Beaten Down by Blood: The Battle of Mont St Quentin-Peronne 1918 charts an extraordinary journey from the trenches facing Mont St Quentin on 31 August 1918 through the frenetic phases of the battle until the final objectives are taken on 5 September. This is the story, often told in the words of the men themselves, of the capture of the ‘unattackable’ Mont and the ‘invincible’ fortress town of Péronne, two of the great feats of Australian forces in the First World War. The Author places real men on the battlefield, describing their fears and their courage and their often violent deaths. The struggle for control of the battle, to site the guns, to bridge the Somme and maintain communications are portrayed in vivid detail. The story also offers a glimpse of the men’s families at home, their anxiety and their life-long grief.
The Battle of Mont St Quentin-Peronne 1918 explores the relationship between myth and history and the significance of the Anzac legend. It analyses the forces that drove the diggers forward even when they had reached the limits of their endurance. The Battle of Mont St Quentin-Peronne represents the Australian Corps at its very best, its diggers fighting for peace and satisfied that, `whatever might lie ahead, at least everything was right behind them'.
The Battle of Mont St Quentin-Peronne 1918 explores the relationship between myth and history and the significance of the Anzac legend. It analyses the forces that drove the diggers forward even when they had reached the limits of their endurance. The Battle of Mont St Quentin-Peronne represents the Australian Corps at its very best, its diggers fighting for peace and satisfied that, `whatever might lie ahead, at least everything was right behind them'.
Beaten Down by Blood: The Battle of Mont St Quentin-Peronne 1918 charts an extraordinary journey from the trenches facing Mont St Quentin on 31 August 1918 through the frenetic phases of the battle until the final objectives are taken on 5 September. This is the story, often told in the words of the men themselves, of the capture of the ‘unattackable’ Mont and the ‘invincible’ fortress town of Péronne, two of the great feats of Australian forces in the First World War. The Author places real men on the battlefield, describing their fears and their courage and their often violent deaths. The struggle for control of the battle, to site the guns, to bridge the Somme and maintain communications are portrayed in vivid detail. The story also offers a glimpse of the men’s families at home, their anxiety and their life-long grief.
For Australian servicemen captured by the Japanese in World War II, humour, courage and dignity in the face of hardship, brutality and deprivation ? and hope in the face of the unknown ? were quiet victories. They defined a uniquely Australian spirit. Defying the Odds tells the incredible story of the officers of B and E Forces interned at Sandakan and Kuching in Borneo. Despite the starvation and the trauma they suffered at the hands of the Japanese, they boosted morale through a regimen of study, music and theatre, and most importantly, by making each other laugh. After the war, military authorities were impressed by their physical and mental resilience and astounded by their achievements. As the years passed, they frequently held reunions to remember their experiences, to relive the jokes and the times they outwitted the guards, to recall old songs and the musicals and plays they staged ? to honour friendships wrought by the war. This is a full-length account of how the officers of B and E Forces defied the odds, and survived.
The first English-language book to comprehensively discuss the history and methodology of conserving medieval polychrome wood sculpture. Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculpture for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with their examination and documentation, including chapters on the identification of both the wooden support and the polychromy itself—the paint layers, metal leaf, and other materials used for these sculptures. The volume also covers the many aspects of treatment: the process of determining the best approach; consolidation and adhesion of paint, ground, and support; overpaint removal and surface cleaning; and compensation. Four case studies on artworks in the collection of The Cloisters in New York, a comprehensive bibliography, and a checklist to aid in documentation complement the text.
When tomorrow comes...what will be remembered I am the book of Michele Frey These thoughts are mine...and mine alone To all who dare to read me Be warned I am my mother's child My father's legacy I have learned from the best And the best I shall become These words are sacred in their own right Read them with respect For that is the way they were written
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