Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- INTRODUCTION: Behind the Door -- ONE: Tauchnitz Has a Rival -- TWO: Spies for England -- THREE: Winning the Continent -- FOUR: Un-German Literature -- FIVE: Made in Britain? -- SIX: The Scissors in Their Heads -- SEVEN: A Tale of Two Publishers -- EIGHT: The Center Will Not Hold -- NINE: The Shell Game -- TEN: Suspicion -- ELEVEN: Dear Reader -- TWELVE: Allegiances -- THIRTEEN: Faces of War -- FOURTEEN: Enemy Books -- FIFTEEN: Return and Departure -- SIXTEEN: Albatross Under the Occupation -- SEVENTEEN: The Deutsche Tauchnitz -- EIGHTEEN: English Books Abroad -- NINETEEN: Rivals -- TWENTY: When the Bombs Fell -- TWENTY-ONE: Making Peace -- TWENTY-TWO: Rising from the Ashes -- TWENTY-THREE: Homecoming -- CONCLUSION: Longing -- Notes -- Selected Bibliography -- Chapter-Opening Illustration Credits -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- INTRODUCTION: Behind the Door -- ONE: Tauchnitz Has a Rival -- TWO: Spies for England -- THREE: Winning the Continent -- FOUR: Un-German Literature -- FIVE: Made in Britain? -- SIX: The Scissors in Their Heads -- SEVEN: A Tale of Two Publishers -- EIGHT: The Center Will Not Hold -- NINE: The Shell Game -- TEN: Suspicion -- ELEVEN: Dear Reader -- TWELVE: Allegiances -- THIRTEEN: Faces of War -- FOURTEEN: Enemy Books -- FIFTEEN: Return and Departure -- SIXTEEN: Albatross Under the Occupation -- SEVENTEEN: The Deutsche Tauchnitz -- EIGHTEEN: English Books Abroad -- NINETEEN: Rivals -- TWENTY: When the Bombs Fell -- TWENTY-ONE: Making Peace -- TWENTY-TWO: Rising from the Ashes -- TWENTY-THREE: Homecoming -- CONCLUSION: Longing -- Notes -- Selected Bibliography -- Chapter-Opening Illustration Credits -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
May Sinclair was a central figure in the modernist movement, whose contribution has long been underacknowledged. A woman of both modern and Victorian impulses, a popular novelist who also embraced modernist narrative techniques, Sinclair embodied the contradictions of her era. The contributors to this collection, the first on Sinclair's career and writings, examine these contradictions, tracing their evolution over the span of Sinclair's professional life as they provide insights into Sinclair's complex and enigmatic texts. In doing so, they engage with the cultural and literary phenomena Sinclair herself critiqued and influenced: the evolving literary marketplace, changing sexual and social mores, developments in the fields of psychology, the women's suffrage movement, and World War I. Sinclair not only had her finger on the pulse of the intellectual and social challenges of her time, but also she was connected through her writing with authors located in diverse regions of literary modernism's social web, including James Joyce, Ezra Pound, Ford Madox Ford, Charlotte Mew, and Dorothy Richardson. The volume is a crucial contribution to our understanding of the political, social, and literary currents of the modernist period.
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