Under the pretense of defending an obscure treatise by a Catalan theologian, Sebond, Montaigne attacks the philosophers who attempt rational explanations of the universe and argues for a skeptical Christianity based squarely on faith rather than reason. The result is the Apology for Raymond Sebond, a classic of Counter-Reformation thought and a masterpiece of Renaissance literature. This new translation by Roger Ariew and Marjorie Grene achieves both accuracy and fluency, conveying at once the nuances of Montaigne’s arguments and his distinctive literary style.
The first experiments with neural transplantation into the brain (for a review, see Bjorklund and Stenevi 1985) were reported at the end of the last century by Thompson (1890), who took cortical tissue from adult cats and implanted the tissue pieces into the neocortex of adult dogs. The neurons did not survive, but the transplanted mass did not disintegrate entirely. Successful graft ing into the brain was reported later by Ranson (1909), who implanted spinal ganglia into the cerebral cortex of developing rats, and by Dunn (1917), who reported survival of implanted neonatal cortex into the cortex of newborn recipients. Another important step was made by Le Gros Clark (1940) who reported that, in the rabbit, embryonic (E) cortical tissue could be successfully grafted into the cortex of young recipients. Ex periments by Wallace and Das (1982), and Bjorklund and Stenevi (1984), showing behavioral effects of grafts, subsequently stimu lated a growing interest in neurotransplantation research. Intrac erebral grafting is now considered a powerful tool for addressing fundamental questions about development, regenerative, or re storative phenomena in the central nervous system (CNS) and is a potential therapy for neurodegenerative diseases.
Michel de Certeau died on January 9, 1986, leaving behind him the memory of an "intelligence without bounds" (Roger Chartier) and of "one of the boldest, the most secret, and the most sensitive minds of our time" (Julia Kristeva). Since 1984, with the translation of The Practice of Everyday Life, his writings have begun to circulate across a number of disciplines in the English-speaking world. This book is the first full-length study of Certeau's thought, designed as a guide to draw out not only the exceptional range but the overall coherence of his oeuvre. The author focuses on those intertexts that work most powerfully in Certeau's major writings: contemporary French historiography, the writings of early modern mystics and travelers, Michel Foucault and Pierre Bourdieu, Freud, the linguistics of "utterance," and a broad spectrum of work on contemporary cultural practices.
A “well-researched, elegantly written” study of the life and work of 19th-century French author Gustave Flaubert (Roger Pearson, University of Oxford). Michel Winock’s biography situates Gustave Flaubert’s life and work in France’s century of great democratic transition. Flaubert did not welcome the egalitarian society predicted by Tocqueville. Wary of the masses, he rejected the universal male suffrage hard won by the Revolution of 1848, and he was exasperated by the nascent socialism that promoted the collective to the detriment of the individual. But above all, he hated the bourgeoisie. Vulgar, ignorant, obsessed with material comforts, impervious to beauty, the French middle class embodied for Flaubert every vice of the democratic age. His loathing became a fixation—and a source of literary inspiration. Flaubert depicts a man whose personality, habits, and thought are a stew of paradoxes. The author of Madame Bovary and Sentimental Education spent his life inseparably bound to solitude and melancholy, yet he enjoyed periodic escapes from his “hole” in Croisset to pursue a variety of pleasures: fervent friendships, society soirées, and a whirlwind of literary and romantic encounters. He prided himself on the impersonality of his writing, but he did not hesitate to use material from his own life in his fiction. Nowhere are Flaubert’s contradictions more evident than in his politics. An enemy of power who held no nostalgia for the monarchy or the church, he was nonetheless hostile to collectivist utopias. Despite declarations of the timelessness and sacredness of Art, Flaubert could not transcend the era he abominated. Rejecting the modern world, he paradoxically became its celebrated chronicler and the most modern writer of his time. Praise for Flaubert “This generous study ingeniously builds a narrative around Flaubert’s own words—from not only the novels but also voluminous correspondence and unpublished work. Adding light background and analysis, Winock allows the mind of the Master to shine.” —The New Yorker “It is precisely the historical background of Flaubert’s times, both its conscious and its invisible impingements on the writer’s sensibility, on which Winock is especially revelatory . . . Michel Winock has written a compelling and stylish biography, and Nicholas Elliott has brought it into English with flair and skill.” —Bruce Whiteman, Hudson Review “Noted French historian Winock’s biography succeeds in presenting a fresh portrait of a man plagued by paradoxes . . . Winock provides absorbing background related to the country’s social and political scenes that occurred during his subject’s lifetime.” —Erica Swenson Danowitz, Library Journal
Three novellas filled with “gallows humor and a sense of real peril,” by the acclaimed author of The Book of Strange New Things (The New York Times). The bestselling author of The Crimson Petal and the White “draws his characters with assured comic efficiency” (The Guardian), using “evocative language” to offer up “intriguing glimpses of unfamiliar worlds” (Los Angeles Times), in these acclaimed novellas. In “The Courage Consort,” an a cappella vocal ensemble is sequestered in a Belgian château to rehearse a monstrously complicated new piece, but competing artistic temperaments and sexual needs create as much discordance as the avant-garde music. In “The Hundred and Ninety-Nine Steps,” a lonely woman joins an archaeological dig at Whitby Abbey and unearths a mystery involving a long-hidden murder. And in “The Fahrenheit Twins,” strange children, identical in all but gender, are left alone at the icy zenith of the world by their anthropologist parents to create their own ritual civilization. From a wildly inventive author whose novel The Book of Strange New Things was named one of 2014’s best reads by everyone from the New Yorker to io9, The Courage Consort is an eclectic collection of well-told tales, in which Michel Faber “marches on, establishing himself as one of the most versatile fiction writers working today” (Kirkus Reviews). “Readers will again be immersed in the intense worlds he creates.” —Publishers Weekly
It’s certainly easy to understand why mediocrity seems to be the new norm in our country. After all, take a look around. As you read this we find ourselves burdened with immense national debt, polarized political parties, sky high unemployment, and increasing levels of hunger, homelessness, and hopelessness. All while our discontent with leaders across all segments of society leaves us scratching our heads and searching our hearts to understand, “how did we end up here?” The more important question, of course, is where do we go from here? And, as importantly, what role will you play? This is where I have some good news to offer. Mediocre Me reminds us the solution to the current mess we're in is already present—“invisible” in plain sight. It’s not found in another government program nor can it be dictated merely by expert opinions. Rather, the answer to our individual and collective challenges is found in the inspiring example of those citizen-leaders in our midst who are hard at work trying to move things solidly forward in their spheres of influence. And, best of all, they are waiting for more of us to join them. Sound frightening? Challenging? Too difficult to pull off, you say? Think again.
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