This book provides a thorough introduction to the theory of classical integrable systems, discussing the various approaches to the subject and explaining their interrelations. The book begins by introducing the central ideas of the theory of integrable systems, based on Lax representations, loop groups and Riemann surfaces. These ideas are then illustrated with detailed studies of model systems. The connection between isomonodromic deformation and integrability is discussed, and integrable field theories are covered in detail. The KP, KdV and Toda hierarchies are explained using the notion of Grassmannian, vertex operators and pseudo-differential operators. A chapter is devoted to the inverse scattering method and three complementary chapters cover the necessary mathematical tools from symplectic geometry, Riemann surfaces and Lie algebras. The book contains many worked examples and is suitable for use as a textbook on graduate courses. It also provides a comprehensive reference for researchers already working in the field.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. It's happening all the time, all around us. We cover it up. We ignore it. Rust takes on the many meanings of this oxidized substance, showing how technology bleeds into biology and ecology. Jean-Michel Rabate ́ combines art, science, and autobiography to share his fascination with peeling paints and rusty metal sheets. Rust, he concludes, is a place where things living, built, and remembered commingle. Object Lessons is published in partnership with an essay series in The Atlantic.
This study examines how hunger narratives and performances contribute to a reconsideration of neglected or prohibited domains of thinking which only a full confrontation with the body’s heterogeneity and plasticity can reveal. From literary motif or psychosomatic symptom to revolutionary gesture or existential malady, the double crux of hunger and disgust is a powerful force which can define the experience of embodiment. Kafka’s fable of the "Hunger Artist" offers a matrix for the fast, while its surprising last-page revelation introduces disgust as a correlative of abstinence, conscious or otherwise. Grounded in Kristeva’s theory of abjection, the figure of the fraught body lurking at the heart of the negative grotesque gathers precision throughout this study, where it is employed in a widening series of contexts: suicide through overeating, starvation as self-performance or political resistance, the teratological versus the totalitarian, the anorexic harboring of death. In the process, writers and artists as diverse as Herman Melville, Percy Bysshe Shelley, Christina Rossetti, George Orwell, Knut Hamsun, J.M. Coetzee, Cindy Sherman, Pieter Breughel, Marina Abramovic, David Nebreda, Paul McCarthy, and others are brought into the discussion. By looking at the different acts of visceral, affective, and ideological resistance performed by the starving body, this book intensifies the relationship between hunger and disgust studies while offering insight into the modalities of the "dark grotesque" which inform the aesthetics and politics of hunger. It will be of value to anyone interested in the culture, politics, and subjectivity of embodiment, and scholars working within the fields of disgust studies, food studies, literary studies, cultural theory, and media studies.
The aim of this book is to offer you a highly illustrated (more than 300 photos) history that can be easily read. The book deals with subjects that have been little covered or covered differently. Step into Montreal's captivating past through the vivid pages of our new illustrated book! 📖✨ Immerse yourself in a visual journey that brings the city's history to life like never before. Stunning illustrations, rare photographs, and compelling narratives await you. Whether you're a history enthusiast or simply curious about Montreal's heritage, this book is a must-have addition to your collection. Unearth the splendour of Montreal through the lens of art and history. Let the past come alive! This book covers all you need to know about Montreal's history. Knowing more about Montreal's history can only enhance our appreciation of this magnificent city. Introduction First Nations The French Regime The British Regime Economic Growth Transportation Politics of Montreal 1833-1929 The Great Depression 1929-1939 World War II 1939-1945 Modernization (1945-2001) The New City 2002-2023 Professional sports teams Festivals Communications Parades and processions Montreal Skycrapers 1928-2023 Mayors Conclusion Index Recommended readings Credits
The bestselling bio of Hall-of-Famer Patrick Roy-now in a highly anticipated English-language edition Since it published in Canada in November 2007, Le Guerrier became an instant hit, quickly selling out its first print run. For fans of Patrick Roy, the NHL's legendary goaltender, the book provided the first truly intimate, no-holds-barred look at the early life and meteoric rise of their hero, told from a unique perspective: his father's. Written by Michel Roy, himself an impassioned hockey fan, Patrick Roy: Winning, Nothing Else offers keen insights on Patrick's indomitable will to win, how he revolutionized goaltending and popularized the butterfly style, as well as his role models and inspiration, and his relationships with teachers, teammates, the media, hockey scouts and coaches, agents and players. Reveals what makes Patrick tick, taking us behind the scenes and into the family life of one of the greatest goaltenders of all time Offers a candid look at Patrick's blunders, faults and difficulties, including the heartbreaking move from Montreal that nearly broke his spirit While much has been written and said about Patrick Roy, this father's look at his famous son offers fans everywhere an unusually in-depth and authoritative look at this complicated and driven athlete.
This is the third in a set of four collections of articles by Michel Huglo to be published in the Variorum series. It brings together the studies of Gregorian chant and of later monophonic and polyphonic additions to the earlier repertory that occupied Huglo in the second phase of his research. Represented here are articles on the Kyrie, the introit tropes of St-Gall, an elegy for William the Conqueror (d. 1087), the versus by Venantius Fortunatus for the cathedral of Paris, the liturgical dramas of Fleury, early organum, the Mass of Tournai, and, finally, the Requiem by Eustache Du Caurroy. Ce volume des articles de Michel Huglo est le troisième de la série de quatre dans la collection Variorum. Il réunit des études sur le chant grégorien et sur les additions de pièces monodiques ou polyphoniques faites au répertoire primitif, sujets qui ont occupé Michel Huglo dans la seconde phase de sa carrière de chercheur. Dans ce volume, le lecteur trouvera des articles sur le Kyrie, les tropes d'introït de St-Gall, l'élégie pour Guillaume le Conquérant (d. 1087), les versus de Venance Fortunat pour la cathédrale de Paris, les drames liturgiques de Fleury, les débuts de l'organum, la Messe de Tournai, et finalement le Requiem d'Eustache Du Caurroy.
On September 13, 2000, Michel Auger was walking away from his car in a parking lot across the street from the offices of Le Journal de Montréal when he was shot in the back six times. Miraculously, although at least one bullet lodged in his spine, no vital organs were damaged. Auger was on his feet again within weeks, and able to resume his normal life. The practice of journalism is dangerous in many parts of the world. But in Canada? The idea that an assassin would attempt to take the life of a journalist because of something he wrote is almost unthinkable. Either a deadly new threat has appeared on the scene or Michel Auger has learned something that is truly dangerous to know. Or perhaps both propositions are true. Michel Auger has been a crime reporter for some 30 years. He has covered mafia trials and corruption scandals, notorious murders and government inquiries. What he has seen and recorded has ranged from the sordid to the bizarre. He has interviewed notorious criminals, like Alvin "Creepy" Karpis, a member of the Ma Barker gang whose capture helped make J. Edgar Hoover’s name, and infamous Canadians, like the Montreal drug dealer Lucien Rivard, who escaped from Bordeaux jail while awaiting extradition to the United States. He has travelled to the Far East to see for himself where the drug trade begins, and to Sicily where he traced the origins of organized crime. Michel Auger’s knowledge of Canada’s underworld is as comprehensive as that of any reporter alive. In recent years he has developed a particular interest in the criminal activities of biker gangs, especially the Hell’s Angels and their rivals, the Rock Machine. Without a doubt, it was his series of articles in the spring of 2000 about the growing links between the Angels and other criminal organizations that led to the attempt on his life. Both the threat to civil society posed by the Angels and Michel Auger’s knowledge of their affairs had become so great that violence was the natural outcome. But, amazingly, Michel Auger survived the attempt on his life. In this frank, fascinating, and sometimes funny memoir, he tells about the bad guys he has known, the strange scenes he has witnessed, and above all, the true story of his deadly encounter with the bikers.
The popular conception of the Renaissance as a culture devoted to order and perfection does not account for an important characteristic of Renaissance art: many of the period's major works, including those by da Vinci, Erasmus, Michelangelo, Ronsard, and Montaigne, appeared as works-in-progress, always liable to changes and additions. In Perpetual Motion, Michel Jeanneret argues for a sixteenth century swept up in change and fascinated by genesis and metamorphosis. Jeanneret begins by tracing the metamorphic sensibility in sixteenth-century science and culture. Theories of creation and cosmology, of biology and geology, profoundly affected the perspectives of leading thinkers and artists on the nature of matter and form. The conception of humanity (as understood by Pico de Mirandola, Erasmus, Rabelais, and others), reflections upon history, the theory and practice of language, all led to new ideas, new genres, and a new interest in the diversity of experience. Jeanneret goes on to show that the invention of the printing press did not necessarily produce more stable literary texts than those transmitted orally or as hand-printed manuscripts—authors incorporated ideas of transformation into the process of composing and revising and encouraged creative interpretations from their readers, translators, and imitators. Extending the argument to the visual arts, Jeanneret considers da Vinci's sketches and paintings, changing depictions of the world map, the mythological sculptures in the gardens of Prince Orsini in Bomarzo, and many other Renaissance works. More than fifty illustrations supplement his analysis.
An art world insider provides a witty and penetrating account of fifty years at the center of international culture. Art historian, curator, and museum director Michel Laclotte has been at the forefront of French cultural life over the past half century. This informal autobiography sheds light on his brilliant career with warmth and directness. Highlights include twenty years as chief curator of painting and sculpture at the Musée du Louvre, heading the team that created the Musée dOrsay, and taking the reins of the Louvre to lead the effort that culminated in the museums transformation into the ?Grand Louvre,” one of the worlds preeminent cultural attractions. Raising the curtain on fifty years of Western art scholarship, intrigue, and achievement, Laclotte introduces an extraordinary cast of characters who set Frances cultural direction in the postwar period from Charles de Gaulle and André Malraux in the 1950s to François Mitterand in the 1980s and 1990s. His story overlaps with virtually every major scholarly figure in French art history of the last half-century, as well as Laclottes mentors and colleagues throughout and beyond Europe, from Roberto Longhi and Anthony Blunt to Sir John Pope-Hennessy and Millard Meiss. An incomparable testament to a period of seismic change in the museum world, this volume will be essential reading for art world afficianados and all students of art and modern culture.
Recipient of the 2005 Governor General's Literary Award in non-fiction, Quand la nation débordait les frontières is considered the most comprehensive analysis of Lionel Groulx's work and vision as an intellectual leader of a nationalist school that extended well beyond the borders of Québec. For over five decades, historians and intellectuals have defined the nationalist discourse primarily in territorial terms. In this regard, Groulx has been portrayed—more often than not—as the architect of Québecois nationalism. Translated by Ferdinanda Van Gennip, A Nation Beyond Borders will continue to spark debate on Groulx's description of the parameters of the French-Canadian nation. Highlighting the often neglected role of French-Canadian minorities in his thought, this book presents the Canon as an uncompromising advocate of solidarity between all French-Canadian communities.
“What characterizes the act of justice is not resort to a court and to judges; it is not the intervention of magistrates (even if they had to be simple mediators or arbitrators). What characterizes the juridical act, the process or the procedure in the broad sense, is the regulated development of a dispute. And the intervention of judges, their opinion or decision, is only ever an episode in this development. What defines the juridical order is the way in which one confronts one another, the way in which one struggles. The rule and the struggle, the rule in the struggle, this is the juridical.” - Michel Foucault Penal Theories and Institutions is the title Michel Foucault gave to the lectures he delivered at the Collège de France from November 1971 to March 1972. In these lectures Michel Foucault presents for the first time his approach to the question of power that will be the focus of his research up to the writing of Discipline and Punish (1975) and beyond. His analysis starts with a detailed account of Richelieu’s repression of the Nu-pieds revolt (1639-1640) and then goes on to show how the apparatus of power developed by the monarchy on this occasion breaks with the system of juridical and judicial institutions of the Middle Ages and opens out onto a “judicial State apparatus”, a “repressive system”, whose function is focused on the confinement of those who challenge its order. Michel Foucault systemizes the approach of a history of truth on the basis of the study of “juridico-political matrices” that he had begun in the previous year’s lectures (Lectures on the Will to Know) and which is at the heart of the notion of “knowledge-power”. In these lectures Foucault develops his theory of justice and penal law. The appearance of this volume marks the end of the publication of the series Foucault’s courses at the Collège de France (the first volume of which was published in 1997).
Unbeknownst to most, there has always been an active circle of crime in Canada. From Al Capone, who dodged the "heat" during Prohobition in a network of tunnels under Moose Jaw, Saskatchewan, to Montreal's Rizutto family, this updated edition of The Encyclopedia of Canadian Organized Crime profiles the most notorious criminals this country has ever seen. Reporters Peter Edwards and Michel Auger pool their research and expertise to provide a compendium of the personalities and crimes that have kept Canadian law enforcement busy for centuries.
Considered by many to be his greatest book, Michel Butor's "Mobile" is the result of the six months the author spent traveling across America. The text is composed from a wide range of materials, including city names, road signs, advertising slogans, catalog listings, newspaper accounts of the 1893 World's Fair, Native American writings, and the history of the Freedomland theme park. Butor weaves bits and pieces from these diverse sources into a collage resembling an abstract painting (the book is dedicated to Jackson Pollock) or a patchwork quilt that by turns is both humorous and quite disturbing. This travelogue captures--in both a textual and visual way--the energy and contradictions of American life and history.
This is the final volume in the set of four collections of Michel Huglo's articles to be published in the Variorum series, and focuses on medieval music theory. The point of departure for Huglo's research was his doctoral dissertation on tonaries, published in 1971: as a consequence, he studied the manuscripts of music theory concerning plainchant, and, later, those with writings on music by authors of Late Antiquity as well as the Liber glossarum, with its many definitions of musical terms. In this volume, certain articles consider the interpretation or dissemination of texts, instruction in the art of plainchant, and musical instruction at the university. Others concern the manuscripts of St Augustine's De musica and of the writings of Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac, Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia, amongst others. The volume closes with a bibliography of Michel Huglo complementing that published in 1993 and a summary list of his reviews of books on music and liturgy. Ce volume des articles de Michel Huglo termine la série de quatre dans la collection Variorum. Il est centré sur la théorie musicale médiévale. Le point de départ des recherches de Michel Huglo sur la théorie musicale du Moyen Âge est formé par sa thèse sur les tonaires, éditée en 1971: en consequence il etudia les manuscrits de theorie musicale concernant le plain-chant et, plus tard, les auteurs de l'Antiquité tardive et le Liber glossarum qui contient des définitions de nombreux termes musicaux. Dans ce volume, certains articles traitent de l'interprétation ou de la dissémination des textes, des instructions sur l'art du chant, et sur l'enseignement de la musique à l'Université. Ils concernent les manuscrits du De musica d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de Moravia, et d'autres auteurs. Le volume se termine par une bibliographie de Michel Huglo complétant celle publiée en 1993 et une liste sommaire de ses recensions d'ouvrages sur la musique et la liturgie.
Winner of Canada's Governor General's Award--and written by one of the most important poets of his generation--this collection of verse is vitally alive, filled with reflection on anxiety, the acidity of estranged love, and the gentleness of failed anticipations.
A major publishing event: the third volume of Michel Leiris’s renowned autobiography, now available in English for the first time in a brilliant translation by Lydia Davis A beloved and versatile author and ethnographer, French intellectual Michel Leiris is often ranked in the company of Proust, Gide, Sartre, and Camus, yet his work remains largely unfamiliar to English-language readers. This brilliant translation of Fibrils, the third volume of his monumental autobiographical project The Rules of the Game, invites us to discover why Lévi-Strauss proclaimed him “incontestably one of the greatest writers of the century.” Leiris’s autobiographical essay, a thirty-five-year project, is a primary document of the examined life in the twentieth century. In Fibrils, Leiris reconciles literary commitment with social/political engagement. He recounts extensive travel and anthropological work, including a 1955 visit to Mao’s China. He also details his suicidal “descent into Hell,” when the guilt over an extramarital affair becomes unbearable. A ruthless self-examiner, Leiris seeks to invent a new way of remembering, probe the mechanisms of memory and explore the way a life can be told.
Sian, tired of nightmares in which she meets a grisly end, decides she needs to get out more, so she joins an archaeological dig at Whitby Abbey. What she finds is a mystery involving a long-hidden murder, a man with big hands, a fragile manuscript in a bottle, and a rather attractive dog called Hadrian. Faber's dazzling novella takes us up the 199 steps in Whitby that link the 21st century with the ruins of the past. Equal and indissoluble parts thriller, romance, historical/ghost story and meditation on the nature of sincerity, this is an ingenious literary page-turner. Atmospheric photographs complement the text beautifully. This book, like Henry James's The Turn of the Screw, deploys a masterful sense of ambiguity, outstanding narrative power, works on many levels and, as always with Faber's writing, is elegant, thought-provoking, distinctive and compelling.
Death and the Labyrinth is unique, being Foucault's only work on literature. For Foucault this was "by far the book I wrote most easily and with the greatest pleasure". Here, Foucault explores theory, criticism and psychology through the texts of Raymond Roussel, one of the fathers of experimental writing, whose work has been celebrated by the likes of Cocteau, Duchamp, Breton, Robbe Grillet, Gide and Giacometti. This revised edition includes an introduction, chronology and bibliography to Foucault's work by James Faubion, an interview with Foucault, conducted only nine months before his death, and concludes with an essay on Roussel by the poet John Ashbery.
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