Michael Cunningham brings together his Pulitzer Prize–winning novel with the masterpiece that inspired it, Virginia Woolf’s Mrs. Dalloway. In The Hours, the acclaimed author Michael Cunningham draws inventively on the life and work of Virginia Woolf and the story of her novel, Mrs. Dalloway, to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. In this edition, Cunningham brings his own Pulitzer Prize–winning novel together with Woolf’s masterpiece, which has long been hailed as a groundbreaking work of literary fiction and one of the finest novels written in English. The two novels, published side by side with a new introduction by Cunningham, display the extent of their affinity, and each illuminates new facets of the other in this joint volume. In his introduction, Cunningham re-creates the wonderment of his first encounter with Mrs. Dalloway at fifteen—as he writes, “I was lost. I was gone. I never recovered.” With this edition, Cunningham allows us to disappear into the world of Woolf and into his own brilliant mind.
The Sanctuary Movement of the 1980s was a movement led by white religious liberals that housed Central Americans fleeing dictatorships supported by the United States government, giving them a platform to speak about the situation in their countries of origin. This book focuses on the movement's whiteness by centering the voices of recipients of sanctuary and taking their critiques seriously. The result is an account of the movement that takes seriously the agential limitations of sanctuary and the struggles for agency by recipients. Using interviews with participants in the movement as well auto-ethnographic research as the white pastor of a church in the New Sanctuary Movement, this book situates the sanctuary as site for theological reflection on some of the most pressing issues facing the Church today the possibilities of testimony, the Holy Spirit, ecclesiology, and mercy. In doing so, it proposes a new theoretical framework for thinking about practice by introducing readers to Judith Butler's theories of subjectivation and arguing for ethnographically engaged theology that is able to think beyond virtue and excellence towards an understanding of fugitivity.
Political and social change during Woolf's lifetime led her to address the role of the state and the individual. Michael H. Whitworth shows how ideas and images from contemporary novelists, philosophers, theorists, and scientists fuelled her writing, and how critics, film-makers, and novelists have reinterpreted her work for later generations.
This new edition of one of Virginia Woolf’s most celebrated novels features an introduction by Michael Cunningham, acclaimed bestselling author of The Hours. Mrs. Dalloway chronicles a June day in the life of Clarissa Dalloway–a day that is taken up with running minor errands in preparation for a party and that is punctuated, toward the end, by the death of a young man she has never met. In giving an apparently ordinary day such immense resonance and significance–infusing it with the elemental conflict between death and life–Virginia Woolf triumphantly discovers her distinctive style as a novelist. Originally published in 1925, Mrs. Dalloway is Woolf’s first complete rendering of what she described as the “luminous envelope” of consciousness: a dazzling display of the mind’s inside as it plays over the brilliant surface and darker depths of reality. This edition uses the text of the original British publication of Mrs. Dalloway, which includes changes Woolf made that never appeared in the first or subsequent American editions.
Virginia Woolf's Mrs Dalloway (1925) has long been recognised as one of her outstanding achievements and one of the canonical works of modernist fiction. Each generation of readers has found something new within its pages, which is reflected in its varying critical reception over the last ninety years. As the novel concerns itself with women's place in society, war and madness, it was naturally interpreted differently in the ages of second wave feminism, the Vietnam War and the anti-psychiatry movement. This has, of course, created a rather daunting number of different readings. Michael H. Whitworth contextualizes the most important critical work and draws attention to the distinctive discourses of critical schools, noting their endurance and interplay. Whitworth also examines how adaptations, such as Michael Cunningham's The Hours, can act as critical works in themselves, creating an invaluable guide to Mrs Dalloway.
Virginia Woolf, member of the Bloomsbury Group and author of such masterworks as To the Lighthouse, Mrs. Dalloway, and A Room of One's Own, is a literary and cultural icon, the subject of numerous books and movies. She suffered emotional breakdowns and mental and sexual abuse and committed suicide at age fifty-nine. Some blame her husband for her mental illness; others say he cared for her until her death. Here is her story.
Edward Albee’s Who’s Afraid of Virginia Woolf? shocked audiences and critics alike with its assault on decorum. At base though, the play is simply a love story: an examination of a long-wedded life, filled with the hopes, dreams, disappointments, and pain that accompany the passing of many years together. While the ethos of the play is tragicomic, it is the anachronistic, melodramatic secret object—the nonexistent "son"—that upends the audience’s sense of theatrical normalcy. The mean and vulgar bile spewed among the characters hides these elements, making it feel like something entirely "new." As Michael Y. Bennett reveals, the play is the same emperor, just wearing new clothes. In short, it is straight out of the grand tradition of living room drama: Ibsen, Chekhov, Glaspell, Hellmann, O’Neill, Wilder, Miller, Williams, and Albee.
A daring, deeply affecting third novel by the author of A Home at the End of the World and Flesh and Blood. In The Hours, Michael Cunningham, widely praised as one of the most gifted writers of his generation, draws inventively on the life and work of Virginia Woolf to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. The narrative of Woolf's last days before her suicide early in World War II counterpoints the fictional stories of Samuel, a famous poet whose life has been shadowed by his talented and troubled mother, and his lifelong friend Clarissa, who strives to forge a balanced and rewarding life in spite of the demands of friends, lovers, and family. Passionate, profound, and deeply moving, this is Cunningham's most remarkable achievement to date. The Hours is the winner of the 1999 Pulitzer Prize for Fiction.
The book covers every aspect of caring for someone with dementia, from understanding memory to helping a person with dementia to remember things, using cues, association, diaries, note-books, visitors¿ books and routine checklists; from personal safety to personal care to the carer¿s own well-being, both physically and psychologically, whilst retaining a compassionate eye to the dignity of the cared-for person. It is a practical guide for carers and health professionals caring and working with people in the early stages of dementia. It is easy to read with larger print than most books; an attractive lay out enables the reader to dip in and out of the book or read it straight through. The parts and chapters are clearly defined so that the reader can easily find relevant information. The summary points at the end of each chapter are most helpful, as are notes in the margins. The diagrams are clear and descriptive.
First published in 1979, Virginia Woolf is an original critical study of where the author considers Virginia Woolf’s non-fiction as well as fiction, exploring the different ways Woolf sought to embody her artistic vision throughout her remarkable literary career. The book establishes both the intellectual and social setting of the Bloomsbury world in which she lived and includes detailed discussions of all her work. Woolf’s unending quest to express, as she says, ‘the exact shapes my brain holds,’ provides us with a new method of appreciating her total achievement as a writer. This book will be of interest to students of literature and women’s studies.
Nellie and Mrs. W recounts the fictionalized life and struggles of household cook Nellie Boxall as she struggles to find her way and preserve her identity in the household of one of the greatest literary geniuses of the twentieth century, Virginia Woolf. This is a story of relationships and the messy overlap that occurs between women who live and exist under the same roof.
This book examines the effects on literary works of a little-noted economic development in the early twentieth century: individuals and governments alike began to regard going into debt as a normal and even valuable part of life. The author also shows, surprisingly, that the economic changes normalizing debt paralleled and intersected with changes in sexual discourse. In Victorian novels, sex and debt are considered dangerous activities that the young should avoid in order to save and invest toward eventual marriage and a home. In twentieth-century texts, however, it often seems acceptable to go into debt and engage in sex before marriage. These literary representations followed social transformations as both economic and sexual discourse moved from the logic of saving and production to the logic of circulation. In Keynesian economics and consumerism, governments and individuals were actually encouraged to borrow and to spend more in order to increase demand and keep money circulating. In twentieth-century sexual treatises, people were similarly encouraged to indulge their desires, as pent-up states were considered as deleterious to the physical body as they were to the economic. In this book, the author traces these social transformations by examining twentieth-century literary works and films that are structured around contrasts between repressive and expansive forms of economics and sexuality. He studies a range of authors, including James Joyce, F. Scott Fitzgerald, Virginia Woolf, Ezra Pound, Zora Neale Hurston, and Frank Capra. The book ends with the 1960s, because after that decade deficits no longer seemed the cure for anything, and the advocacy of sexual indulgence dwindled. For half a century, however, the intersections of sexual and economic discourses created a sense that society was on the verge of a vast transformation. The artists studied in this book were fascinated by such a prospect, but remained ambivalent, as it seemed that their dreams of escaping dull bourgeois life and ending repression were becoming true because of the influence of the crassest economic policies.
College is a time to learn, explore, and grow, but what does faith have to do with it? In this collection of essays, gifted writers in their twenties and early thirties reflect on their college years by telling stories—some hilarious, some heart-wrenching—on the intersection of faith and college. At a time when so much is written about young adults but not by young adults, this collection allows writers to reveal their college experience in their own voice, sharing, through reflection on their own joys and sorrows, unique insight into students’ experience of college. Themes include negotiating identity, sex and sexuality, discerning the future, studying abroad, and transitions in faith. This collection includes stories from large public universities and small, faith-related colleges. Perfect for faith leaders, college administrators, study groups, young adults, and anyone who loves a college student, Kissing in the Chapel, Praying in the Frat House reveals college struggles that help us reflect on faith and life in college, and forever.
Icon Books is an independent British publisher which publishes popular and engaging non-fiction for adults. We're proud to be part of the Independent Alliance in the UK, publishing companies who share a common vision of editorial excellence and original, diverse publishing. This ebook sampler – available free on Kindle, in EPUB and as a PDF download from our website – covers subjects from popular science to sports biography to philosophy. The sampler includes extracts from: Atomic by Jim Baggott; Crashed & Byrned by Tommy Byrne; Fordlandia by Greg Grandin; God's Philosophers by James Hannam; The Lives and Times of the Great Composers by Michael Steen; Love, Sex, Death and Words by John Sutherland and Stephen Fender; A Mind of Its Own by Cordelia Fine; Proust and the Squid by Maryanne Woolf; Quantum by Manjit Kumar; Sex, Botany and Empire by Patricia Fara; The Real Oliver Twist and A Time to Dance, A Time to Die by John Waller. From Proust and the Squid, a fascinating exploration of the science of the reading brain – 'We were never born to read,' begins Maryanne Wolf – to Greg Grandin's Fordlandia, the riveting story of the American town Henry Ford tried to build in the Brazilian Amazon and Manjit Kumar's BBC Samuel Johnson prizewinning Quantum, these books represent the best of over 20 years of non?fiction publishing from Icon Books.
Virginia Woolf's Mrs Dalloway (1925) has long been recognised as one of her outstanding achievements and one of the canonical works of modernist fiction. Each generation of readers has found something new within its pages, which is reflected in its varying critical reception over the last ninety years. As the novel concerns itself with women's place in society, war and madness, it was naturally interpreted differently in the ages of second wave feminism, the Vietnam War and the anti-psychiatry movement. This has, of course, created a rather daunting number of different readings. Michael H. Whitworth contextualizes the most important critical work and draws attention to the distinctive discourses of critical schools, noting their endurance and interplay. Whitworth also examines how adaptations, such as Michael Cunningham's The Hours, can act as critical works in themselves, creating an invaluable guide to Mrs Dalloway.
Political and social change during Woolf's lifetime led her to address the role of the state and the individual. Michael Whitworth shows how ideas and images from contemporary novelists, philosophers, theorists, and scientists fuelled her writing, and how critics, film-makers, and novelists have reinterpreted her work for later generations. -;During Virginia Woolf's lifetime Britain's position in the world changed, and so did the outlook of its people. The Boer War and the First World War forced politicians and citizens alike to ask how far the power of the state extended into the lives of individuals; the rise of fascism provided one menacing answer. Woolf's experiments in fiction, and her unique position in the publishing world, allowed her to address such intersections of the public and the private. Michael. Whitworth shows how ideas and images from contemporary novelists, philosophers, theorists, and scientists fuelled her writing, and how critics, film-makers, and novelists have reinterpreted her work for later generations. The book includes a chronology of Virginia Woolf's life and times, suggestions for further reading, websites, illustrations, and a comprehensive index. -;this fine study...produces a fresh portrait of Woolf and her multi-faceted contributions to English letters. The book's presentation of modern British literary and cultural history makes it a rich resource for Woolf scholars and an illuminating introduction for students - Woolf Studies Annual, Volume 12 d
First published in 1979, Virginia Woolf is an original critical study of where the author considers Virginia Woolf’s non-fiction as well as fiction, exploring the different ways Woolf sought to embody her artistic vision throughout her remarkable literary career. The book establishes both the intellectual and social setting of the Bloomsbury world in which she lived and includes detailed discussions of all her work. Woolf’s unending quest to express, as she says, ‘the exact shapes my brain holds,’ provides us with a new method of appreciating her total achievement as a writer. This book will be of interest to students of literature and women’s studies.
Political and social change during Woolf's lifetime led her to address the role of the state and the individual. Michael H. Whitworth shows how ideas and images from contemporary novelists, philosophers, theorists, and scientists fuelled her writing, and how critics, film-makers, and novelists have reinterpreted her work for later generations.
A guide to reading "Who's Afraid of Virginia Woolf?" with a critical and appreciative mind encouraging analysis of plot, style, form, and structure. Also includes background on the author's life and time, sample tests, term paper suggestions, and a reading list.
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