In Glory of the Logos in the Flesh, Michael Waldstein helps readers of Pope John Paul II's Theology of the Body enter this masterwork with clearer understanding. Part Three is a map of John Paul's text, a summary of each paragraph with an explanation of the order of the argument. Part Two reflects on the breadth of reason ( logos) in Plato's Republic, Aristotle's Physics, and the Gospel of John, in contrast to the narrowing of reason in Luther, Bacon, and Descartes. Part One shows how this breadth of reason is at work in John Paul's dialogue with Thomas Aquinas, John of the Cross, Kant, and Scheler. --
A new critical translation of Pope John Paul II's talks on the Theology of the Body by the internationally renowned biblical scholar Michael Waldstein. With meticulous scholarship and profound insight, Waldstein presents John Paul II's magnificent vision of the human person. Includes a preface by Cardinal Schönborn, a foreword by Christopher West, a comprehensive index of words and phrases, a scriptural index, and a reference table for other versions of the papal texts. Recipient of a CPA Award!
The first of a two-volume project delving into the doctrine of justification. Michael Horton seeks not simply to recover a clear message of its role in modern Reformed theology, but also to bring a fresh discovery of the gospel in a time when contemporary debates around justification have reignited. The doctrine of justification stands at the center of our systematic reflection on the meaning of salvation and grace as well as our piety, mission, and life together. And yet, within mainline Protestant and evangelical theology, it's often taken for granted or left to gather dust in favor of modern concerns and self-renewal. Volume 1 is an exercise in historical theology, exploring the doctrine of justification from the patristic era to the Reformation. This book: Provides a map for contemporary discussions of justification, identifying and engaging principal sources: Origen, Chrysostom, Augustine, Thomas Aquinas, John Duns Scotus, William of Ockham, Gabriel Biel, and the magisterial reformers. Studies the transformations of the doctrine through Aquinas, Scotus and the nominalists leading up to the era of the Reformation and the Council of Trent. Concludes by examining the hermeneutical and theological significance of the Reformers' understanding of the law and the gospel and the resultant covenantal scheme that became formative in Reformed theology. Engaging and thorough, Justification will not only reenergize the reader—whether Protestant or Catholic—with a passion for understanding this essential and long-running doctrinal conversation, but also challenge anyone to engage critically with the history of the Church and the heart of the gospel.
Thomas Mann meets Mordecai Richler in this outstanding novel of great intellect and humour that already reads like a classic. The Frumkiss family doesn't look much different from any of the others in Toronto's Bathurst Manor. Grandpa survived the Holocaust; Grandma the Second came from Poland at the age of five. Dad's a foot doctor; Mom is dead, and her mother — Grandma Number One —died while giving birth to her in Kazakhstan. Her three kids — the oldest is forty-two — are as frustrated and directionless as most baby boomers with no real financial worries. One's in Toronto, there's one in the suburbs and the third lives in Israel. As far as the Frumkisses know, all that distinguishes them from anybody else is that Grandpa is a famous Yiddish writer who ended up working for the CBC. But Grandpa's death sets off a chain of events that force the Frumkisses to see how different their family is from all the others. The Frumkiss Family Business, Michael Wex's brilliant and hilarious new novel, is a family saga for the twenty-first century, a lovingly accurate portrait of middle-class Canadian life at the turn of the century and of the Toronto neighbourhood that has produced such famous Canadians as Howie Mandel and Wex himself. Imagine Thomas Mann's Buddenbrooks without the stodgy Germans or The Brothers Karamazov with only one brother. Finally, a novel that does for Toronto what Mordecai Richler's books did for Montreal.
Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary. Spitzer's book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven's use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composer's last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.
A compelling history of the famous London club and its members' impact on Britain's scientific, creative, and official life When it was founded in 1824, the Athenæum broke the mold. Unlike in other preeminent clubs, its members were chosen on the basis of their achievements rather than on their background or political affiliation. Public rather than private life dominated the agenda. The club, with its tradition of hospitality to conflicting views, has attracted leading scientists, writers, artists, and intellectuals throughout its history, including Charles Darwin and Matthew Arnold, Edward Burne-Jones and Yehudi Menuhin, Winston Churchill and Gore Vidal. This book is not presented in the traditional, insular style of club histories, but devotes attention to the influence of Athenians on the scientific, creative, and official life of the nation. From the unwitting recruitment of a Cold War spy to the welcome admittance of women, this lively and original account explores the corridors and characters of the club; its wider political, intellectual, and cultural influence; and its recent reinvention.
A glorious plum-pudding of a book, to be consulted, with pleasure and profit, over and over again' Sir Jeremy Isaacs Michael Steen's 'Great Composers' was originally published in 2003. A lifetime's work and almost 1000 pages long, it has since become 'the' reference point and key read on the biographical backgrounds to classical music's biggest names. Authoritative and hugely detailed - but nonetheless a joy to read - this new edition will expand its readership further and capitalise on a newfound popular interest in classical music. Steen's book helps you explore the story of Bach, the respectable burgher much of whose vast output was composed amidst petty turf disputes in Lutheran Leipzig; or the ugly, argumentative Beethoven in French-occupied Vienna, obsessed by his laundry; or Mozart, the over-exploited infant prodigy whose untimely death was shrouded in rumour. Read about Verdi, who composed against the background of the Italian Risorgimento; or about the family life of the Wagners; and, Brahms, who rose from the slums of Hamburg to become a devotee of beer and coffee in fin-de-siecle Vienna, a cultural capital bent on destroying Mahler ... and much, much more.
This book covers pathophysiology of fever, the general approach to the febrile patient, and offers a systematic, in-depth discussion regarding the differential diagnosis of unexplained fever. The authors define an unexplained fever as a fever which lasts a minimum of 14 days and whose etiology is not known. This one-of-a-kind publication highlights the main causes of fever, specifically infectious diseases, cancer, connective tissue diseases, various rare disorders, plus etiologies which are often ignored. Also, laboratory and medical imaging techniques for diagnosing fevers are included. Written in a comprehensive, unrepetitious style, this "must-have" resource includes such aspects as the history of the fever, a review of published cases, the approach to the patient, and an analytical review. This up-to-date volume is an indispensable guide that should be read by physicians, surgeons, internists, microbiologists and other medical professionals.
Our image of Beethoven has been transformed by the research generated by a succession of scholars and theorists who blazed new trails from the 1960s onwards. This collection of articles written by leading Beethoven scholars brings together strands of this mainly Anglo-American research over the last fifty years and addresses a range of key issues. The volume places Beethoven scholarship within a historical and contemporary context and considers the future of Beethoven studies.
How one extraordinary pianist, scholar, and editor prepared for publication important scores by Ives, Copland, and Ruggles, and reshaped the history of American musical modernism. For over sixty years, the scholar and pianist John Kirkpatrick tirelessly promoted and championed the music of American composers. In this book, Drew Massey explores how Kirkpatrick's career as an editor of music shaped the musicand legacies of some of the great American modernists, including Aaron Copland, Ross Lee Finney, Roy Harris, Hunter Johnson, Charles Ives, Robert Palmer, and Carl Ruggles. Drawing on oral histories, interviews, and Kirkpatrick's own extensive archives, Massey carefully reconstructs Kirkpatrick's collaborations with such luminaries, displaying his editorial practice and inviting reconsideration of many of the most important debates in American modernism --for example, the self-fashioning of young composers during the 1940s, the cherished myth of Ruggles as a composer in communion with the "timeless," and Ives's status as a pioneer of modernist techniques. First winner (November 2014) of ASCAP's Virgil Thomson Award for Outstanding Music Criticism. Drew Massey is an Assistant Professor of Music at Binghamton University.
New York defense attorney Neil Brewster has everything he's ever wanted: an expensive Manhattan apartment, a gorgeous fiancÉ, a forthcoming partnership in his law firm, and a reputation for winning even the most hopeless cases. His utter ruthlessness and bullying--both in and out of the courtroom--are legendary, and have been since his childhood. With a new high profile court case looming, a camping reunion with his old high school cronies becomes just the distraction he needs. But Neil's weekend plunges into disarray when he's confronted with the sins of his past. After learning about the suicide of the boy he bullied relentlessly as a teenager, Neil is tormented by ghostly voices and apparitions. His shrewd mind, whose preeminence has been vital to his success, begins to crumble as the hauntings become more harrowing and deadly. Frantic, Neil descends into a frenzied search for answers, only to discover that things aren't always what they seem.
Nineteen biblical scholars and theologians in this volume explore the notions of union and participation within Pauline theology, teasing out the complex web of meaning conveyed through Paul's theological vision of being "in Christ." With essays that investigate Pauline theology and exegesis, ex-amine highlights from reception history, and offer deep theological reflection, this exemplary multidisciplinary collection charts new ground in the scholarly understanding of Paul's thought and its theological implications.
Promise and Fulfillment: The Relationship Between the Old and the New Testaments is the eight volume in the acclaimed series from Scott Hahn’s St. Paul Center for Biblical Theology. Letter & Spirit, the most widely read journal of Catholic Biblical Theology in English, seeks to foster a deeper conversation about the Bible. The series takes a crucial step toward recovering the fundamental link between the literary and historical study of Scripture and its religious and spiritual meaning in the Church’s liturgy and Tradition. This volume features an all-star lineup tackling one of the oldest questions in Christian biblical scholarship — the relationship between the Old and New Testaments. Highlights include Hahn’s essay on the meaning of covenant in Hebrews 9 and Brant Pitre’s reading of the parable of the Royal Wedding Feast (Matt 22:1-14) against the backdrop of Jewish Scripture and tradition.
Michael Musgrave presents a contemporary view of Brahms 150 years after his birth, seeing him not simply as the "conservative" figure so often stressed in the past, but as one who creatively reinterpreted a wider range of historical elements than any composer of his time. Brahms absorbed his studies directly into his music making and composition and in so doing helped to evolve not merely a personal language which was regarded as progressive and sometimes difficult by a range of contemporaries and successors, but also helped to establish an ethos of historical reference which anticipates the twentieth century. The Music of Brahms concentrates on the music, with Brahms's life discussed briefly in the introduction. The works are considered in four phases according to genre, with an emphasis on connection and on the development and elaboration of a unified language. The list of works includes recent discoveries and a calendar outlines the pattern of his musical life, including relevant information concerning performances.
Robert Boyle (1627-1691) was one of the most influential scientific and theological thinkers of his time. This is the first edition of his correspondence, transcribed from the original manuscripts. It is fully annotated, with an introduction and general index. Volume 6 covers the period of 1684–91.
No God, No Science: Theology, Cosmology, Biology presents a work of philosophical theology that retrieves the Christian doctrine of creation from the distortions imposed upon it by positivist science and the Darwinian tradition of evolutionary biology. Argues that the doctrine of creation is integral to the intelligibility of the world Brings the metaphysics of the Christian doctrine of creation to bear on the nature of science Offers a provocative analysis of the theoretical and historical relationship between theology, metaphysics, and science Presents an original critique and interpretation of the philosophical meaning of Darwinian biology
In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.
The Concise Oxford Dictionary of Music is the most authoritative and up-to-date dictionary of music available in paperback. Coverage includes musical terms from allegro to zingaro, and musical works from Aida to Zauberflote, as well as composers, librettists, musicians, singers, and orchestras. It provides a mine of information for all lovers of music." "The book includes musical instruments and their history; and covers living composers and performers, with over 150 added for this edition."--BOOK JACKET.
The memoirs and life of Lorraine Halse Vines, 1918 to 2007, including childhood and school days, pre-war England, Germany and America, university and hospital study, the RAAF and Jervis Bay, civilian life, family and career, adventures with husband Bob, final notes by daughter Kathi and funeral service.
An examination of the ways in which the American experience influenced some of the major Jewish leaders during and between the world wars. The Israeli-American Connection examines the ways in which the American experience influenced some of the major leaders of the yishuv, the Jewish settlement in Palestine, during and between the world wars. In six biographical chapters, Michael Brown studies Vladimir Jabotinsky, Chaim Nahman Bialik, Berl Katznelson, Henrietta Szold, Golda Meir, and David Ben-Gurian, focusing on each leader's involvement with and image of America, as well as the impact of America on their lives and careers.
Basic Music Reference is a quick-start guide designed to introduce library employees to the basic tools and techniques involved in answering questions related to music. As in every specialist subject area, music has its own terminology, but unlike most, it also has a multitude of formatson paper and other materialsas well as special notation and frequent use of foreign languages in titles and texts. These features make it particularly difficult for library employees to answer users questions and thus a guide such as this one is essential. Not all libraries with a music collection can afford to hire a music reference librarian. Even libraries with such a specialist rely on support staff and student employees to answer questions when the music librarian is not available. Whatever the scenario, this volume will serve as a helpful training tool for library employees to learn about the basic music reference tools, and to develop the techniques of greatest use when answering the most common types of music-related questions
Most anyone interested in such topics as creation mythology, Jungian theory, or the idea of "secret teachings" in ancient Judaism and Christianity has found "gnosticism" compelling. Yet the term "gnosticism," which often connotes a single rebellious movement against the prevailing religions of late antiquity, gives the false impression of a monolithic religious phenomenon. Here Michael Williams challenges the validity of the widely invoked category of ancient "gnosticism" and the ways it has been described. Presenting such famous writings and movements as the Apocryphon of John and Valentinian Christianity, Williams uncovers the similarities and differences among some major traditions widely categorized as gnostic. He provides an eloquent, systematic argument for a more accurate way to discuss these interpretive approaches. The modern construct "gnosticism" is not justified by any ancient self-definition, and many of the most commonly cited religious features that supposedly define gnosticism phenomenologically turn out to be questionable. Exploring the sample sets of "gnostic" teachings, Williams refutes generalizations concerning asceticism and libertinism, attitudes toward the body and the created world, and alleged features of protest, parasitism, and elitism. He sketches a fresh model for understanding ancient innovations on more "mainstream" Judaism and Christianity, a model that is informed by modern research on dynamics in new religious movements and is freed from the false stereotypes from which the category "gnosticism" has been constructed.
This study examines the composer as a public figure. It examines the fate of the composer through successive incarnations and investigates a range of themes such as subjectivity and identity.
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.