Packed with clearly labeled, full-color drawings on every page, Atlas of Middle Ear Surgery guides readers through the most common and innovative surgical procedures used to manage middle ear pathology.The authors, experts in this technically demanding field, begin by providing practical background information on surgical anatomy and pathophysiology followed by a brief introduction to anesthesia considerations and operating room etiquette. Full-color drawings then demonstrate the various surgical techniques in a step-by-step formatthat is excellent for learning. Succinct, easy-to-understand descriptions accompany every drawing in a didactic manner that reinforces fundamental concepts as it teaches.Features The latest on the surgical management of tympanic membrane abnormalities, chronic otitis media, cholesteatoma, and ossicular chain dysfunction 254 full-color drawings and schematics display anatomy and important surgical steps Numerous callout boxes in each chapter highlight key surgical tips, pearls, and pitfalls Concise and practical, this atlas is essential reading for otolaryngology residents, fellows, budding otologic surgeons, or practicing ENTs who need to hone their surgical skills and stay abreast of the latest advances in the field.
The fundamentals of middle ear surgery in a full-color, highly practical atlas Packed with clearly labeled, full-color drawings on every page, Atlas of Middle Ear Surgery guides readers through the most common and innovative surgical procedures used to manage middle ear pathology. The authors, experts in this technically demanding field, begin by providing practical background information on surgical anatomy and pathophysiology followed by a brief introduction to anesthesia considerations and operating room etiquette. Full-color drawings then demonstrate the various surgical techniques in a step-by-step format that is excellent for learning. Succinct, easy-to-understand descriptions accompany every drawing in a didactic manner that reinforces fundamental concepts as it teaches. Features The latest on the surgical management of tympanic membrane abnormalities, chronic otitis media, cholesteatoma, and ossicular chain dysfunction 254 full-color drawings and schematics display anatomy and important surgical steps Numerous callout boxes in each chapter highlight key surgical tips, pearls, and pitfalls Concise and practical, this atlas is essential reading for otolaryngology residents, fellows, budding otologic surgeons, or practicing ENTs who need to hone their surgical skills and stay abreast of the latest advances in the field.
Packed with clearly labeled, full-color drawings on every page, Atlas of Middle Ear Surgery guides readers through the most common and innovative surgical procedures used to manage middle ear pathology.The authors, experts in this technically demanding field, begin by providing practical background information on surgical anatomy and pathophysiology followed by a brief introduction to anesthesia considerations and operating room etiquette. Full-color drawings then demonstrate the various surgical techniques in a step-by-step formatthat is excellent for learning. Succinct, easy-to-understand descriptions accompany every drawing in a didactic manner that reinforces fundamental concepts as it teaches.Features The latest on the surgical management of tympanic membrane abnormalities, chronic otitis media, cholesteatoma, and ossicular chain dysfunction 254 full-color drawings and schematics display anatomy and important surgical steps Numerous callout boxes in each chapter highlight key surgical tips, pearls, and pitfalls Concise and practical, this atlas is essential reading for otolaryngology residents, fellows, budding otologic surgeons, or practicing ENTs who need to hone their surgical skills and stay abreast of the latest advances in the field.
Michel Haar assesses the overcoming of metaphysics urged by Nietzsche. Pointing out that Nietzsche's overcoming must be conceived as a task both critical and reconstructive, Haar shows how Nietzsche criticizes philosophical concepts as being traceable to a process of simplification and identification, thus subverting traditional categories and identities. Haar presents Nietzsche as an aesthetic stoic. Although opposed to any doctrinal tenet, Nietzsche rekindles a Stoic return to nature in the register of a creative and aesthetic decision. Necessity is no longer a single rational force permeating all beings. Instead he conceives of the will to power as a schematization of the natural chaos and refers Dionysos to an inspiring voice: "the genius of the heart." Rejecting the Deleuzian essay of interpretation that unleashes the simulacra of an untamed imagination, Haar points out that Nietzsche's rejection of Kant is much less extreme than imagined in Deleuze's eccentric readings. Haar also shows that the rupture with Schopenhauer came very early in Nietzsche's itinerary although he accepted the idea of a social conditioning of science. Haar shows that two Apollonian sublimities are distinguished by Nietzsche: one generating idyll, epos, and mythic language; the other a compensatory illusion on the dramatic stage destined to dismiss the horror of an endlessly swelling ground. It is this monstrosity that a creative forgetfulness is destined to replace by seeking a place for the work of art amidst tragic joy.
Appetites for Thought offers up a delectable intellectual challenge: can we better understand the concepts of philosophers from their culinary choices? Guiding us around the philosopher’s banquet table with erudition, wit, and irreverence, Michel Onfray offers surprising insights on foods ranging from fillet of cod to barley soup, from sausage to wine and coffee. Tracing the edible obsessions of philosophers from Diogenes to Sartre, Onfray considers how their ideas relate to their diets. Would Diogenes have been an opponent of civilization without his taste for raw octopus? Would Rousseau have been such a proponent of frugality if his daily menu had included something more than dairy products? Onfray offers a perfectly Kantian critique of the nose and palate, since “the idea obtained from them is more a representation of enjoyment than cognition of the external object.” He exposes Nietzsche’s grumpiness—really, Nietzsche grumpy?—about bad cooks and the retardation of human evolution, and he explores Sartre’s surrealist repulsion by shellfish because they are “food buried in an object, and you have to pry them out.” A fun romp through the culinary likes and dislikes of our most famous thinkers, Appetites for Thought will intrigue, provoke, and entertain, and it might also make you ponder a bite to eat.
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