Corrections: A Critical Approach, 3rd edition confronts mass imprisonment in the United States, a nation boasting the highest incarceration rate in the world. This statistic is all the more troubling considering that its correctional population is overrepresented by the poor, African-Americans, and Latinos. Not only throwing crucial light on matters involving race and social class, this book also identifies and examines the key social forces shaping penal practice in the US - politics, economics, morality, and technology. By attending closely to historical and theoretical development, the narrative takes into account both instrumental (goal-oriented) and expressive (cultural) explanations to sharpen our understanding of punishment and the growing reliance on incarceration. Covering five main areas of inquiry - penal context, penal populations, penal violence, penal process, and penal state - this book is essential reading for both undergraduate and graduate students interested in undertaking a critical analysis of penology.
Details how American immigration law and policy have increasingly relied on incarceration, locking up thousands of immigrants not because they pose any real danger, but as a collective expression of moral panic and hostility toward perceived outsiders." David Cole [back cover].
Since 9/11, a new configuration of power situated at the core of the executive branch of the U.S. government has taken hold. In Crimes of Power & States of Impunity, Michael Welch takes a close look at the key historical, political, and economic forces shaping the country's response to terror. Welch continues the work he began in Scapegoats of September 11th and argues that current U.S. policies, many enacted after the attacks, undermine basic human rights and violate domestic and international law. He recounts these offenses and analyzes the system that sanctions them, offering fresh insight into the complex relationship between power and state crime. Welch critically examines the unlawful enemy combatant designation, Guantanamo Bay, recent torture cases, and collateral damage relating to the war in Iraq. This book transcends important legal arguments as Welch strives for a broader sociological interpretation of what transpired early this century, analyzing the abuses of power that jeopardize our safety and security.
From the Foreword "Michael Welch′s book is an invitation to think. It is an invitation to grow intellectually and critically, as a consumer of crime policy and an observer of the American scene. Written by a scholar who has dedicated his work to uncovering the hidden ironies of formal crime policy, this is a collection of essays of depth and significance." -Todd R. Clear, Distinguished Professor, John Jay College of Criminal Justice Praise for Ironies of Imprisonment: "The American correctional system is too often misshaped by a toxic mixture of ideology, anti-intellectualism, wishful thinking, and structural interests. Michael Welch uses his substantial critical skills to illuminate how these various factors intersect to create policies and practices that produce, in the end, more injustice and less public safety. His sobering analysis deconstructs the rhetoric used to justify mass imprisonment and its unanticipated, disquieting consequences." -Frank Cullen, University of Cincinnati "Michael Welch has written a book which anyone who is looking for an alternative to conventional and conservative approaches to prisons and punishment should read. Welch provides the groundwork for the development of a penology which engages critically with the growing tensions and ironies of imprisonment." -Roger Matthews, Middlesex University Ironies of Imprisonment examines in-depth an array of problems confronting correctional programs and policies from the author′s singular and consistent critical viewpoint. The book challenges the prevailing logic of mass incarceration and traces the ironies of imprisonment to their root causes, manifesting in social, political, economic, and racial inequality. Key Features A compelling Foreword written by Todd E. Clear, an internationally recognized leader in the field of criminal justice. Chapters open with illuminating real-life vignettes and end with provocative review questions. The author′s knowledgeable and dynamic voice provides a consistent perspective on key issues such as the war on drugs, the war on terror, prison violence, capital punishment, health care, and the prison industry. Up-to-date presentation of pertinent subject matter, including chief developments in research and theory. Discussion of the problems facing corrections in a post-September 11th world. Unique and accessible, this book promises to stimulate spirited discussion and debate over the use of prisons. Ironies of Imprisonment is recommended reading for students in corrections classes at the undergraduate and graduate levels in sociology, criminology, and criminal justice departments. In addition, it can be used in conjunction with a core text in courses on policy, theories of punishment, and social problems. The book will also be of interest to a general audience interested in reading about incarceration. Michael Welch is the author of numerous articles and several books on the subject of punishment and social control, including Punishment in America (1999), Flag Burning: Moral Panic and the Criminalization of Protest (2000), and Detained: Immigration Laws and the Expanding I.N.S. Jail Complex (2002). He has correctional experience at the federal, state, and local levels. Welch received a Ph.D. in sociology from the University of North Texas, Denton and is Associate Professor of Criminal Justice at Rutgers University.
Argues that the "war on terror" is a political charade that delivers illusory comfort, stokes fear, and produces scapegoats used as emotional relief. Drawing on topics such as the Abu Ghraib scandal, Guantanamo Bay, and the controversial Patriot Act, this work looks at the significance of knowledge, language, and emotion in a post-9/11 world.
The resurrection of former prisons as museums has caught the attention of tourists along with scholars interested in studying what is known as dark tourism. Unsurprisingly, due to their grim subject matter, prison museums tend to invert the "Disneyland" experience, becoming the antithesis of "the happiest place on earth." In Escape to Prison, the culmination of years of international research, noted criminologist Michael Welch explores ten prison museums on six continents, examining the complex interplay between culture and punishment. From Alcatraz to the Argentine Penitentiary, museums constructed on the former locations of surveillance, torture, colonial control, and even rehabilitation tell unique tales about the economic, political, religious, and scientific roots of each site’s historical relationship to punishment.
Memories from a boy growing up in the 50s — his desire to play the drums. Songs on the radio — childhood reflections and early music influences. Transitioning into the 60s. The Beatles on Ed Sullivan, juvenile delinquency, his first drum-set. Experiences as a seventeen year old professional musician. Gigs in sleazy lounges, go-go bars & juke joints. 1967 “The Summer of Love” on the Florida Space Coast. ”On The Road” playing music 6 nights a week in Orlando, Pensacola, Atlanta, New York and Key West. U-Haul trailers, guns, M80s, hookah pipes, Jimi Hendrix, The Doors, Top 40 music. A house gig at The Fiesta and Beach House in Biloxi, Mississippi. A night in the Hattiesburg Jail. Paying dues, Love, Friendships, Crazy Characters. It was the 60s."Notes of a Young Drummer 1966-1969" by Michael Welch is a narrative of stories from his experiences as a 16-19 year old musician. New for 2014 from Welch is a collection of Free Verse Narrative Mr. Welch ! Who do you think you are ? Observations from park benches, coffee shops, gigs, malls, and his drumseat. Topics include Jazz-DJ's-The Avant Garde-JFK-NPR-Food-Society-Richard Nixon-Derek Bailey-etc.etc.
Hampton has a problem. He is a vampire and tired of being invisible. Against the wishes of his family, he appears on television, contracts to write a book and heads up a movement to establish vampires as a recognized minority group in America. What follows is a public that wishes to exploit him, a government that wants to suppress him and a family that wants to disown him. Lurking in the background is Lord Evido, a.k.a. Earl. He is Hampton's worst fear: an old fashioned vampire who knows the danger of destroying an age old myth. The coffee table is a coffin and "finger" food is served at cocktail time!
Responses to flag burning as a particular form of street protest tend to polarize into two camps: one holding the view that action of this sort is constitutionally protected protest; the other, that it is subversive and criminal activity. In this well-researched and richly documented volume, Welch examines the collision of these ideologies, and shows the relevance of sociological concepts to a deeper understanding of such forms of protest. In exploring social control of political protest in the United States, this volume embarks on an in-depth examination of flag desecration and efforts to criminalize that particular form of dissent. It seeks to examine the sociological process facilitating the criminalization of protest by attending to moral enterprises, civil religion, authoritarian aesthetics, and the ironic nature of social control. Flag burning is a potent symbolic gesture conveying sharp criticism of the state. Many American believe that flag desecration emerged initially during the Vietnam War era, but the history of this caustic form of protest can be traced to the period leading up to the Civil War. The act of torching Old Glory differs qualitatively from other forms of defiance. With this distinction in mind, attempts to penalize and deter flag desecration transcend the utilitarian function of regulating public protest. Despite popular claims that American society is built on genuine consensus, the flag-burning controversy brings to light the contentious nature of U.S. democracy and its ambivalence toward free expression. The First Amendment of the U.S. Constitution is often viewed as one of the more unpopular additions to the Bill of Rights. One constitutional commentator underscores this point by noting that the First Amendment gives citizens the right to tell people what they do not want to hear. Flag Burning is a well-written, informative volume suitable for courses in deviance, social problems, social movements, mass communication, criminology, and political science, as well as in sociology of law and legal studies.
New Orleans: The Underground Guide shows visitors how to experience the Big Easy like a local, looking past staples like beignets and Bourbon Street to reveal a city bursting with contemporary and experimental art, genre-busting DJs, international cuisines, and even kid-friendly activities. This fully updated edition offers an expansive collection of alternative recommendations for exploring the city of Mardi Gras, brass bands, and weekly festivals. Featuring over two hundred new entries on local bands, rappers, restaurants with live music, galleries, and more, this guidebook takes readers on a one-of-a-kind journey through New Orleans, giving advice on everything from what thrift stores and bookshops to visit to what bands to catch in concert and what parades to attend. Lead author Michael Patrick Welch provides a detailed guide of the less traditional, more adventurous side of New Orleans, from bars that hold readings of poetry and erotic literature to costume shops that sell handmade masks, party supplies, and all the parade throws you can carry. Drawing on the wisdom of New Orleans celebrities, journalists, artists, and musicians from throughout the Crescent City, the fourth edition of New Orleans: The Underground Guide is an authentic and reliable resource for where locals listen to music, art hop, shop, eat, drink, and let loose.
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