships, reconciling lost dreams, and restoring one’s faith. With sincerity and humor, she unwraps family traditions, painting classes, lap swimming, dress codes, and career disappointments. She addresses white privilege and her evolving understanding of racism. And she asks crucial questions about mortality, finding connection in writing and stories. Frank, eloquent, and daring, Weldon dissects the intricacies of life, journeying toward self-discovery as a mother, daughter, sister, and friend. Readers of any age or gender will recognize the universal experience of learning to accept oneself and asking essential questions—even if there are no easy answers.
Examines how newspapers have changed over the past few years, becoming story papers. Comparing 850 stories, story approaches, and unofficial sourcing in twenty American newspapers from 2001 and 2004, Weldon reveals a shift toward features over hard news, along with an increase in anecdotal or humanistic approaches to all stories"--Provided by publisher.
Intuitive Alphabet by artist Michele Oka Doner is both an alphabet book and an artistic meditation on the connection between humans and nature. Minimal text, handwritten by the artist, is paired with photographs of sea objects that represent forms.
In Intuitive Alphabet, acclaimed artist Michele Oka Doner has created a personal interpretation of the alphabet book as well as a deeply thoughtful, artistic, and inspiring exploration of the fundamental connection between humans and natures. Minimal text, handwritten by the artist, is paired with photographs of sea objects that represent forms, such as “A is For Animal,” and “S is for Spiral.” The result is a thoroughly original, evocative, and thought-provoking work of art that underscores the profound and fundamental links between humans and nature and reminds us that life itself came from the sea.
Oka Doner grew up in Miami Beach combing the sand for treasures—shells, stones, coral—that formed her own alphabet well before she knew how to read. This elegantly designed art book is an homage to that world of discovery and conveys a profound message about looking and seeing. On an even deeper level, Intuitive Alphabet offers insights into the ways in which language has evolved and is learned.
Intuitive Alphabet by artist Michele Oka Doner is both an alphabet book and an artistic meditation on the connection between humans and nature. Minimal text, handwritten by the artist, is paired with photographs of sea objects that represent forms. In Intuitive Alphabet, acclaimed artist Michele Oka Doner has created a personal interpretation of the alphabet book as well as a deeply thoughtful, artistic, and inspiring exploration of the fundamental connection between humans and natures. Minimal text, handwritten by the artist, is paired with photographs of sea objects that represent forms, such as “A is For Animal,” and “S is for Spiral.” The result is a thoroughly original, evocative, and thought-provoking work of art that underscores the profound and fundamental links between humans and nature and reminds us that life itself came from the sea. Oka Doner grew up in Miami Beach combing the sand for treasures—shells, stones, coral—that formed her own alphabet well before she knew how to read. This artist’s book is an homage to that world of discovery and conveys a profound message about looking and seeing. On an even deeper level, Intuitive Alphabet offers insights into the ways in which language has evolved and is learned. The Collector’s Edition of Intuitive Alphabet, produced in a limited edition of 150, is a meticulously crafted, large-scale art book that will appeal to all who appreciate art, nature, and the sea. The cover is fabricated from handmade paper and hand-lettered by the artist. Each book is numbered and signed by Michele Oka Doner, and includes an original drawing by the artist. Proceeds from the Collector’s Edition benefit Oceana.
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