The “shrewd, entertainingly dark Hollywood novel” that inspired the award-winning Robert Altman film (The New York Times Book Review). Hollywood insider Michael Tolkin perfectly skewers the movie-making business through the mind of Griffin Mill, senior vice president of production at a major Hollywood studio. Ruthlessly ambitious, Mill is driven to control the levers of America’s dream-making machinery. He listens to writers pitch him stories all day, sitting in judgment of their fantasies, their lives. But now one writer whose pitch he responded to so glibly is sending him mortally threatening postcards. Squeezed between the threat to his life and the threat to his job, Mill’s deliberate and horrifying response spins him into a nightmare. Then he meets the sad and beautiful June Mercator and his obsession for her threatens to destroy them both. “One of the most wounding and satirical of all Hollywood exposes.” —Los Angeles Times “In its wry, acerbic description of life behind the studio gates Tolkin’s book recalls F. Scott Fitzgerald . . . and the vengeful comedy of Nathaniel West’s The Day of the Locust.” —The Philadelphia Inquirer
A “provocative” psychological suspense novel about “a character who is bound inevitably to a disastrous past” (The Oregonian). Years ago, Tom Levy worked an insurance scam that left him rich, but he is about to learn that wealth can’t always protect you from bad decisions. While vacationing in Jamaica, Tom witnesses a man goading his four-year-old daughter into a vulgar display on the dance floor. The man also happens to be married to the woman who has been capturing Tom’s own attention. Enraged, Tom vows he must pay with his life. The next day, atop the Dunn’s River Falls, Tom kills the man in cold blood, in full view of witnesses—condemning himself to life in prison among the most brutal and hardened men of Jamaica. Does an elusive story hold the key to their salvation, and Tom’s own? And once Tom has told it, can he find a way to reenter the hearts of those he has left behind? From the author of The Player, Under Radar was a Village Voice Favorite Book of the Year and blends elements of crime fiction and fable with an edge of black comedy. “Applies an Old Testament vision with an up-to-the-second feel for the details of contemporary affluence . . . Compelling.” —The New York Times Book Review
“An amazing novel” that plunges into the all-too-gray area between the public and private in contemporary American life (Los Angeles Times Book Review). Michael Tolkin’s acclaimed second novel, Among the Dead, is an arresting examination of public and private grief in the wake of unspeakable disaster, a slow-burning tour de force of psychological fiction. When Frank Gale writes a passionate letter to his wife confessing an affair, he hopes all can be forgiven on the warm beaches of Mexico. But the farewell kiss of his girlfriend causes him to miss the flight carrying his wife and daughter, and when he learns that their plane has crashed in a crowded city, his life changes in the course of seconds. Suddenly one man’s struggle to comprehend his loss becomes consumed in a media circus of legal drama, family quarrels, and public scandal. Tolkin is a masterful chronicler of contemporary America, and Among the Dead is “fascinating . . . ingenious . . . brilliantly sustained . . . full of nasty surprises . . . like Ian McEwan and Martin Amis, Tolkin portrays the squalid downside of life very well” (San Francisco Chronicle). “Startlingly original . . . morbidly amusing . . . truly terrifying.” —Allen Barra, Los Angeles Times Book Review
A senior vice president of production at a major Hollywood studio receives a death threat from a rejected writer, plunging him into a nightmare that threatens both his life, his job, and the woman he loves in this devastating portrait of contemporary Hollywood.
A Hollywood novel of a very different kind by the author of The Player: A timely and “darkly satirical” dystopian thriller (The San Francisco Chronicle). Michael Tolkin is known as a master chronicler of show business culture. Now, in his new novel, the H LYW OD sign presides over a city devastated by a weaponized microbe that’s been accidentally spread around the globe, deleting human identity. In post-NK3 Los Angeles, a sixty-foot fence surrounds the hills where the rich used to live, but the mansions have been taken over by those with the only power that matters: the power of memory. Life for those inside the Fence, ruled over by the new aristocracy known as the Verified, is a perpetual party. Outside the Fence, downtown, the Verified use an invented mythology to keep control over the mindless and nameless. In deliciously dark prose, Tolkin winds a noose-like plot around a melee of despots, prophets, and rebels as they struggle for command and survival in a town that still manages to exert a magnetic force, even as a ruined husk. “Intricate and cleverly constructed.”—The New Yorker “Tolkin creates memorable images and searing moments and peppers the text with sly, dark humor, all while raising provocative social and political issues…NK3 is nightmare and satire, thriller and warning. Crafted by a master storyteller, it is a haunting parable about civilization marching forward, while forgetting what it leaves behind.”—Los Angeles Review of Books “Remind[s] one of how easily people are turned into commodities, how slippery the grip on identity can be, how there’s always someone ready to set themself up as the savior of civilization.”—The San Francisco Chronicle
Three film scripts, including an Academy Award nominee, from the man described as an “Antonioni with a sense of humor” (The New Yorker). From his earliest works to the Emmy-nominated Showtime limited series Escape at Dannemora, Michael Tolkin is known as one of the industry’s biggest talents—and sharpest satirists. This volume contains three of his acclaimed screenplays. The Player, about the twisted world of Hollywood, was directed by Robert Altman and starred Tim Robbins and Greta Scacchi. It won an Edgar Award for Best Motion Picture Screenplay and has been hailed as “one of the smartest, funniest, most penetrating movies about moviemaking ever made” (Vanity Fair). The Rapture explores the emotionally intense, surreal world of Christian fundamentalism. The Los Angeles Times called it “a nervy, unsettling, edgy piece of work, that most audacious of cinematic ventures, a film of theological ideas, intent on looking into what we believe and why we believe it, determined, even eager, to explore the issues of heaven, hell, and the hereafter.” And The New Age tells the story of a young couple’s fall from financial grace and their quest for spirituality in a world defined by materialism.
“An amazing novel” that plunges into the all-too-gray area between the public and private in contemporary American life (Los Angeles Times Book Review). Michael Tolkin’s acclaimed second novel, Among the Dead, is an arresting examination of public and private grief in the wake of unspeakable disaster, a slow-burning tour de force of psychological fiction. When Frank Gale writes a passionate letter to his wife confessing an affair, he hopes all can be forgiven on the warm beaches of Mexico. But the farewell kiss of his girlfriend causes him to miss the flight carrying his wife and daughter, and when he learns that their plane has crashed in a crowded city, his life changes in the course of seconds. Suddenly one man’s struggle to comprehend his loss becomes consumed in a media circus of legal drama, family quarrels, and public scandal. Tolkin is a masterful chronicler of contemporary America, and Among the Dead is “fascinating . . . ingenious . . . brilliantly sustained . . . full of nasty surprises . . . like Ian McEwan and Martin Amis, Tolkin portrays the squalid downside of life very well” (San Francisco Chronicle). “Startlingly original . . . morbidly amusing . . . truly terrifying.” —Allen Barra, Los Angeles Times Book Review
A detailed work of reference and scholarship, this one volume Encyclopedia includes discussions of all the fundamental issues in Tolkien scholarship written by the leading scholars in the field. Coverage not only presents the most recent scholarship on J.R.R. Tolkien, but also introduces and explores the author and scholar's life and work within their historical and cultural contexts. Tolkien's fiction and his sources of influence are examined along with his artistic and academic achievements - including his translations of medieval texts - teaching posts, linguistic works, and the languages he created. The 550 alphabetically arranged entries fall within the following categories of topics: adaptations art and illustrations characters in Tolkien's work critical history and scholarship influence of Tolkien languages biography literary sources literature creatures and peoples of Middle-earth objects in Tolkien's work places in Tolkien's work reception of Tolkien medieval scholars scholarship by Tolkien medieval literature stylistic elements themes in Tolkien's works theological/ philosophical concepts and philosophers Tolkien's contemporary history and culture works of literature
With a history that of "open marriages", staggering divorce rates, single parent homes, shacking up with "significant others" and "living together", and often troubled "blended families", it seems that the option of a happy, life-long marriage no longer exists in today's secularized, feminized world of radical individualism. Yet hidden under this shabby veneer, most persons still long for something, still desire real meaning, still feel the pull towards permanence - a romantic ideal to be completed. It just won't go away. This ideal - real marriage - survives as a dream, though this joyful state cannot be found in any of the alternatives available from a secular world that's devoid of absolutes and allows any unhappy permutation. Is there any hope? There is! But it doesn't lie in constantly trying to redefine "marriage" (and consistently failing to make anyone's life better). It lies in returning to what Sacred Marriage was always meant to be - a sacrament of Life. That, however, can only be found if we return to being what we ourselves were always meant to be: spiritual beings that are larger than the material world and actually grasp what it means to love - and risk loving. Want to know how? Look inside.
This book explores the question of realism in motion pictures. Specifically, it explores how understanding the role of realism in the history of title sequences in film can illuminate discussions raised by the advent of digital cinema. Ideologies of the Real in Title Sequences, Motion Graphics and Cinema fills a critical and theoretical void in the existing literature on motion graphics. Developed from careful analysis of André Bazin, Stanley Cavell, and Giles Deleuze’s approaches to cinematic realism, this analysis uses title sequences to engage the interface between narrative and non-narrative media to consider cinematic realism in depth through highly detailed close readings of the title sequences for Bullitt (1968), Kolchak: The Night Stalker (1974), The Number 23 (2007), The Kingdom (2008), Blade Runner: 2049 (2017) and the James Bond films. From this critique, author Michael Betancourt develops a modal approach to cinematic realism where ontology is irrelevant to indexicality. His analysis shows the continuity between historical analogue film and contemporary digital motion pictures by developing a framework for rethinking how realism shapes interpretation.
What They Didn’t Teach You in Your Screenwriting Course Screenwriters, listen up! Breakfast with Sharks is not a book about the craft of screenwriting. This is a book about the business of managing your screenwriting career, from advice on choosing an agent to tips on juggling three deal-making breakfasts a day. Prescriptive and useful, Breakfast with Sharks is a real guide to navigating the murky waters of the Hollywood system. Unlike most of the screenwriting books available, here’s one that tells you what to do after you’ve finished your surefire-hit screenplay. Written from the perspective of Michael Lent, an in-the-trenches working screenwriter in Hollywood, this is a real-world look into the script-to-screen business as it is practiced today. Breakfast with Sharks is filled with useful advice on everything from the ins and outs of moving to Los Angeles to understanding terms like “spec,” “option,” and “assignment.” Here you’ll learn what to expect from agents and managers and who does what in the studio hierarchy. And most important, Breakfast with Sharks will help you nail your pitch so the studio exec can’t say no. Rounded out with a Q&A section and resource lists of script competitions, film festivals, trade associations, industry publications, and more, Breakfast with Sharks is chock-full of “take this and use it right now” information for screenwriters at any stage of their careers.
A “provocative” psychological suspense novel about “a character who is bound inevitably to a disastrous past” (The Oregonian). Years ago, Tom Levy worked an insurance scam that left him rich, but he is about to learn that wealth can’t always protect you from bad decisions. While vacationing in Jamaica, Tom witnesses a man goading his four-year-old daughter into a vulgar display on the dance floor. The man also happens to be married to the woman who has been capturing Tom’s own attention. Enraged, Tom vows he must pay with his life. The next day, atop the Dunn’s River Falls, Tom kills the man in cold blood, in full view of witnesses—condemning himself to life in prison among the most brutal and hardened men of Jamaica. Does an elusive story hold the key to their salvation, and Tom’s own? And once Tom has told it, can he find a way to reenter the hearts of those he has left behind? From the author of The Player, Under Radar was a Village Voice Favorite Book of the Year and blends elements of crime fiction and fable with an edge of black comedy. “Applies an Old Testament vision with an up-to-the-second feel for the details of contemporary affluence . . . Compelling.” —The New York Times Book Review
An unprecedented history of the actual casting sessions that propelled then-unknown actors to fame are revealed in this collection of never-before-told true stories by an about some of Hollywood’s stars and legends. Casting stories include those of Robert Redford Steve Martin, Sylvester Stallone, Whoopi Goldberg, John Travolta, Sally Field, and many many others.
From the most popular routines and the most ingenious physical shtick to the snappiest wisecracks and the most biting satire of the last century, Make 'Em Laugh illuminates who we are as a nation by exploring what makes us laugh, and why. Authors Laurence Maslon and Michael Kantor draw on countless sources to chronicle the past century of American comedy and the geniuses who created and performed it-melding biography, American history, and a lotta laughs into an exuberant, important book. Each of the six chapters focuses a different style or archetype of comedy, from the slapstick pratfalls of Buster Keaton and Lucille Ball through the wiseguy put-downs of Groucho Marx and Larry David, to the incendiary bombshells of Mae West and Richard Pryor . And at every turn the significance of these comedians-smashing social boundaries, challenging the definition of good taste, speaking the truth to the powerful-is vividly tangible. Make 'Em Laugh is more than a compendium of American comic genius; it is a window onto the way comedy both reflects the world and changes it-one laugh at a time. Starting from the groundbreaking PBS series, the authors have gone deeper into the works and lives of America's great comic artists, with biographical portraits, archival materials, cultural overviews, and rare photos. Brilliantly illustrated, with insights (and jokes) from comedians, writers and producers, along with film, radio, television, and theater historians, Make 'Em Laugh is an indispensible, definitive book about comedy in America.
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
Why Great Leaders Don't Take Yes for an Answer, Second Edition offers a powerful framework every leader can use to promote honest, constructive dissent and skepticism; test their assumptions; more thoroughly consider "best alternatives"; make better choices, and align organizations to act on their decisions. In this new edition, Roberto presents new cases from Google, Ford, Intuit, and others, plus expands coverage to more deeply illuminate his decision-making approach. Offering both positive and negative examples, he presents a well rounded view of how to determine when "yes" means "yes," when it doesn't, and what to do when it doesn't. Roberto explains why "good process entails the astute management of the social, political, and emotional aspects of decision making" -- in other words, why effective leaders are well served by carefully "deciding how to decide." ¿ Know What You Don’t Know: How Great Leaders Prevent Problems Before They Happen lays out the key skills and capabilities required to ensure that problems do not remain hidden in your organization. It explains how leaders can become effective problem finders, unearthing problems before they destroy an organization. The book explains how leaders can become an anthropologist, going out and observing how employees, customers, and suppliers actually behave. It then goes on to present how they can circumvent the gatekeepers, so they can go directly to the source to see and hear the raw data; hunt for patterns, including refining your individual and collective pattern recognition capability; "connect the dots" among issues that may initially seem unrelated, but in fact, have a great deal in common; give front-line employees training in a communication technique; encourage useful mistakes, including creating a "Red Pencil Award"; and watch the game film, where leaders reflect systematically on their own organization's conduct and performance, as well as on the behavior and performance of competitors.
For more than fifty years some very funny people have been entering American homes through television's big picture window. From Lucy and Uncle Miltie, to Archie Bunker and Marge Simpson, certain comic stars of television history have become not just cultural icons, but friends of the family. This comprehensive study of the most successful television comedies - including domestic sitcoms, workplace comedies, variety shows, late-night comedy, animated comedy, and more - reveals that, unlike the comedy found in film, on stage, in comedy clubs and concert halls, television's presentation of comic characters and stories must negotiate a relationship with the more privatized and value-laden environment of each American home that it enters.
Harvard Business School's Michael Roberto draws on powerful decision-making case studies from every walk of life, showing how to promote honest, constructive dissent and skepticism; use it to improve decisions; and align organizations behind those decisions. Learn from disasters like the Space Shuttle Columbia and JFK's Bay of Pigs Invasion, from successes like Sid Caesar and Bill Parcells, from George W. Bush's decision-making after 9/11. Roberto complements his compelling case studies with extensive new research on executive decisionmaking. Discover how to test and probe a management team; when 'yes' means 'yes' and when it doesn't; and how to build real consensus that leads to action. Gain important new insights into managing teams, mitigating risk, promoting corporate ethics, and much more.
In the end, the Miami paper would nail it in their editorial. "This thing was about Alia, all about her, and her swim that fateful night." The story began 28 years ago with a reporter stationed at a Coral Gables hospital located hard by Biscayne Bay. It concerned the mysterious death of a pregnant Honduran female and a deadly curse they say followed her from the Bay Islands. Alia, descendant of a 17th-century pirate and a woman taken from a captured slaver, was island nobility but chose to flee her family and an arranged marriage to be with the man she loved. Her daughter lived. Rumor had it that it was predestined the newborn would carry the curse, pass it to her surviving firstborn female offspring, then die. So it would travel, daughter to daughter, down through the generations until the bloodline was broken. The attending doctor filled in the required blanks of the death certificate and moved on, duty complete, official cause of death listed as cardiac arrest. Then, as is often the case in legends of cursed bloodlines, the tale sank into the tapestry of local lore. Now, after years of silence, it surfaces, exploding into the public consciousness. Serena, woman child of Alia, must now face her mother's legacy--and break the curse or die.
The Vietnam War was a regional conflict that turned into an epic confrontation between ideologies, leaving deep scars on the psyches of nations that fought and long-lasting physical damage to Vietnam itself. The three books in this bundle cover different aspects of the war and the region, from Michael Maclear’s personal memories as an embedded journalist in North Vietnam to George Fetherling’s observations of the state of Southeast Asia today to military historian Fred Gaffen’s analysis of the experiences of soldiers travelling to faraway lands to fight in their countries’ wars. Includes Cross-Border Warriors Guerrilla Nation Indochina Now and Then
Written for both new and experienced writers, this comprehensive marketing guide offers advice and tips needed by writers to succeed in the film and television industries. Focusing on the business of writing, it gives writers the unabashed truth about the film industry, and advice on how to get scripts to the gatekeepers of the studios and read by agents. Comprehensive listings of contests, fellowships, grants, and development opportunities from an industry expert provide specific information on securing a healthy writing career. This extensive resource also includes guidelines regarding copyrights, sources for emergency funds, a listing of online resources, information on writers' colonies and retreats, and more.
In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.
Hollywood’s global influence from the 1960s to the present age of terrorism. The team of Sarah and Ryan Eisley film Faulkner’s As I Lay Dying, then divorce, but stay in touch. Ryan directs studio pictures for Universal, takes up with a much younger actress, attends the Woodstock festival and turns countercultural in his Beverly Hills mansion. Inspired to film a documentary of the black civil rights, hippie and anti-Vietnam War movements, he encounters President Kennedy, Martin Luther King, Jr. and the Manson gang. Their son Davin goes to Vietnam as a medic and their daughter Karen leaves her husband and disappears with her three kids. Living apart from Ryan in San Francisco, Sarah goes back to graduate school and tries to hold their family together while earning a doctorate at Berkeley. She becomes a film critic, then moves to Portland and becomes a teacher in the Hollyworld of higher education. The story of the Eisley family is interwoven with major films, including Billy Budd, Dr. Strangelove, The Graduate, Woodstock, Easy Rider, 2001: A Space Odyssey, Close Encounters, Apocalypse Now, Reds, The Big Chill and The Player. The novel also exposes Communist propaganda movies such as Fail-Safe, The Way We Were, The Front and Coming Home. It deflates the show business Blacklist myth, satirizes political correctness and ridicules Marxist movie stars and professors. Third in trilogy including Holywood (2004) and Follywood (2005).
The bible of B-movies is back--and better than ever! From Abby to Zontar, this book covers more than 9,000 amazing movies--from the turn of the century right up to today's Golden Age of Video--all described with Michael Weldon's dry wit. More than 450 rare and wonderful illustrations round out thie treasure trove of cinematic lore--an essential reference for every bad film fan.
Michael Tolkin is one of Hollywood's hottest new players, a screenwriter and director who has created films that are intellectually uncompromising, provocative, hilarious, sexy, and brilliantly contemporary. The Player, the award-winning movie sensation about the twisted world of Hollywood, was directed by Robert Altman and starred Tim Robbins and Greta Scacchi. It has been hailed as "a masterpiece! One of the smartest, funniest, most penetrating movies about moviemaking ever made" (Vanity Fair). The Rapture explores the emotionally intense, surreal world of Christian fundamentalism. The Los Angeles Times called it "a nervy, unsettling, edgy piece of work, that most audacious of cinematic ventures, a film of theological ideas, intent on looking into what we believe and why we believe it, determined, even eager, to explore the issues of heaven, hell, and the hereafter." The New Age, a film sure to become an archetype for the post-1980's era, tells the story of a young couple's fall from financial grace and their quest for spirituality in a world defined by materialism. These screenplays not only represent some of the finest and most challenging work being done in Hollywood today but present, collectively, breadth, and feeling to that created by any of our time's most talented artists, whatever the medium.
Griffin Mill, a ruthless, ambitious senior vice president at a major Hollywood studig has a mind devoid of principle and a luxury-filled life, but his world is shaken when a writer he has ignored threatens his life
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