In July 1862, Union Lieutenant Stephen Spalding wrote a long letter from his post in Algiers, Louisiana, to his former college roommate. Equally fascinating and unsettling for modern readers, the comic cynicism of the young soldier’s correspondence offers an unusually candid and intimate account of military life and social change on the southern front. A captivating primary source, Spalding’s letter is reproduced here for the first time, along with contextual analysis and biographical detail, by Michael D. Pierson. Lt. Spalding in Civil War Louisiana lifts the curtain on the twenty-two-year-old’s elitist social attitudes and his consuming ambition, examining the mind of a man of privilege as he turns to humor to cope with unwelcome realities. Spalding and his correspondent, James Peck, both graduates of the University of Vermont, lived in a society dominated by elite young men, with advantages granted by wealth, gender, race, and birth. Caught in the middle of the Civil War, Spalding adopts a light-hearted tone in his letter, both to mask his most intimate thoughts and fears and distance himself from those he perceives as social inferiors. His jokes show us an unpleasantly stratified America, with blacks, women, and the men in the ranks subjected to ridicule and even physical abuse by an officer with more assertiveness than experience. His longest story, a wild escapade in New Orleans that included abundant drinking and visits to two brothels, gives us a glimpse of a world in which men bonded through excess and indulgence. More poignantly, tactless jests about death, told as his unit suffers its first casualties, reveal a man struggling to come to terms with mortality. Evidence of Spalding’s unfulfilled aspirations, like his sometimes disturbing wit, allows readers to see past his entitlement to his human weaknesses. An engrossing picture of a charismatic but flawed young officer, Lt. Spalding in Civil War Louisiana offers new ways to look at the society that shaped him.
Santa Fe Police Chief Kevin Kerney travels to a California ranch looking to buy some prime quarter horse breeding stock. Instead, he finds himself the prime suspect in a possible homicide when the ranch owner, Clifford Spalding, is found dead. Confronted by a determined cop unwilling to let him off the hook, Kerney decides to conduct his own investigation. As he digs into the victim's background, he learns that Spalding's ex-wife refuses to believe that her son, a soldier killed in Vietnam some thirty years ago, is dead. Kerney digs deeper and soon finds himself sharing the woman's doubts: Did Spalding's current wife, a much younger woman, orchestrate his murder with the help of a lover? Did a California cop collude with Spalding to keep his ex-wife from learning the truth about her son? Slow Kill races from West Coast to East Coast, as Kerney tries to extricate himself from a situation that could ruin his career by finding the answers to a thirty-year-old mystery.
Whether you are struggling with fresh grief at a loved one’s death by suicide or your loss happened years ago, you should know that you are not alone. 5 million Americans are affected—directly or indirectly—by this tragedy each year. And it sends us on a lifelong search for answers, both to the practical questions and the deepest question of all: Why? In this definitive guide book, Michael F. Myers, MD, a leading psychiatrist, and Carla Fine, author of the acclaimed No Time to Say Goodbye: Surviving the Suicide of a Loved One, combine their perspectives as a physician and a survivor to offer compassionate and practical advice to anyone affected by suicide.
From "pharma bros" to everday household budgets, just how did the pharmaceutical industry betray its own history—and how can it return to its tradition of care? It’s an unfortunate and life-threatening fact: one in five Americans has skipped vital prescriptions simply because of the cost. These choices are being made even though we have reached a point in the conveyance of medical options where cancers can be cured and sight restored for those blinded by rare genetic disorders. How, in this time of such advancements, did we reach a point, where people cannot afford the very things that could save their lives? As the COVID-19 global pandemic has pointed out, we need the leadership of scientists, researchers, public health officials and lawmakers alike to guide us through not only in times of a global health crisis, but also during far more mundane times. For the first time in decades, people from all walks of life face the same need for medicine. It is time to discuss the tough questions about drug pricing in an open, honest and, hopefully, transparent manner. But first we must understand how we, as a society, got here. Medicines are arguably the most highly regulated—and cost-inflated—products in the United States. The discovery, development, manufacturing and distribution of medicines is carried out by an ever more complex and crowded set of industries, each playing a part in a larger “pharmaceutical enterprise” seeking to maximize profits. But this was not always the case. The Price of Health is the reveals the story of how the pharmaceutical enterprise took shape and led to the present crisis. The reputation of the pharmaceutical industry is suffering from self-inflicted wounds and its continued viability, indeed survival, is increasingly questioned. Yet the drug makers do not shoulder all the blame or responsibility for the current price crisis. Deeply researched, The Price of Health gives us hope as to how we can still right the ship, even amidst the roiling storm of a global pandemic. How have medicines have been made and distributed to consumers throughout the years? What sea of changes that have contributed to rising costs? Some individuals, actions, and systems will be familiar, others may surprise. Yet the combined implications of these actions for will be surprising and at times shocking to both industry professionals and average Americans alike. Like so much else in human history, the history of the pharmaceutical enterprise is populated mostly by well-intended and even noble individuals and organizations. Each contributed to the formation or maintenance of structures meant to improve the quality and quantity of life through the development and distribution of medicines. And yet systems originally created to do good have often been subverted in ways contrary to the motivations of their creators. Only by understanding this disconnect can we better tackle the underlying problems of the industry head on, preventing foreseeable, and thus avoidable, medical calamities to come.
Here is the first in-depth account of the birth of black baseball and its dramatic passage from grass-roots venture to commercial enterprise. In the late nineteenth century resourceful black businessmen founded ball teams that became the Negro Leagues. Racial bias aside, they faced vast odds, from the need to court white sponsors to negotiating ball parks. With no blacks in cities, they barnstormed small towns to attract fans, employing all manner of gimmickry to rouse attention. Drawing on major newspapers and obscure African-American journals, the author explores the diverse forces that shaped minority baseball. He looks unflinchingly at prejudice in amateur and pro circles and constant inadequate press coverage. He assesses the impact of urbanization, migration, and the rise of northern ghettoes, and he applauds those bold innovators who forged black baseball into a parallel club that appealed to whites yet nurtured a uniquely African American playing style. This was black baseball's finest hour: at once a source of great ethnic pride and a hard won pathway for integration into the mainstream.
In this book, Michael J. Thate offers an experiment in reception criticism in its consideration of the formation and reception of the historical Jesus discourse. He also attempts to historicize Leben-Jesu-Forschung within debates and narratives of secularization. These two foci guide the book through its two parts. First Thate explicates Schweitzer's dominant archival function in Leben-Jesu-Forschung, while aiming to make fragile the "grand architect's" receptive hegemony. Then he combines critical memory theory and other theoretical readings of the material in an attempt to refocus the study of the historical Jesus as early Christian memory politics in the service of identity explication. He attempts to problematize Schweitzer's legacy of a tidy systematic approach in which much of historical Jesus scholarship continues to operate.
This book addresses the questions of what went wrong with Detroit and what can be done to reinvent the Motor City. Various answers to the former-deindustrialization, white flight, and a disappearing tax base-are now well understood. Less discussed are potential paths forward, stemming from alternative explanations of Detroit's long-term decline and reconsideration of the challenges the city currently faces. Urban crisis-socioeconomic, fiscal, and political-has seemingly narrowed the range of possible interventions. Growth-oriented redevelopment strategies have not reversed Detroit's decline, but in the wake of crisis, officials have increasingly funnelled limited public resources into the city's commercial core via an implicit policy of "urban triage." The crisis has also led to the emergency management of the city by extra-democratic entities. As a disruptive historical event, Detroit's crisis is a moment teeming with political possibilities. The critical rethinking of Detroit's past, present, and future is essential reading for both urban studies scholars and the general public.
What grandstand collapsed during a game, killing twelve? How high is the Green monster in Fenway? In what park was the outfield fence only 187 feet from home plate? Ballparks of North America is a comprehensive encyclopedia of the grounds, yards and stadiums used for organized baseball from the invention of the sport in the 1840s to the year 1988. Entries, listed alphabetically by community, cover everything from cornfields to Yankee Stadium. Each entry gives the location of the park, who played there and when, home run dimensions, seating capacity, architectural comments, attendance records, and anecdotes. More than 100 photos and drawings are included, some rare.
The incredible story of Émile Zola's escape to London in the aftermath of the scandalous Dreyfus Affair. It is the evening of July 18, 1898 and the world-renowned novelist Émile Zola is on the run. His crime? Taking on the highest powers in the land with his open letter "J'accuse"—and losing. Forced to leave Paris with nothing but the clothes he is standing in and a nightshirt wrapped in newspaper, Zola flees to England with no idea when he will return. This is the little-known story of Zola's time in exile. Rosen has traced Zola's footsteps from the Gare du Nord to London, examining the significance of this year. The Disappearance of Émile Zola offers an intriguing insight into the mind, the loves, and the politics of the great writer during this tumultuous era in his life.
Having achieved considerable success with his first novel, River Thieves, Michael Crummey has written a book that is equally stunning and compelling. The Wreckage is a truly epic, yet twisted, romance that unfolds over decades and continents. It engages readers on the austere shores of Newfoundland’s fishing villages and drags them across to Japanese POW camps during some of the worst events of the Second World War. Haunting, lyrical, and deeply intimate, Crummey’s language fully exposes his characters’ vulnerabilities as they struggle to come to terms with their guilt and regret over decisions made during their impulsive youths. It is a testament to Crummey’s gifts as a novelist that he can flow quite easily through time, across landscapes, and between vastly different characters. He vividly captures the mental and physical anguish experienced in prison camps, and with calm lucidity explores the motives of a Japanese soldier whose actions seem inhumanly cold and calculating. Crummey toys with the readers’ sympathies, suggesting there are few distinctions between the enemy and us. He incorporates heartbreaking tragedy–the dropping of the atom bomb, lynchings in America, murderous revenge–to underscore the darker side of humanity. Crummey shows that we are capable of violence, but in the end he proves we are also capable of redemption, forgiveness, and can be led, unashamed, back to the ones we love.
Tells the story of Ford's role in the development of culture history, the dominant paradigm in archaeology from 1914 through 1960. Provides a glimpse of how archaeologists began using a variety of methods to attain spatial and temporal control over an exceedingly diverse and complex archaeological record. Annotation copyrighted by Book News, Inc., Portland, OR
Santa Fe Police Chief Kevin Kerney is back in the tenth and most entertaining novel in Michael McGarrity's acclaimed mystery series. After years away on the pro rodeo circuit, Johnny Jordan struts into Santa Fe to ask his boyhood friend, Santa Fe Police Chief Kevin Kerney, to serve as a technical advisor on a contemporary Western movie to be filmed along the Mexican border. Kerney agrees and plans a working vacation on location, in a remote area of the state known as the Bootheel, with his wife, Lt. Colonel Sara Brannon, and their three-year-old son, Patrick. But, a dead man on the road near an isolated border crossing, a federal undercover investigation into immigrant smuggling, the search for a fugitive from military justice hiding somewhere in Europe, and Johnny Jordan's troublesome behavior all ensure that nothing goes as planned. As separate investigations embroil them in circumstances that will forever change their lives, Kerney must care for Patrick while Sara plays a dangerous game of Pentagon politics. Packed with family secrets, international intrigue, and memorable characters, this is McGarrity's most ambitious and involving novel to date-- traveling an accelerating arc from Santa Fe to the desert grasslands and mountains of the Bootheel, to the most secret levels of the Pentagon, to a resort town on the coast of Ireland, and back to an adrenaline-charged climax on a desolate landing strip a few miles north of the Mexican border.
Butterworth argues that baseball cannot be viewed as an innocent diversion or escape and that by promoting myths of citizenship and purity, post-9/11 discourse concerning baseball ironically threatens the health of the democratic system. Instead, he highlights how the game on the field reflects a more complex and diverse worldview, and he makes a plea for the game's recovery, both as a national pastime and as a site for celebrating the best of who we are and who we can be. --Book Jacket.
For Zac Zap, a boy with spina bifida the wacky adventures continue. In this second book, adventure finds Zac Zap. His bustling city introduces the trolley and with the help of the friendly trolley driver, Mr. Wes, Zac and his wheel chair explore like never before. When he and Mr. Wes foil a robbery, the local head of Acme Trolley fire Mr. Wes in spite of his heroics. The replacements trolley drivers are indifferent to Zac�s condition and incompetent. Zac becomes a loss boy when he is mistakenly put in a mail car and sent west hundreds of miles. A series of mishaps has him working for the rail company, driving a bus, and arriving in the town of Smartinville on the bayou Teche just in time to help his friend Amy participate in the Great Big Canoe Race. Amy, who has Down syndrome and Zac must out-paddle and outwit the competition, bears, a swamp monster, hidden traps, and villains galore.
In the wake of 9/11, the United States government rediscovered the value of culture in international relations, sending cultural ambassadors around the world to promote the American way of life. This is the most recent effort to use American culture as a means to convince others that the United States is a land of freedom, equality, opportunity, and scientific and cultural achievements to match its material wealth and military prowess. In The History of United States Cultural Diplomacy Michael Krenn charts the history of the cultural diplomacy efforts from Benjamin Franklin's service as commissioner to France in the 1770s through to the present day. He explores how these efforts were sometimes inspiring, often disastrous, and nearly always controversial attempts to tell the 'truth' about America. This is the first comprehensive study of America's efforts in the field of cultural diplomacy. It reveals a dynamic conflict between those who view U.S. culture as a means to establish meaningful dialogues with the rest of the world and those who consider American art, music, theater as additional propaganda weapons.
With "a cunning mind for crime fiction" (New York Times Book Review), Anthony Award-nominated Michael McGarrity ratchets up the stakes in his novel of a vengeful killer with an unspeakable agenda: offing people with ties to the criminal justice system. Next on the list: Santa Fe Police Chief Kevin Kerney, his wife, Lieutenant Colonel Sara Brannon, and their unborn son.
Baseball's ranks are filled with those whose careers may not have been as spectacular as Ruth or Mays but who played essential roles in the game's history, like footnotes in a great book. Some were well known in their day, featured on the front of the sports section; others were lesser lights whose feats and misdeeds were so notable they deserve to be remembered. Bert Shepard pitched a game for the Washington Senators in 1945 despite being shot down over Germany the year before and losing a leg. Bernie Carbo hit a dramatic three-run homer in the eighth inning to tie Game Six of the 1975 World Series--but his blast was completely upstaged an hour or so later by Red Sox teammate Carlton Fisk's unforgettable shot down the left field line. Bo Belinsky no-hit the powerful Baltimore Orioles in 1962, but he finished his career with a monumentally disappointing 28-51 record. The 39 other subjects profiled in this work prove that, in baseball, fame can be fleeting.
A history of lucrative real estate in Los Angeles shares the lesser-known contributions of a range of figures from Douglas Fairbanks and Marilyn Monroe to Howard Hughes and Ronald Reagan. By the best-selling author of Rogues' Gallery.
The feel-good underdog story of the first American swimmer to win Olympic gold, set against the turbulent rebirth of the modern Games, that “bring[s] to life an inspiring figure and illuminate[s] an overlooked chapter in America’s sports history” (The Wall Street Journal) “Once or twice in a decade, one of these stories . . . like Laura Hillenbrand’s Unbroken [or] Daniel Brown’s The Boys in the Boat . . . captures the imagination of the public. . . . Add The Watermen by Michael Loynd to this illustrious list.”—Swimming World Winner of the International Swimming Hall of Fame’s Paragon Award and the Buck Dawson Authors Award In the early twentieth century, few Americans knew how to swim, and swimming as a competitive sport was almost unheard of. That is, until Charles Daniels took to the water. On the surface, young Charles had it all: high-society parents, a place at an exclusive New York City prep school, summer vacations in the Adirondacks. But the scrawny teenager suffered from extreme anxiety thanks to a sadistic father who mired the family in bankruptcy and scandal before abandoning Charles and his mother altogether. Charles’s only source of joy was swimming. But with no one to teach him, he struggled with technique—until he caught the eye of two immigrant coaches hell-bent on building a U.S. swim program that could rival the British Empire’s seventy-year domination of the sport. Interwoven with the story of Charles’s efforts to overcome his family’s disgrace is the compelling history of the struggle to establish the modern Olympics in an era when competitive sports were still in their infancy. When the powerful British Empire finally legitimized the Games by hosting the fourth Olympiad in 1908, Charles’s hard-fought rise climaxed in a gold-medal race where British judges prepared a trap to ensure the American upstart’s defeat. Set in the early days of a rapidly changing twentieth century, The Watermen—a term used at the time to describe men skilled in water sports—tells an engrossing story of grit, of the growth of a major new sport in which Americans would prevail, and of a young man’s determination to excel.
In considering a group that identified with Victorian American culture and its anxieties while adhering to an occult worldview that most of their contemporaries found strange, if not dangerous, the book explains why these middle-class Americans found Theosophy so persuasive and why they left family and friends behind to take up residence at this California settlement."--BOOK JACKET.
This book is a result of the authors' more than 40 years of study on the behavior, populations, and heavy metals in the colonial waterbirds nesting in Barnegat Bay and the nearby estuaries and bays in the Northeastern United States. From Boston Harbor to the Chesapeake, based on longitudinal studies of colonial waterbirds, it provides a clear pictu
Francis Palmer Smith was the principal designer of Atlanta-based Pringle and Smith, one of the leading firms of the early twentieth-century South. Smith was an academic eclectic who created traditional, history-based architecture grounded in the teachings of the cole des Beaux-Arts. As The Architecture of Francis Palmer Smith shows, Smith was central to the establishment of the Beaux-Arts perspective in the South through his academic and professional career. After studying with Paul Philippe Cret at the University of Pennsylvania, Smith moved to Atlanta in 1909 to head the new architecture program at the Georgia Institute of Technology. He would go on to train some of the South's most significant architects, including Philip Trammell Shutze, Flippen Burge, Preston Stevens, Ed Ivey, and Lewis E. Crook Jr. In 1922 Smith formed a partnership with Robert S. Pringle. In Atlanta, Savannah, Chattanooga, Jacksonville, Sarasota, Miami, and elsewhere, Smith built office buildings, hotels, and Art Deco skyscrapers; buildings at Georgia Tech, the Baylor School in Chattanooga, and the Darlington School in Rome, Georgia; Gothic Revival churches; standardized bottling plants for Coca-Cola; and houses in a range of traditional "period" styles in the suburbs. Smith's love of medieval architecture culminated with his 1962 masterwork, the Cathedral of St. Philip in Atlanta. As his career drew to a close, Modernism was establishing itself in America. Smith's own modern aesthetic was evidenced in the more populist modern of Art Deco, but he never embraced the abstract machine aesthetic of high Modern. Robert M. Craig details the role of history in design for Smith and his generation, who believed that architecture is an art and that ornament, cultural reference, symbolism, and tradition communicate to clients and observers and enrich the lives of both. This book was supported, in part, by generous grants from the Graham Foundation for Advanced Studies in the Fine Arts and the Georgia Tech Foundation, Inc.
The first English-language anthology of post-1989 Czech plays exploring once-taboo subjects and new realities. Includes plays by David Drábek, Lenka Lagronová, Jirí Pokorny, Ivana Ruzicková, Egon Tobiás, Iva Volánková, and Petr Zelenka.
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