Bogart's groundbreaking consideration of public art as a topic for serious scholarly consideration examines the sustained and organized effort to create in New York a body of municipal sculpture that would express the civic ideal: an urban vision of patriotism, civilization, and good government. It follows the brief movement through its rise and fall, attempting to explain why sponsorship for such civic projects lasted only for a limited time.
In the first study of its kind, Michele H. Bogart explores in unprecedented detail the world of commercial art, its illustrators, publishers, art directors, photographers, and painters. She maps out the border between art and commerce and expands our picture of artistic culture and practice in the twentieth century with unexpected pairings of Norman Rockwell and Andy Warhol, J.C. Leyendecker and Georgia O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc.
Since its founding in 1898, the Art Commission of the City of New York has served as the city's aesthetic gatekeeper, evaluating all works of art intended for display on city property. This text is a fascinating history of the Art Commission of the City of New York.
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