In many European countries the extreme right have refined their electoral programmes under the rubric of nationalist-populist slogans and have adopted subtle forms of racism. The move away from overt neo-fascist discourse has, allowed these parties to expand their electoral support as populist nationalist parties. Paradoxically, this has led to an increase in racist and anti-Semitic discourse. In this on-site analysis, Michal Krzyzanowski and Ruth Wodak describe a confluence of racism and xenophobia, and show how that union creates a new kind of racism. The "new" racism differs from the older kinds in that it is usually not expressed in overtly racial terms. Instead, the justifications that are typically employed concern protecting jobs, eliminating abuse of welfare benefits, or cultural incompatibilities. The new racism exploits xenophobia rooted in ethnocentrism, male chauvinism, and ordinary prejudices that are often unconscious or routinized. For these reasons, the new racism can be defined as "syncretic," a mixture of many, sometimes contradictory, racist and xenophobic beliefs and stereotypes. Racism as ideology and practice is alive and well. This important book aims to provide understanding of the many socio-political and historical processes involved in such expressions of institutional and individual racism--processes which are not necessarily evident from more overt or traditional expressions of racism. This is an innovative look at the political study of language as well as new instances of race, ethnicity, and class in present-day Europe.
The result of a fruitful, on-going collaboration between academia and industry, this book reviews recent advances in research on oxide scale behavior in high-temperature forming processes. Presenting novel, previously neglected approaches, the authors emphasize the pivotal role of reproducible experiments to elucidate the oxide scale properties and develop quantitative models with predictive accuracy. Each chapter consists of a detailed, systematic examination of different aspects of oxide scale formation with immediate impact for researchers and developers in industry. The clear and stringent style of presentation makes this monograph both coherent and easily readable.
A History of Modern Political Thought in East Central Europe is a synthetic work, authored by an international team of researchers, covering twenty national cultures and 250 years. It goes beyond the conventional nation-centered narratives and presents a novel vision especially sensitive to the cross-cultural entanglement of political ideas and discourses. Its principal aim is to make these cultures available for the global 'market of ideas' and revisit some of the basic assumptions about the history of modern political thought, and modernity as such. The present volume is a sequel to Volume I: Negotiating Modernity in the 'Long Nineteenth Century'. It begins with the end of the Great War, depicting the colorful intellectual landscape of the interwar period and the increasing political and ideological radicalization culminating in the Second World War. Taking the war experience both as a breaking point but in many ways also a transmitter of previous intellectual traditions, it maps the intellectual paradigms and debates of the immediate postwar years, marked by a negotiation between the democratic and communist agendas, as well as the subsequent processes of political and cultural Stalinization. Subsequently, the post-Stalinist period is analyzed with a special focus on the various attempts of de-Stalinization and the rise of revisionist Marxism and other critical projects culminating in the carnivalesque but also extremely dramatic year of 1968. This volume is followed by Volume II: Negotiating Modernity in the 'Short Twentieth Century' and Beyond, Part II: 1968-2018.
A History of Modern Political Thought in East Central Europe is a synthetic work, authored by an international team of researchers, covering twenty national cultures and 250 years. It goes beyond the conventional nation-centered narratives and presents a novel vision especially sensitive to the cross-cultural entanglement of political ideas and discourses. Its principal aim is to make these cultures available for the global 'market of ideas' and revisit some of the basic assumptions about the history of modern political thought, and modernity as such. The present volume is the final part of the project, following Volume I: Negotiating Modernity in the 'Long Nineteenth Century', and Volume II, Part I: Negotiating Modernity in the 'Short Twentieth Century' (1918-1968) (OUP, 2018). Its starting point is the defeat of the vision of 'socialism with a human face' in 1968 and the political discourses produced by the various 'consolidation' or 'normalization' regimes. It continues with mapping the exile communities' and domestic dissidents' critical engagement with the local democratic and anti-democratic traditions as well as with global trends. Rather than achieving the coveted 'end of history', however, the liberal democratic order created in East Central Europe after 1989 became increasingly contested from left and right alike. Thus, instead of a comfortable conclusion pointing to the European integration of most of these countries, the book closes with a reflection on the fragility of democracy in this part of the world and beyond.
Wit, humor, and warmth permeate the stories in this collection. Here are more than 50 traditional folktales from the people of Poland, ranging from animal and humorous tales to why stories, tales of magic and the supernatural, and local legends. In addition, you'll find riddles, nursery rhymes, games and activities, recipes, and background information on the land, the people, and the stories-all enhanced by maps and handsome color photos and illustrations. A wonderful addition to the folklore collection, this book provides material that folklorists will wish to study, storytellers will be eager to share with their audiences, and educators will want explore with their students. A delicious assortment of folktales from Poland awaits you in this appealing collection. More than 50 tales range from local legends, animal tales, and magic tales to religious legends, stories of demons and supernatural creatures, humorous tales, and how and why tales-exemplifying the Polish spirit, character, and sense of humor. In addition, you'll find historical background; directions for traditional games, crafts, recipes; and color photographs that depict the people, the land, and the traditions of this fascinating country.
The Mickiewicz who emerges from the texts included herein is an artist whose work centers on the experience of modernityan attempt to diagnose it and to formulate his own response. At the same time, that response takes divergent forms in the poet's work: from acceptance through rejection to paraphrase and reworking; of no less importance is the concealed presence of modernity in his work. The Mickiewicz of A Different Mickiewicz is above all a writer of contradictions, aporias, and an experience that is impossible and simultaneously necessary; it is defined by many orders of meanings that differentiate his texts' formulations of the problems they address. This phenomenon manifests itself in the poet's writings in connection with the formula of writing, the category of subjectivity (including the author's subjectivity), the vision of history, the experience of reality, the construction of ideological and cultural projects, problems of cognition and religion. Micha? Kuziak. Full Professor. Institute of Polish Literature of the University of Warsaw (Department of Comparative Studies). Author of books and articles on romantic and contemporary literature and the theory of literature and comparative literary studies.
An investigation into the problem of writing about matter in Nikolai Gogol's work and, indirectly, into the entire Neoplatonic tradition in Russian literature, this book is not intended to be an exhaustive historical survey of the concept of matter, but rather an effort to enumerate the images of matter in Gogol's texts and to specify the rules of their construction. The trajectory of the book is directed by movement from Gogol to Gogol. Its major assumption is that Gogol successfully develops a language for grasping the Neoplatonic concept of matter and subsequently rejects it, abandoning literature. Since then, the Gogolian form [sic!] of the image of a sheer negation of form has recurred frequently in Russian literature. Yet the direction of the movement is always towards Gogol. Somewhere at the margin of this circular trajectory, one can inscribe a Polish writer, Witold Gombrowicz, who established, one hundred years later, a similar rhythm governing Polish literature: from Gombrowicz to Gombrowicz.
Tadeusz Kantor (1915-1990) was one of the twentieth century's most innovative visual artists, stage directors, and theoreticians. His theatre productions and manifestos challenged the conventions of creating art in post-World War II culture and expanded the boundaries of Dada, surrealist, Constructivist, and happening theatre forms. Kantor's most widely known productions--The Dead Class (1975), Wielopole, Wielopole (1980), Let the Artists Die (1985), and Today Is My Birthday (1990)--have had a profound impact on playwrights and artists who continue today to engage with his radical theatre. In Fur.
In many European countries the extreme right have refined their electoral programmes under the rubric of nationalist-populist slogans and have adopted subtle forms of racism. The move away from overt neo-fascist discourse has, allowed these parties to expand their electoral support as populist nationalist parties. Paradoxically, this has led to an increase in racist and anti-Semitic discourse. In this on-site analysis, Michal Krzyzanowski and Ruth Wodak describe a confluence of racism and xenophobia, and show how that union creates a new kind of racism. The "new" racism differs from the older kinds in that it is usually not expressed in overtly racial terms. Instead, the justifications that are typically employed concern protecting jobs, eliminating abuse of welfare benefits, or cultural incompatibilities. The new racism exploits xenophobia rooted in ethnocentrism, male chauvinism, and ordinary prejudices that are often unconscious or routinized. For these reasons, the new racism can be defined as "syncretic," a mixture of many, sometimes contradictory, racist and xenophobic beliefs and stereotypes. Racism as ideology and practice is alive and well. This important book aims to provide understanding of the many socio-political and historical processes involved in such expressions of institutional and individual racism--processes which are not necessarily evident from more overt or traditional expressions of racism. This is an innovative look at the political study of language as well as new instances of race, ethnicity, and class in present-day Europe.
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