Michel Houellebecq’s Serotonin is a caustic, frightening, hilarious, raunchy, offensive, and politically incorrect novel about the decline of Europe, Western civilization, and humanity in general. Deeply depressed by his romantic and professional failures, the aging hedonist and agricultural engineer Florent-Claude Labrouste feels he is “dying of sadness.” He hates his young girlfriend, and the feeling is almost certainly mutual; his career is pretty much over; and he has to keep himself thoroughly medicated to cope with day-to-day life. Suffocating in the rampant loneliness, consumerism, hedonism, and sprawl of the city, Labrouste decides to head for the hills, returning to Normandy, where he once worked promoting regional cheeses and where he was once in love, and even—it now seems—happy. There he finds a countryside devastated by globalization and by European agricultural policies, and encounters farmers longing, like Labrouste himself, for an impossible return to a simpler age. As the farmers prepare for what might be an armed insurrection, it becomes clear that the health of one miserable body and of a suffering body politic are not so different, and that all parties may be rushing toward a catastrophe that a whole drugstore’s worth of antidepressants won’t make bearable.
A controversial, intelligent, and mordantly funny new novel from France's most famous literary figure Paris, 2022. François is bored. He's a middle-aged lecturer at the Sorbonne and an expert on J. K. Huysmans, the famous nineteenth-century "decadent" author. But François's own decadence is considerably smaller in scale. He sleeps with his students, eats microwave dinners, reads the classics, queues up YouPorn. Meanwhile, it's election season. And although Francois feels "about as politicized as a hand towel," things are getting pretty interesting. In an alliance with the socialists, France's new Islamic party sweeps to power. Islamic law comes into force. Women are veiled, polygamy is encouraged, and Francois is offered an irresistible academic advancement--on condition that he convert to Islam. Adam Gopnik in The New Yorker has said of this novel that "Houellebecq is not merely a satirist but--more unusually--a sincere satirist, genuinely saddened by the absurdities of history and the madnesses of mankind." Michel Houellebecq's Submission may be satirical and melancholic, but it is also hilarious; a comic masterpiece by one of France's great novelists.
The international publishing sensation is now available in the United States—two brilliant, controversial authors confront each other and their enemies in an unforgettable exchange of letters. In one corner, Bernard-Henri Lévy, creator of the classic Barbarism with a Human Face, dismissed by the media as a wealthy, self-promoting, arrogant do-gooder. In the other, Michel Houellebecq, bestselling author of The Elementary Particles, widely derided as a sex-obsessed racist and misogynist. What began as a secret correspondence between bitter enemies evolved into a remarkable joint personal meditation by France’s premier literary and political live wires. An instant international bestseller, Public Enemies has now been translated into English for all lovers of superb insights, scandalous opinions, and iconoclastic ideas. In wicked, wide-ranging, and freewheeling letters, the two self-described “whipping boys” debate whether they crave disgrace or secretly have an insane desire to please. Lévy extols heroism in the face of tyranny; Houellebecq sees himself as one who would “fight little and badly.” Lévy says “life does not ‘live’” unless he can write; Houellebecq bemoans work as leaving him in such “a state of nervous exhaustion that it takes several bottles of alcohol to get out.” There are also touching and intimate exchanges on the existence of God and about their own families. Dazzling, delightful, and provocative, Public Enemies is a death match between literary lions, remarkable men who find common ground, confident that, in the end (as Lévy puts it), “it is we who will come out on top.”
As the 2022 French Presidential election looms, two candidates emerge as favourites: Marine Le Pen of the Front National, and the charismatic Muhammed Ben Abbes of the growing Muslim Fraternity. Forming a controversial alliance with the political left to block the Front National's alarming ascendency, Ben Abbes sweeps to power, and overnight the country is transformed. This proves to be the death knell of French secularism, as Islamic law comes into force: women are veiled, polygamy is encouraged and, for our narrator Fran�ois - misanthropic, middle-aged and alienated - life is set on a new course. Submission is a devastating satire, comic and melancholy by turns, and a profound meditation on faith and meaning in Western society.
The most celebrated and controversial French novelist of our time now delivers his magnum opus—about art and money, love and friendship and death, fathers and sons. The Map and the Territory is the story of an artist, Jed Martin, and his family and lovers and friends, the arc of his entire history rendered with sharp humor and powerful compassion. His earliest photographs, of countless industrial objects, were followed by a surprisingly successful series featuring Michelin road maps, which also happened to bring him the love of his life, Olga, a beautiful Russian working—for a time—in Paris. But global fame and fortune arrive when he turns to painting and produces a host of portraits that capture a wide range of professions, from the commonplace (the owner of a local bar) to the autobiographical (his father, an accomplished architect) and from the celebrated (Bill Gates and Steve Jobs Discussing the Future of Information Technology) to the literary (a writer named Houellebecq, with whom he develops an unusually close relationship). Then, while his aging father (his only living relative) flirts with oblivion, a police inspector seeks Martin’s help in solving an unspeakably gruesome crime—events that prove profoundly unsettling. Even so, now growing old himself, Jed Martin somehow discovers serenity and manages to add another startling chapter to his artistic legacy, a deeply moving conclusion to this saga of hopes and losses and dreams.
A worldwide phenomenon and the most important French novelist since Camus, Michel Houellebecq now delivers his magnum opus–a tale of our present circumstances told from the future, when humanity as we know it has vanished. Surprisingly poignant, philosophically compelling, and occasionally laugh-out-loud funny, The Possibility of an Island is at once an indictment, an elegy, and a celebration of everything we have and are at risk of losing. It is a masterpiece from one of the world’s most innovative writers.
Selected poems from the critically acclaimed author of Submission and The Elementary Particles A shimmering selection of poems chosen from four collections of one of France’s most exciting authors, Unreconciled shines a fresh light on Michel Houellebecq and reveals the radical singularity of his work. Drawing on themes that are similar to the ones in his novels, these poems are a journey into the depths of individual experience and universal passions. Divided into five parts, Unreconciled forms a narrative of love, hopelessness, catastrophe, dedication, and—ultimately—redemption. In a world of supermarkets and public transportation, indifferent landscapes and lonely nights, Houellebecq manages to find traces of divine grace even as he exposes our inexorable decline into chaos. Told through forms and rhythms that are both ancient and new, with language steeped in the everyday, Unreconciled stands in the tradition of Baudelaire while making a bold new claim on contemporary verse. It reveals that in addition to his work as an incisive novelist, Houellebecq is one of our most perceptive poets with a vision of our era that brims with tensions that cannot—and will not—be reconciled.
The award-winning French novelist pays tribute to a literary hero in this critical biography of the master of horror—with a foreword by Stephen King. Best known for his acclaimed novels, such as the Prix Goncourt-winning The Map and the Territory, Michael Houellebecq devotes his single work of nonfiction to the pioneering author of horror and weird fiction, H. P. Lovecraft. In a volume that is part biographical sketch and part pronouncement on existence and literature, France's most famous contemporary author praises his prewar American alter ego, whose style couldn't be less like his own. With a foreword by Lovecraft admirer Stephen King, this eloquently translated edition is an insightful introduction to both Lovecraft’s dark mythology and Houellebecq’s deadpan prose.
An international literary phenomenon, The Elementary Particles is a frighteningly original novel–part Marguerite Duras and part Bret Easton Ellis-that leaps headlong into the malaise of contemporary existence. Bruno and Michel are half-brothers abandoned by their mother, an unabashed devotee of the drugged-out free-love world of the sixties. Bruno, the older, has become a raucously promiscuous hedonist himself, while Michel is an emotionally dead molecular biologist wholly immersed in the solitude of his work. Each is ultimately offered a final chance at genuine love, and what unfolds is a brilliantly caustic and unpredictable tale. Translated from the French by Frank Wynne.
Michel Houellebecq’s international bestseller— a thrilling, ambitious, and unexpectedly tender chronicle of modern existence. It is 2027. France is in a state of economic decline and moral decay. As the country plunges into a contentious presidential race, the government falls victim to a series of mysterious and unsettling cyberattacks in which videos of brutal decapitations and skillfully crafted deepfakes proliferate on the web. Paul Raison’s own troubles are bound up with those of the country. He is an adviser to the finance minister; his wife, Prudence, is a Treasury official; and his father, Édouard, now retired, spent his career in the security services. Paul, badly overworked, is facing the threat of separation from his wife. When his father suddenly suffers a stroke, Paul must depart Paris for his provincial hometown, where he and his siblings now have the opportunity to repair their strained relationships with Édouard as they determine to free him from the decrepit public nursing home where he is wasting away. Michel Houellebecq’s Annihilation reveals a new dimension of his oeuvre, adding compassion and tenderness to the irony and cutting insight that brought him international fame. Here, we see France’s most celebrated novelist taking stock of his country on the eve of great change—asking how, and whether, a society and its people can change course.
The death of God in the West was the prelude to a formidable metaphysical soap opera that continues to this day. Christianity’s masterstroke was to combine a fierce belief in the individual with the promise of eternal participation in the Absolute. When that dream evaporated, various attempts were made to offer the individual a minimum of being. The latest of these attempts is advertising, which seeks to arouse desire and transform the subject into a docile phantom doomed to follow advertising’s every whim. But, like all previous attempts, this skin-deep, superficial participation in the world fails, and unhappiness and depression continue to spread. However, we can all produce a cold revolution in ourselves by stepping outside the flow of information and advertising. We need to take some time out, unplug the television, turn off our iPhones, stop buying stuff, stop wanting to buy stuff, temporarily detach ourselves and adopt an aesthetic attitude to the world. We just need to stay still for a few seconds. This is one of the key themes developed by Michel Houellebecq in this collection of his texts and interviews from the last three decades. Here he explains and elaborates his point of view, discusses his novels and addresses a wide range of topics from politics, religion and literature to suicide, euthanasia and paedophilia. An indispensable book for anyone interested in the work of one of the most widely read and controversial novelists of our time.
The award-winning French novelist pays tribute to a literary hero in this critical biography of the master of horror—with a foreword by Stephen King. Best known for his acclaimed novels, such as the Prix Goncourt-winning The Map and the Territory, Michael Houellebecq devotes his single work of nonfiction to the pioneering author of horror and weird fiction, H. P. Lovecraft. In a volume that is part biographical sketch and part pronouncement on existence and literature, France's most famous contemporary author praises his prewar American alter ego, whose style couldn't be less like his own. With a foreword by Lovecraft admirer Stephen King, this eloquently translated edition is an insightful introduction to both Lovecraft’s dark mythology and Houellebecq’s deadpan prose.
Michel Houellebecq’s Serotonin is a caustic, frightening, hilarious, raunchy, offensive, and politically incorrect novel about the decline of Europe, Western civilization, and humanity in general. Deeply depressed by his romantic and professional failures, the aging hedonist and agricultural engineer Florent-Claude Labrouste feels he is “dying of sadness.” He hates his young girlfriend, and the feeling is almost certainly mutual; his career is pretty much over; and he has to keep himself thoroughly medicated to cope with day-to-day life. Suffocating in the rampant loneliness, consumerism, hedonism, and sprawl of the city, Labrouste decides to head for the hills, returning to Normandy, where he once worked promoting regional cheeses and where he was once in love, and even—it now seems—happy. There he finds a countryside devastated by globalization and by European agricultural policies, and encounters farmers longing, like Labrouste himself, for an impossible return to a simpler age. As the farmers prepare for what might be an armed insurrection, it becomes clear that the health of one miserable body and of a suffering body politic are not so different, and that all parties may be rushing toward a catastrophe that a whole drugstore’s worth of antidepressants won’t make bearable.
Quelle que soit la quantité de mensonges, de faux souvenirs et de rêves dont on s'entoure au long d'une vie, c'est toujours le même corps qu'on retrouve, au matin, dans l'éprouvante expérience du réveil ; le corps est sans miracle. Quelles que soient les discontinuités, les absurdités, les ruptures qu'on essaie d'introduire dans un roman, le lecteur parvient toujours à reconstituer une histoire ; son expérience de la vie humaine est sans limite. En ce qui concerne la poésie, la situation est moins claire." M.H.
A worldwide phenomenon and the most important French novelist since Camus, Michel Houellebecq now delivers his magnum opus–a tale of our present circumstances told from the future, when humanity as we know it has vanished. Surprisingly poignant, philosophically compelling, and occasionally laugh-out-loud funny, The Possibility of an Island is at once an indictment, an elegy, and a celebration of everything we have and are at risk of losing. It is a masterpiece from one of the world’s most innovative writers.
The most celebrated and controversial French novelist of our time now delivers his magnum opus—about art and money, love and friendship and death, fathers and sons. The Map and the Territory is the story of an artist, Jed Martin, and his family and lovers and friends, the arc of his entire history rendered with sharp humor and powerful compassion. His earliest photographs, of countless industrial objects, were followed by a surprisingly successful series featuring Michelin road maps, which also happened to bring him the love of his life, Olga, a beautiful Russian working—for a time—in Paris. But global fame and fortune arrive when he turns to painting and produces a host of portraits that capture a wide range of professions, from the commonplace (the owner of a local bar) to the autobiographical (his father, an accomplished architect) and from the celebrated (Bill Gates and Steve Jobs Discussing the Future of Information Technology) to the literary (a writer named Houellebecq, with whom he develops an unusually close relationship). Then, while his aging father (his only living relative) flirts with oblivion, a police inspector seeks Martin’s help in solving an unspeakably gruesome crime—events that prove profoundly unsettling. Even so, now growing old himself, Jed Martin somehow discovers serenity and manages to add another startling chapter to his artistic legacy, a deeply moving conclusion to this saga of hopes and losses and dreams.
The international publishing sensation is now available in the United States—two brilliant, controversial authors confront each other and their enemies in an unforgettable exchange of letters. In one corner, Bernard-Henri Lévy, creator of the classic Barbarism with a Human Face, dismissed by the media as a wealthy, self-promoting, arrogant do-gooder. In the other, Michel Houellebecq, bestselling author of The Elementary Particles, widely derided as a sex-obsessed racist and misogynist. What began as a secret correspondence between bitter enemies evolved into a remarkable joint personal meditation by France’s premier literary and political live wires. An instant international bestseller, Public Enemies has now been translated into English for all lovers of superb insights, scandalous opinions, and iconoclastic ideas. In wicked, wide-ranging, and freewheeling letters, the two self-described “whipping boys” debate whether they crave disgrace or secretly have an insane desire to please. Lévy extols heroism in the face of tyranny; Houellebecq sees himself as one who would “fight little and badly.” Lévy says “life does not ‘live’” unless he can write; Houellebecq bemoans work as leaving him in such “a state of nervous exhaustion that it takes several bottles of alcohol to get out.” There are also touching and intimate exchanges on the existence of God and about their own families. Dazzling, delightful, and provocative, Public Enemies is a death match between literary lions, remarkable men who find common ground, confident that, in the end (as Lévy puts it), “it is we who will come out on top.”
Slicing through blunt theories of supply and demand, Callon presents a rigorously researched but counterintuitive model of how everyday market activity gets produced. If you’re convinced you know what a market is, think again. In his long-awaited study, French sociologist and engineer Michel Callon takes us to the heart of markets, to the unsung processes that allow innovations to become robust products and services. Markets in the Making begins with the observation that stable commercial transactions are more enigmatic, more elusive, and more involved than previously described by economic theory. Slicing through blunt theories of supply and demand, Callon presents a rigorously researched but counterintuitive model of market activity that emphasizes what people designing products or launching startups soon discover—the inherent difficulties of connecting individuals to things. Callon’s model is founded upon the notion of “singularization,” the premise that goods and services must adapt and be adapted to the local milieu of every individual whose life they enter. Person by person, thing by thing, Callon demonstrates that for ordinary economic transactions to emerge en masse, singular connections must be made. Pushing us to see markets as more than abstract interfaces where pools of anonymous buyers and sellers meet, Callon draws our attention to the exhaustively creative practices that market professionals continuously devise to entangle people and things. Markets in the Making exemplifies how prototypes, fragile curiosities that have only just been imagined, are gradually honed into predictable objects and practices. Once these are active enough to create a desired effect, yet passive enough to be transferred from one place to another without disruption, they will have successfully achieved the status of “goods” or “services.” The output of this more ample process of innovation, as redefined by Callon, is what we recognize as “the market”—commercial activity, at scale. The capstone of an influential research career at the forefront of science and technology studies, Markets in the Making coherently integrates the empirical perspective of product engineering with the values of the social sciences. After masterfully redescribing how markets are made, Callon culminates with a strong empirical argument for why markets can and should be harnessed to enact social change. His is a theory of markets that serves social critique.
An international literary phenomenon, The Elementary Particles is a frighteningly original novel–part Marguerite Duras and part Bret Easton Ellis-that leaps headlong into the malaise of contemporary existence. Bruno and Michel are half-brothers abandoned by their mother, an unabashed devotee of the drugged-out free-love world of the sixties. Bruno, the older, has become a raucously promiscuous hedonist himself, while Michel is an emotionally dead molecular biologist wholly immersed in the solitude of his work. Each is ultimately offered a final chance at genuine love, and what unfolds is a brilliantly caustic and unpredictable tale. Translated from the French by Frank Wynne.
Should we enhance the human condition with technology? Does anyone really want to live for a thousand years? Could AI end up destroying mankind? Discover the incredible potential of mankind's near future as Doctor and entrepreneur Laurent Alexandre and tech-philosopher Jean Michel Besnier go head to head on the big questions in an entertaining and thought-provoking debate on the fundamental principles of transhumanism. This movement seeks to improve the human condition through science - has fast become one of the most controversial the scientific community have ever faced. As great strides are made in using advanced technology to enhance human intellect and physiology, the ethical and moral questions surrounding its possibilities have never been more pressing. Should we change the way we reproduce? Could we enhance the human body with technology to the point where we are all technically cyborgs? Is it possible to make love to a robot?
What drives Marine Le Pen and France's Front National? Has her party really changed its ways, or is she merely rebranding its old ideas and policies for a new era? In the age of Brexit and Trump, France too has seen a growing audience for identity-based politics. Under 'Marine', the FN is enjoying unprecedented success. But what's her secret? This is a probing investigation into the philosophy of Marine Le Pen's FN. It seeks answers in her speeches, in the history of French nationalism and in revealing interviews with those on the far right-including Jean-Marie Le Pen himself. Michel Eltchaninoff exposes a vision of France tyrannized by liberalism and seduced by the offer of an uncompromising alternative: a Republic 'beyond Left and Right', defined by its enemies and aligned with Putin's Russia. Whatever Marine Le Pen is thinking, she has not forgotten the FN's roots. The French far right is now stronger than ever.
A complete review of the European Union. Europeans are facing major challenges. From the risk of populist contagion and Brexit at internal level, to migratory issues and the questioning of their values, as well as their interests, from the external points of view, Europeans must fi nd their place in a world in which only Union will bring strength. These challenges imply the Europeans’ ability to stand as one against the turmoil they face. In a situation like this how should their expectations be met, notably in terms of security as well as economic and social protection ? In his speech at the Sorbonne French President Emmanuel Macron, put forward a new European policy. He wants to turn European integration into a tool for sovereignty, both from the economic and geopolitical points of view, with the aim of giving Europeans total freedom and a true feeling of pride. Undeniably, France is back in Europe. European integration has freed the States and people of Europe of their permanent power struggles ; it now has to protect them from external constraints. The question is now to know how this should be achieved. This is the question at the heart of the 9th Schuman Report. Delve into this reference work regarding European Affairs! EXTRACT If we want to protect our European values, our freedom, peace and prosperity, we must be more ambitious. We need more of the spirit of Alcide de Gasperi, of Aldo Moro and of Helmut Kohl in today’s Europe. In 1946 Konrad Adenauer dreamt of a community of European people in which “every population will provide its own irreplaceable, unique contribution to the economy and to European culture, thought, poetry and Western creativity”. Let us work together as Christian Democrats in Europe to make this dream come true. Let us stand up and join our forces to preserve our European way of life. ABOUT THE AUTORS The Schuman report on Europe is a collective publication, edited by Thierry Chopin, a french political analyst specialist in Europe Union, and Michel Foucher, a diplomat, geographer and essayist. The most respected personalities, as well as the best experts have chosen to express their opinion in this publication: Gérard Larcher, Mikuláš Dzurinda, 5 Members of European Parliament, Jean-Claude Piris, Joachim Bitterlich...
Jean-Michel Pilc, jazz pianist and faculty member of Steinhardt School, New York University, has written a remarkable book about the artistic and creative process in the arts. The conversational style well suits the wide ranging topic which draws examples from art and music both classical and jazz. A beautifully expressed work on a subject otherwise impossible to write about. Hailed by musicians around the world as enlightened and inspirational.
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