Fifty Words has a gimlet eye, providing meticulously chosen, artfully integrated details that let us understand why its characters so love and loathe each other. Like Mr. Albee's Who's Afraid of Virginia Woolf? it understands how closely hate and love can be linked in marriage."—The New York Times In Fifty Words, a Brooklyn brownstone becomes a marital battleground for Adam and Jan; Do Not Disturb dramatizes Adam's infidelity at a hotel with former lover Melinda; and in Side Effects, Melinda and her husband Hugh come to terms with their broken relationship. Michael Weller has written over forty dramatic works, including the plays Moonchildren, Fishing, Loose Ends, and Beast, and the screenplays for Hair and Ragtime.
MEGA-CITY ONE, 2082 A.D. A year ago, SJS Judge Marion Gillen staked her reputation on proving that Joseph Dredd was as corrupt as his brother Rico—and lost. Now, on the run from her own division, navigating a world of secrets and lies, Gillen finds the stolid, inflexible young man—two years out of the Academy and already making a name for himself—is the only person in the city she can really trust...
James McCarroll (1814–1892) was a talented Irish poet, journalist, humorist, musician, and arts critic who left his mark on nineteenth-century Canada by seemingly engaging with anything topical in every medium. Often writing anonymously or under pseudonyms, McCarroll's best-known nom de plume was "Terry Finnegan," who wrote weekly comic letters to his "cousin" Thomas D'Arcy McGee, offering advice on political and social matters. Yet, since his death, McCarroll's contributions to early Canadian writing and culture have largely been forgotten. Making a case for the recuperation of Canada's lost Irish voice, Delicious Mirth seeks to gather and contextualize the extant fragments of this outspoken and flamboyant entertainer and commentator. Adept in the rich excesses of the Paddy brogue, McCarroll spoke for his beloved but broken country and sought to bring the Irish legacy of expansive prose and lyric poetry to Canada. Following the fluctuations of his personal hope, ambition, and talent through the years, Michael Peterman maps McCarroll's responses to the main events of the late nineteenth century such as Irish emigration, the settlement and growth of Upper Canada, the extension of the railway network, little magazine culture, reform politics and responsible government, the spiritualist movement, nascent Canadian theatre, classical and Celtic folk music, the US Civil War, Confederation, and most notably the Fenian movement, in which he became involved. His travels took him to many places, in particular Peterborough, Cobourg, Niagara Falls, Toronto, Buffalo, and New York City. Revealing a man of immense creative energy and cultural significance who has been lost to Canadian literary historians for over a hundred years, Delicious Mirth shows that McCarroll's life and works are outstanding achievements and deserve fresh attention today.
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.
Judge Joseph Dredd has tackled hardened killers and would-be revolutionaries, he’s taken beat-downs and bounced back, he’s even arrested his own brother. In his third year, he’ll become embroiled in the growing anti-robot movement; he’ll head back out to the Cursed Earth; and he’ll fall afoul of the secretive SJS – and not for the last time…
The 700-year history of the novel in English defies straightforward telling. Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, Michael Schmidt does full justice to its complexity. Like his hero Ford Madox Ford in The March of Literature, Schmidt chooses as his traveling companions not critics or theorists but “artist practitioners,” men and women who feel “hot love” for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English. Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliché—some irreducible quality that keeps readers coming back to its pages.
Cerebral Cortex is a comprehensive and detailed work covering the dual nature of the organization of the architecture and connections of the cerebral cortex. After establishing the evolutionary approach of the cerebral cortex's origin, the authors have systematically analyzed, in detail, the common principle underlying the structure and connections of sensory and motor systems. This important book describes the frontal, limbic, and multimodal association areas, as well as the long fiber pathways in a similar manner. The anatomical investigations have been complimented with current clinical and experimental observations, as well as neuroimaging studies. This unique approach, exploring the underlying principle of the architecture and connections of the cerebral cortex, has previously never been undertaken. In the concluding chapter of the book, the authors have provided the usefulness of such an approach for future investigations. Cerebral Cortex provides extensive illustrations, along with historical references to each sensory, motor and association systems.
The book reviews scholarly literature and archival sources including maps and diagrams, to better situate Siena's achievement in urban history and broadens our understanding of medieval technology and urban life.
Because news is a weapon of war--affecting public opinion, troop morale, even strategy--for more than a century America's wartime officials have sought to control or influence the press, most recently by "embedding" reporters within military units in Iraq. This second front, where press freedom and military imperatives often do battle, is the territory explored in The Military and the Press, a history of how press-military relations have evolved during the twentieth and twenty-first century in response to the demands of politics, economics, technology, and legal and social forces. Author Michael S. Sweeney takes a chronological approach, considering freedoms and restraints such as the First Amendment, court decisions, and government and military directives that have affected the press during World Wars I and II, the Korean War, the Vietnam War, and the more recent conflicts. He explores the ongoing themes of wartime censorship and propaganda, as well as operational security in the battle zone. In chapters addressing the recent shift in military strategy in dealing with the press, Sweeney discusses new forms of control--from embedding journalists and discouraging unaccredited "unilaterals" to developing the news agenda through a barrage of briefings, sound bites, and visuals and appeals to patriotism that border on domestic propaganda. With profiles of a few specific journalists--from Richard Harding Davis covering the Spanish-American War to Christiane Amanpour reporting from the conflicts in Bosnia and Iraq--this deft blend of journalistic history and analysis should serve as a call-to-arms to a public not always well served by a military-press standoff.
First Published in 1973, The Writing Machine presents a comprehensive history of the typewriter. Michael Adler not only investigated the history of the machine but also started collecting typewriters, because of the difficulty of discovering what these old machines looked like. Then he found there were other collectors all over the world who supplied him with such a wealth of data that he had eventually to limit the scope of his ‘history’. There are hundreds and hundreds of makes and models of ‘conventional’ front-stroke, type bar machines with four-row keyboards, but they were virtually all the same. It is the unconventional ones that are interesting, and it is on these that the author concentrates. The book is amusing as well as informative, and it ends with a complete catalogue of ‘unconventional’ typewriters manufactured up to the 1930s, when the ‘conventional’ machine had become universal. This book is a must read for anyone interested to learn about the writing machine.
This book highlights the ways in which insights from technology-mediated project-based language learning research can contribute to our understanding of both learner interaction in specific cultural contexts but also of the role of technology in language learning more generally. The volume situates the discussion within the context of the development of the field, from task-based to project-based language learning, and how these have been shaped over time by the evolution of new technologies. Using the case study of EFL learners in a Japanese classroom, the book adopts a multimodal approach to unpack this phenomena at work by examining learner collaboration in project-based work in a real-world setting. The volume provides a valuable contribution to the ongoing debate about the effective integration of digital technologies in the classroom and will be of particular interest to students and scholars in applied linguistics, computer-assisted language learning, task-based language teaching, and TESOL.
On May 4, 1964, Congress designated bourbon as a distinctive product of the United States, and it remains the only spirit produced in this country to enjoy such protection. Its history stretches back almost to the founding of the nation and includes many colorful characters, both well known and obscure, from the hatchet-wielding prohibitionist Carry Nation to George Garvin Brown, who in 1872 created Old Forester, the first bourbon to be sold only by the bottle. Although obscured by myth, the history of bourbon reflects the history of our nation. Historian Michael R. Veach reveals the true story of bourbon in Kentucky Bourbon Whiskey. Starting with the Whiskey Rebellion of the 1790s, he traces the history of this unique beverage through the Industrial Revolution, the Civil War, Prohibition, the Great Depression, and up to the present. Veach explores aspects of bourbon that have been ignored by others, including the technology behind its production, the effects of the Pure Food and Drug Act, and how Prohibition contributed to the Great Depression. The myths surrounding bourbon are legion, but Veach separates fact from legend. While the true origin of the spirit may never be known for certain, he proposes a compelling new theory. With the explosion of super-premium bourbons and craft distilleries and the establishment of the Kentucky Bourbon Trail, interest in bourbon has never been higher. Veach shines a light on its pivotal place in our national heritage, presenting the most complete and wide-ranging history of bourbon available.
Since the first edition of Fracking was published, hydraulic fracturing has continued to be hotly debated. Credited with bringing the US and other countries closer to "energy independence," and blamed for tainted drinking water and earthquakes, hydraulic fracturing ("fracking") continues to be one of the hottest topics and fiercely debated issues in the energy industry and in politics. Covering all of the latest advances in fracking since the first edition was published, this expanded and updated revision still contains all of the valuable original content for the engineer or layperson to understand the technology and its ramifications. Useful not only as a tool for the practicing engineer solve day-to-day problems that come with working in hydraulic fracturing, it is also a wealth of information covering the possible downsides of what many consider to be a very valuable practice. Many others consider it dangerous, and it is important to see both sides of the argument, from an apolitical, logical standpoint. While induced hydraulic fracturing utilizes many different engineering disciplines, this book explains these concepts in an easy to understand format. The primary use of this book shall be to increase the awareness of a new and emerging technology and what the various ramifications can be. The reader shall be exposed to many engineering concepts and terms. All of these ideas and practices shall be explained within the body. A science or engineering background is not required.
This book is the first to document in depth the history of lunar and planetary cartography in Russia. The first map of the far side of the Moon was made with the participation of Lomonosov Moscow University (Sternberg Astronomical Institute, MSU) in 1960. The developed mapping technologies were then used in preparing the “Complete Map of the Moon” in 1967 as well as other maps and globes. Over the years, various maps of Mars have emerged from the special course “Mapping of extraterrestrial objects” in the MSU Geography Department, including the hypsometric map of Mars at a scale of 1:26,000,000, compiled by J.A. Ilyukhina and published in 2004 in an edition of 5,000 copies. A more detailed version of this map has since been produced with a new hypsometric scale. In addition, maps of the northern and southern hemispheres of Mars have been compiled for the hypsometric globe of Mars. Relief maps of Venus were made in 2008, 2010, and 2011, and hypsometric maps of Phobos and Deimos at a scale of 1:60,000 were published in 2011. History of Lunar and Planetary Cartography in Russia provides detailed information on the compilation of this diverse range of maps and will be of interest to all lunar and planetary cartographers.
“An excellent analysis of the complex dynamics of inclusion in post-conflict societies: theoretically grounded, empirically rich, and with a well-informed set of policy-relevant insights and recommendations with implications far beyond the cases of Kosovo and Northern Ireland.”Stefan Wolff, University of Birmingham, UK “Does the promotion of political accommodation between the contending parties in an ethno-nationalist conflict disadvantage other groups in society? This important question is at the heart of Michael Potter's nuanced study of post-settlement parliaments in Kosovo and Northern Ireland, in which he probes their record of representativeness, focusing on gender and ethnicity. His meticulous research, drawing on extensive fieldwork, shows that the domination of the parliaments by parties aligned to the conflict does indeed tend to marginalise other identities. His findings provide plenty of food for thought for practitioners in the field of conflict resolution. In particular, they underline the need for care in the design of institutional arrangements for deeply divided societies, so as to minimise potentially negative consequences that priority for accommodation and reconciliation may have for other issues and for the practice of inclusion.”Adrian Guelke, Queen’s University Belfast, UK “Identity is a central organising principle of politics in the 21st century. In this impressive book Michael Potter shows that a focus on gender and minority ethnic identities in newly-formed post-conflict assemblies provides a unique litmus test of the robustness of democratic politics. He analyses the cases of Kosovo and Northern Ireland with rigour and considerable insight. This book makes a highly original and lasting contribution to theory and practice in post-conflict settings world-wide.”Yvonne Galligan, Dublin Institute of Technology, Ireland This book examines inclusion in post-conflict legislatures, using Northern Ireland and Kosovo as case studies and gender and minority ethnicity as indicators. The analysis uses an adapted framework developed by Yvonne Galligan and Sara Clavero to measure inclusion across a range of factors associated with deliberative democratic principles. The logic is that political systems designed to accommodate communities in conflict will prioritise certain identities over others. The aim of the book is to investigate how identities not directly associated with a conflict fare in a political system designed to manage identities in conflict. The book looks comparatively at the conflicts in Kosovo and Northern Ireland, then discusses approaches to conflict management, describing how political institutions were designed in those contexts. The themes of women and minority identities in those conflicts are then explored with a view to examining the extent of inclusion in the Northern Ireland and Kosovo Assemblies.
Shortlisted for the 2014 City of Victoria Butler Book Prize Shortlisted for a 2014 BC Book Prize Finalist for the Lieutenant-Governor's Medal for Historical Writing Just how, and why, did Vancouver Island get onto the map? How was knowledge of our immediate geography acquired and recorded? With 130 maps, dating between 1593 and 1915, this cartographic history tells the story of how Vancouver Island and the surrounding area came to be mapped. The book shows local cartographic milestones, marking progress in our knowledge through the island’s rich—although comparatively short—recorded history. However, the maps, by themselves and without context, cannot tell the whole story. The accompanying text reveals the motives, constraints, agendas, and intrigues that underpin their making. The narrative, roughly chronological, begins before the arrival of Europeans and concludes at the outset of the First World War and includes an introduction on the history and significance of map-making, as well as an afterword summarizing subsequent cartographic developments. Also included are an index, endnotes, a list of cartographic sources, and a glossary.
In the winter of 1861, Union armies had failed to win any significant victories over their Confederate counterparts. The Northern populace, overwhelmed by the bloodshed, questioned whether the costs of the war were too high. President Lincoln despondently wondered if he was going to lose the Union. As a result, tension was incredibly high when Union hero Ambrose Burnside embarked for coastal North Carolina. With the eyes of the nation and world on little Roanoke Island in the Outer Banks, Burnside began his amphibious assault on the beaches and earned a victory that shifted control of Southern waters. Join author and historian Michael Zatarga as he traces the story of the crucial fight on Roanoke Island.
From Smock To Cassock tells the fascinating story of a young boy who makes his career in farming but changes mid-life into the priesthood. Born in 1927, his father's ill health brings him to London during the Second World War where he experiences the horrors of the Blitz. While he survives the bombings, the end of the war brings the death of his father. This deeply personal loss, combined with a change in family fortunes, results in Michael seeking his own way in the world. He soon finds his passion in farming. Michael gains experience working for a variety of farmers, learning different methods and skills. Ultimately, he is able to acquire his own farm. His life continues to flourish as he marries and starts a family. Sadly tragedy strikes in the form of a disabling injury, which brings an end to this career. Before long, Michael finds himself living in a caravan. Searching for a new purpose, Michael is drawn to the Church. Completing various educational requirements, he achieves ordination into the priesthood. This autobiography details this journey and provides a fascinating story about overcoming the odds, pursuing your dreams and following your heart.
The present monograph attempts to unify these diverse and exciting new developments within a common framework. First, the physical principles underlying heterogenous electron-transfer processes are outlined in a concise way and are compared to the homogeneous counterpart. This analysis includes the notion of the Fermi level in liquids and solids as well as the distribution of electronic energy levels in solids and liquids. A comparison is made between the salient kinetic features of homogeneous and heterogeneous electron transfer reactions. This establishes the basis for the subsequent treatment of the transduction of excitation energy and photo-initiated electron transfer in organized molecular assemblies, such as micelles, vesicles and monolayers. Transmembrane redox processes are critically reviewed. Particular attention is given to semiconductor electrodes and particles. This includes a discussion of quantum size effects, the nature of space charge layers as well as surface states and the dynamics of charge carrier-induced redox reactions at the semiconductor solution interface. These processes are of fundamental importance in such diverse fields as photochromism, electrochromic displays, electroreprography and photography, information storage, photocatalysis, photodegradation of paints, and solar energy conversion.
“The cement slabs and decaying fountains obscured by vegetation at the site of Camp Hearne echo a time forgotten of a bustling city of nearly 5,000 men brought together by world conflict.” The oral histories, archival research, and archaeological data compiled by author Michael Waters and his team of researchers tells the story of 5,000 German soldiers held as prisoners of war in rural Texas during World War II. Camp Hearne, located on the outskirts of Hearne, Texas, was one of the first and largest POW camps in the United States. Between 1943 and 1945 nearly 50,000 German prisoners, mostly from the German Afrika Korps lived and worked at seventy POW camps across Texas. The story of Camp Hearne told here offers the first in-depth look at one of these camps and includes an archaeological study of the treatment and conditions of the German prisoners. Drawing on newspaper accounts and official records from the time, and the recollections of surviving POWs, guards, and local residents, Waters and his team have constructed a detailed description of life in the camp: educational opportunities, recreation, mail call, religious practices, work details, and the food provided. Also revealed are the more serious issues that faced the Americans inside the POW compounds: illegal alcohol distillation, suicides, escapes, hidden secret shortwave radios, and the subversion of postal services. Fascinating artifacts recovered from the site and from the collections of local residents add concrete details. Waters also discusses the national policies and motivations for the treatment of prisoners that prescribed the particulars of camp life. The shadow world of Nazism in the camp is revealed, adding darkness to a story that is otherwise optimistic and in places humorous. The most sinister and brutal example of Nazi activity was the murder of Corporal Hugo Krauss, a German-born New York–raised volunteer in the German army. Captured in North Africa after service in Russia, Krause was attacked seven months later by six to ten fellow prisoners and beaten with clubs, nail–studded boards and a lead pipe. The dramatic recounting of the murder and the ensuing investigation illustrate much about the underlying political tensions of camp existence. This book makes a unique and notable contribution to Texas history. The narrative is enriched by numerous photographs and drawings. It will engage those interested in Texas history and World War II and hold particular interest for avocational and professional historical archaeologists.
This is a comprehensive and up-to-date presentation of the processes by which biological systems, most notably the nervous system, affect behaviour. A fantastic art program, an applauded accessible writing style and a host of pedagogical features make the text relevant to the lives of the students taking biological psychology.
The 10 essays here are the result of a conference devoted to the study of medieval technology in April 1995. Taken together, they aim to help dispel the common misconception that medieval people somehow had to toil in a world bereft of technical innovation and ingenuity. The authors of the papers, all experts in their fields, show the Middle Ages not only to be a time of considerable technological development, but also the ways in which the technologies of building construction, manufacture and metallurgy were shaped by broader forces of culture, social identity, political ambition and the local environment.
This brilliant, classic and scholarly study provides the fullest treatment of a key subject. It is one of the essential works on Dickens's work and life. Dickens's treatment of women is a central aspect of his artistic achievement. Professor Slater examines the novelist's experience of women - as son, brother, lover, husband, and father, and as it affected the deepest emotional currents in his life. His perception of female nature and his conception of women's role in the home and outside it - and the ways in which these found expression in his art - are pivotal topics. Professor Slater has sifted the mass of legends and doubtful traditions about Dickens's private life to present a close examination of his relations with women, and of his views of woman's nature and the womanly ideal.
Deeply involved in London's wartime black market, gangland lawyer Mark Abrahams worries for his life. Operating on both sides of the law he is desperate for a way out. His chance comes during a daytime raid in 1943. Returning from the bank he finds his building blitzed and his staff buried under three floors of smoking rubble and with them his partner Richard Ellis. But who is to say who died, he or Ellis? With GBP15000 in his suitcase he sees his chance to flee from London with another man's identity. By the spring of 1944 the reborn Richard Ellis has become an established solicitor in a small port on the Cornish coast but it is the affairs of the local gentry that awakens his interest. Silas Trevelyan, a miserly recluse is sitting on a family fortune. His vast estate of property and watermills dominates the river valley down to Creakside Manor. Next in line for succession is Bill Ives. Widowed with a small child, he marries Rachel, a flighty conscript from London. To cut her out of his fortunes, Silas alters his will, leaving everything to Bill's daughter, Charlotte. But when Bill is killed during the D-Day celebrations, Ellis realises that with some clever forgery, he can steer Silas' money his way. However, he underestimates both the Trevelyan cunning and the gutsy young Charlotte. Neither does he expect his past to catch up with him as it does when a schooner sails into the harbour in 1953. Its owner, U.S. naval officer Jack Lavelle is there to uncover the truth. Ellis, driven to murderous lengths to avoid disclosure, takes risk after risk to save his dream. But there is something else, triggered off by Ellis's own evil, that brings about the horrific ending none of them could have foreseen.
New York Construction Law covers everything from licensing and contracts to disputes and claims-including full chapters on design-build projects and recent trends in ADR. It examines all the pertinent cases and statutes, with expert analysis by the state's top construction attorneys, along with practical insights, warnings, and advice culled from years of experience. Highlights include: extensive discussion of the newly enacted Terrorism Risk Insurance Act of 2002 - burden of proof under the Eicheleay formula - pending legislation in New York that would permit a new form of business entity that would be know as design professional service corporation - efforts by Governor Pataki to repeal the Wick's Law - pending state legislation that would render design-build contracts void unless the licensed engineer or architect is specifically identified in the contract and such licensee's practice is independent of the contracting party's business - pending state legislation that would increase the threshold for public works contracts - latest cases concerning who may file a lien, what items are alienable, when liens can be filed, liens filed against condominiums, lien foreclosure actions - a new section regarding assignee of construction contracts.
This title covers the four main areas of company law: the constitution, formation and personality of a company; corporate governance; corporate finance; and insolvency and company charges.
Michael Tolkin is one of Hollywood's hottest new players, a screenwriter and director who has created films that are intellectually uncompromising, provocative, hilarious, sexy, and brilliantly contemporary. The Player, the award-winning movie sensation about the twisted world of Hollywood, was directed by Robert Altman and starred Tim Robbins and Greta Scacchi. It has been hailed as "a masterpiece! One of the smartest, funniest, most penetrating movies about moviemaking ever made" (Vanity Fair). The Rapture explores the emotionally intense, surreal world of Christian fundamentalism. The Los Angeles Times called it "a nervy, unsettling, edgy piece of work, that most audacious of cinematic ventures, a film of theological ideas, intent on looking into what we believe and why we believe it, determined, even eager, to explore the issues of heaven, hell, and the hereafter." The New Age, a film sure to become an archetype for the post-1980's era, tells the story of a young couple's fall from financial grace and their quest for spirituality in a world defined by materialism. These screenplays not only represent some of the finest and most challenging work being done in Hollywood today but present, collectively, breadth, and feeling to that created by any of our time's most talented artists, whatever the medium.
The Collected (Almost) Works of Michael Timko.Volume II consists of a number of essays written over the past 50 or so years. These essays, some scholarly, some not so scholarly, reflect his interests in various subjects, some scholarly, some not so. Their publication in this volume is chiefly for the benefit of immediate family and dear friends. The author hopes that those who dip into the book will immerse themselves completely; in other words get wet. In the words of that famous philosopher: Enjoy.
First published in 1984, this title examines the development of a special rhetoric in Dickens’ work, which, by using grotesque effects, challenged the complacency of his middle-class Victorian readers. The study begins by exploring definitions of the grotesque and moves on to look at three key aspects that particularly impacted on Dickens’ imagination: popular theatre (especially pantomime), caricature, and the tradition of the Gothic novel. Michael Hollington traces the development of Dickens’ application of the grotesque from his early work to his late novels, showing how its use becomes more subtle. Hollington’s title greatly enhances our appreciation of Dickens’ technique, showing the skill with which he used the grotesque to undermine stereotyped responses and encourage his readership to challenge their context.
Zanesville is located in a geographically fortuitous location in the southeastern part of the state, juxtaposed between the Licking and Muskingum Rivers and rich veins of clay, natural gas, and coal. Settled in 1797, Zanesville grew and prospered over the next 200 years as a transportation hub and a pottery-and tile-manufacturing center. Known for decades as either “Clay City” or the “Y-Bridge City,” Zanesville retains its charm and small-town qualities through its architecture, neighborhoods, parks, schools, downtown buildings, churches, and numerous bridges that crisscross the city. As you explore Zanesville's historic past, you may find yourself reminiscing about earlier days and learn why so many people have called Zanesville home.
An all star cast of academic experts offer an important and timely analysis of the pursuit of autonomy. They argue that it is key to move beyond the primarily normative debate about the rights or wrongs of autonomous regions on the basis of cultural concerns, instead focusing on understanding what makes autonomy function successfully.
Describes the features of catatonia, teaches the reader how to identify and treat the syndrome successfully, and describes its neurobiology. Patient vignettes from the authors' practices, and many from the classical literature, illustrate the principles of diagnosing and treating patients with catatonia.
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