Michael W. Jennings's Books

My Cocaine Museum

By: Michael Taussig

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In this book, a make-believe cocaine museum becomes a vantage point from which to assess the lives of Afro-Colombian gold miners drawn into the dangerous world of cocaine production in the rain forest of Colombia's Pacific Coast. Although modeled on the famous Gold Museum in Colombia's central bank, the Banco de la República, Taussig's museum is also a parody aimed at the museum's failure to acknowledge the African slaves who mined the country's wealth for almost four hundred years. Combining natural history with political history in a filmic, montage style, Taussig deploys the show-and-tell modality of a museum to engage with the inner life of heat, rain, stone, and swamp, no less than with the life of gold and cocaine. This effort to find a poetry of words becoming things is brought to a head by the explosive qualities of those sublime fetishes of evil beauty, gold and cocaine. At its core, Taussig's museum is about the lure of forbidden things, charged substances that transgress moral codes, the distinctions we use to make sense of the world, and above all the conventional way we write stories.

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360

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University of Chicago Press

Published Date

ISBN 10

0226790150

ISBN 13

9780226790152

Walter Benjamin

A Critical Life

By: Howard Eiland,Michael W. Jennings

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Walter Benjamin

A Critical Life

By: Howard Eiland,Michael W. Jennings

Walter Benjamin is one of the twentieth century's most important intellectuals, and also one of its most elusive. His writings—mosaics incorporating philosophy, literary criticism, Marxist analysis, and a syncretistic theology—defy simple categorization. And his mobile, often improvised existence has proven irresistible to mythologizers. His writing career moved from the brilliant esotericism of his early writings through his emergence as a central voice in Weimar culture and on to the exile years, with its pioneering studies of modern media and the rise of urban commodity capitalism in Paris. That career was played out amid some of the most catastrophic decades of modern European history: the horror of the First World War, the turbulence of the Weimar Republic, and the lengthening shadow of fascism. Now, a major new biography from two of the world's foremost Benjamin scholars reaches beyond the mosaic and the mythical to present this intriguing figure in full. Howard Eiland and Michael Jennings make available for the first time a rich store of information which augments and corrects the record of an extraordinary life. They offer a comprehensive portrait of Benjamin and his times as well as extensive commentaries on his major works, including "The Work of Art in the Age of Its Technological Reproducibility," the essays on Baudelaire, and the great study of the German Trauerspiel. Sure to become the standard reference biography of this seminal thinker, Walter Benjamin: A Critical Life will prove a source of inexhaustible interest for Benjamin scholars and novices alike.

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639

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Harvard University Press

Published Date

ISBN 10

067472724X

ISBN 13

9780674727243

The Godman and the Sea

The Empty Tomb, the Trauma of the Jews, and the Gospel of Mark

By: Michael J. Thate

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The Godman and the Sea

The Empty Tomb, the Trauma of the Jews, and the Gospel of Mark

By: Michael J. Thate

If scholars no longer necessarily find the essence and origins of what came to be known as Christianity in the personality of a historical figure known as Jesus of Nazareth, it nevertheless remains the case that the study of early Christianity is dominated by an assumption of the force of Jesus's personality on divergent communities. In The Godman and the Sea, Michael J. Thate shifts the terms of this study by focusing on the Gospel of Mark, which ends when Mary Magdalene, Mary the mother of James, and Salome discover a few days after the crucifixion that Jesus's tomb has been opened but the corpse is not there. Unlike the other gospels, Mark does not include the resurrection, portraying instead loss, puzzlement, and despair in the face of the empty tomb. Reading Mark's Gospel as an exemplary text, Thate examines what he considers to be retellings of other traumatic experiences—the stories of Jesus's exorcising demons out of a man and into a herd of swine, his stilling of the storm, and his walking on the water. Drawing widely on a diverse set of resources that include the canon of western fiction, classical literature, the psychological study of trauma, phenomenological philosophy, the new materialism, psychoanalytic theory, poststructural philosophy, and Hebrew Bible scholarship, as well as the expected catalog of New Testament tools of biblical criticism in general and Markan scholarship in particular, The Godman and the Sea is an experimental reading of the Gospel of Mark and the social force of the sea within its traumatized world. More fundamentally, however, it attempts to position this reading as a story of trauma, ecstasy, and what has become through the ruins of past pain.

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327

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University of Pennsylvania Press

Published Date

ISBN 10

0812296397

ISBN 13

9780812296396

Performing Commemoration

Musical Reenactment and the Politics of Trauma

By: Annegret Fauser,Michael A. Figueroa

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Performing Commemoration

Musical Reenactment and the Politics of Trauma

By: Annegret Fauser,Michael A. Figueroa

Public commemorations of various kinds are an important part of how groups large and small acknowledge and process injustices and tragic events. Performing Commemoration: Musical Reenactment and the Politics of Trauma looks at the roles music can play in public commemorations of traumatic events that range from the Armenian genocide and World War I to contemporary violence in the Democratic Republic of the Congo and the #sayhername protests. Whose version of a traumatic historical event gets told is always a complicated question, and music adds further layers to this complexity, particularly music without words. The three sections of this collection look at different facets of musical commemorations and reenactments, focusing on how music can mediate, but also intensify responses to social injustice; how reenactments and their use of music are shifting (and not always toward greater social effectiveness); and how claims for musical authenticity are politicized in various ways. By engaging with critical theory around memory studies and performance studies, the contributors to this volume explore social justice, in, and through music.

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309

Publisher

University of Michigan Press

Published Date

ISBN 10

0472127217

ISBN 13

9780472127214

Theorizing Rituals, Volume 2: Annotated Bibliography of Ritual Theory, 1966-2005

By: Jens Kreinath,J.A.M. Snoek,Michael Stausberg

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Theorizing Rituals, Volume 2: Annotated Bibliography of Ritual Theory, 1966-2005

By: Jens Kreinath,J.A.M. Snoek,Michael Stausberg

Volume two of Theorizing Rituals mainly consists of an annotated bibliography of more than 400 items covering those books, edited volumes and essays that are considered most relevant for the field of ritual theory. Instead of proposing yet another theory of ritual, the bibliography is a comprehensive monument documenting four decades of theorizing rituals.

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593

Publisher

BRILL

Published Date

ISBN 10

9047421825

ISBN 13

9789047421825

Defacement

Public Secrecy and the Labor of the Negative

By: Michael T. Taussig

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Defacement

Public Secrecy and the Labor of the Negative

By: Michael T. Taussig

Defacement asks what happens when something precious is despoiled. In specifying the human face as the ideal type for thinking through such violation, this book raises the issue of secrecy as the depth that seems to surface with the tearing of surface.

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334

Publisher

Stanford University Press

Published Date

ISBN 10

0804732000

ISBN 13

9780804732000

What Color Is the Sacred?

By: Michael Taussig

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What Color Is the Sacred?

By: Michael Taussig

Over the past thirty years, visionary anthropologist Michael Taussig has crafted a highly distinctive body of work. Playful, enthralling, and whip-smart, his writing makes ingenious connections between ideas, thinkers, and things. An extended meditation on the mysteries of color and the fascination they provoke, What Color Is the Sacred? is the next step on Taussig’s remarkable intellectual path. Following his interest in magic and surrealism, his earlier work on mimesis, and his recent discussion of heat, gold, and cocaine in My Cocaine Museum,this book uses color to explore further dimensions of what Taussig calls “the bodily unconscious” in an age of global warming. Drawing on classic ethnography as well as the work of Benjamin, Burroughs, and Proust, he takes up the notion that color invites the viewer into images and into the world. Yet, as Taussig makes clear, color has a history—a manifestly colonial history rooted in the West’s discomfort with color, especially bright color, and its associations with the so-called primitive. He begins by noting Goethe’s belief that Europeans are physically averse to vivid color while the uncivilized revel in it, which prompts Taussig to reconsider colonialism as a tension between chromophobes and chromophiliacs. And he ends with the strange story of coal, which, he argues, displaced colonial color by giving birth to synthetic colors, organic chemistry, and IG Farben, the giant chemical corporation behind the Third Reich. Nietzsche once wrote, “So far, all that has given colour to existence still lacks a history.” With What Color Is the Sacred? Taussig has taken up that challenge with all the radiant intelligence and inspiration we’ve come to expect from him.

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306

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University of Chicago Press

Published Date

ISBN 10

0226789993

ISBN 13

9780226789996

The Oxford Handbook of Religion and Violence

By: Mark Juergensmeyer,Margo Kitts,Michael Jerryson

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The Oxford Handbook of Religion and Violence

By: Mark Juergensmeyer,Margo Kitts,Michael Jerryson

Violence has always played a part in the religious imagination, from symbols and myths to legendary battles, from colossal wars to the theater of terrorism. The Oxford Handbook of Religion and Violence surveys intersections between religion and violence throughout history and around the world. The forty original essays in this volume include overviews of major religious traditions, showing how violence is justified within the literary and theological foundations of the tradition, how it is used symbolically and in ritual practice, and how social acts of violence and warfare have been justified by religious ideas. The essays also examine patterns and themes relating to religious violence, such as sacrifice and martyrdom, which are explored in cross-disciplinary or regional analyses; and offer major analytic approaches, from literary to social scientific studies. The contributors to this volume--innovative thinkers who are forging new directions in theory and analysis related to religion and violence--provide novel insights into this important field of studies. By mapping out the whole field of religion and violence, The Oxford Handbook of Religion and Violence will prove an authoritative source for students and scholars for years to come.

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670

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Oxford University Press

Published Date

ISBN 10

0199344086

ISBN 13

9780199344086

One Continuous Fight

The Retreat from Gettysburg and the Pursuit of Lee's Army of Northern Virginia, July 4-14, 1863

By: Eric J. Wittenberg,J. David Petruzzi,Michael F. Nugent

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One Continuous Fight

The Retreat from Gettysburg and the Pursuit of Lee's Army of Northern Virginia, July 4-14, 1863

By: Eric J. Wittenberg,J. David Petruzzi,Michael F. Nugent

The titanic three-day battle of Gettysburg left 50,000 casualties in its wake, a battered Southern army far from its base of supplies, and a rich historiographic legacy. Thousands of books and articles cover nearly every aspect of the battle, but not a single volume focuses on the military aspects of the monumentally important movements of the armies to and across the Potomac River. One Continuous Fight: The Retreat from Gettysburg and the Pursuit of Lee's Army of Northern Virginia, July 4-14, 1863 is the first detailed military history of Lee's retreat and the Union effort to catch and destroy the wounded Army of Northern Virginia. Against steep odds and encumbered with thousands of casualties, Confederate commander Robert E. Lee's post-battle task was to successfully withdraw his army across the Potomac River. Union commander George G. Meade's equally difficult assignment was to intercept the effort and destroy his enemy. The responsibility for defending the exposed Southern columns belonged to cavalry chieftain James Ewell Brown (Jeb) Stuart. If Stuart fumbled his famous ride north to Gettysburg, his generalship during the retreat more than redeemed his flagging reputation. The ten days of retreat triggered nearly two dozen skirmishes and major engagements, including fighting at Granite Hill, Monterey Pass, Hagerstown, Williamsport, Funkstown, Boonsboro, and Falling Waters. President Abraham Lincoln was thankful for the early July battlefield victory, but disappointed that General Meade was unable to surround and crush the Confederates before they found safety on the far side of the Potomac. Exactly what Meade did to try to intercept the fleeing Confederates, and how the Southerners managed to defend their army and ponderous 17-mile long wagon train of wounded until crossing into western Virginia on the early morning of July 14, is the subject of this study One Continuous Fight draws upon a massive array of documents, letters, diaries, newspaper accounts, and published primary and secondary sources. These long-ignored foundational sources allow the authors, each widely known for their expertise in Civil War cavalry operations, to describe carefully each engagement. The result is a rich and comprehensive study loaded with incisive tactical commentary, new perspectives on the strategic role of the Southern and Northern cavalry, and fresh insights on every engagement, large and small, fought during the retreat. The retreat from Gettysburg was so punctuated with fighting that a soldier felt compelled to describe it as "One Continuous Fight." Until now, few students fully realized the accuracy of that description. Complimented with 18 original maps, dozens of photos, and a complete driving tour with GPS coordinates of the entire retreat, One Continuous Fight is an essential book for every student of the American Civil War in general, and for the student of Gettysburg in particular. About the Authors: Eric J. Wittenberg has written widely on Civil War cavalry operations. His books include Glory Enough for All (2002), The Union Cavalry Comes of Age (2003), and The Battle of Monroe's Crossroads and the Civil War's Final Campaign (2005). He lives in Columbus, Ohio. J. David Petruzzi is the author of several magazine articles on Eastern Theater cavalry operations, conducts tours of cavalry sites of the Gettysburg Campaign, and is the author of the popular "Buford's Boys" website at www.bufordsboys.com. Petruzzi lives in Brockway, Pennsylvania. A long time student of the Gettysburg Campaign, Michael Nugent is a retired US Army Armored Cavalry Officer and the descendant of a Civil War Cavalry soldier. He has previously written for several military publications. Nugent lives in Wells, Maine.

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706

Publisher

Casemate Publishers

Published Date

ISBN 10

193271443X

ISBN 13

9781932714432

Redeeming Words

Language and the Promise of Happiness in the Stories of Döblin and Sebald

By: David Michael Kleinberg-Levin

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Redeeming Words

Language and the Promise of Happiness in the Stories of Döblin and Sebald

By: David Michael Kleinberg-Levin

Probing study of how literature can redeem the revelatory, redemptive powers of language. In this probing look at Alfred Döblin’s 1929 novel Berlin Alexanderplatz and the stories of W. G. Sebald, Redeeming Words offers a philosophical meditation on the power of language in literature. David Kleinberg-Levin draws on the critical theory of Benjamin and Adorno; the idealism and romanticism of Kant, Hegel, Hölderlin, Novalis, and Schelling; and the nineteenth- and twentieth-century thought of Nietzsche, Heidegger, and Derrida. He shows how Döblin and Sebald—writers with radically different styles working in different historical moments—have in common a struggle against forces of negativity and an aim to bring about in response a certain redemption of language. Kleinberg-Levin considers the fast-paced, staccato, and hard-cut sentences of Döblin and the ghostly, languorous, and melancholy prose fiction of Sebald to articulate how both writers use language in an attempt to recover and convey this utopian promise of happiness for life in a time of mourning.

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386

Publisher

SUNY Press

Published Date

ISBN 10

1438447817

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9781438447810

Playing the Hand We Are Dealt

The Counterpoint of Fate and Freewill in Literature and Life

By: Michael Jackson

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Playing the Hand We Are Dealt

The Counterpoint of Fate and Freewill in Literature and Life

By: Michael Jackson

The relationship between literature and life can be construed as a counterpoint of fate and freewill. Rather than equating fate to the ‘hand we are dealt’ which is reducible to the social or familial environments into which we are born, this book explores the idea of fate through the books that shape our lives and under whose influence we write. Writing in this sense is seen as beyond its utility of making meaning. It is a way of recovering agency in the face of overwhelming experiences. In juxtaposing factuality and fiction, the author makes a case for a radically empirical approach to human experience.

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270

Publisher

Berghahn Books

Published Date

ISBN 10

1805397060

ISBN 13

9781805397069

How Literature Changes the Way We Think

By: Michael Mack

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How Literature Changes the Way We Think

By: Michael Mack

The capacity of the arts and the humanities, and of literature in particular, to have a meaningful societal impact has been increasingly undervalued in recent history. Both humanists and scientists have tended to think of the arts as a means to represent the world via imagination. Mack maintains that the arts do not merely describe our world but that they also have the unique and underappreciated power to make us aware of how we can change accustomed forms of perception and action. Mack explores the works of prominent writers and thinkers, including Nietzsche, Foucault, Benjamin, Wilde, Roth, and Zizek, among others, to illustrate how literature interacts with both people and political as well as scientific issues of the real world. By virtue of its distance from the real world-its virtuality-the aesthetic has the capability to help us explore different and so far unthinkable forms of action and thereby to resist the repetition and perpetuation of harmful practices such as stereotyping, stigma, exclusion, and the exertion of violence.

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209

Publisher

Bloomsbury Publishing USA

Published Date

ISBN 10

1441137637

ISBN 13

9781441137630

Gestures of Ethical Life

Reading Hölderlin's Question of Measure After Heidegger

By: David Michael Kleinberg-Levin

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Gestures of Ethical Life

Reading Hölderlin's Question of Measure After Heidegger

By: David Michael Kleinberg-Levin

For Greek antiquity, the question of right or fitting measure constituted the very heart of both ethics and politics. But can the Good of the ethical life and the Justice of the political be reduced to measurement and calculation? If they are matters of measure, are they not also absolutely immeasurable? In critical dialogue with texts by Plato, Hölderlin, Rilke, Heidegger, Benjamin, Adorno, Marx, Merleau-Ponty, Levinas, and Levi, the author argues that the question of measure has become ever more urgent in the context of a modernity pressured by the conditions of a technological economy and a relativism that threatens to destroy a vital sense of moral responsibility and the commitment to justice that underlies the possibility of freedom. Conceived as a task for the “metaphysics” of memory, this book explores the normative problematic of measure, bringing its deeply buried redemptive promise to appearance in our gestures, uses and abuses of the hands, the dialectic of tact, and the manners of social existence.

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540

Publisher

Stanford University Press

Published Date

ISBN 10

0804750882

ISBN 13

9780804750882

Faulkner, Aviation, and Modern War

By: Michael Zeitlin

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Faulkner, Aviation, and Modern War

By: Michael Zeitlin

Faulkner, Aviation, and Modern War frames William Faulkner's airplane narratives against major scenes of the early 20th century: the Great War, the rise of European fascism in the 1920s and 30s, the Second World War, and the aviation arms race extending from the Wright Flyer in 1903 into the Cold War era. Placing biographical accounts of Faulkner's time in the Royal Air Force Canada against analysis of such works as Soldiers' Pay (1926), "All the Dead Pilots" (1931), Pylon (1935), and A Fable (1954), this book situates Faulkner's aviation writing within transatlantic historical contexts that have not been sufficiently appreciated in Faulkner's work. Michael Zeitlin unpacks a broad selection of Faulkner's novels, stories, film treatments, essays, book reviews, and letters to outline Faulkner's complex and ambivalent relationship to the ideologies of masculine performance and martial heroism in an age dominated by industrialism and military technology.

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248

Publisher

Bloomsbury Publishing USA

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ISBN 10

1501356771

ISBN 13

9781501356773

New Humanitarianism and the Crisis of Charity

Good Intentions on the Road to Help

By: Michael Mascarenhas

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New Humanitarianism and the Crisis of Charity

Good Intentions on the Road to Help

By: Michael Mascarenhas

“An excellent addition to courses on development, inequality, public policy, and globalization, and it could . . . be read by an audience beyond sociologists.”—American Journal of Sociology Soaring poverty levels and 24-hour media coverage of global disasters have caused a surge in the number of international non-governmental organizations that address suffering on a massive scale. But how are these new global networks transforming the politics and power dynamics of humanitarian policy and practice? In New Humanitarianism and the Crisis of Charity, Michael Mascarenhas considers that issue using water management projects in India and Rwanda as case studies. Mascarenhas analyzes the complex web of agreements ?both formal and informal?that are made between businesses, governments, and aid organizations, as well as the contradictions that arise when capitalism meets humanitarianism. “Insightful . . . provides a scathing critique of the new humanitarianism.” —University of Chicago Press Journals

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179

Publisher

Indiana University Press

Published Date

ISBN 10

025302658X

ISBN 13

9780253026583

Poetic Machinations

Allegory, Surrealism, and Postmodern Poetic Form

By: Michael Golston

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Poetic Machinations

Allegory, Surrealism, and Postmodern Poetic Form

By: Michael Golston

The shape, lineation, and prosody of postmodern poems are extravagantly inventive, imbuing both form and content with meaning. Through a survey of American poetry and poetics from the end of World War II to the present, Michael Golston traces the proliferation of these experiments to a growing fascination with allegory in philosophy, linguistics, critical theory, and aesthetics, introducing new strategies for reading American poetry while embedding its formal innovations within the history of intellectual thought. Beginning with Walter Benjamin's explicit understanding of Surrealism as an allegorical art, Golston defines a distinct engagement with allegory among philosophers, theorists, and critics from 1950 to today. Reading Fredric Jameson, Angus Fletcher, Roland Barthes, and Craig Owens, and working with the semiotics of Charles Sanders Pierce, Golston develops a theory of allegory he then applies to the poems of Louis Zukofsky and Lorine Niedecker, who, he argues, wrote in response to the Surrealists; the poems of John Ashbery and Clark Coolidge, who incorporated formal aspects of filmmaking and photography into their work; the groundbreaking configurations of P. Inman, Lyn Hejinian, Myung Mi Kim, and the Language poets; Susan Howe's "Pierce-Arrow," which he submits to semiotic analysis; and the innovations of Craig Dworkin and the conceptualists. Revitalizing what many consider to be a staid rhetorical trope, Golston positions allegory as a creative catalyst behind American poetry's postwar avant-garde achievements.

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319

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Columbia University Press

Published Date

ISBN 10

0231538634

ISBN 13

9780231538633

The Work of Art

Rethinking the Elementary Forms of Religious Life

By: Michael D. Jackson

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The Work of Art

Rethinking the Elementary Forms of Religious Life

By: Michael D. Jackson

How are we to think of works of art? Rather than treat art as an expression of individual genius, market forces, or aesthetic principles, Michael Jackson focuses on how art effects transformations in our lives. Art opens up transitional, ritual, or utopian spaces that enable us to reconcile inward imperatives and outward constraints, thereby making our lives more manageable and meaningful. Art allows us to strike a balance between being actors and being acted upon. Drawing on his ethnographic fieldwork in Aboriginal Australia and West Africa, as well as insights from psychoanalysis, religious studies, literature, and the philosophy of art, Jackson deploys an extraordinary range of references—from Bruegel to Beuys, Paleolithic art to performance art, Michelangelo to Munch—to explore the symbolic labor whereby human beings make themselves, both individually and socially, out of the environmental, biographical, and physical materials that affect them: a process that connects art with gestation, storytelling, and dreaming and illuminates the elementary forms of religious life.

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273

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Columbia University Press

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ISBN 10

0231541996

ISBN 13

9780231541992

Introducing Christian Mission Today

Scripture, History and Issues

By: Michael W. Goheen

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Introducing Christian Mission Today

Scripture, History and Issues

By: Michael W. Goheen

Michael Goheen gives us a full-scale introduction to mission studies today in its biblical, theological and historical dimensions. Goheen covers the full horizon of major issues in mission, including its global, urban and holistic contexts. This text shows how the missional church encounters the pluralism of Western culture and global religions.

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449

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InterVarsity Press

Published Date

ISBN 10

0830895434

ISBN 13

9780830895434

Gustave Caillebotte

Painting the Paris of Naturalism, 1872-1887

By: Michael Marrinan

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Gustave Caillebotte

Painting the Paris of Naturalism, 1872-1887

By: Michael Marrinan

Gustave Caillebotte (1848–1894), the son of a wealthy businessman, is perhaps best known as the painter who organized and funded several of the groundbreaking exhibitions of the Impressionist painters, collected their works, and ensured the Impressionists’ presence in the French national museums by bequeathing his own personal collection. Trained at the École des Beaux-Arts and sharing artistic sympathies with his renegade friends, Caillebotte painted a series of extraordinary pictures inspired by the look and feel of modern Paris that also grappled with his own place in the Parisian art scene. Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work. Michael Marrinan’s ambitious study draws upon new documents and establishes compelling connections between Caillebotte’s painting and literature, commerce, and technology. It offers new ways of thinking about Paris and its changing development in the nineteenth century, exploring the cultural context of Parisian bachelor life and revealing layers of meaning in upscale privilege ranging from haute cuisine to sport and relaxation. Marrinan has written what is sure to be a central text for the study of nineteenth-century art and culture.

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406

Publisher

Getty Publications

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ISBN 10

1606065076

ISBN 13

9781606065075

Machine-age Comedy

By: Michael North

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Machine-age Comedy

By: Michael North

In this latest addition to Oxford's Modernist Literature & Culture series, renowned modernist scholar Michael North poses fundamental questions about the relationship between modernity and comic form in film, animation, the visual arts, and literature. Machine-Age Comedy vividly constructs a cultural history that spans the entire twentieth century, showing how changes wrought by industrialization have forever altered the comic mode. With keen analyses, North examines the work of a wide range of artists--including Charlie Chaplin, Walt Disney, Marcel Duchamp, Samuel Beckett, and David Foster Wallace--to show the creative and unconventional ways the routinization of industrial society has been explored in a broad array of cultural forms. Throughout, North argues that modern writers and artists found something inherently comic in new experiences of repetition associated with, enforced by, and made inevitable by the machine age. Ultimately, this rich, tightly focused study offers a new lens for understanding the devlopment of comedic structures during periods of massive social, political, and cultural change to reveal how the original promise of modern life can be extracted from its practical disappointment.

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233

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Oxford University Press

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ISBN 10

019538122X

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9780195381221

The Science Fiction of Poetics and the Avant-Garde Imagination

By: Michael Golston

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The Science Fiction of Poetics and the Avant-Garde Imagination

By: Michael Golston

How the tropes of science fiction infuse and inform avant-garde poetics and many other kindred arts This insightful, playful monograph from Golston does exactly what it advertises: modeling poetics based on how poetry (and some parallel artistic endeavors) has filtered through a century-plus of science fiction. This is not a book about science fiction in and of itself, but it is a book about the resonances of science-fiction tropes and ideas in poetic language. The germ of Golston's project is a throwaway line in Robert Smithson's Entropy and the New Monuments about how cinema supplanted nature as inspiration for many of his fellow artists: "The movies give a ritual pattern to the lives of many artists, and this induces a kind of 'low budget' mysticism, which keeps them in a perpetual trance." Golston charts how the demotic appeal of sci-fi, much like that of the B-movie, cross-pollinated into poetry and other branches of the avant garde. Golston creates what he calls a "regular Rube Goldberg machine" of a critical apparatus, drawing on Walter Benjamin, Roman Jakobson, and Gilles Deleuze. He starts by acknowledging that, per the important work of Darko Suvin to situate science fiction critically, the genre is premised on cognitive estrangement. But he is not interested in the specific nuts and bolts of science fiction as it exists but rather how science fiction has created a model not only for other poets but also for musicians and landscape artists. Golston's critical lens moves around quite a bit, but he begins with familiar enough subjects: Edgar Rice Burroughs, Mina Loy, William S. Burroughs. From there he moves into more "alien" terrain: Ed Dorn's long poem Gunslinger, the discombobulated work of Clark Coolidge. Sun Ra, Ornette Coleman, and Jimi Hendrix all come under consideration. The result of Golston's restless, rich scholarship is the first substantial monograph on science fiction and avant-garde poetics, using Russian Formalism, Frankfurt School dialectics, and Deleuzian theory to show how the avant-garde inherently follows the parameters of sci fi, in both theme and form.

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258

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University of Alabama Press

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ISBN 10

0817361006

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9780817361006

Just Beyond Listening

Essays of Sonic Encounter

By: Michael C. Heller

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Just Beyond Listening

Essays of Sonic Encounter

By: Michael C. Heller

Just Beyond Listening asks how we might think about encounters with sound that complicate standard accounts of aurality. In a series of essays, Michael C. Heller considers how sound functions in dialogue with a range of sensory and affective modalities, including physical co-presence, textual interference, and spectral haunting. The text investigates sound that is experienced in other parts of the body, altered by cross-wirings of the senses, weaponized by the military, or mediated and changed by cultural practices and memory. Building on recent scholarship in sound studies and affect theory, Heller questions not only how sound propagates acoustically but how sonic presences temper our total experience of the world around us.

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280

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Univ of California Press

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0520350782

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9780520350786

The Wherewithal of Life

Ethics, Migration, and the Question of Well-Being

By: Michael Jackson

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The Wherewithal of Life

Ethics, Migration, and the Question of Well-Being

By: Michael Jackson

The Wherewithal of Life engages with current developments in the anthropology of ethics and migration studies to explore in empirical depth and detail the life experiences of three young men – a Ugandan migrant in Copenhagen, a Burkina Faso migrant in Amsterdam, and a Mexican migrant in Boston – in ways that significantly broaden our understanding of the existential situations and ethical dilemmas of those migrating from the global south. Michael Jackson offers the first biographically based phenomenological account of migration and mobility, providing new insights into the various motives, tactics, dilemmas, dreams, and disappointments that characterize contemporary migration. It is argued that the quandaries of African or Mexican migrants are not unique to people moving between ‘traditional’ and ‘modern’ worlds. While more intensely felt by the young, seeking to find a way out of a world of limited opportunity and circumscribed values, the experiences of transition are familiar to us all, whatever our age, gender, ethnicity or social status – namely, the impossibility of calculating what one may lose in leaving a settled life or home place; what one may gain by risking oneself in an alien environment; the difficulty of striking a balance between personal fulfillment and the moral claims of kinship; and the struggle to know the difference between ‘concrete’ and ‘abstract’ utopias (the first reasonable and worth pursuing; the second hopelessly unattainable).

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272

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University of California Press

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0520276728

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9780520276727

Fictions of Fact and Value

The Erasure of Logical Positivism in American Literature, 1945-1975

By: Michael LeMahieu

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Fictions of Fact and Value

The Erasure of Logical Positivism in American Literature, 1945-1975

By: Michael LeMahieu

Fictions of Fact and Value looks at logical positivism's major influence on the development of postwar American fiction, charting a literary and philosophical genealogy that has been absent from criticism on the American novel since 1945.

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255

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Oxford University Press, USA

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0199890404

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9780199890408

The Far Reaches

Phenomenology, Ethics, and Social Renewal in Central Europe

By: Michael D Gubser

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The Far Reaches

Phenomenology, Ethics, and Social Renewal in Central Europe

By: Michael D Gubser

“By restoring morality to phenomenology, and phenomenology to East European politics, Gubser has rewritten the intellectual history of the twentieth century.” —Samuel Moyn, author of Liberalism Against Itself When future historians chronicle the twentieth century, they will see phenomenology as one of the preeminent social and ethical philosophies of its age. The phenomenological movement not only produced systematic reflection on common moral concerns such as distinguishing right from wrong and explaining the status of values; it also called on philosophy to renew European societies facing crisis, an aim that inspired thinkers in interwar Europe as well as later communist bloc dissidents. Despite this legacy, phenomenology continues to be largely discounted as esoteric and solipsistic, the last gasp of a Cartesian dream to base knowledge on the isolated rational mind. Intellectual histories tend to cite Husserl’s epistemological influence on philosophies like existentialism and deconstruction without considering his social or ethical imprint. And while a few recent scholars have begun to note phenomenology’s wider ethical resonance, especially in French social thought, its image as stubbornly academic continues to hold sway. The Far Reaches challenges that image by tracing the first history of phenomenological ethics and social thought in Central Europe, from its founders Franz Brentano and Edmund Husserl through its reception in East Central Europe by dissident thinkers such as Jan Patocka, Karol Wojtyla (Pope John Paul II), and Václav Havel. “In his fascinating and elegantly written book, Michael Gubser leads us away from intellectual history’s traditional stomping grounds in France, Germany, and the United States, and focuses on the understudied Eastern bloc.” —Edward Baring, Modern Intellectual History

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359

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Stanford University Press

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ISBN 10

0804792607

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9780804792608

Camera Works

Photography and the Twentieth-century Word

By: Michael North

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Camera Works

Photography and the Twentieth-century Word

By: Michael North

Camera Works is about the impact of photography and film on modern art and literature. With examples from the avant-garde of the little magazine and from classic authors like Fitzgerald and Hemingway, it argues that literature and art become modern by responding to these new means of representation.

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266

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Oxford University Press

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ISBN 10

0195332938

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9780195332933

Mastery of Non-Mastery in the Age of Meltdown

By: Michael Taussig

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Mastery of Non-Mastery in the Age of Meltdown

By: Michael Taussig

For centuries, humans have excelled at mimicking nature in order to exploit it. Now, with the existential threat of global climate change on the horizon, the ever-provocative Michael Taussig asks what function a newly invigorated mimetic faculty might exert along with such change. Mastery of Non-Mastery in the Age of Meltdown is not solely a reflection on our condition but also a theoretical effort to reckon with the impulses that have fed our relentless ambition for dominance over nature. Taussig seeks to move us away from the manipulation of nature and reorient us to different metaphors and sources of inspiration to develop a new ethical stance toward the world. His ultimate goal is to undo his readers’ sense of control and engender what he calls “mastery of non-mastery.” This unique book developed out of Taussig’s work with peasant agriculture and his artistic practice, which brings performance art together with aspects of ritual. Through immersive meditations on Walter Benjamin, D. H. Lawrence, Emerson, Bataille, and Proust, Taussig grapples with the possibility of collapse and with the responsibility we bear for it.

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231

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University of Chicago Press

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ISBN 10

022669867X

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9780226698670

Revolutionary Affinities

Toward a Marxist Anarchist Solidarity

By: Michael Löwy,Olivier Besancenot

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Revolutionary Affinities

Toward a Marxist Anarchist Solidarity

By: Michael Löwy,Olivier Besancenot

A sweeping history of revolutionary struggle and unbreakable alliances, Revolutionary Affinities takes readers from the Paris Commune to the Occupy movement, and through the heart of bloody fratricidal struggles to paint a vivid picture of the greatest anarchist and Marxist figures who dared to join forces, from Louise Michel to Subcomandante Marcos, from Emma Goldman to Walter Benjamin. With the urgent need for a unified front against the far right, there has never been a better time for this inspiring story. Authors Olivier Besancenot and Michael Löwy, two of the foremost voices in the French anti-authoritarian radical left, explore the promises—and challenges—of developing a fully sustainable, libertarian Marxist society by examining questions of political organization, economic policy, radical ecology, and more. Strikingly accessible, brilliantly illuminating, Besancenot and Löwy have given readers more than a history book, they’ve created a road map for the future.

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225

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PM Press

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ISBN 10

1629639842

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9781629639840

The Cadillac Cowboy

By: Michael Collins

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The Cadillac Cowboy

By: Michael Collins

In Santa Barbara, California, PI Langford "Ford" Morgan, whose wife divorced him to marry a Wall Street baron, is hired by her to clear the name of her son, accused of attempting to kill his father. Morgan obliges and buys himself a load of trouble. By the author of The Irishman's Horse.

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262

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Dutton Adult

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1556114613

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9781556114618

The Name of God in Jewish Thought

A Philosophical Analysis of Mystical Traditions from Apocalyptic to Kabbalah

By: Michael T Miller

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The Name of God in Jewish Thought

A Philosophical Analysis of Mystical Traditions from Apocalyptic to Kabbalah

By: Michael T Miller

One of the most powerful traditions of the Jewish fascination with language is that of the Name. Indeed, the Jewish mystical tradition would seem a two millennia long meditation on the nature of name in relation to object, and how name mediates between subject and object. Even within the tide of the 20th century’s linguistic turn, the aspect most notable in – the almost entirely secular - Jewish philosophers is that of the personal name, here given pivotal importance in the articulation of human relationships and dialogue. The Name of God in Jewish Thought examines the texts of Judaism pertaining to the Name of God, offering a philosophical analysis of these as a means of understanding the metaphysical role of the name generally, in terms of its relationship with identity. The book begins with the formation of rabbinic Judaism in Late Antiquity, travelling through the development of the motif into the Medieval Kabbalah, where the Name reaches its grandest and most systematic statement – and the one which has most helped to form the ideas of Jewish philosophers in the 20th and 21st Century. This investigation will highlight certain metaphysical ideas which have developed within Judaism from the Biblical sources, and which present a direct challenge to the paradigms of western philosophy. Thus a grander subtext is a criticism of the Greek metaphysics of being which the west has inherited, and which Jewish philosophers often subject to challenges of varying subtlety; it is these philosophers who often place a peculiar emphasis on the personal name, and this emphasis depends on the historical influence of the Jewish metaphysical tradition of the Name of God. Providing a comprehensive description of historical aspects of Jewish Name-Theology, this book also offers new ways of thinking about subjectivity and ontology through its original approach to the nature of the name, combining philosophy with text-critical analysis. As such, it is an essential resource for students and scholars of Jewish Studies, Philosophy and Religion.

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202

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Routledge

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ISBN 10

1317372123

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9781317372127

As Wide as the World Is Wise

Reinventing Philosophical Anthropology

By: Michael D. Jackson

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As Wide as the World Is Wise

Reinventing Philosophical Anthropology

By: Michael D. Jackson

Philosophy and anthropology have long debated questions of difference: rationality versus irrationality, abstraction versus concreteness, modern versus premodern. What if these disciplines instead focused on the commonalities of human experience? Would this effort bring philosophers and anthropologists closer together? Would it lead to greater insights across historical and cultural divides? In As Wide as the World Is Wise, Michael Jackson encourages philosophers and anthropologists to mine the space between localized and globalized perspectives, to resolve empirically the distinctions between the one and the many and between life and specific forms of life. His project balances abstract epistemological practice with immanent reflection, promoting a more situated, embodied, and sensuous approach to the world and its in-between spaces. Drawing on a lifetime of ethnographic fieldwork in West Africa and Aboriginal Australia, Jackson resets the language and logic of academic thought from the standpoint of other lifeworlds. He extends Kant's cosmopolitan ideal to include all human societies, achieving a radical break with elite ideas of the subjective and a more expansive conception of truth.

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272

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Columbia University Press

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ISBN 10

0231541988

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9780231541985

The Experience of Culture

By: Michael Richardson

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The Experience of Culture

By: Michael Richardson

Over the last 20 years culture has become a key concept in intellectual disciplines across the social sciences and humanities. However, it is a notoriously difficult concept to pin down, having very different meanings in different contexts. This book seeks to chart a route through the maze, revealing the variety of meanings of culture. It demonstrates that culture is not something that emerges from human activity, but rather is part and parcel of it. This book looks at how culture emerges and manifests itself in human life, and how it is experienced in the life of individuals and collectivities. It also explores the ways in which globalizing processes and changes in technology are affecting cultural identity, and whether we are seeing a fundamental change in the ways in which culture is formed and experienced.

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189

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SAGE

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ISBN 10

1412933277

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9781412933278

Redeeming Words and the Promise of Happiness

A Critical Theory Approach to Wallace Stevens and Vladamir Nabokov

By: David Michael Kleinberg-Levin

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Redeeming Words and the Promise of Happiness

A Critical Theory Approach to Wallace Stevens and Vladamir Nabokov

By: David Michael Kleinberg-Levin

This book offers a philosophical reflection on the nature of language by reading some exemplary works of literature. Drawing on the thought of philosophers--especially Plato, Kant, Hegel, Emerson, Benjamin, Adorno, Heidegger and Wittgenstein, the author argues that language is the bearer of a utopian or messianic promise of happiness, and that by redeeming the revelatory power of words, the two writers in this study are contributing to the redemption of the promise of happiness in a world of reconciled antagonisms and contradictions.

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240

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Rowman & Littlefield

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ISBN 10

0739177516

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9780739177518

Ravel the Decadent

Memory, Sublimation, and Desire

By: Michael J. Puri

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Ravel the Decadent

Memory, Sublimation, and Desire

By: Michael J. Puri

The music of Maurice Ravel (1875-1937), beloved by musicians and audiences since its debut, has been a difficult topic for scholars. The traditional stylistic categories of impressionism, symbolism, and neoclassicism, while relevant, have offered too little purchase on this fascinating but enigmatic work. In Ravel the Decadent, author Michael Puri provides an innovative and productive solution by locating the aesthetic origins of this music in the French Decadence and demonstrating the extension of this influence across the length of his oeuvre. From an array of Decadent topics Puri selects three--memory, sublimation, and desire--and uses them to delineate the content of this music, pinpoint its overlap with contemporary cultural discourse, and link it to its biographical context, as well as to create new methods altogether for the analysis and interpretation of music. Ravel the Decadent opens by defining the main concepts, giving particular attention to memory and decadence. It then stakes out contrasting modes of memory in this music: a nostalgic mode that views the past as forever lost, and a more optimistic one that imagines its resurrection and reanimation. Acknowledging Ravel's lifelong identity as a dandy--a figure that embodies the Decadence and its aspiration toward the sublime--Puri identifies possible moments of musical self-portraiture before stepping back to theorize dandyism in European musical modernism at large. He then addresses the dialectic between desire and its sublimation in the pairing of two genres--the bacchanal and the idyl--and leverages the central trio of concepts to offer provocative readings of Ravel's two waltz sets, the Valses nobles et sentimentales and La valse. Puri concludes by invoking the same terms to identify a topic of "faun music" that promises to create new common ground between Ravel and Debussy. Rife with close readings that will satisfy the musicologist, Ravel the Decadent also suits a more general reader through its broadly humanistic key concepts, immersion in contemporary art and literature, and clarity of language.

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272

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Oxford University Press

Published Date

ISBN 10

0190453680

ISBN 13

9780190453688

Book's by Michael W. Jennings

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