This issue of Clinics in Plastic Surgery, guest edited by Drs. Jin Bo Tang and Michel Saint-Cyr, is devoted to Microsurgery: Global Perspectives. Articles in this issue include: Digital Replantation: Current Status in the World; Exploring New Frontiers of Microsurgery: From Anatomy to Clinical Methods; Free Flaps, Toe Transfers and Microsurgery for Crush Injury in the Hand; Vascularised Bone Grafting for Scaphoid and Lunate Diseases; Vascularised Small Bone Grafting to Treat Scaphoid Non-Union: Outcomes; Compound or Specially Designed Flaps and Other Tissue Transfers in Upper and Lower Extremities; Special Considerations in Upper and Lower Extremity Pediatric Microsurgical Reconstruction; Microsurgical Tissue Transfer in Breast Reconstruction; Non-abdominal Based Free and Pedicle Flaps in Autologous Breast Reconstruction; Complex Microsurgical Reconstruction after Tumor Resection in the Trunk and Extremities; Keystone and Pedicle Perforator flaps in Sarcoma Reconstruction: New Modifications and Applications; Innovations and Future Directions in Head and Neck Microsurgical Reconstruction; New Frontiers in Robotic Assisted Microsurgical Reconstruction; and Current Methods to Deal with Vascular Crisis After Microsurgery: A Global View.
This is the third in a set of four collections of articles by Michel Huglo to be published in the Variorum series. It brings together the studies of Gregorian chant and of later monophonic and polyphonic additions to the earlier repertory that occupied Huglo in the second phase of his research. Represented here are articles on the Kyrie, the introit tropes of St-Gall, an elegy for William the Conqueror (d. 1087), the versus by Venantius Fortunatus for the cathedral of Paris, the liturgical dramas of Fleury, early organum, the Mass of Tournai, and, finally, the Requiem by Eustache Du Caurroy. Ce volume des articles de Michel Huglo est le troisième de la série de quatre dans la collection Variorum. Il réunit des études sur le chant grégorien et sur les additions de pièces monodiques ou polyphoniques faites au répertoire primitif, sujets qui ont occupé Michel Huglo dans la seconde phase de sa carrière de chercheur. Dans ce volume, le lecteur trouvera des articles sur le Kyrie, les tropes d'introït de St-Gall, l'élégie pour Guillaume le Conquérant (d. 1087), les versus de Venance Fortunat pour la cathédrale de Paris, les drames liturgiques de Fleury, les débuts de l'organum, la Messe de Tournai, et finalement le Requiem d'Eustache Du Caurroy.
Going back for generations, the fortunes of great families consist of far more than money; they are also symbols of culture and social interaction. They are at the heart of dense family and extra-family networks, of international coalitions and divisions. The authors elucidate the mechanisms by which they accumulate and expand their wealth, status and influence even while staying out of the public eye. Paradoxically there is a quasi-collective nature to these private fortunes, as families enjoy sojourns at each other's estates, help each other weather difficult times and intermarry.
A controversial, intelligent, and mordantly funny new novel from France's most famous literary figure Paris, 2022. François is bored. He's a middle-aged lecturer at the Sorbonne and an expert on J. K. Huysmans, the famous nineteenth-century "decadent" author. But François's own decadence is considerably smaller in scale. He sleeps with his students, eats microwave dinners, reads the classics, queues up YouPorn. Meanwhile, it's election season. And although Francois feels "about as politicized as a hand towel," things are getting pretty interesting. In an alliance with the socialists, France's new Islamic party sweeps to power. Islamic law comes into force. Women are veiled, polygamy is encouraged, and Francois is offered an irresistible academic advancement--on condition that he convert to Islam. Adam Gopnik in The New Yorker has said of this novel that "Houellebecq is not merely a satirist but--more unusually--a sincere satirist, genuinely saddened by the absurdities of history and the madnesses of mankind." Michel Houellebecq's Submission may be satirical and melancholic, but it is also hilarious; a comic masterpiece by one of France's great novelists.
This volume is the outcome of 25 years of research into the neurolinguistic aspects of bilingualism. In addition to reviewing the world literature and providing a state-of-the-art account, including a critical assessment of the bilingual neuroimaging studies, it proposes a set of hypotheses about the representation, organization and processing of two or more languages in one brain. It investigates the impact of the various manners of acquisition and use of each language on the extent of involvement of basic cerebral functional mechanisms. The effects of pathology as a means to understanding the normal functioning of verbal communication processes in the bilingual and multilingual brain are explored and compared with data from neuroimaging studies. In addition to its obvious research benefits, the clinical and social reasons for assessment of bilingual aphasia with a measuring instrument that is linguistically and culturally equivalent in each of a patient’s languages are stressed. The relationship between language and thought in bilinguals is examined in the light of evidence from pathology. The proposed linguistic theory of bilingualism integrates a neurofunctional model (the components of verbal communication and their relationships: implicit linguistic competence, metalinguistic knowledge, pragmatics, and motivation) and a set of hypotheses about language processing (neurofunctional modularity, the activation threshold, the language/cognition distinction, and the direct access hypothesis).
The most celebrated and controversial French novelist of our time now delivers his magnum opus—about art and money, love and friendship and death, fathers and sons. The Map and the Territory is the story of an artist, Jed Martin, and his family and lovers and friends, the arc of his entire history rendered with sharp humor and powerful compassion. His earliest photographs, of countless industrial objects, were followed by a surprisingly successful series featuring Michelin road maps, which also happened to bring him the love of his life, Olga, a beautiful Russian working—for a time—in Paris. But global fame and fortune arrive when he turns to painting and produces a host of portraits that capture a wide range of professions, from the commonplace (the owner of a local bar) to the autobiographical (his father, an accomplished architect) and from the celebrated (Bill Gates and Steve Jobs Discussing the Future of Information Technology) to the literary (a writer named Houellebecq, with whom he develops an unusually close relationship). Then, while his aging father (his only living relative) flirts with oblivion, a police inspector seeks Martin’s help in solving an unspeakably gruesome crime—events that prove profoundly unsettling. Even so, now growing old himself, Jed Martin somehow discovers serenity and manages to add another startling chapter to his artistic legacy, a deeply moving conclusion to this saga of hopes and losses and dreams.
Main headings: I. Basic concepts of pulsatile arterial hemodynamics. - II. Pathophysiological mechanisms. - III. Arterial stiffness, wave reflections, cardiovascular risk and end-organ damage. - IV. Clinical aspects of arterial stiffness and wave reflections. - V. Therapeutic aspects of arterial stiffness and wave reflections.
A major publishing event: the third volume of Michel Leiris’s renowned autobiography, now available in English for the first time in a brilliant translation by Lydia Davis A beloved and versatile author and ethnographer, French intellectual Michel Leiris is often ranked in the company of Proust, Gide, Sartre, and Camus, yet his work remains largely unfamiliar to English-language readers. This brilliant translation of Fibrils, the third volume of his monumental autobiographical project The Rules of the Game, invites us to discover why Lévi-Strauss proclaimed him “incontestably one of the greatest writers of the century.” Leiris’s autobiographical essay, a thirty-five-year project, is a primary document of the examined life in the twentieth century. In Fibrils, Leiris reconciles literary commitment with social/political engagement. He recounts extensive travel and anthropological work, including a 1955 visit to Mao’s China. He also details his suicidal “descent into Hell,” when the guilt over an extramarital affair becomes unbearable. A ruthless self-examiner, Leiris seeks to invent a new way of remembering, probe the mechanisms of memory and explore the way a life can be told.
Popular and scholarly history presents a one-dimensional image of Napoleon as an inveterate instigator of war who repeatedly sought large-scale military conquests. General Franceschi and Ben Weider dismantle this false conclusion in The Wars Against Napoleon, a brilliantly written and researched study that turns our understanding of the French emperor on its head. Avoiding the simplistic clichés and rudimentary caricatures many historians use when discussing Napoleon, Franceschi and Weider argue persuasively that the caricature of the megalomaniac conqueror who bled Europe white to satisfy his delirious ambitions and insatiable love for war is groundless. By carefully scrutinizing the facts of the period and scrupulously avoiding the sometimes confusing cause and effect of major historical events, they paint a compelling portrait of a fundamentally pacifist Napoleon, one completely at odds with modern scholarly thought. This rigorous intellectual presentation is based upon three principal themes. The first explains how an unavoidable belligerent situation existed after the French Revolution of 1789. The new France inherited by Napoleon was faced with the implacable hatred of reactionary European monarchies determined to restore the ancient regime. All-out war was therefore inevitable unless France renounced the modern world to which it had just painfully given birth. The second theme emphasizes Napoleon’s determined efforts (“bordering on an obsession,” argue the authors) to avoid this inevitable conflict. The political strategy of the Consulate and the Empire was based on the intangible principle of preventing or avoiding these wars, not on conquering territory. Finally, the authors examine, conflict by conflict, the evidence that Napoleon never declared war. As he later explained at Saint Helena, it was he who was always attacked—not the other way around. His adversaries pressured and even forced the Emperor to employ his unequalled military genius. After each of his memorable victories Napoleon offered concessions, often extravagant ones, to the defeated enemy for the sole purpose of avoiding another war. Lavishly illustrated, persuasively argued, and carefully illustrated with original maps and battle diagrams, The Wars Against Napoleon presents a courageous and uniquely accurate historical idea that will surely arouse vigorous debate within the international historical community.
Der amerikanische Maler und Zeichner Jean-Michel Basquiat (1960–1988) gehört zu den schillernsten Persönlichkeiten der Kunstgeschichte, seine Freundschaft mit Andy Warhol, Keith Haring und Madonna sind legendär. Die retrospektiv angelegte Publikation zeichnet die einzigartige künstlerische Entwicklung und kunsthistorische Bedeutung des bereits mit 27 Jahren auf tragische Weise verstorbenen Künstlerstars nach. Seine Werke sind von eben jener Intensität und Energie geprägt, die auch sein kurzes Leben bestimmte. In nur acht Jahren gelang es Basquiat nicht nur vergleichbar Egon Schiele ein umfassendes Œuvre zu schaffen, sondern auch neben der konzeptuellen Kunst und der Minimal Art neue figurative und expressive Elemente zu etablieren. Als 21-jähriger wurde er zum bislang jüngsten documenta-Teilnehmer und entscheidenden Vorläufer der Jungen Wilden, aber auch der Kunst der 1990er-Jahre. (Deutsche Ausgabe ISBN 978-3-7757-2592-7) Ausstellung: Fondation Beyeler, Riehen/Basel 09.05.–05.09.2010
Michel Baridon traces the history of the most famous gardens in the world from their inception through the three centuries of eventful history that they have witnessed.
A current survey and synthesis of the most important findings in our understanding of the neurobiological mechanisms of addiction are detailed in our Neurobiology of Addiction series, each volume addressing a specific area of addiction. Psychostimulants, Volume 2 in the series, explores the molecular and cellular systems in the brain responsible for psychostimulant addiction, including both direct/indirect sympathomimetics and nonsympathomimetics. This volume introduces the readers to the history of psychostimulant use. The authors clearly differentiate the neurobiological effects into three distinct stages of the addiction cycle: binge/intoxication, withdrawal/negative affect, and preoccupation/anticipation. - Highlights recent advances in psychostimulant addiction - Includes neurocircuitry, cellular and molecular neurobiological mechanisms of psychostimulant addiction - Defines the abuse and addiction potentials of both direct and indirect sympathomimetics and nonsympathomimetics
On September 13, 2000, Michel Auger was walking away from his car in a parking lot across the street from the offices of Le Journal de Montréal when he was shot in the back six times. Miraculously, although at least one bullet lodged in his spine, no vital organs were damaged. Auger was on his feet again within weeks, and able to resume his normal life. The practice of journalism is dangerous in many parts of the world. But in Canada? The idea that an assassin would attempt to take the life of a journalist because of something he wrote is almost unthinkable. Either a deadly new threat has appeared on the scene or Michel Auger has learned something that is truly dangerous to know. Or perhaps both propositions are true. Michel Auger has been a crime reporter for some 30 years. He has covered mafia trials and corruption scandals, notorious murders and government inquiries. What he has seen and recorded has ranged from the sordid to the bizarre. He has interviewed notorious criminals, like Alvin "Creepy" Karpis, a member of the Ma Barker gang whose capture helped make J. Edgar Hoover’s name, and infamous Canadians, like the Montreal drug dealer Lucien Rivard, who escaped from Bordeaux jail while awaiting extradition to the United States. He has travelled to the Far East to see for himself where the drug trade begins, and to Sicily where he traced the origins of organized crime. Michel Auger’s knowledge of Canada’s underworld is as comprehensive as that of any reporter alive. In recent years he has developed a particular interest in the criminal activities of biker gangs, especially the Hell’s Angels and their rivals, the Rock Machine. Without a doubt, it was his series of articles in the spring of 2000 about the growing links between the Angels and other criminal organizations that led to the attempt on his life. Both the threat to civil society posed by the Angels and Michel Auger’s knowledge of their affairs had become so great that violence was the natural outcome. But, amazingly, Michel Auger survived the attempt on his life. In this frank, fascinating, and sometimes funny memoir, he tells about the bad guys he has known, the strange scenes he has witnessed, and above all, the true story of his deadly encounter with the bikers.
A beautifully illustrated visual and cultural history of the color red throughout the ages The color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes. In some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power. In the medieval period, red held both religious significance, as the color of the blood of Christ and the fires of Hell, and secular meaning, as a symbol of love, glory, and beauty. Yet during the Protestant Reformation, red began to decline in status. Viewed as indecent and immoral and linked to luxury and the excesses of the Catholic Church, red fell out of favor. After the French Revolution, red gained new respect as the color of progressive movements and radical left-wing politics. In this beautifully illustrated book, Michel Pastoureau, the acclaimed author of Blue, Black, and Green, now masterfully navigates centuries of symbolism and complex meanings to present the fascinating and sometimes controversial history of the color red. Pastoureau illuminates red's evolution through a diverse selection of captivating images, including the cave paintings of Lascaux, the works of Renaissance masters, and the modern paintings and stained glass of Mark Rothko and Josef Albers.
Gueldry analyzes the substantive transformations brought upon the French state by European integration through an incremental and cumulative process generally described as Europeanization. This restructuring is characterized by the erosion of traditional political and economic parameters, the emergence of new means and models of public action, and a general paradigmatic redefinition, including a search for renewed political legitimacy by French elite. Covering the period from 1957 to the present, Gueldry examines how regional integration affects French governmental structures, public policies, political processes, and culture. He emphasizes the post-Single European Act (February 1986) period because of the accelerating momentum of the integration process after this milestone treaty. Students, scholars, and policy makers involved with EU history, institutions, and policies will be particularly interested in the work.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.