Drawing on the works of Shakespeare and American screenwriter Joss Whedon, this study in narrative ethics contends that Whedon is the Shakespeare of our time. The Bard wrote before the influence of the modern moral philosophers, while Whedon is writing in the postmodern period. It is argued that Whedon's work is more in harmony with the early modern values of Shakespeare than with modern ethics, which trace their origin to 17th and 18th century moral philosophy. This study includes a detailed discussion of representative works of Shakespeare and Whedon, showing how they can and should be read as forms of narrative ethics.
In its seven years on television, Buffy the Vampire Slayer has earned critical acclaim and a massive cult following among teen viewers. One of the most distinguishing features of the program is the innovative way the show's writers play with language: fabricating new words, morphing existing ones, and throwing usage on its head. The result has been a strikingly resonant lexicon that reflects the power of both youth culture and television in the evolution of American slang. Using the show to illustrate how new slang is formed, transformed, and transmitted, Slayer Slang is one of those rare books that combines a serious explanation of a pop culture phenomena with an engrossing read for fans of the show, word geeks, and language professionals. Michael Adams begins his book with a synopsis of the program's history and a defense of ephemeral language. He then moves to the main body of the work: a detailed glossary of slayer slang, annotated with actual dialogue and recorded the style accepted by the American Dialect Society. The book concludes with a bibliography and a lengthy index, a guide to sources (novels based on the show, magazine articles about the show, and language culled from the official posting board) and an appendix of slang-making suffixes. Introduced by Jane Espenson, one of the show's most inventive writers (and herself a linguist), Slayer Slang offers a quintessential example of contemporary youth culture serving as a vehicle for slang. In the tradition of The Physics of Star Trek, Slayer Slang is one of those rare books that offers a serious examination a TV cult phenomenon appealing to fans and thinkers alike. A few examples from the Slayer Slang glossary: bitca n [AHD4 bitch n in sense 2.a + a] Bitch 1997 Sep 15 Whedon When She Was Bad "[Willow:] 'I mean, why else would she be acting like such a b-i-t-c-h?' [Giles:] 'Willow, I think we're all a little old to be spelling things out.' [Xander:] 'A bitca?'" break and enterish adj [AHD4 sv breaking and entering n + -ish suff in sense 2.a] Suitable for crime 1999 Mar 16 Petrie Enemies "I'll go home and stock up on weapons, slip into something a little more break and enterish." [B] carbon-dated adj [fr. AHD4 carbondating + -ed] Very out of date 1997 Mar 10 Whedon Welcome to the Hellmouth "[Buffy:] 'Deal with that outfit for a moment.' [Giles:] 'It's dated?' [Buffy:] 'It's carbon-dated.'" cuddle-monkey n [AHD4 cuddle v + monkey n in sense 2, by analogy fr. RHHDAS (also DAS3 and NTC) sv cuddle bunny 'an affectionate, passionate, or sexually attractive young woman'] Male lover 1998 Feb 10 Noxon Bewitched, Bothered, and Bewildered "Every woman in Sunnydale wants to make me her cuddle-monkey." [X]
Since the advent of autism as a diagnosed condition in the 1940s, the importance of music in the lives of autistic people has been widely observed and studied. Articles on musical savants, extraordinary feats of musical memory, unusually high rates of absolute or perfect pitch, and the effectiveness of music-based therapies abound in the autism literature. Meanwhile, music scholars and historians have posited autism-centered explanatory models to account for the unique musical artistry of everyone from Béla Bartók and Glenn Gould to Blind Tom Wiggins. Given the great deal of attention paid to music and autism, it is surprising to discover that autistic people have rarely been asked to account for how they themselves make and experience music or why it matters to them that they do. In Speaking for Ourselves, renowned ethnomusicologist Michael Bakan does just that, engaging in deep conversations--some spanning the course of years--with ten fascinating and very different individuals who share two basic things in common: an autism spectrum diagnosis and a life in which music plays a central part. These conversations offer profound insights into the intricacies and intersections of music, autism, neurodiversity, and life in general, not from an autistic point of view, but rather from many different autistic points of view. They invite readers to partake of a rich tapestry of words, ideas, images, and musical sounds that speak to both the diversity of autistic experience and the common humanity we all share.
Since the advent of autism as a diagnosed condition in the 1940s, the importance of music in the lives of autistic people has been widely observed and studied. Articles on musical savants, extraordinary feats of musical memory, unusually high rates of absolute or "perfect" pitch, and the effectiveness of music-based therapies abound in the autism literature. Meanwhile, music scholars and historians have posited autism-centered explanatory models to account for the unique musical artistry of everyone from Béla Bartók and Glenn Gould to "Blind Tom" Wiggins. Given the great deal of attention paid to music and autism, it is surprising to discover that autistic people have rarely been asked to account for how they themselves make and experience music or why it matters to them that they do. In Speaking for Ourselves, renowned ethnomusicologist Michael Bakan does just that, engaging in deep conversations--some spanning the course of years--with ten fascinating and very different individuals who share two basic things in common: an autism spectrum diagnosis and a life in which music plays a central part. These conversations offer profound insights into the intricacies and intersections of music, autism, neurodiversity, and life in general, not from an autistic point of view, but rather from many different autistic points of view. They invite readers to partake of a rich tapestry of words, ideas, images, and musical sounds that speak to both the diversity of autistic experience and the common humanity we all share.
This study examines the major works of contemporary American television and film screenwriter Joss Whedon. The authors argue that these works are part of an existentialist tradition that stretches back from the French atheistic existentialist Jean-Paul Sartre, through the Danish Christian existentialist Soren Kierkegaard, to the Russian novelist and existentialist Fyodor Dostoevsky. Whedon and Dostoevsky, for example, seem preoccupied with the problem of evil and human freedom. Both argue that in each and every one of us "a demon lies hidden." Whedon personifies these demons and has them wandering about and causing havoc. Dostoevsky treats the subject only slightly more seriously. Chapters cover such topics as Russian existentialism and vampire slayage; moral choices; ethics; Faith and bad faith; constructing reality through existential choice; some limitations of science and technology; love and self-sacrifice; love, witchcraft, and vengeance; soul mates and moral responsibility; love and moral choice; forms of freedom; and Whedon as moral philosopher.
From Author Michael D McAuley comes the third and final part in his Assassin Games series. Angel of Death is a horrifying action packed sex fuelled final of epic proportions. The dark twists reach a shocking climax as the ex priest turned assassin must face the final shocking truth as he risks everything he loves in the city of New Haven. New friendships are forged as hidden enemies close in. War between good and evil has arrived as the assassin games begin for the ultimate prize goes to the victor.
The official prequel novel of the epic film After Earth, directed by M. Night Shyamalan and starring Jaden Smith and Will Smith After their exodus from Earth, the last humans settled a remote planet, Nova Prime. When an alien force known as the Skrel descended from the skies, the United Ranger Corps, an elite defense unit, valiantly resisted. Centuries passed without an attack, and many colonists believed that, with other security measures in place, the resources devoted to maintaining their military strength would be better spent elsewhere. Little did they know that trouble was coming to Nova Prime—and it had a taste for blood. The latest in a long line of decorated warriors, Conner Raige is one of the Rangers’ most promising young cadets, although his brash confidence and tendency to act on instinct have earned him as many skeptics as admirers. Conner’s ancestors were on the front lines of humanity’s victory against the Skrel. But when a deadly ground war breaks out, Conner’s up against an entirely different beast—because, this time, the Skrel have brought a secret weapon: ferocious killing machines designed to eliminate humanity from Nova Prime . . . and the universe. BONUS: Includes the first three novellas of Ghost Stories, the thrilling eBook original prequel series!
What is the potential of even one man to change the way things are? Captain Jonathan Jefferson Ladd, United States Naval Intelligence (retired), is about to find out, as the Great Mind of the universe itself catapults him into a new world beyond his imagination and brings him face to face with its awesome power and with his true inner potential as a being. He must also face his deepest fears and greatest trials in this riveting process.
Vin Diesel is everywhere -- the newly crowned king of the box office and the newsstand. But who is he really? The world's hottest star is also its most mysterious. Few fans realize that this so-called overnight success is actually the product of a lifetime of planning and struggle. This book follows every step of Vin Diesel's rise from his days as a poor but happy mischief-maker in New York's Greenwich Village -- where an act of vandalism led to his stage debut at the age of seven -- through the long years spent toiling as a bouncer in Manhattan's trendiest clubs while trying to break into Hollywood -- to his first "big break" from Steven Spielberg. Take a look behind the scenes of each of Vin's films -- the roles he fought for, the role he walked away from after filming had begun, and the leading ladies he continued to see off-screen. VIN DIESEL: XXXPOSED takes on the rumors about his background and his ego and reveals how fame has taken its toll on the intensely private star. This is the unlikely and inspiring story of how an outsider who wouldn't give up transformed himself into the action hero of the new millennium.
The musical has been called "the most popular form of entertainment in the world." This work examines the subjects, themes, and contemporary relevance of Hollywood musicals through their long popularity, placing each show in historical and political context and analyzing it in detail. A chapter is devoted to how Golddiggers of 1933 (1933) and Stand Up and Cheer (1934) deal with the economic crises of the Depressions. Another addresses race issues by examining the prevalence of blackface minstrelsy in the 1930s and 1940s, looking at productions like Swing Time (1936) and Dixie (1943). Rock and roll culture, which started in the 1950s and threatened America with teenage sex and rebellion, is addressed through such hits as Girl Crazy (1943), Bye Bye Birdie (1963), and Grease (1978). The work also explores dance as a signifier of character, the geography of musicals (such as New York or "the South"), fantasy settings, Fred Astaire and Gene Kelly, and the musical biopic (mentioning biographies of such figures as Ziegfeld, Cohan, Rogers and Hart, Cole Porter, and Jerome Kern). A later chapter discusses intertextuality in such shows as Singin' in the Rain (1952), which refers to many earlier musicals; Kiss Me Kate (1953) which refers to Taming of the Shrew; and All That Jazz (1970) which refers to the life and work of Bob Fosse. The work concludes with an examination of the continuing popularity of the musical with such hits as Moulin Rouge (2001) and Chicago (2002). Instructors considering this book for use in a course may request an examination copy here.
Well, you really don't know the painter William "Bill" Alexander? His biography reads like a novel and is for this book extensively probably researched for the first time! He was a charming "fox" who survived two world wars and lived years in North America with his VW bus as a traveling artist. He wanted to do something good for people. His life was a big adventure, his end was dramatic. Born in Berlin 1915 and later emigrated to North America, he became famous as a TV painter with own television show. Only 30 minutes Alexander needed for a complete oil painting, and he also taught his students. Thanks to the brillant "Alexander painting technique" that he developed himself, anyone can paint like this. And his method is still used and taught by teachers around the globe today. But the worldwide fame for this absolutely ingenious technique went to another: His student Bob Ross. Urgently overdue to remember this warmhearted artist. Let's accompany William "Bill" Alexander on his exciting journey.
Mike Oeming never prepared for any way to make a living other than drawing. Now the co-creator of Powers, United States of Murder, Inc., Takio, Mice Templar, and more offers an in-depth look into his artistic archives, the creative process, and a career that has touched every corner of the comics industry over the last thirty years, from The Mighty Thor and Cave Carson to dark, personal work and video games. He talks to John Siuntres of the Word Balloon podcast about long-term creative partnerships with Brian Michael Bendis, David Mack, and Taki Soma, and explores the secrets of thriving through the ups and downs of the comics industry. Previously unpublished artwork includes whole pages from Powers, The Victories, and other series, as well as collaborations with Mike Mignola, Eric Powell, Kevin Smith, Douglas Rushkof, Gerard Way, and video-game developer Valve … With an introduction by Brian Michael Bendis and an afterword by David Mack.
FROM THE PAGES OF THE JUDGE DREDD MEGAZINE A shopping mall where droids sell organs harvested from street trash... A murderous imaginary friend... A psychotic composer drafting music from pain... All in a day’s work for the Lawman of the Future. Edited by and with an introduction by Dredd veteran Michael Carroll, Judge Fear’s Big Day Out and Other Stories gathers the very best short stories from more than a decade of the Judge Dredd Megazine, including stories by legends Alan Grant, Gordon Rennie and Simon Spurrier, among countless others…
Reach for the stars in this exciting graphic novel about three ambitious, space-loving kids who must put their differences aside to save their summer camp before it closes...for good. Welcome to Camp Launchpad! Summer is in full swing, which means a new class of kids has arrived to attend the best space camp in Florida...or at least, it used to be. With growing competition from the trendy rival camp next door, Camp Launchpad needs all the help it can get to keep its doors open. Campers Val, Mark, and Pete are here for very different reasons: following in the footsteps of an astronaut mom, living up to expectations as a vice president’s son, or getting a once-in-a-lifetime scholarship. But they all have one huge thing in common: Their future in the stars launches from here...if there’s still a camp to launch from. When the hotshot owner of the rival space camp makes a ten-million-dollar bet that could turn Camp Launchpad around, this unlikely trio must band together to pull off a miracle. If they don’t, this could be Camp Launchpad’s last summer ever!
This book details the life of Michael Pulman, a young man living life with a physical disability. Follow the journey of this inspirational man as he talks about all the major points of his life so far, from major surgeries to his growing passion for entertaining. Michael Pulman is quickly becoming an Internet wonder boy despite even the greatest of odds. With the writing on the wall, Michael has decided to live life to the fullest while he can. Working as a sportswriter, Michael has always had a big passion for writing. This is his first book, and many people believe that he will become a big name in the writing world. Take a journey down memory lane with Michael Pulman.
The Taxation of Trusts in South Africa is the first book to exclusively cover the direct and indirect taxation of trusts in South Africa, including a look at the application of the exchange control regulations to both onshore and offshore trusts.
Following the success of his first book, Dancing with Rejection: A Beginner’s Guide to Immortality, the Canadian artist, author, and kidney health advocate Michael R. Gaudet brings us the second part to his captivating trilogy of memoirs. A Work in Progress: The Life My Brother Saved picks up where book one left off, chronicling Gaudet’s arrival in Saskatchewan with his soon-to-be first wife. Still reeling from his near-death experience as the result of kidney failure, the loss of his father, and the launch of his ambitious career, Gaudet finds himself diving into new projects and experiences on the prairies. His daughter Pearl arrives to the world, born with a congenital kidney condition that puts great strain on Gaudet and his already-troubled relationship with his wife.While navigating the struggles of his daughter’s illness as well as his own, Gaudet continues his personal journey towards healing and success. His spiritual experiences include a life-affirming vision quest alongside his dear friend, a First Nations Medicine Man, as well as the creation of a magnificent mural in a church that brings him closer to God. Enduring various phases of love and loss, Gaudet eventually discovers his soul mate with whom he traverses the vast provinces of Canada.In this fascinating life story, Gaudet offers us glimpses into his bohemian lifestyle and rise to fame as a distinguished Canadian artist. Writing in the style of magical realism, he seamlessly weaves mysticism into his prose. He also speaks with fearless realism of what it means to live with kidney disease, bringing awareness and attention to this insidious condition. As a survivor and an artist, his narrative voice pushes through hardship to bear a wider message about living a fulfilling life and pursuing one’s dreams.
I've spent much of my career writing about sports as well as the civil rights movement. In Mike Banzhoff's new book, Friday Afternoon Courses: A Coach, Two Teams, and a University--which, like Friday Night Lights, takes place in Odessa, Texas--injustice is found on the golf course. A skilled, well-liked, and big-hearted coach from Pennsylvania, Banzhoff becomes the pawn of University of Texas of the Permian Basin officials who, for questionable or bizarre reasons, strive to bring him down. Based on such crimes as his "chicken soup" comment, the affable Banzhoff finds himself suspended, fired, jailed, and plastered on the TV news--the scandalized golf coach at UTPB. This book is Mike's side of the story. It's riveting reading for anyone touched by this scandal--and anyone who despises injustice." --David Aretha, award-winning author and editor of such books as Arnold Palmer: A Tribute to an American Icon and Martin Luther King Jr. and the 1963 March on Washington
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