Filled with useful advice, easy-to-apply techniques, and personal anecdotes from both the author's own experiences of Asperger's Syndrome and those of his students, this book is a practical guide for helping young adults on the spectrum achieve independence and learn life-long skills of self-knowledge, self-sufficiency, and self-advocacy.
Reading Poetry offers a comprehensive and accessible guide to the art of reading poetry. Successive chapters introduce key skills and critical or theoretical issues, enabling users to read poetry with enjoyment, insight and an awareness of the implications of what they are doing. This new edition includes a new chapter on ‘Post-colonial Poetry’, a substantial increase in the number of end-of-chapter interactive exercises, and a comprehensive Glossary of poetic terms. Not just an add-on, the Glossary works as a key resource for the structuring of particular topics in any individual teaching or learning programme. Many of the exercises and interactive discussions develop not only the skills of competent close reading but also the necessary confidence and experience in locating historical and other contextual information through library or internet searches. The aim is to enhance readers' literary and scholarly competence – and to make it fun!
John Henry Newman was an important and controversial figure in the religious history of England in the 19th century. An esteemed academic, prolific author and convert from the Church of England to Catholicism, Newman was a complex and conflicted individual. Intensely loyal to his friends, highly-strung, kind-hearted and tenacious, Newman combined the best of both the Anglican and Catholic traditions. His volume of lectures entitled The Idea of a University, explained his philosophy of education. During the four years he spent in Dublin he was was instrumental in the founding of the Catholic University of Ireland in 1854; this later evolved into University College Dublin, now the largest university in Ireland. John Henry Newman was declared a saint on 13th October 2019.
Bridges the gap between the brief coverage of the events in textbooks of English history and whole books on each, which students often lack both the money and the time to read. Also offers general readers succinct accounts along with analysis and discussion of recent scholarship. Examines the events leading up to the 11th-century establishment of Norman kings, the 1205 signing of the Magna Carta, and the beginning of the Tudor dynasty in 1485. Annotation copyrighted by Book News, Inc., Portland, OR
An “invaluable [and] highly readable” account of the quest to map our DNA, the blueprint for life—and what it means for our future ( The Philadelphia Inquirer). Genome tells the story of the most ambitious scientific adventure of our time. By gradually isolating and identifying all the genes in the human body—the blueprint for life—scientists are closing in on the ability to effectively treat and prevent nearly every disease that strikes man, from muscular dystrophy, diabetes, and cancer to heart ailments, alcoholism, and even mental illness. Such discoveries will change the course of human life. At the same time, they raise profound ethical questions that have tremendous implications: Can insurance companies demand genetic tests to determine who poses a health risk? Should parents be able to choose their baby’s sex or eye color? Will employers screen out potential employees who are genetically susceptible to occupational health problems? An exciting true tale of discovery that is revolutionizing our world, Genome helps us understand our future.
Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.
The battles of Belleau Wood and Soissons in June and July of 1918 marked a turning point in World War I and in the stature of the US Marine Corps, whose fighting proved so critical in repelling the Germans that the French would later rename Belleau “Bois de la Brigade de Marine.” In this book J. Michael Miller, a historian of the Marine Corps and veteran chronicler of battle, takes us to the battlefields of Belleau Wood and Soissons, immersing us in the experience of a single brigade of marines at the forefront of the fighting. Through a close-up look at the doughboys’ singular impact on Allied victory in 1918, his work illuminates America’s bloody sacrifice during World War I. The 4th Marine Brigade at Belleau Wood and Soissons for the first time treats these two battles as one campaign and demonstrates why it is impossible to fully understand one without the other. Miller outlines the company and platoon levels of combat throughout the campaign, establishing a basic tactical understanding of the fighting; he also draws on letters, diaries, memoirs, and interviews to create a vivid and personal reconstruction of the battles. His use of French and German sources, also a first, adds unprecedented insights to this boots-on-the-ground account. The book includes detailed mapping of both battlefields, with a thirty-six-stop guide linking the text with the actual terrain. For each of these stops Miller gives GPS coordinates to provide a virtual tour of the sites he discusses. With its strategic overview and ground-level perspective, Miller’s work suggests a new interpretation and offers a new experience of an iconic moment in American military history—and in the story of the Marine Corps.
Biotechnology represents a major area of research focus, and many universities are developing academic programs in the field. This guide to biomanufacturing contains carefully selected articles from Wiley's Encyclopedia of Industrial Biotechnology, Bioprocess, Bioseparation, and Cell Technology as well as new articles (80 in all,) and features the same breadth and quality of coverage and clarity of presentation found in the original. For instructors, advanced students, and those involved in regulatory compliance, this two-volume desk reference offers an accessible and comprehensive resource.
Across the humanities and social sciences, scholars increasingly use quantitative methods to study textual data. Considered together, this research represents an extraordinary event in the long history of textuality. More or less all at once, the corpus has emerged as a major genre of cultural and scientific knowledge. In Literary Mathematics, Michael Gavin grapples with this development, describing how quantitative methods for the study of textual data offer powerful tools for historical inquiry and sometimes unexpected perspectives on theoretical issues of concern to literary studies. Student-friendly and accessible, the book advances this argument through case studies drawn from the Early English Books Online corpus. Gavin shows how a copublication network of printers and authors reveals an uncannily accurate picture of historical periodization; that a vector-space semantic model parses historical concepts in incredibly fine detail; and that a geospatial analysis of early modern discourse offers a surprising panoramic glimpse into the period's notion of world geography. Across these case studies, Gavin challenges readers to consider why corpus-based methods work so effectively and asks whether the successes of formal modeling ought to inspire humanists to reconsider fundamental theoretical assumptions about textuality and meaning. As Gavin reveals, by embracing the expressive power of mathematics, scholars can add new dimensions to digital humanities research and find new connections with the social sciences.
Welcome to The Empire Theatre 1922. When Jack Treadwell arrives at The Empire, in the middle of a rehearsal, he is instantly mesmerised. But amid the glitz and glamour, he soon learns that the true magic of the theatre lies in its cast of characters - both on stage and behind the scenes. There's stunning starlet Stella Stanmore and Hollywood heartthrob Lancelot Drake; and Ruby Rowntree, who keeps the music playing, while Lady Lillian Lassiter, theatre owner and former showgirl, is determined to take on a bigger role. And then there's cool, competent Grace Hawkins, without whom the show would never go on . . . could she be the leading lady Jack is looking for? When long-held rivalries threaten The Empire's future, tensions rise along with the curtain. There is treachery at the heart of the company and a shocking secret waiting in the wings. Can Jack discover the truth before it's too late, and the theatre he loves goes dark? Musical theatre legend Michael Ball brings his trademark warmth, wit and glamour to this, his debut novel. Enjoy the show! Look out for the next Empire Theatre novel, A BACKSTAGE BETRAYAL. Pre-order now. Real readers love The Empire 'A charming, captivating, majestic, electrifying, exciting and dazzling masterpiece' 'This book was perfect' 'The Empire is fantastic read, and one of my favourites of this year!' 'A real razzmatazz of a read' 'What a wonderful book, as full of warmth and wit as Michael himself . . . absolute magic!' The Empire was a Sunday Times No. 3 bestseller for w/c 24/10/2022
Full of glamour and intrigue. It slips down as easily as any cocktail.' Fern Britton ESCAPE TO THE EMPIRE THEATRE WITH THE NEW NOVEL FROM MUSICAL THEATRE LEGEND, MICHAEL BALL. GLAMOUR. DECEIT. SECRETS. SCANDAL. THE THEATRE MAY SEEM GLAMOROUS, BUT SECRETS WAIT BEHIND THE CURTAIN. 1926. Running a theatre may appear to be all about the showbiz, but times are hard at The Empire. Following a turbulent period Jack Treadwell, erstwhile proprietor, his mother Lillian, and his playwright wife Grace, know they need to get things back on track - and how better than with the annual pantomime, a new venture, and an all-singing all-dancing talent contest, showcasing the best performers around. But could Lillian's new admirer, Grand Duke Nikolai Kuznetsov, be bringing disaster in his wake? Will The Empire be caught up in the scandal surrounding West End star, Stella Stanmore? And what are their enemies in Highbridge planning? While Jack and Grace fight to ensure the show does go on, a royal visitor raises the stakes and a young widow, Sally Blow, dares to dream that the talent contest might be her big break. As the talent contest draws closer, tragedy strikes. Amid the glitz and glamour there are strange goings on and a plot afoot. Is everything Jack and Grace have worked so hard for about to come crashing down? And could this be curtains for The Empire? In this perfect Christmas gift for theatre lovers, Michael Ball transports readers to the roaring twenties as he works his magic in this second Empire Theatre novel. Readers are loving A BACKSTAGE BETRAYAL 'A beautifully described evocative piece of the era with wonderful characters. Loved it' ***** 'A lovely cosy read with a lot of excitement' ***** 'Wonderful characters, great plot and a perfect setting' ***** 'The second brilliant instalment in what I hope will be a long-running series' ***** Praise for THE EMPIRE 'A wonderful book. A love letter to the theatre' Rev. Richard Coles 'A fantastic book. Brilliant' Don Black OBE 'A wonderful read' Jeffrey Archer 'A golden debut - charming, funny and romantic' Cameron Mackintosh 'Takes you to the magical world of theatre' Rosie Goodwin
Between 1455 and 1485, 15th century England was ravaged by war. The dynastic struggle was between supporters of two rival branches of the royal House of Plantagenet: the houses of Lancaster and York The "Red" and "White" Roses. These books are of people and places, listing them and trying to locate their situations on maps of the counties ( Shires ).
Beautiful Monsters explores the ways in which "classical" music made its way into late twentieth-century American mainstream culture—in pop songs, movie scores, and print media. Beginning in the 1960s, Michael Long's entertaining and illuminating book surveys a complex cultural field and draws connections between "classical music" (as the phrase is understood in the United States) and selected "monster hits" of popular music. Addressing such wide-ranging subjects as surf music, Yiddish theater, Hollywood film scores, Freddie Mercury, Alfred Hitchcock, psychedelia, rap, disco, and video games, Long proposes a holistic musicology in which disparate musical elements might be brought together in dynamic and humane conversation. Beautiful Monsters brilliantly considers the ways in which critical commonplaces like nostalgia, sentiment, triviality, and excess might be applied with greater nuance to musical media and media reception. It takes into account twentieth-century media's capacity to suggest visual and acoustical depth and the redemptive possibilities that lie beyond the surface elements of filmic narrative or musical style, showing us what a truly global view of late twentieth-century music in its manifold cultural and social contexts might be like.
A practical and accessible introduction to the bootstrap method——newly revised and updated Over the past decade, the application of bootstrap methods to new areas of study has expanded, resulting in theoretical and applied advances across various fields. Bootstrap Methods, Second Edition is a highly approachable guide to the multidisciplinary, real-world uses of bootstrapping and is ideal for readers who have a professional interest in its methods, but are without an advanced background in mathematics. Updated to reflect current techniques and the most up-to-date work on the topic, the Second Edition features: The addition of a second, extended bibliography devoted solely to publications from 1999–2007, which is a valuable collection of references on the latest research in the field A discussion of the new areas of applicability for bootstrap methods, including use in the pharmaceutical industry for estimating individual and population bioequivalence in clinical trials A revised chapter on when and why bootstrap fails and remedies for overcoming these drawbacks Added coverage on regression, censored data applications, P-value adjustment, ratio estimators, and missing data New examples and illustrations as well as extensive historical notes at the end of each chapter With a strong focus on application, detailed explanations of methodology, and complete coverage of modern developments in the field, Bootstrap Methods, Second Edition is an indispensable reference for applied statisticians, engineers, scientists, clinicians, and other practitioners who regularly use statistical methods in research. It is also suitable as a supplementary text for courses in statistics and resampling methods at the upper-undergraduate and graduate levels.
Assessing the English Reformation's legacy of increasing religious diversification, this book explores the complex ways in which England's gradual transformation from a Roman Catholic to a Protestant nation presented men and women with new ways in which to define their relationships with society.
Zechariah 1-8 is a deeply intertextual work which takes up formerly disparate streams of tradition - especially various elements of what it calls 'the former prophets' - and creatively combines these traditions, in applying them to a post-exilic context. This fact means that Zechariah 1-8 is situated in a dual context - the literary context of 'the former prophets', and the historical context of the early post-exilic period. This work seeks to understand Zechariah 1-8 in the light of its dual context. When Zechariah 1-8 is read in this way, a number of otherwise perplexing passages are made clearer, and the message of the work as a whole is better understood. This book offers a critique of and refinement to the approaches of intertextuality/inner-biblical allusion/tradition history in understanding the effect of 'texts re-using texts'. Against a recent trend which seeks to limit this phenomenon to 'verbal repetition', it demonstrates that Zechariah 1-8 involves the use of a wide variety of literary devices (including thematic allusions, 'ungramaticalities', and sustained allusions)to make connections with other texts. The kind of 'intertextual' approach followed in this study demonstrates that intertextuality does not necessarily lead to radical indeterminacy (as claimed by some), and instead actually aids in the limiting the possible ranges of meaning. The manner in which Zechariah 1-8 invokes/re-activates/ re-applies the words of the 'former prophets' raises important issues related to prophecy and fulfilment, history and eschatology, and the development of 'apocalyptic', which are addressed in the course of this enquiry.
The Battle for Milne Bay - Japan's first defeat on land in the Second World War - was a defining moment in the evolution of the indomitable Australian fighting spirit. For the men of the AIF, the militia and the RAAF, it was the turning point in the Pacific, and their finest - though now largely forgotten - hour. Forgotten, until now. In August 1942, Japan's forces were unstoppable. Having conquered vast swathes of south-east Asia - Malaya, Singapore, the Dutch East Indies - and now invading New Guinea, many feared the Empire of the Rising Sun stood poised to knock down Australia's northern door. But first they needed Port Moresby. In the still of an August night, Japanese marines sailed quietly into Milne Bay, a long, malaria-ridden dead end at the far eastern tip of Papua, to unleash an audacious pincer movement. Unbeknown to them, however, a secret airstrip had been carved out of a coconut plantation by US Engineers, and a garrison of Australian troops had been established, supported by two locally based squadrons of RAAF Kittyhawks, including the men of the famed 75 Squadron. The scene was set for one of the most decisive and vicious battles of the war. For ten days and nights Australia's soldiers and airmen fought the elite of Japan's forces along a sodden jungle track, and forced them back step by muddy, bloody step. In Turning Point, bestselling author Michael Veitch brings to life the incredible exploits and tragic sacrifices of these Australian heroes.
Invalid Modernism contributes to an intersectional moment in disability studies by looking at modernist aesthetics through a 'defamiliar body'. It also offers an intersectional understanding of modernism by studying the representation of physical and cognitive difference during a period marked by progressive reforms in health, labor, and welfare. Readings of texts by Henry James, Samuel Beckett, Virginia Woolf, William Carlos Williams, James Joyce, Djuna Barnes, Oscar Wilde, F.T. Marinetti, Jean Toomer, an opera by Alexander Zemlinsky, and paintings and constructions by dadaists and surrealists are set against the historical developments in sexology, medical discourse, and the pseudo-sciences of eugenics and anthropometry. Modernist works are well known for challenging formal features of narration and representation, but it is seldom observed that this challenge has often been enabled by figures of shell-shocked veterans, tubercular heroines, blind soothsayers, invalid aesthetes, and neurasthenic women. Such figures complicate an aesthetics of autonomy by which modernism is often understood. Since its evolution in the eighteenth century, aesthetics has been seen in terms of judgments based on detached appreciation. What begins as a highly privative, sensate response to an object or natural formation results in a disinterested judgment about the value of that response. By looking at modernist aesthetics through a disability optic, Invalid Modernism attempts to restore the missing body to aesthetics by disclosing a structure of feeling around dramatic changes in modernity. These changes are registered on and through the bodies and minds of figures considered in medical discourse of the period as 'invalid' citizens and subjects.
This book provides a lively introduction to the work of Roland Barthes, one of the twentieth century's most important literary and cultural theorists. The book covers all aspects of Barthes's writings including his work on literary theory, mass communications, the theatre and politics. Moriarty argues that Barthes's writing must not be seen as an unchanging body of thought, and that we should study his ideas in the contexts within which they were formulated, debated and developed.
RNA plays a central, and until recently, somewhat underestimated role in the genetics underlying all forms of life on earth. This versatile molecule not only plays a crucial part in the synthesis of proteins from a DNA template, but is also intrinsically involved in the regulation of gene expression, and can even act as a catalyst in the form of a ribozyme. This latter property has led to the hypothesis that RNA - rather than DNA - could have played an essential part in the origin of life itself. This landmark text provides a systematic overview of the exciting and rapidly moving field of RNA biology. Key pioneering experiments, which provided the underlying evidence for what we now know, are described throughout, while the relevance of the subject to human disease is highlighted via frequent boxes. For the second edition of Molecular Biology of RNA, more introductory material has been incorporated at the beginning of the text, to aid students studying the subject for the first time. Throughout the text, new material has been included - particularly in relation to RNA binding domains, non-coding RNAs, and the connection between RNA biology and epigenetics. Finally, a new closing chapter discusses how exciting new technologies are being used to explore current topical areas of research.
During the eighteenth-century Enlightenment, Scotland and England produced such well-known figures as David Hume, Adam Smith, and John Locke. Ireland’s contribution to this revolution in Western thought has received much less attention. Offering a corrective to the view that Ireland was intellectually stagnant during this period, The Irish Enlightenment considers a range of artists, writers, and philosophers who were full participants in the pan-European experiment that forged the modern world. Michael Brown explores the ideas and innovations percolating in political pamphlets, economic and religious tracts, and literary works. John Toland, Francis Hutcheson, Jonathan Swift, George Berkeley, Edmund Burke, Maria Edgeworth, and other luminaries, he shows, participated in a lively debate about the capacity of humans to create a just society. In a nation recovering from confessional warfare, religious questions loomed large. How should the state be organized to allow contending Christian communities to worship freely? Was the public confession of faith compatible with civil society? In a society shaped by opposing religious beliefs, who is enlightened and who is intolerant? The Irish Enlightenment opened up the possibility of a tolerant society, but it was short-lived. Divisions concerning methodological commitments to empiricism and rationalism resulted in an increasingly antagonistic conflict over questions of religious inclusion. This fracturing of the Irish Enlightenment eventually destroyed the possibility of civilized, rational discussion of confessional differences. By the end of the eighteenth century, Ireland again entered a dark period of civil unrest whose effects were still evident in the late twentieth century.
Most places in Britain have had a local history written about them. Up until this century these histories have addressed more parochial issues, such as the life of the manor, rather than explaining the features and changes in the landscape in a factual manner. Much of what is visible today in Britain's landscape is the result of a chain of social and natural processes, and can be interpreted through fieldwork as well as from old maps and documents. Michael Aston uses a wide range of source material to study the complex and dynamic history of the countryside, illustrating his points with aerial photographs, maps, plans and charts. He shows how to understand the surviving remains as well as offering his own explanations for how our landscape has evolved.
Attacked by T.S. Eliot and F.R. Leavis, Shelley's poetry has, over the last few decades, enjoyed a revival of critical interest. His radical politics and arrestingly original poetic strategies have been studied from a variety of perspectives - formalist, deconstructionist, new historicist, feminist and others. Of all the Romantics, Shelly has benefited most from the so-called 'theoretical revolution', as is borne out by the wide range of recent critical work represented in this volume. The 134 essays selected analyse many of Shelley's finest poems, including Alastor, Julian and Maddalo, Prometheus Unbound, Adonais and The Triumph of Life. Michael O'Neill's informed Introduction explores the contours of this debate. Detailed headnotes to the individual essays, explanations of difficult terms, and a further reading section provide invaluable guides to the reader. This collection illuminates the enduring and contemporary significance of the work of a major poet.
The fascinating and insightful biography of one of the most intriguing, thoughtful and controversial figures of the 19th century. 'Growth is the only evidence of life' - so said poet, academic and theologian John Henry, Cardinal Newman. Canonised in 2019 (despite having said 'I have nothing of the saint about me'), Newman was an important and controversial figure in the religious history of the 19th century. This highly lyrical and accomplished biography not only covers his religious life (he played a vital role in the Oxford Movement, and subsequently converted to Catholicism), but also places him in the context of 19th-century religious revival and changing attitudes. In addition to his sometimes controversial teachings, Cardinal Newman was also a poet who wrote the text of Elgar's The Dream of Gerontius and was responsible for the foundation of the Oratorian Order in England. Michael Ffinch shows an unusual insight into Newman's character, finding an unexpected warmth and humour in a man often thought of as cold and austere. This fascinating biography also shows a deep understanding of a church emerging from dark centuries of persecution and misunderstanding into the light of what Newman himself chose to call 'The Second Spring'.
Modern Murders is the first comprehensive study of murder representations during the turn of the century, drawing on previously neglected archival material to explore the intellectual, cultural, and artistic contexts of the period. Most studies view the abundance of murder representations throughout the nineteenth century as an indicator of a supposedly typical Victorian appetite for sensation and melodrama. Modern Murders, however, demonstrates the turn of the century's backlash against melodramatic and sensational representations of murder and reads them as an important component in the struggles for better aesthetic standards in art and entertainment, and as a dominant feature in the debates on mass culture. Through a plethora of visual and written texts, representations of fictional and actual "real life" murders, and "high" and "popular" forms of writing, the volume considers the importance of murder in the elite claim to cultural authority versus its perception of plebian taste, in the context of the democratization of culture. This book will be of value to scholars and graduate students in a variety of research areas, as well as general readers interested in the role of murder as a central trope in modern art and culture.
Prepared by an international team of eminent atmospheric scientists, Mechanisms of Atmospheric Oxidation of the Oxygenates is an authoritative source of information on the role of oxygenates in the chemistry of the atmosphere. The oxygenates, including the many different alcohols, ethers, aldehydes, ketones, acids, esters, and nitrogen-atom containing oxygenates, are of special interest today due to their increased use as alternative fuels and fuel additives. This book describes the physical properties of oxygenates, as well as the chemical and photochemical parameters that determine their reaction pathways in the atmosphere. Quantitative descriptions of the pathways of the oxygenates from release or formation in the atmosphere to final products are provided, as is a comprehensive review and evaluation of the extensive kinetic literature on the atmospheric chemistry of the different oxygenates and their many halogen-atom substituted analogues. This book will be of interest to modelers of atmospheric chemistry, environmental scientists and engineers, and air quality planning agencies as a useful input for development of realistic modules designed to simulate the atmospheric chemistry of the oxygenates, their major oxidation products, and their influence on ozone and other trace gases within the troposhere.
In this exciting new book, David Michael Hertz demonstrates how three major artists - Frank Lloyd Wright, Wallace Stevens, and Charles Ives - were influenced by Emerson's nineteenth-century transcendentalism. By focusing on the relative statements of the artists themselves, Hertz shows that Emerson's belief that all things are in flux, including matter and spirit, had direct bearing on the form and content of their works. Hertz writes the book as a meditation on the condition of the artist in America, including biographical and historical information as well as his own interpretations of the three artists' works. In Part 1 he examines the emerging creative mind of the architect, poet, and composer, citing Emerson as the central figure who, through his essays, influenced each of them. By tracing their development as powerful and original thinkers, Hertz examines the processes that enabled them to become unique. In Part 2 he connects Emerson, Wright, Stevens, and Ives through a shared ideology, evident both in their critical statements and in their creative work. He shows how all three artists had specific documented knowledge of Emerson's major works. Their pragmatism, their preoccupation with the primacy of the senses, their predilection for analogy and loose metaphor, their dedication to individuality and self-reliance, and their eclecticism and conception of originality were shared traits and beliefs gleaned from Emerson. Hertz is the first writer to bring these four major American figures together in a single work. He makes it clear that Emersonianism reaches far into twentieth-century American culture and into the realms of art and music as well as literature. This book willinterest not only Emerson, Wright, Stevens, and Ives scholars but other individuals involved in the arts, the humanities, and interdisciplinary studies as well.
Cardinal Newman died on August 11, 1890 at the age of 89.Although his mind remained lucid to the end, his body declined to the point that in the summer of that year it became evident to all that the end was near. However, on the evening of August 9 he staged a remarkable rally which was recorded by Father William Neville, his secretary and caregiver in his final years. Not recognizing his youthful step he was surprised when Newman entered his room, and he was"-unbent, erect to the full height of his best days in the fifties; he was without support of any kind. His whole carriage was, it may be said, soldierlike, and so dignified; and his countenance was most attractive to look at; even great age seemed to have gone from his face, and with it all careworn signs; his very look conveyed the cheerfulness and gratitude of his mind, and what he said was so kind, his voice was quite fresh and strong, his whole appearance was that of power, combined with complete calm..." [Ward,"The Life of Cardinal Newman, vol.2,537] At his request he was buried in the grave of his friend Ambrose St. John. On the memorial were engraved the words "Ex umbris et imaginibus in veritatem"-from shadows and illusions into truth. All of his life Newman had been a soldier for Christ-prepared to do battle for the truth. This is the story of his spiritual journey; emerging from the shadows into the fullness of truth.
Pioneers of the U.S. Automobile Industry uses four separate volumes to explore the essential components that helped build the American automobile industry - the people, the companies and the designs. This volume uses nearly 270 photos to go behind the scenes to explore the people who created car designs that have become famous with the American car industry. Pioneers covered in this edition include: Elmer and Edgar Apperson Vincent Bendix James Scripps Booth Alanson Brush David Buick Joseph Cole Clyde Coleman Claude Cox Herbert Franklin and John Wilkinson Elwood Haynes Frederick Haynes Thomas Jeffery Edward Jordan Charles King Howard Marmon Jonathan Maxwell Percy Owen Raymond and Ralph Owen Andrew Riker Frank Stearns Thomas J. and Thomas L. Sturtevant C. Harold Wills Alexander Winton
This is the first and only reference volume covering the subject of windows in depth - no other book offers this wealth of practical detail. It is highly accessible, written for both the professional and interested layperson Written by a team of 15 experts - surveyors, structural engineers, craftsmen and conservators describing their own approaches to specific materials, problems and designs. It includes over 400 illustrations in colour and black and white, from a wide range of sources, including historic drawings, paintings, pattern books, textbooks, manufacturers' catalogues and contemporary and archive photographs. It is an invaluable asset for everyone involved with windows on a daily basis, combining the knowledge of leading historians and experts in the field of window conservation. The window is a familiar yet surprisingly complex feature, with a rich history that has not, up until now, been explored in any great depth. This encyclopaedic work is both a fascinating exploration of the history and development of the window, and a practical hands-on guide to their care and preservation. Part 1 covers the history of the window including the development in glass technology. It also provides an illustrated glossary of window types. Part 2 reviews the changes in policy and legislation and discusses structural issues, decay mechanisms and the current stringent performance standards and how they affect historic windows. Part 3 focuses on the materials used in the construction of windows and the craft of leaded glazing. It details the appropriate techniques for repair and conservation. Windows is fully illustrated in both colour and mono to include over 400 high quality illustrations.
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