Recipient of the 2005 Governor General's Literary Award in non-fiction, Quand la nation débordait les frontières is considered the most comprehensive analysis of Lionel Groulx's work and vision as an intellectual leader of a nationalist school that extended well beyond the borders of Québec. For over five decades, historians and intellectuals have defined the nationalist discourse primarily in territorial terms. In this regard, Groulx has been portrayed—more often than not—as the architect of Québecois nationalism. Translated by Ferdinanda Van Gennip, A Nation Beyond Borders will continue to spark debate on Groulx's description of the parameters of the French-Canadian nation. Highlighting the often neglected role of French-Canadian minorities in his thought, this book presents the Canon as an uncompromising advocate of solidarity between all French-Canadian communities.
Een twaalfjarige jongen klimt in de bergen in een elektriciteitsmast, helemaal tot op het platform. De gapende leegte onder zijn voeten oefent een vreemde aantrekkingskracht op hem uit: zal hij springen? Dertig jaar later moet hij terugdenken aan dat ene moment. Hij heeft de liefde van zijn leven gevonden en zijn eigen economische waarde opgeschroefd door een nieuwe vorm van toerisme te lanceren, maar hoe stabiel is geluk? Met Platform houdt Michel Houellebecq de moderne westerse samenleving opnieuw een spiegel voor, waarin enkele minder aangename details van onze wereld van markt en strijd worden uitvergroot en vervormd. Michel Houellebecq (1958) is het even verguisde als bewierookte paradepaard van de Franse letteren. Vooral met zijn grote romans en de daarin verwoorde (vaak tegenstrijdige) opvattingen verwierf hij mondiale literaire bekendheid. Sinds 1998 leeft hij in zelfverkozen ballingschap in Ierland.
The first translation of the volumes in Michel Serres' classic 'Humanism' tetralogy, this ambitious philosophical narrative explores what it means to be human. With his characteristic breadth of references including art, poetry, science, philosophy and literature, Serres paints a new picture of what it might mean to live meaningfully in contemporary society. He tells the story of humankind (from the beginning of time to the present moment) in an attempt to affirm his overriding thesis that humans and nature have always been part of the same ongoing and unfolding history. This crucial piece of posthumanist philosophical writing has never before been released in English. A masterful translation by Randolph Burks ensures the poetry and wisdom of Serres writing is preserved and his notion of what humanity is and might be is opened up to new audiences.
Having made his name with an exhibition of photographs of Michelin roadmaps - beautiful works that won praise from every corner of the art world - Jed Martin is now emerging from a ten-year hiatus. And he has had some good news. It has nothing to do with his broken boiler, the approach of another lamentably awkward annual Christmas dinner with his father or the memory of his doomed love affair with the beautiful Olga. It is that, for his new exhibition, he has secured the involvement of none other than the French novelist Michel Houellebecq. The great writer has agreed to write the text for the exhibition guide, for which he will be paid handsomely and also have his portrait painted by Jed. The exhibition - 'Professions', a series of portraits of ordinary and extraordinary people at work - brings Jed new levels of global fame. Yet his boiler is still broken, his ailing father flirts with oblivion and, worse still, he is contacted by one Inspector Jasselin, who requests his assistance in solving an unspeakable, atrocious and gruesome crime. Art, money, fathers, sons, death, love and the transformation of France into a tourist paradise come together to create a daringly playful and original twist on the contemporary novel from a modern master of the form.
An international literary phenomenon, The Elementary Particles is a frighteningly original novel–part Marguerite Duras and part Bret Easton Ellis-that leaps headlong into the malaise of contemporary existence. Bruno and Michel are half-brothers abandoned by their mother, an unabashed devotee of the drugged-out free-love world of the sixties. Bruno, the older, has become a raucously promiscuous hedonist himself, while Michel is an emotionally dead molecular biologist wholly immersed in the solitude of his work. Each is ultimately offered a final chance at genuine love, and what unfolds is a brilliantly caustic and unpredictable tale. Translated from the French by Frank Wynne.
Houellebecq's dazzling new novel, which moves between Paris, Andalucia and Lanzarotte, is a thought provoking, sometimes shocking, and ultimately moving examination of the modern world, the trials of old age and the death of love.
Michel Houellebecq’s international bestseller— a thrilling, ambitious, and unexpectedly tender chronicle of modern existence. It is 2027. France is in a state of economic decline and moral decay. As the country plunges into a contentious presidential race, the government falls victim to a series of mysterious and unsettling cyberattacks in which videos of brutal decapitations and skillfully crafted deepfakes proliferate on the web. Paul Raison’s own troubles are bound up with those of the country. He is an adviser to the finance minister; his wife, Prudence, is a Treasury official; and his father, Édouard, now retired, spent his career in the security services. Paul, badly overworked, is facing the threat of separation from his wife. When his father suddenly suffers a stroke, Paul must depart Paris for his provincial hometown, where he and his siblings now have the opportunity to repair their strained relationships with Édouard as they determine to free him from the decrepit public nursing home where he is wasting away. Michel Houellebecq’s Annihilation reveals a new dimension of his oeuvre, adding compassion and tenderness to the irony and cutting insight that brought him international fame. Here, we see France’s most celebrated novelist taking stock of his country on the eve of great change—asking how, and whether, a society and its people can change course.
Michel Houellebecq’s Serotonin is a caustic, frightening, hilarious, raunchy, offensive, and politically incorrect novel about the decline of Europe, Western civilization, and humanity in general. Deeply depressed by his romantic and professional failures, the aging hedonist and agricultural engineer Florent-Claude Labrouste feels he is “dying of sadness.” He hates his young girlfriend, and the feeling is almost certainly mutual; his career is pretty much over; and he has to keep himself thoroughly medicated to cope with day-to-day life. Suffocating in the rampant loneliness, consumerism, hedonism, and sprawl of the city, Labrouste decides to head for the hills, returning to Normandy, where he once worked promoting regional cheeses and where he was once in love, and even—it now seems—happy. There he finds a countryside devastated by globalization and by European agricultural policies, and encounters farmers longing, like Labrouste himself, for an impossible return to a simpler age. As the farmers prepare for what might be an armed insurrection, it becomes clear that the health of one miserable body and of a suffering body politic are not so different, and that all parties may be rushing toward a catastrophe that a whole drugstore’s worth of antidepressants won’t make bearable.
In 1968, Michel Foucault agreed to a series of interviews with critic Claude Bonnefoy, which were to be published in book form. Bonnefoy wanted a dialogue with Foucault about his relationship to writing rather than about the content of his books. The project was abandoned, but a transcript of the initial interview survived and is now being published for the first time in English. In this brief and lively exchange, Foucault reflects on how he approached the written word throughout his life, from his school days to his discovery of the pleasure of writing. Wide ranging, characteristically insightful, and unexpectedly autobiographical, the discussion is revelatory of Foucault's intellectual development, his aims as a writer, his clinical methodology ("let's say I'm a diagnostician"), and his interest in other authors, including Raymond Roussel and Antonin Artaud. Foucault discloses, in ways he never had previously, details about his home life, his family history, and the profound sense of obligation he feels to the act of writing. In his Introduction, Philippe Artières investigates Foucault's engagement in various forms of oral discourse--lectures, speeches, debates, press conferences, and interviews--and their place in his work. Speech begins after death shows Foucault adopting a new language, an innovative autobiographical communication that is neither conversation nor monologue, and is one of his most personal statements about his life and writing."--
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