The leaders of the American Revolution, unlike the leaders of the French revolution, did not set out to erase religion. Indeed, the very first act of the Continental Congress was to pray to Divine Providence in the face of the British bombardment of Boston. In establishing a new model of self-government, the Founders believed that they were not only acting according to reason and common sense, but also obeying a religious duty. Benjamin Franklin proposed as their motto: “Rebellion against tyrants is obedience to God.” In telling the story of the forgotten—if not deliberately ignored—role of faith in America’s beginnings, Michael Novak probes the innermost religious conviction of Washington, Jefferson, Madison and other of our Founders. He shows that while the American eagle could not have taken flight without the empirical turn of mind embodied in John Locke’s teaching on the ends of government and the consent of the governed, the men who made America also believed that liberty depends as much on faith as on reason. In the course of his illustrious career, Michael Novak has written several prize-winning books on theology and philosophy. In On Two Wings he has created a profound mediation on American history, and on human nature and destiny as well.
In Phenomenology of Spirit (1806) Hegel is often held to have announced the end of history, where 'history' is to be understood as the long pursuit of ends towards which humanity had always been striving. In this, the first book in English to thoroughly critique this entrenched view, Eric Michael Dale argues that it is a misinterpretation. Dale offers a reading of his own, showing how it sits within the larger schema of Hegel's thought and makes room for an understanding of the 'end of history' as Hegel intended. Through an elegant analysis of Hegel's philosophy of history, Dale guides the reader away from the common misinterpretation of the 'end of history' to other valuable elements of Hegel's arguments which are often overlooked and deserve to endure. His book will be of great interest to scholars and advanced students of Hegel, the philosophy of history, and the history of political thought.
Plots, Designs, and Schemes is the first study that investigates the long history of American conspiracy theories from the perspective of literary and cultural studies. Since research in these fields has so far almost exclusively focused on the contemporary period, the book concentrates on the time before 1960. Four detailed case studies offer close readings of the Salem witchcraft crisis of 1692, fears of Catholic invasion during the 1830s to 1850s, antebellum conspiracy theories about slavery, and anxieties about Communist subversion during the 1950s. The study primarily engages with factual texts, such as sermons, pamphlets, political speeches, and confessional narratives, but it also analyzes how fears of conspiracy were dramatized and negotiated in fictional texts, such as Nathaniel Hawthorne's Young Goodman Brown (1835) or Hermann Melville's Benito Cereno (1855). The book offers three central insights: 1. The American predilection for conspiracy theorizing can be traced back to the co-presence and persistence of a specific epistemological paradigm that relates all effects to intentional human action, the ideology of republicanism, and the Puritan heritage. 2. Until far into the twentieth century, conspiracy theories were considered a perfectly legitimate form of knowledge. As such, they shaped how many Americans, elites as well as “common” people, understood and reacted to historical events. The Revolutionary War and the Civil War would not have occurred without widespread conspiracy theories. 3. Although most extant research claims the opposite, conspiracy theories have never been as marginal and unimportant as in the past decades. Their disqualification as stigmatized knowledge only occurred around 1960, and coincided with a shift from theories that detect conspiracies directed against the government to conspiracies by the government.
Between Socrates and the Many: A Study of Plato’s Crito is foremost concerned with Plato’s character, Crito. By focusing on its namesake, Hoffpauir draws attention to aspects of the Crito that may otherwise go unnoticed or underrated: justice, as most know it, seems unjust, and justice, as Socrates knows it, seems impossible; love of one’s own, as most know it, limits one’s own good and the city’s good; and concern for the body and hatred of suffering undermine virtue. Through a consideration of the problems evinced by Crito—problems not peculiar to him or to his Athens—readers may gain a newfound appreciation of why Socrates’ arguments about living well fail. More importantly, by considering why Socrates must advance these arguments in the first place, readers may come to appreciate the strength of man’s natural resistance to that which is necessary for civilized life. Although Crito initially comes to sight as in-between Socrates and the many, as one who shares in the opinions of both, in the end, Crito reveals that all that is in-between Socrates and the many is an unbridgeable chasm.
Intended for the professional academic and graduate student, this book is the first to utilize the methodology of a oeNew Streama legal scholarship in an extended critical a oeexegesisa of Hugo Grotiusa (TM) "De Indis" (c.1604-6). "De Indis" is predicated upon a two-fold discursive strategy: (i) investing a oeprivatea Trading Companies with a oepublica international legal personality, and (ii) collapsing the distinction between a oeprivatea and a oepublica warfare. Governing the operation of textual interpretation is "De Indis"a (TM) status as a republican treatise juridically legitimating an early modern Trans-National corporation (the VOC) that served as an agent of a a oeprimitivea system of global governance, the early Capitalist World-Economy. The application of New Stream scholarship reveals that the republican signature of "De Indis" consists of a discursive a oemicro-oscillationa between the a oethicka ontology of Late Scholasticism (a oeUtopiaa ) and the a oethina ontology of Civic Humanism (a oeApologya ) wholly appropriate to the governance requirements of the embryonic Modern World-System.
Michael Keren traces the political lives and messages of some of the twentieth century's greatest literary characters in this insightful and jargon-free book of literary criticism. He observes the infamous characters ranging from Joseph K from Franz Kafka's The Trial to Ralph from William Golding's Lord of the Flies to Chauncey Gardiner from Jerzy Kosinski's Being There and beyond while they struggle through their lives and world events. The Citizen's Voice is a refreshing contribution to civil society theory that makes a pioneering effort to cross the boundaries between politics, literature, and culture. A study of the human condition via literature this book expounds the key features of a good citizen while offering a perfect discussion piece for courses in political theory, politics and literature, and history.
By any metric, Cicero's works are some of the most widely read in the history of Western thought. In this book, Michael Hawley suggests that perhaps Cicero's most lasting and significant contribution to philosophy lies in helping to inspire the development of liberalism. Individual rights, the protection of private property, and political legitimacy based on the consent of the governed are often taken to be among early modern liberalism's unique innovations and part of its rebellion against classical thought. However, this book demonstrates that Cicero's thought played a central role in shaping and inspiring the liberal republican project. Cicero argued that liberty for individuals could arise only in a res publica in which the claims of the people to be sovereign were somehow united with a commitment to universal moral law, which limits what the people can rightfully do. Figures such as Hugo Grotius, John Locke, and John Adams sought to work through the tensions in Cicero's vision, laying the groundwork for a theory of politics in which the freedom of the individual and the people's collective right to rule were mediated by natural law. This book traces the development of this intellectual tradition from Cicero's original articulation through the American Founding. It concludes by exploring how our modern political ideas remain dependent on the conception of just politics first elaborated by Rome's great philosopher-statesman"--
A demagogue is a tyrant who owes his initial rise to the democratic support of the masses. Huey Long, Hugo Chavez, and Moqtada al-Sadr are all clear examples of this dangerous byproduct of democracy. Demagogue takes a long view of the fight to defend democracy from within, from the brutal general Cleon in ancient Athens, the demagogues who plagued the bloody French Revolution, George W. Bush's naïve democratic experiment in Iraq, and beyond. This compelling narrative weaves stories about some of history's most fascinating figures, including Adolf Hitler, Senator Joe McCarthy, and General Douglas Macarthur, and explains how humanity's urge for liberty can give rise to dark forces that threaten that very freedom. To find the solution to democracy's demagogue problem, the book delves into the stories of four great thinkers who all personally struggled with democracy--Plato, Alexis de Tocqueville, Leo Strauss, and Hannah Arendt.
Modern ideas about the protection of free speech in the United States did not originate in twentieth-century Supreme Court cases, as many have thought. Free Speech, “The People’s Darling Privilege” refutes this misconception by examining popular struggles for free speech that stretch back through American history. Michael Kent Curtis focuses on struggles in which ordinary and extraordinary people, men and women, black and white, demanded and fought for freedom of speech during the period from 1791—when the Bill of Rights and its First Amendment bound only the federal government to protect free expression—to 1868, when the Fourteenth Amendment sought to extend this mandate to the states. A review chapter is also included to bring the story up to date. Curtis analyzes three crucial political struggles: the controversy that surrounded the 1798 Sedition Act, which raised the question of whether criticism of elected officials would be protected speech; the battle against slavery, which raised the question of whether Americans would be free to criticize a great moral, social, and political evil; and the controversy over anti-war speech during the Civil War. Many speech issues raised by these controversies were ultimately decided outside the judicial arena—in Congress, in state legislatures, and, perhaps most importantly, in public discussion and debate. Curtis maintains that modern proposals for changing free speech doctrine can usefully be examined in the light of this often ignored history. This broader history shows the crucial effect that politicians, activists, ordinary citizens—and later the courts—have had on the American understanding of free speech. Filling a gap in legal history, this enlightening, richly researched historical investigation will be valuable for students and scholars of law, U.S. history, and political science, as well as for general readers interested in civil liberties and free speech.
In Imitations of Infinity, Michael A. Motia places Gregory of Nyssa at the center of a world filled with Platonic philosophers, rhetorical teachers, and early Christian leaders all competing over what and how to imitate. Their debates demanded the attentions of people at every level of the Roman Empire.
Flying Camelot brings us back to the post-Vietnam era, when the US Air Force launched two new, state-of-the art fighter aircraft: the F-15 Eagle and the F-16 Fighting Falcon. It was an era when debates about aircraft superiority went public—and these were not uncontested discussions. Michael W. Hankins delves deep into the fighter pilot culture that gave rise to both designs, showing how a small but vocal group of pilots, engineers, and analysts in the Department of Defense weaponized their own culture to affect technological development and larger political change. The design and advancement of the F-15 and F-16 reflected this group's nostalgic desire to recapture the best of World War I air combat. Known as the "Fighter Mafia," and later growing into the media savvy political powerhouse "Reform Movement," it believed that American weapons systems were too complicated and expensive, and thus vulnerable. The group's leader was Colonel John Boyd, a contentious former fighter pilot heralded as a messianic figure by many in its ranks. He and his group advocated for a shift in focus from the multi-role interceptors the Air Force had designed in the early Cold War towards specialized air-to-air combat dogfighters. Their influence stretched beyond design and into larger politicized debates about US national security, debates that still resonate today. A biography of fighter pilot culture and the nostalgia that drove decision-making, Flying Camelot deftly engages both popular culture and archives to animate the movement that shook the foundations of the Pentagon and Congress.
Michael Forster presents a ground-breaking study of German philosophy of language in the nineteenth century, and its continuing significance. This book explores the lasting impact of J. G. Herder's work in the tradition, and traces his legacy in the philosophy of Friedrich Schlegel, Wilhelm von Humboldt, and G. W. F. Hegel.
John F. Kennedy creates an absorbing, insightful and distinguished biography of one of America's most legendary Presidents. While current fashion in Kennedy scholarship is to deride the man's achievements, this book describes Kennedy's strengths, explains his shortcomings, and offers many new revelations. There are many specialized books on Kennedy's career, but no first-class modern biography--one that takes advantage of the huge volume of recent books and articles and new material released by the JFK library. Ten years in the making, this is a balanced and judicious profile that goes beyond the clash of interpretations and offers a fresh, nuanced perspective.
The Other Space Race is a unique look at the early U.S. space program and how it both shaped and was shaped by politics during the Cold War. Eisenhower’s “New Look” expanded the role of the Air Force in national security, and ultimately allowed ambitious aerospace projects, namely the “Dyna-Soar,” a bomber equipped with nuclear weapons that would operate in space. Eisenhower’s space policy was purely practical, creating a strong deterrent against the use of nuclear arms against the United States. With the Soviet launch of Sputnik in 1957, the political climate changed, and space travel became part of the United States’ national discourse. Sambaluk explores what followed, including the scuttling of the “Dyna-Soar” program and the transition from Eisenhower’s space policy to John Kennedy’s. This well-argued, well-researched book gives much needed perspective on the Cold War’s influence on space travel and it’s relation to the formation of public policy.
Johann Gottfried Herder (1744-1803) is a towering figure in modern thought, but one who has hitherto been severely underappreciated. Michael Forster seeks to rectify that situation He considers Herder's philosophy in the round and argues that it is both far more impressive in quality and far more influential in modern thought than has previously been realized. After an introduction on Herder's intellectual biography, philosophical style, and general program in philosophy, there are chapters on his philosophy of language, his hermeneutics, his theory of translation, his contribution of the philosophical foundations for both linguistics and cultural anthropology, his philosophy of mind, his aesthetics, his moral philosophy, his philosophy of history, his political philosophy, his philosophy of religion, and his intellectual influence. Forster argues that Herder contributed vitally important ideas in all of these areas; that in many of them his ideas were seminal for major subsequent philosophers, including Friedrich Schlegel, Schleiermacher, Wilhelm von Humboldt, Hegel, and Nietzsche; that they indeed founded whole new disciplines, such as linguistics, anthropology, and comparative literature; and that moreover they were in many cases even better than what these subsequent thinkers and disciplines went on to make of them.
Edges of Noir challenges the notion that noir film nearly vanished after 1958 until its subsequent “neo-noir” revival between 1973 and 1981. The 1960s, regardless of critical neglect, include some of the most provocative films of the post-World War II decades. Often formally disruptive and experimental, films including Shock Corridor (1963), Mirage (1965), The 3rd Voice (1960), and Point Blank (1967) evoke controversial issues of the era, deriving dynamic influences amongst exploitation cinema, sensationalistic American B movies, and the European New Wave movement. Whether the focus is on nuclear destruction, mind control, or surveillance, late noir films, above all else, vividly portray the collective fears from the time.
Michael Kochin’s radical exploration of rhetoric is built around five fundamental concepts that illuminate how rhetoric functions in the public sphere. To speak persuasively is to bring new things into existence—to create a political movement out of a crowd, or an army out of a mob. Five Chapters on Rhetoric explores our path to things through our judgments of character and action. It shows how speech and writing are used to defend the fabric of social life from things or facts. Finally, Kochin shows how the art of rhetoric aids us in clarifying things when we speak to communicate, and helps protect us from their terrible clarity when we speak to maintain our connections to others. Kochin weaves together rhetorical criticism, classical rhetoric, science studies, public relations, and political communication into a compelling overview both of persuasive strategies in contemporary politics and of the nature and scope of rhetorical studies.
Describes a Platonic personal spirituality based on reason that is readily accessible to people today. Michael LaFargue presents an important and accessible aspect of Platos legacy largely overlooked today: a variety of personal spirituality based on reason and centered on virtue. Platos Virtue-Forms are transcendent in their goodness, ideals that Platonists can use to improve character and become like God so far as is humanly possible. LaFargue constructs a model of inductive Socratic reasoning capable of acquiring knowledge of these perfect Virtue-Forms, then scales back claims about these Forms to what can be supported by this kind of reasoning. This is a critical theory, but also a pluralistic one that accommodates modern cultural diversity. A how-to chapter provides detailed descriptions of the rules of Socratic reasoning basic to this spirituality, which any interested individual can practice today. LaFargue supports his interpretation by a close reading of the Greek text of key passages in Platos dialogues. The work also undertakes a broader philosophical consideration, discussing the philosophical foundations proposed for this Platonism in relation to the thought of G. E. Moore, Ludwig Wittgenstein, Martin Heidegger, Friedrich Nietzsche, and Richard Rorty.
Mirrors for Princes is a history of the business book. Predating modern leadership and management literature by thousands of years, common to cultures throughout the world, mirrors for princes, as this genre was known, taught kings, queens, sultans, and other rulers how to lead their subjects. Machiavelli's The Prince and Aristotle's tips for tyrants in The Politics are but the best-known examples. Often written for general audiences, this literature also taught readers to copy the virtues of fabled leaders and to follow the lead of their own rulers. After falling out of favor for the last two centuries, the genre found new life in modern mirrors for managers, which are riddled with the same self-serving clichés. This book seeks to familiarize readers with the clichés of mirrors for princes, so they can more easily recognize them in both academic and popular literature on leadership"--
In the most original interpretation of Aristotle's Politics in years, Michael Davis delivers many memorable and provocative formulations of Aristotle's messages concerning the constitutive tensions of political life. He traces the uncanny parallel between politics and philosophy in Aristotle, arguing that their connection is much deeper than it is ordinarily understood to be and that, for Aristotle, understanding either requires understanding the other. Davis presents his interpretation with a striking clarity and accessibility that makes the book a pleasure to read.
Memoir of Deke Slayton, one of the first seven Mercury astronauts, discussing the role he played in early days of the United States space program as chief of America's astronaut corps.
Pharmakon: Plato, Drug Culture, and Identity in Ancient Athens examines the emerging concern for controlling states of psychological ecstasy in the history of western thought, focusing on ancient Greece (c. 750-146 BCE), particularly the Classical Period (c. 500-336 BCE) and especially the dialogues of the Athenian philosopher Plato (427-347 BCE). Employing a diverse array of materials ranging from literature, philosophy, medicine, botany, pharmacology, religion, magic, and law, Pharmakon fundamentally reframes the conceptual context of how we read and interpret Plato's dialogues. Michael A. Rinella demonstrates how the power and truth claims of philosophy, repeatedly likened to a pharmakon, opposes itself to the cultural authority of a host of other occupations in ancient Greek society who derived their powers from, or likened their authority to, some pharmakon. These included Dionysian and Eleusinian religion, physicians and other healers, magicians and other magic workers, poets, sophists, rhetoricians, as well as others. Accessible to the general reader, yet challenging to the specialist, Pharmakon is a comprehensive examination of the place of drugs in ancient thought that will compel the reader to understand Plato in a new way.
Over the past ten years, the work of Michael Eric Dyson has become the first stop for readers, writers, and thinkers eager for uncommon wisdom on the racial and political dynamics of contemporary America. Whether writing on religion or sexuality or notions of whiteness, on Martin Luther King, Jr. or Tupac Shakur, Dyson's keen insight and rhetorical flair continue to surprise and challenge. This collection gathers the best of Dyson's growing body of work: his most incisive commentary, his most stirring passages, and his sharpest, most probing and broadminded critical analyses. From Michael Jordan to Derrida, Ralph Ellison to the diplomacy of Colin Powell, the mastery and ease with which Dyson tackles just about any subject is without parallel.
A novel and multidisciplinary exposition and theorization of human dignity and rights, brought to bear on current issues in bioethics and biolaw. “Human dignity” has been enshrined in international agreements and national constitutions as a fundamental human right. The World Medical Association calls on physicians to respect human dignity and to discharge their duties with dignity. And yet human dignity is a term—like love, hope, and justice—that is intuitively grasped but never clearly defined. Some ethicists and bioethicists dismiss it; other thinkers point to its use in the service of particular ideologies. In this book, Michael Barilan offers an urgently needed, nonideological, and thorough conceptual clarification of human dignity and human rights, relating these ideas to current issues in ethics, law, and bioethics. Combining social history, history of ideas, moral theology, applied ethics, and political theory, Barilan tells the story of human dignity as a background moral ethos to human rights. After setting the problem in its scholarly context, he offers a hermeneutics of the formative texts on Imago Dei; provides a philosophical explication of the value of human dignity and of vulnerability; presents a comprehensive theory of human rights from a natural, humanist perspective; explores issues of moral status; and examines the value of responsibility as a link between virtue ethics and human dignity and rights. Barilan accompanies his theoretical claim with numerous practical illustrations, linking his theory to such issues in bioethics as end-of-life care, cloning, abortion, torture, treatment of the mentally incapacitated, the right to health care, the human organ market, disability and notions of difference, and privacy, highlighting many relevant legal aspects in constitutional and humanitarian law.
In recent years, the field of cognitive psychology has begun to explore the rootedness of rational thinking in subrational inspiration, insight, or instinct—a kind of prediscursive hunch that leaps ahead and guides rational thought before the reasoning human being is even aware of it. In The Music of Reason, Michael Davis shows that this "musical" quality of thinking is something that leading philosophers have long been aware of and explored with great depth and subtlety. Focusing on the work of three thinkers traditionally viewed as among the most poetic of philosophers—Rousseau, Nietzsche, and Plato—Davis reveals the complex and profound ways in which they each plumbed the depths of reason's "prerational" foundations. Davis first examines Rousseau's Essay on the Origins of Languages: Where Something Is Said About Melody and Musical Imitation and Nietzsche's The Birth of Tragedy Out of the Spirit of Music to demonstrate that revealing the truth, or achieving individual enlightenment, requires poetic techniques such as irony, indirection, and ambiguity. How philosophers say things is as worthy of our attention as what they say. Turning to Plato's Lesser Hippias, Davis then reconsiders the relation between truth-telling and lying, finding the Platonic dialogue to be an artful synthesis of music and reason. The "ancient quarrel between philosophy and poetry" that Plato placed near the core of this thinking suggests a tension between the rational (scientific) and the nonrational (poetic), or between the true and the beautiful—the one clear and definite, the other allusive and musical. Contemplating language in Rousseau, the Dionysian in Nietzsche, and playfulness in Plato, The Music of Reason explores how what we might initially perceive as irrational and so antithetical to reason is, in fact, constitutive of it.
Cultural Politics and Asian Values looks at the political, cultural and religious background of East and Southeast Asian societies and those of 'the West', with a view to seeing how they are affecting contemporary national and international politics: democratization, the international human rights discourse, NGOs and globalization. The book surveys the political history and pre-history of the 'Asian values' debate, taking it up to the era of Megawati Sukarnoputri, Chen Shui-bian and Kim Dae-jung. In chapters on Confucianism, Buddhism, Islam, Christianity and liberalism, Barr explores the histories and conceptual essences of the world religions involved in or affected by the debate.
On September 23, 1969, five years after the first made-for-television movie premiered, the ABC network broadcast Seven in Darkness. This was the first television film for an anthology show called the Tuesday Night Movie of the Week. Dedicating ninety minutes of weekly airtime to a still-emerging genre was a financial risk for the third-place network—a risk that paid off. The films were so successful that in 1972 the network debuted The Wednesday Movie of the Week. Although most of the movies are no longer remembered, a handful are still fondly recalled by viewers today, including Duel, Brian’s Song, and The Night Stalker. The series also showcased pilot films for many eventual series, such as Alias Smith and Jones, The Six Million Dollar Man, and Starsky and Hutch. By the end of both shows’ regular runs in the spring of 1975, the network had broadcast more than 200 made-for-television films. In The ABC Movie of the Week: Big Movies for the Small Screen, Michael McKenna examines this programming experiment that transformed the television landscape and became a staple of broadcast programming for several years. The author looks at how the revolving films showcased the right mixture of romantic comedy, action, horror, and social relevance to keep viewers interested week after week. McKenna also chronicles how the ratings success led to imitations from the other networks, resulting in a saturation of television movies. As a cultural touchstone for millions who experienced the first run and syndicated versions of these films, The ABC Movie of the Week is a worthy subject ofstudy. Featuring a complete filmography of all 240 movies with credit information and plot summaries, a chronology, and a list of pilots—both failed and successful—this volume will be valuable to television historians and scholars, as well as to anyone interested in one of the great triumphs of network programming.
Nietzsche's deepest thought -- Nihilism and the superhuman -- Nietzsche and the anthropology of nihilism -- Slouching toward Bethlehem to be born: on the nature and meaning of Nietzsche's Übermensch -- Nietzsche as teacher of the eternal recurrence -- What was I thinking? : Nietzsche's new prefaces of 1886 -- Nietzsche's musical politics -- Life as music: Nietzsche's Ecce homo -- Nietzsche's final teaching in context -- Nietzsche and Dostoevsky on nihilism and the superhuman -- Nietzsche and Plato on the formation of a warrior aristocracy
The understanding of the soul in the West has been profoundly shaped by Christianity, and its influence can be seen in certain assumptions often made about the soul: that, for example, if it does exist, it is separable from the body, free, immortal, and potentially pure. The ancient Greeks, however, conceived of the soul quite differently. In this ambitious new work, Michael Davis analyzes works by Homer, Herodotus, Euripides, Plato, and Aristotle to reveal how the ancient Greeks portrayed and understood what he calls “the fully human soul.” Beginning with Homer’s Iliad, Davis lays out the tension within the soul of Achilles between immortality and life. He then turns to Aristotle’s De Anima and Nicomachean Ethics to explore the consequences of the problem of Achilles across the whole range of the soul’s activity. Moving to Herodotus and Euripides, Davis considers the former’s portrayal of the two extremes of culture—one rooted in stability and tradition, the other in freedom and motion—and explores how they mark the limits of character. Davis then shows how Helen and Iphigeneia among the Taurians serve to provide dramatic examples of Herodotus’s extreme cultures and their consequences for the soul. The book returns to philosophy in the final part, plumbing several Platonic dialogues—the Republic, Cleitophon, Hipparchus, Phaedrus, Euthyphro, and Symposium—to understand the soul’s imperfection in relation to law, justice, tyranny, eros, the gods, and philosophy itself. Davis concludes with Plato’s presentation of the soul of Socrates as self-aware and nontragic, even if it is necessarily alienated and divided against itself. The Soul of the Greeks thus begins with the imperfect soul as it is manifested in Achilles’ heroic, but tragic, longing and concludes with its nontragic and fuller philosophic expression in the soul of Socrates. But, far from being a historical survey, it is instead a brilliant meditation on what lies at the heart of being human.
Composers in the Classroom is a bio-bibliographical dictionary, chronicling the careers and work of over 120 composers associated with conservatories, colleges, and universities in the United States and Puerto Rico. Scholars and students of music seeking critical information about composers who have taken on the mantle of instruction will find a wealth of detail on their subjects. Painstakingly obtained through direct correspondence with the composers themselves, Floyd includes within each entry a short biography of the composer's life and education, lists of previous positions, most prominent commissions, awards and honors, and notable performers of the subject's work. Each entry also contains a discography of the recordings and a bibliography of writings by the composer. Researchers will find especially useful the organization of each subject's compositions by a variety of types. These include vocal, choral/assembly, dramatic, keyboard, solo instrument, handbells, chamber music, jazz ensemble, band and wind ensemble, band and wind ensemble with solo instruments, orchestra, orchestra with solo instruments, film/television/commercial, electro-acoustic and multimedia, arrangements, transcriptions, and editions and reconstructions. Music scholars will find under each work not only the title and date of composition but also the date of revision, commission, and dedication information, as well as other pertinent details ranging from the names of collaborators to alternate titles under which works may circulate. Composers in the Classroom is an indispensable tool to scholars of modern music seeking to research the current state of musical composition and the compositional trends of the 21st century.
Jefferson's Freeholders and the Politics of Ownership in the Old Dominion explores the historical processes by which Virginia was transformed from a British colony into a Southern slave state. It focuses on changing conceptualizations of ownership and emphasizes the persistent influence of the English common law on Virginia's postcolonial political culture. The book explains how the traditional characteristics of land tenure became subverted by the dynamic contractual relations of a commercial economy and assesses the political consequences of the law reforms that were necessitated by these developments. Nineteenth-century reforms seeking to reconcile the common law with modern commercial practices embraced new democratic expressions about the economic and political power of labor, and thereby encouraged the idea that slavery was an essential element in sustaining republican government in Virginia. By the 1850s, the ownership of human property had replaced the ownership of land as the distinguishing basis for political power, with tragic consequences for the Old Dominion.
This well-illustrated book offers an up-to-date synthesis of the field of historic preservation, cast as a social campaign concerned with the condition, treatment and use of the legacy of existing properties in the United States. Drawing on a wide range of research, experience and scholarship over the last fifty years, it allows us to re-think past and current ideas in preservation, challenging readers to explore how their own interests lie within the cognitive framework of the activities taking place with people who care. “Who” is involved is explored first, in such a way as to explore “why”, before examining “what” is deemed important. After that the questions of “when” and “how” to proceed are given attention. The major topics are introduced in an historical review through the mid-1980s, after which the broad intellectual basis and fundamental legal framework is provided. The economic shifts associated with major demographic changes are explored, in tandem with responses of the preservation community. A chapter is dedicated to the financial challenges and sources of revenue available in typical preservation projects, and another chapter focuses on the manner in which seeing, recording, and interpreting information provides the context for an appropriate vision for the future. In this regard, it is made clear that not all “green” design alternatives are preservation-sensitive. The advocacy battles during the last few decades provide a number of short stories of the ethical battles regarding below-ground and above ground historic resources, and the eighth chapter attempts to explain why religion has been long held at arm’s length in publicly-supported preservation efforts, when in fact, it holds more potential to regenerate existing sites than any governmental program.
Reorganizes the field and challenges our preconceptions in both familiar areas and in disciplines that are not usually treated in studies on the classical tradition. A must read.' - Craig Kallendorf, Texas A&M University 'An exciting read: energetic, considered, sparklingly written. One gets the feeling that all angles have been properly covered. An ambitious project brilliantly realized.' - Matthew Bell, King's College London 'The authors have pulled off the seemingly impossible task of fusing their three voices into a single, urgently argued discourse, and for that reason among many others, this will be a wonderful book to read and to use, for all kinds of readers.' - Terence Cave, St John's College, Oxford 'I found the text very readable and I particularly enjoyed the post-postmodernist take on many issues. It is hugely stimulating and intriguing throughout.' - Deborah Howard, University of Cambridge 'I think this is an absolutely splendid text, unique in conception, elegant and ingenious in design, and extremely ???user-friendly??? in styling and presentation.' - David Hopkins, University of Bristol 'A prodigiously ambitious, cornucopian book . . . so rich that no review will do it justice.' - Paul Barolsky, University of Virginia, Arion 'Impressive power and learning.' - Justus Cobet, Universität Duisburg-Essen, Sehepunkte 'Succeeds in providing an overarching account of a huge sweep of cultural history without losing sight of the host of nuances and particularities associated with such an overwhelmingly large topic.' - Pablo Maurette, University of Chicago, Comparative Critical Studies 'Highly innovative...engrossing...the book is marvellously packed throughout with insights and provocations. It conducts, to its great benefit and ours, a properly theoretical enquiry.' - Charles Martindale, University of Bristol, Translation and Literature The classical tradition – the legacy of Ancient Greece and Rome – is a large, diverse, and important field that continues to shape human endeavour and engender wide public interest. The Classical Tradition: Art, Literature, Thought presents an original, coherent, and wide-ranging guide to the afterlife of Greco-Roman antiquity in later Western cultures and a ground-breaking reinterpretation of large aspects of Western culture as a whole – English-speaking, French, German, and Italian – from a classical perspective. Encompassing almost two millennia of developments in art, literature, and thought, the authors provide an overview of the field, a concise point of reference, and a critical review of selected examples, from Titian to T. S. Eliot, from the hero to concepts of government. They engage in current theoretical debate on various fronts, from hermeneutics to gender. Themes explored include the Western languages and their continuing engagement with Latin and Greek; the role of translation; the intricate relationship of pagan and Christian; the ideological implications of the classical tradition; the interplay between the classical tradition and the histories of scholarship and education; the relation between high and low culture; and the myriad complex relationships – comparative, contrastive, and interactive – between art, literature, and thought themselves. Authoritative and accessible, The Classical Tradition: Art, Literature, Thought offers new insights into the powerful legacy of the ancient world from the Middle Ages and the Renaissance to the present day.
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