If you had been living in France in the 1990s, the language you would have heard on the radio and television or seen in the newspapers would be far removed from the French language of ten or twenty years ago. The country and its language have changed tremendously in a relatively short period of time, and, as a result, English speakers with a grounding in French can still find themselves struggling to understand terms commonly encountered in contemporary French society. Luckily, Eleanor and Michel Levieux now bring us up to date with their Insiders' French, an utterly entertaining and informative guide to the language of the "new France." This "new France" is a country poised to experience the European single currency but uncertain about being part of Europe. It is hooked on fast food but ambivalent about the country where it originated. France today has record unemployment and an increasingly controversial immigrant population. Clearly, given the rapidly changing conditions and lifestyles, conventional French dictionaries alone cannot completely inform readers and visitors. Insiders' French offers a solution to the incomprehension, a unique handbook in which you'll find the language of European union, the space program, abortion and women's rights, high-tech industries, and health care, among other topics. Entries proceed by association of ideas and related terms, with extensive cross-referencing, while still being alphabetized for easy reference like a standard dictionary. Cartoons from major French journals add to your understanding and enjoyment. Insiders' French opens up the secret territory of French politics and culture that is often not understood by visitors or students, and it does so with wit and verve—qualities that remain in the French language despite its recent changes.
If you had been living in France in the 1990s, the language you would have heard on the radio and television or seen in the newspapers would be far removed from the French language of ten or twenty years ago. The country and its language have changed tremendously in a relatively short period of time, and, as a result, English speakers with a grounding in French can still find themselves struggling to understand terms commonly encountered in contemporary French society. Luckily, Eleanor and Michel Levieux now bring us up to date with their Insiders' French, an utterly entertaining and informative guide to the language of the "new France." This "new France" is a country poised to experience the European single currency but uncertain about being part of Europe. It is hooked on fast food but ambivalent about the country where it originated. France today has record unemployment and an increasingly controversial immigrant population. Clearly, given the rapidly changing conditions and lifestyles, conventional French dictionaries alone cannot completely inform readers and visitors. Insiders' French offers a solution to the incomprehension, a unique handbook in which you'll find the language of European union, the space program, abortion and women's rights, high-tech industries, and health care, among other topics. Entries proceed by association of ideas and related terms, with extensive cross-referencing, while still being alphabetized for easy reference like a standard dictionary. Cartoons from major French journals add to your understanding and enjoyment. Insiders' French opens up the secret territory of French politics and culture that is often not understood by visitors or students, and it does so with wit and verve—qualities that remain in the French language despite its recent changes.
The differences between Old-Roman, Ambrosian, Aquileian, Gallican, and Hispanic chant, and their interconnections with each other and the Gregorian chant occupied Michel Huglo in his early career, although he returned to these questions in the 1980s and 1990s. The present volume, the second in the set of four to be published in the Variorum series, brings all this work together. Huglo's 1954 article, the first to describe the sources for Old Roman chant, recognized as distinct from Gregorian chant, is of primary significance for the historiography of Western plainchant, because it opened the debate on the relationship between Old Roman and Gregorian chant. The final section presents articles on the Latin version of the Akathistos hymn and on Byzantine chants translated into Latin that became part of the Western plainchant repertory. Les différences entre les répertoires Vieux-romain, Ambrosien, Aquiléien, Gallican et Hispanique, leurs influences réciproques et leurs relations avec le chant grégorien ont occupé Michel Huglo au début de sa carrière: il revint sur ces questions dans les années 1980 et 1990. Ce volume, le deuxième d'une série de quatre dans la collection Variorum, réunit toutes ces études. L'article de 1954 de Michel Huglo sur les sources du chant Vieux-romain, considéré comme distinct du grégorien, est de première importance pour l'historiographie du plain-chant occidental, car il a ouvert les débats sur le rapport entre Vieux-romain et grégorien. Les articles sur la version latine de l'Hymne Acathiste et sur les pièces de chant byzantin traduites en latin dans les répertoires occidentaux du plain-chant achèvent ce volume.
The aim of this book is to offer you a highly illustrated (more than 300 photos) history that can be easily read. The book deals with subjects that have been little covered or covered differently. Step into Montreal's captivating past through the vivid pages of our new illustrated book! 📖✨ Immerse yourself in a visual journey that brings the city's history to life like never before. Stunning illustrations, rare photographs, and compelling narratives await you. Whether you're a history enthusiast or simply curious about Montreal's heritage, this book is a must-have addition to your collection. Unearth the splendour of Montreal through the lens of art and history. Let the past come alive! This book covers all you need to know about Montreal's history. Knowing more about Montreal's history can only enhance our appreciation of this magnificent city. Introduction First Nations The French Regime The British Regime Economic Growth Transportation Politics of Montreal 1833-1929 The Great Depression 1929-1939 World War II 1939-1945 Modernization (1945-2001) The New City 2002-2023 Professional sports teams Festivals Communications Parades and processions Montreal Skycrapers 1928-2023 Mayors Conclusion Index Recommended readings Credits
Pieter Brueghel was the first important member of a family of artists who were active for four generations. Firstly a drawer before becoming a painter later, he painted religious themes, such as Babel Tower, with very bright colours. Influenced by Hieronymus Bosch, he painted large, complex scenes of peasant life and scripture or spiritual allegories, often with crowds of subjects performing a variety of acts, yet his scenes are unified with an informal integrity and often with wit. In his work, he brought a new humanising spirit. Befriending the Humanists, Brueghel composed true philosophical landscapes in the heart of which man accepts passively his fate, caught in the track of time.
The origin and development of Western plainchant, and of the genres of liturgical book in which it is recorded, have occupied Michel Huglo throughout his long career, which has taken him to libraries in every corner of Europe and the United States. This volume, the first in a set of four to appear in the Variorum series, brings together analyses of manuscripts dating from the 9th to the 13th century, including Huglo's pathbreaking studies of the antiphoner of Compiègne, the first troper-prosers, and of alleluia lists as clues to place of origin. The consequences of the Treaty of Verdun (843) for the diffusion of the plainchant repertory, research in medieval musicology in the 20th century, the utility of codicology for musicological manuscript studies, and the critical edition of the Gregorian antiphoner are addressed in other studies included here. Les origines et le développement du plain-chant en Occident et l'étude des genres de livres liturgiques qui le contiennent ont occupé Michel Huglo durant sa longue carrière et l'ont conduit à visiter des bibliothèques partout en Europe et aux Etats-Unis. Ce volume, le premier d'une série de quatre dans la collection Variorum, comprend des analyses de manuscrits du neuvième au treizième siècle, notamment des études novatrices relançant les recherches sur l'antiphonaire de Compiègne, les premiers tropaires-prosaires et les listes d'alleluias comme moyen d'identification des manuscrits de chant. Les conséquences du traité de Verdun (843) pour la diffusion du répertoire de plain-chant, les recherches en musicologie médiévale au XXe siècle, l'application des méthodes de la codicologie à l'étude des manuscrits notés, et l'édition critique de l'Antiphonaire grégorien forment les sujets d'autres études réunies dans ce volume.
Michel Baridon traces the history of the most famous gardens in the world from their inception through the three centuries of eventful history that they have witnessed.
In The Contemplation of the World, eminent French theorist Michel Maffesoli pursues and extends his project of decoding contemporary societies. Here, Maffesoli questions afresh the mundane stuff of contemporary sociality, seeking to discern its primary mode of expression - its forms, style, rules, and principles - its aesthetics. The advent of postmodernity marks the beginning of "the society of the image." It is as if the fragmentation of the social has gradually and necessarily corresponded to massive crumbling of our representations of the real and resulted in their infinite refraction. Henceforward we are living in the heart of an ever-increasing entanglement of objects, signs, and images. Located somewhere between dream and reality, we are the unfettered prisoners of a symbolic universe of growing opacity and mysterious meanings. In The Contemplation of the World, Maffesoli seeks to explore those unobtrusive links that regulate and organize the ensemble of our representations - the raw material refashioned in our imaginary and our fantasies - exploring what it is that is recognizably "postmodern" about them. Maffesoli proposes a map of "the vast domain of the collective imaginary," allowing us to better understand where today's culture stands and helping us to perceive within its clamorous confines the outlines, still frail, of a "community ideal.
At the heart of how history sees the French Revolution lies the enigma of the Terror. How did this archetypal revolution, founded on the principles of liberty and equality and the promotion of human rights, arrive at circumstances where it carried out the violent and terrible repression of its opponents? The guillotine, initially designed to be a ‘humane’ form of capital punishment, became a formidable instrument of political repression and left a deep imprint, not only on how we see the Revolution, but also on how France’s image has been depicted in the world. This book reconstructs the Terror in all its complexity. It shows that the popular view of a so-called ‘system of terror’ was retrospectively invented by the group of revolutionaries who overthrew Robespierre, as a way of trying to exonerate themselves from culpability. What we think of as ‘the Terror’ is best understood as an improvised and sometimes chaotic response to events, based on the urgent needs of a revolutionary government confronted by a succession of political and military crises. It was a government of ‘exception’ – a crisis government. Terror brings together a wealth of factual elements, along with recent thinking on the ideological, emotional and tactical dimensions of revolutionary politics, to throw new light on how the phenomenon of terror came to demonise the image and memory of the French Revolution. It will be essential reading for students and scholars of the French Revolution and for anyone concerned with the ways in which political conflict can descend into violence.
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