On September 13, 2000, Michel Auger was walking away from his car in a parking lot across the street from the offices of Le Journal de Montréal when he was shot in the back six times. Miraculously, although at least one bullet lodged in his spine, no vital organs were damaged. Auger was on his feet again within weeks, and able to resume his normal life. The practice of journalism is dangerous in many parts of the world. But in Canada? The idea that an assassin would attempt to take the life of a journalist because of something he wrote is almost unthinkable. Either a deadly new threat has appeared on the scene or Michel Auger has learned something that is truly dangerous to know. Or perhaps both propositions are true. Michel Auger has been a crime reporter for some 30 years. He has covered mafia trials and corruption scandals, notorious murders and government inquiries. What he has seen and recorded has ranged from the sordid to the bizarre. He has interviewed notorious criminals, like Alvin "Creepy" Karpis, a member of the Ma Barker gang whose capture helped make J. Edgar Hoover’s name, and infamous Canadians, like the Montreal drug dealer Lucien Rivard, who escaped from Bordeaux jail while awaiting extradition to the United States. He has travelled to the Far East to see for himself where the drug trade begins, and to Sicily where he traced the origins of organized crime. Michel Auger’s knowledge of Canada’s underworld is as comprehensive as that of any reporter alive. In recent years he has developed a particular interest in the criminal activities of biker gangs, especially the Hell’s Angels and their rivals, the Rock Machine. Without a doubt, it was his series of articles in the spring of 2000 about the growing links between the Angels and other criminal organizations that led to the attempt on his life. Both the threat to civil society posed by the Angels and Michel Auger’s knowledge of their affairs had become so great that violence was the natural outcome. But, amazingly, Michel Auger survived the attempt on his life. In this frank, fascinating, and sometimes funny memoir, he tells about the bad guys he has known, the strange scenes he has witnessed, and above all, the true story of his deadly encounter with the bikers.
BRAND NEW BOOK (2023) 235 pages. The most up-to-date book on the history of Montreal Updated September 9, 2024 This book offers highly illustrated content with more than 300 photos, nearly 20 maps and more than 40 engravings, canvas, press clippings, etc. Step into Montreal's captivating past through the vivid pages of our new illustrated book! 📖✨ Immerse yourself in a visual journey that brings the city's history to life like never before. Stunning illustrations, rare photographs, and compelling narratives await you. Whether you're a history enthusiast or simply curious about Montreal's heritage, this book is a must-have addition to your collection. Unearth the splendour of Montreal through the lens of art and history. Take a journey through the centuries that have shaped Montreal. This book covers all you need to know about Montreal's history. Knowing more about Montreal's history can only enhance our appreciation of this magnificent city. Introduction First Nations The French Regime The British Regime Economic Growth Transportation Politics of Montreal 1833-1929 The Great Depression 1929-1939 World War II 1939-1945 Modernization (1945-2001) The New City 2002-2024 Professional sports teams Festivals Communications Parades and processions Montreal Skycrapers 1928-2024 Mayors Conclusion Index Recommended readings Credits
The grand duchy of Luxembourg was created after the Napoleonic Wars, but at the time there was no 'nation' that identified with the emergent state. This book analyses how politicians, scholars and artists have initiated and contributed to nation-building processes in Luxembourg since the nineteenth century, processes that – as this book argues – are still ongoing. The focus rests on three types of representations of nationhood: a shared past, a common homeland and a national language. History was written so as to justify the country's political independence. Territorial borders shifted meaning, constantly repositioning the national community. The local dialect – initially considered German variant – was gradually transformed into the 'national language', Luxembourgish.
This book, first published as Quand la nation débordait les frontières (Hurtubise HMH, 2004), is considered the most comprehensive analysis of Lionel Groulx's work and vision as an intellectual leader of a nationalist school that extended well beyond the borders of Québec. Recipient of the 2005 Governor General's Literary Award in non-fiction, the original French edition also won the Michel-Brunet Award (Institut d'histoire de l'Amérique française), the Prix Champlain (Conseil de la vie française en Amérique), and a medal awarded by the Québec National Assembly. It was also shortlisted for the Jean-Charles-Falardeau Award (Fédération canadienne des sciences humaines du Canada) and the City of Ottawa Book Award. For over five decades, historians and intellectuals have defined the nationalist discourse primarily in territorial terms. In this regard, Groulx has been portrayed—more often than not—as the architect of Québécois nationalism. Translated by Ferdinanda Van Gennip, A Nation Beyond Borders will continue to spark debate on Groulx's description of the parameters of the French-Canadian nation. Highlighting the often neglected role of French-Canadian minorities in his thought, this book presents the Canon as an uncompromising advocate of solidarity between all French-Canadian communities.
To observe the tenth anniversary of the founding of the Ramanujan Mathematical Society, an international conference on Discrete Mathematics and Number Theory was held in January 1996 in Tiruchirapalli, India. This volume contains proceedings from the number theory component of that conference. Papers are divided into four groups: arithmetic algebraic geometry, automorphic forms, elementary and analytic number theory, and transcendental number theory. This work deals with recent progress in current aspects of number theory and covers a wide variety of topics.
This book is dedicated to the Congo Basin. It has the particularity of imagining the portrait of a universe devoid of the world's second largest lung after the Amazon, made up of forests, water, peat bogs, large carbon reserves and a rich biodiversity. However, these treasures are threatened by, on the one hand, the mer cantile interests of mafia networks eager to enrich themselves and, on the other hand, by the mismanagement of institutions and powers, which cause areas of uncertainty that are beyond the control of the indigenous endogenous powers. It is by observing these abuses that Michel Innocent Peya sounds the alarm on the risk of global climate genocide if the Congo Basin were to degrade or disappear.
The differences between Old-Roman, Ambrosian, Aquileian, Gallican, and Hispanic chant, and their interconnections with each other and the Gregorian chant occupied Michel Huglo in his early career, although he returned to these questions in the 1980s and 1990s. The present volume, the second in the set of four to be published in the Variorum series, brings all this work together. Huglo's 1954 article, the first to describe the sources for Old Roman chant, recognized as distinct from Gregorian chant, is of primary significance for the historiography of Western plainchant, because it opened the debate on the relationship between Old Roman and Gregorian chant. The final section presents articles on the Latin version of the Akathistos hymn and on Byzantine chants translated into Latin that became part of the Western plainchant repertory. Les différences entre les répertoires Vieux-romain, Ambrosien, Aquiléien, Gallican et Hispanique, leurs influences réciproques et leurs relations avec le chant grégorien ont occupé Michel Huglo au début de sa carrière: il revint sur ces questions dans les années 1980 et 1990. Ce volume, le deuxième d'une série de quatre dans la collection Variorum, réunit toutes ces études. L'article de 1954 de Michel Huglo sur les sources du chant Vieux-romain, considéré comme distinct du grégorien, est de première importance pour l'historiographie du plain-chant occidental, car il a ouvert les débats sur le rapport entre Vieux-romain et grégorien. Les articles sur la version latine de l'Hymne Acathiste et sur les pièces de chant byzantin traduites en latin dans les répertoires occidentaux du plain-chant achèvent ce volume.
Complementing The LaTeX Companion, this new graphics companion addresses one of the most common needs among users of the LaTeX typesetting system: the incorporation of graphics into text. It provides the first full description of the standard LaTeX color and graphics packages, and shows how you can combine TeX and PostScript capabilities to produce beautifully illustrated pages. You will learn how to incorporate graphic files into a LaTeX document, program technical diagrams using several different languages, and achieve special effects with fragments of embedded PostScript. Furthermore, you'll find detailed descriptions of important packages like Xy-pic, PSTricks, and METAPOST; the dvips dvi to PostScript driver; and Ghostscript.
Wonderfully ingenious and altogether satisfying."---Marilyn Stasio, New York Times Book Review Just after midnight on December 23, 1980, a night flight bound for Paris plummets toward the Swiss Alps, crashing into a snowy mountainside. Within seconds flames engulf the plane, which is filled with holiday travelers. Of the 169 passengers, all but one perish. The sole survivor is a three-month-old girl--thrown from the airliner before fire consumes the cabin. But two infants were on board. Is "the Miracle Child of Mont Terri" Lyse-Rose or Emilie? The families of both girls step forward to claim the child. Dogged by bad luck, the Vitrals live a simple life, selling snacks from a van on the beaches of northern France. In contrast, the de Carvilles, who amassed a fortune in the oil business, are powerful-and dangerous. Eighteen years later, a private detective tasked with solving the mystery of the girl known as "Lylie" is on the verge of giving up. As he contemplates taking his own life, Crédule Grand-Duc suddenly discovers a secret hidden in plain view. Will he live to tell it? Meanwhile, Lylie, now a beautiful university student, entrusts a secret notebook into the hands of Marc, the brooding young man who loves her, and then vanishes. After Marc reads the notebook's contents, he embarks on a frantic search for Lylie. But he is not the only one looking for her.
“What characterizes the act of justice is not resort to a court and to judges; it is not the intervention of magistrates (even if they had to be simple mediators or arbitrators). What characterizes the juridical act, the process or the procedure in the broad sense, is the regulated development of a dispute. And the intervention of judges, their opinion or decision, is only ever an episode in this development. What defines the juridical order is the way in which one confronts one another, the way in which one struggles. The rule and the struggle, the rule in the struggle, this is the juridical.” - Michel Foucault Penal Theories and Institutions is the title Michel Foucault gave to the lectures he delivered at the Collège de France from November 1971 to March 1972. In these lectures Michel Foucault presents for the first time his approach to the question of power that will be the focus of his research up to the writing of Discipline and Punish (1975) and beyond. His analysis starts with a detailed account of Richelieu’s repression of the Nu-pieds revolt (1639-1640) and then goes on to show how the apparatus of power developed by the monarchy on this occasion breaks with the system of juridical and judicial institutions of the Middle Ages and opens out onto a “judicial State apparatus”, a “repressive system”, whose function is focused on the confinement of those who challenge its order. Michel Foucault systemizes the approach of a history of truth on the basis of the study of “juridico-political matrices” that he had begun in the previous year’s lectures (Lectures on the Will to Know) and which is at the heart of the notion of “knowledge-power”. In these lectures Foucault develops his theory of justice and penal law. The appearance of this volume marks the end of the publication of the series Foucault’s courses at the Collège de France (the first volume of which was published in 1997).
This is the final volume in the set of four collections of Michel Huglo's articles to be published in the Variorum series, and focuses on medieval music theory. The point of departure for Huglo's research was his doctoral dissertation on tonaries, published in 1971: as a consequence, he studied the manuscripts of music theory concerning plainchant, and, later, those with writings on music by authors of Late Antiquity as well as the Liber glossarum, with its many definitions of musical terms. In this volume, certain articles consider the interpretation or dissemination of texts, instruction in the art of plainchant, and musical instruction at the university. Others concern the manuscripts of St Augustine's De musica and of the writings of Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac, Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia, amongst others. The volume closes with a bibliography of Michel Huglo complementing that published in 1993 and a summary list of his reviews of books on music and liturgy. Ce volume des articles de Michel Huglo termine la série de quatre dans la collection Variorum. Il est centré sur la théorie musicale médiévale. Le point de départ des recherches de Michel Huglo sur la théorie musicale du Moyen Âge est formé par sa thèse sur les tonaires, éditée en 1971: en consequence il etudia les manuscrits de theorie musicale concernant le plain-chant et, plus tard, les auteurs de l'Antiquité tardive et le Liber glossarum qui contient des définitions de nombreux termes musicaux. Dans ce volume, certains articles traitent de l'interprétation ou de la dissémination des textes, des instructions sur l'art du chant, et sur l'enseignement de la musique à l'Université. Ils concernent les manuscrits du De musica d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de Moravia, et d'autres auteurs. Le volume se termine par une bibliographie de Michel Huglo complétant celle publiée en 1993 et une liste sommaire de ses recensions d'ouvrages sur la musique et la liturgie.
According to Michel Serres, a process of 'hominescence' has taken place throughout human history. Hominescence can be described as a type of adolescence; humanity in a state of growing, a state of constant change, on the threshold of something unpredictable. We are destined never to be the same again but what does the future hold? In this innovative and passionately original work of philosophy, Serres describes the future of man as an adolescence, transitioning from childhood to adulthood, or luminescence, when a dark body becomes light. After considering the radical changes that humanity has experienced over the last fifty years, Serres analyzes the new relationship that man has with diverse concepts, like the dead, his own body, agriculture, and new communication networks. He alerts us to the consequences of these changes, particularly on the danger of growing inequalities between rich and poor countries. Should we rejoice in the future, ignore it, or even dread it? Unlike other philosophies that preach doom and gloom, Hominescence calls for us to anticipate the uncertain light of the future.
Michel learns that his father is dying. This news precipitates a nostalgic journey into the past--a childhood spent on a dairy farm in French Québec. As a sensitive boy secluded from the world, Michel wavers between forbidden exploits and heartbreaking tribulations. Catholic school is a culture shock, but it's the huge pumpkin-shaped teacher with a bad temper who terrorizes his brain most. On the farm, his young life abounds with fun and danger--mad bulls, dynamite sticks, runaway darts, lethal ice cubes, and hazardous farm equipment. After struggling with a dismal economy, his family is forced to abandon their home. They desert their isolated farmhouse and move into a cockroach-infested apartment in an English-speaking city one mile from the seductive United States border. There, Michel copes with bullies, Russian spies, and ghosts. Little Canuck recounts the humorous, and at times, heartrending memoirs of a young boy on his journey through a colorful landscape of emotion. Along the way, young Michel uncovers the mysteries of female anatomy, and learns poignant truths about mortality. His most profound lessons are not learned at school.
From the bestselling author of After the Crash, “a novel so extraordinary it reminded me of reading Stieg Larsson for the first time” (The Sunday Times). Holidaying in an idyllic resort on the island of Réunion, wealthy Parisians Martial and Liane Bellion are enjoying the perfect family moment with their six-year-old daughter. Turquoise skies, clear water, palm trees, a warm breeze. Then Liane Bellion disappears from her hotel room. The door to her room is open, the walls and sheets are spotted with blood. A hotel employee swears he saw Martial in the corridor at the time Liane went missing, and he becomes the number one suspect. But then Martial also disappears, along with his daughter. An all-out manhunt is declared across the island. Could Martial really have killed his wife? For fans of Gone Girl and The Fugitive, Bussi’s fast-paced, atmospheric thriller does not disappoint. “A nail biter of a manhunt across the spectacular terrain of the Indian Ocean island of Réunion drives this thriller after a tourist goes missing, triggering a police chase and exposing a cannily-constructed mystery with nods to both Agatha Christie and Harlan Coben.” —The Boston Globe “Suspenseful . . . vengeance proves a common passion on Réunion, as detailed in this twist-filled novel told from several characters’ perspectives.” —The Wall Street Journal “This novel, a multi-charactered French whodunit, squeezes all its frantic action into the 25 square miles of gorgeous but treacherous Réunion Island.” —Toronto Star “A top-notch puzzle . . . A wonderfully immersive thriller.” —Booklist
In response to the catastrophic destruction of Syria’s ancient city of Palmyra, a UNESCO world heritage site, a group of major international scholars gathered to focus on the art, archaeology, and history of the beleaguered site and present their latest findings. Their papers, given at a symposium at The Metropolitan Museum of Art in May 2016, have been collected in this fascinating and important publication. They are accompanied by a moving tribute by Waleed Khaled al-Asa‘ad to his father, Khaled al-Asa‘ad, the Syrian archaeologist and head of antiquities for the ancient city of Palmyra who was brutally murdered in 2015 while defending the site. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Palmyra: Mirage in the Desert, published simultaneously in English and Arabic, is the latest volume in the Metropolitan Museum symposium series. It is a major contribution to the knowledge and understanding of this multicultural desert—located at the crossroads of the ancient world—that will help preserve the memory of this extraordinary place for generations to come.
We think of Métis as having exclusively Prairie roots. Quebec doesn’t recognize a historical Métis community, and the Métis National Council contests the existence of any Métis east of Ontario. Quebec residents who seek recognition as Métis under the Canadian Constitution therefore face an uphill legal and political battle. Who is right? Bois-Brûlés examines archival and ethnographic evidence to piece together a riveting history of Métis in the Outaouais region. Scottish and French-Canadian fur traders and Indigenous women established themselves with their Bois-Brûlé children in the unsurveyed lands of western Quebec in the early nineteenth century. As the fur trade declined, these communities remained. This controversial work, previously available only in French, challenges head-on two powerful nationalisms – Métis and Québécois – that see Quebec Métis as “race-shifting” individuals. The authors provide a nuanced analysis of the historical basis for a distinctly Métis identity that can be traced all the way to today.
The international publishing sensation is now available in the United States—two brilliant, controversial authors confront each other and their enemies in an unforgettable exchange of letters. In one corner, Bernard-Henri Lévy, creator of the classic Barbarism with a Human Face, dismissed by the media as a wealthy, self-promoting, arrogant do-gooder. In the other, Michel Houellebecq, bestselling author of The Elementary Particles, widely derided as a sex-obsessed racist and misogynist. What began as a secret correspondence between bitter enemies evolved into a remarkable joint personal meditation by France’s premier literary and political live wires. An instant international bestseller, Public Enemies has now been translated into English for all lovers of superb insights, scandalous opinions, and iconoclastic ideas. In wicked, wide-ranging, and freewheeling letters, the two self-described “whipping boys” debate whether they crave disgrace or secretly have an insane desire to please. Lévy extols heroism in the face of tyranny; Houellebecq sees himself as one who would “fight little and badly.” Lévy says “life does not ‘live’” unless he can write; Houellebecq bemoans work as leaving him in such “a state of nervous exhaustion that it takes several bottles of alcohol to get out.” There are also touching and intimate exchanges on the existence of God and about their own families. Dazzling, delightful, and provocative, Public Enemies is a death match between literary lions, remarkable men who find common ground, confident that, in the end (as Lévy puts it), “it is we who will come out on top.”
Volume 1 considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. Volume 2 is based on on microhistories that move from the private sphere (of dwelling, cooking, and homemaking) to the public (the experience of living in a neighborhood). Delves into the subtle tactics of resistance and private practices that make living a subversive art.
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