This book is your secret weapon to writing articles and blogs that pay; it explains how to tell stories that audiences will read and editors will pay you to write. Delivered in a breezy and compact manner, this book will help you work fast, smart, and get paid for your work."--Publisher.
Daily audiences are subjected to a blizzard of information, some of which is deliberately incorrect. The best news organizations in the world are marshalling fact-checking teams to determine the accuracy of the news content. Computer wonks are working with the news industry to create computer programs that trace the information back to the source to determine the credibility of the information. Fact-checking is fashionable these days but among a little-known truth is that a clergyman-turned-journalist pioneered the passion for getting information right when he took over a general-circulation, mainstream newspaper in 1900 and tried to apply the adage, "Accuracy, accuracy, accuracy" to every news article and advertisement in the periodical. He used his faith-based sensibilities to edit the newspaper and his work came to be called "The Jesus Newspaper." Circulation soared with the experiment lasting only one week, yet it provoked the newspaper complex to reconsider some of its practices that are part of the fact-checking mania at work today.
Reed Environmental Writing Award Finalist, Southern Environmental Law Center, 2021 More than ten thousand known caves lie beneath the state of Tennessee according to the Tennessee Cave Survey, a nonprofit organization that catalogs and maps them. Thousands more riddle surrounding states. In Hidden Nature, Michael Ray Taylor tells the story of this vast underground wilderness. In addition to describing the sheer physical majesty of the region’s wild caverns and the concurrent joys and dangers of exploring them, he examines their rich natural history and scientific import, their relationship to clean water and a healthy surface environment, and their uncertain future. As a longtime caver and the author of three popular books related to caving—Cave Passages, Dark Life, and Caves—Taylor enjoys (for a journalist) unusual access to this secretive world. He is personally acquainted with many of the region’s most accomplished cave explorers and scientists, and they in turn are familiar with his popular writing on caves in books; in magazines such as Audubon, Outside, and Sports Illustrated; and on websites such as those of the Discovery Channel and the PBS science series Nova. Hidden Nature is structured as a comprehensive work of well-researched fact that reads like a personal narrative of the author’s long attraction to these caves and the people who dare enter their hidden chambers.
The author recounts his marriage to Susan Smith, the reasons for the breakdown of their relationship, and the impact on his life of her murder of their two young children
“Michael Stipe’s photo-journal of Patti Smith’s celebrated return to touring . . . Patti’s image burns into pictures with weird radioactive mystery.” —Spin This book comprises Michael Stipe’s intimate and evocative photos of Patti Smith on tour in 1995, along with other cultural celebrities who appeared with her, such as Allen Ginsberg. In addition to text by Stipe, William S. Burroughs, and Patti Smith, there is also commentary from Thurston Moore, Kim Gordon, Lenny Kaye, Tom Verlaine, and more. “This isn’t a traditional book of portraits . . . The overwhelming mood is one of disjunction, claustrophobia, exhaustion, temporariness—and the effect is raw and intimate.” —Publishers Weekly “An energetic and gracious tribute to not only a great artist, but also to a powerful moment in her oeuvre—and to those who contributed to it and shared in it.” —New York Journal of Books “Stipe’s personal friendship lends something greater to the overall vision of this book. It isn’t simply a set of snapshots of performances, but rather a collection of rare moments. The personal nature of the anthology makes it all the more enticing and enjoyable. Smith, in all her glory and awe-inspiring talent, is portrayed in the truest light.” —Verbicide Magazine “A fascinating book . . . including appearances by Allen Ginsberg, Gregory Corso, Tom Verlaine, the members of Sonic Youth and more . . . and the short text tributes to Smith by these people, scattered throughout the manuscript, are well worth your time.” —Chicago Center for Literature and Photography
Telling an inspiring, largely unknown story, Thursday Night Lights recounts how African American high school football programs produced championship teams and outstanding players during the Jim Crow era.
Skau covers the complete works of Corso, one of the four major Beat Generation writers (with Jack Kerouac, Allen Ginsberg, and William S. Burroughs) who attempted to provide an alternative to what they saw as the academic forms of literature dominating American writing through the 1940s and 1950s."--BOOK JACKET.
An “episode of light” in Canada sparked by Expo 67 when new art forms, innovative technologies, and novel institutional and policy frameworks emerged together. Understanding how experimental art catalyzes technological innovation is often prized yet typically reduced to the magic formula of “creativity.” In Northern Sparks, Michael Century emphasizes the role of policy and institutions by showing how novel art forms and media technologies in Canada emerged during a period of political and social reinvention, starting in the 1960s with the energies unleashed by Expo 67. Debunking conventional wisdom, Century reclaims innovation from both its present-day devotees and detractors by revealing how experimental artists critically challenge as well as discover and extend the capacities of new technologies. Century offers a series of detailed cross-media case studies that illustrate the cross-fertilization of art, technology, and policy. These cases span animation, music, sound art and acoustic ecology, cybernetic cinema, interactive installation art, virtual reality, telecommunications art, software applications, and the emergent metadiscipline of human-computer interaction. They include Norman McLaren’s “proto-computational” film animations; projects in which the computer itself became an agent, as in computer-aided musical composition and choreography; an ill-fated government foray into interactive networking, the videotext system Telidon; and the beginnings of virtual reality at the Banff Centre. Century shows how Canadian artists approached new media technologies as malleable creative materials, while Canada undertook a political reinvention alongside its centennial celebrations. Northern Sparks offers a uniquely nuanced account of innovation in art and technology illuminated by critical policy analysis.
For Sergeant Brad Kasal, a U.S. Marine who served in the Iraq War, November 14, 2004, is a day that he'll never forget. During a battle against insurgents in Fallujah, Iraq, he used his body to shield an injured soldier from an enemy grenade. Through this courageous act, Sgt. Kasal saved that soldier's life while putting his own at great risk. This is just one of many acts of courage recounted in Today's Marine Heroes, a riveting book about U.S. Marines serving in Iraq and Afghanistan. Large action photos, fact boxes, and maps enrich these true stories of bravery and valor.
Eric Bogle has written many iconic songs that deal with the futility and waste of war. Two of these in particular, ‘And the Band Played Waltzing Matilda’ and ‘No Man’s Land (a.k.a. The Green Fields of France)’, have been recorded numerous times in a dozen or more languages indicating the universality and power of their simple message. Bogle’s other compositions about the First World War give a voice to the voiceless, prominence to the forgotten and personality to the anonymous as they interrogate the human experience, celebrate its spirit and empathise with its suffering. This book examines Eric Bogle’s songs about the Great War within the geographies and socio-cultural contexts in which they were written and consumed. From Anzac Day in Australia and Turkey to the ‘The Troubles’ in Northern Ireland and from small Aboriginal communities in the Coorong to the influence of prime ministers and rock stars on a world stage, we are urged to contemplate the nature and importance of popular culture in shaping contemporary notions of history and national identity. It is entirely appropriate that we do so through the words of an artist who Melody Maker described as ‘the most important songwriter of our time’.
Highlighting each of the 27 Green Bay Packers enshrined in the Pro Football Hall of Fame--including such luminaries as Earl "Curly" Lambeau, Bart Starr, Vince Lombardi, Brett Favre and Charles Woodson--this book takes a comprehensive look at each player. Biographical information, key facts and figures, anecdotes and little-known facts are provided, along with their own recollections of their biggest games. Appendices cover Packers of honorable mention (who should be or perhaps will be HOF inductees), and player stats.
The first authoritative look at one of the most iconic figures in the history of the NFL, this book is both a critical chapter in the story of football in America and a thoroughly engaging in-depth introduction to a character unlike any other in the annals of American sports.
George Allen was a fascinating and eccentric figure in the world of football coaching. His remarkable career spanned six decades, from the late 1940s until his sudden death in 1990 at the age of seventy-three. Although he never won a Super Bowl, he never had a losing season as an NFL head coach and was inducted into the Pro Football Hall of Fame in 2002. In George Allen: A Football Life, Mike Richman captures the life and accomplishments of one of the most successful NFL coaches of all time and one of the greatest innovators in the game. A player’s coach, Allen was a tremendous motivator and game strategist, as well as a defensive mastermind, and is credited with making special teams a critical focus in an era in which they were an afterthought. He had a keen eye for talent and pulled off masterful trades, often for veteran players who were viewed to be past their prime, who then had great seasons and made his teams much better. In addition to his coaching feats, Allen had an idiosyncratic and controversial personality. His life revolved around football 24-7. One of his quirks was to minimize chewing time by consuming soft foods, giving himself more time to prepare for games and study opponents. He lived and breathed football; he compared losing to death. Allen had contentious relationships with the owners of the two NFL teams for which he was the head coach, the Washington Redskins and Los Angeles Rams. Richman explores why he was fired by those teams and whether he was blackballed from coaching again in the NFL. Based on detailed research and interviews with family, former players, and coaches, George Allen is the definitive biography of the football coach who lived to win, loved a good challenge, and left a lasting legacy on pro football history.
At the moment of crisis in 1941 on the Eastern front, with the forces of Hitler massing on the outskirts of Moscow, the miraculous occurred: Moscow was saved. Yet this turning point was followed by a long retreat, in which Russian forces, inspired by old beliefs in the sacred motherland, pushed back German forces steeled by the vision of the ubermensch, the iron-willed fighter. Many of Russia's 27 million military and civilian deaths occurred in this desperate struggle. In THE RETREAT, Michael Jones, acclaimed author of LENINGRAD, draws upon a mass of new eye-witness testimony from both sides of the conflict to tell, with matchless vividness and comprehensiveness, of the crucial turning point of the Second World War - the moment when the armies of Hitler could go no further - and of the titanic and cruel struggle of two mighty empires.
In the 1970s, while their contemporaries were protesting the computer as a tool of dehumanization and oppression, a motley collection of college dropouts, hippies, and electronics fanatics were engaged in something much more subversive. Obsessed with the idea of getting computer power into their own hands, they launched from their garages a hobbyist movement that grew into an industry, and ultimately a social and technological revolution. What they did was invent the personal computer: not just a new device, but a watershed in the relationship between man and machine. This is their story. Fire in the Valley is the definitive history of the personal computer, drawn from interviews with the people who made it happen, written by two veteran computer writers who were there from the start. Working at InfoWorld in the early 1980s, Swaine and Freiberger daily rubbed elbows with people like Steve Jobs and Bill Gates when they were creating the personal computer revolution. A rich story of colorful individuals, Fire in the Valley profiles these unlikely revolutionaries and entrepreneurs, such as Ed Roberts of MITS, Lee Felsenstein at Processor Technology, and Jack Tramiel of Commodore, as well as Jobs and Gates in all the innocence of their formative years. This completely revised and expanded third edition brings the story to its completion, chronicling the end of the personal computer revolution and the beginning of the post-PC era. It covers the departure from the stage of major players with the deaths of Steve Jobs and Douglas Engelbart and the retirements of Bill Gates and Steve Ballmer; the shift away from the PC to the cloud and portable devices; and what the end of the PC era means for issues such as personal freedom and power, and open source vs. proprietary software.
This book provides extensive, comprehensive biographical information on one of technology's most important innovators—Steve Jobs. Steve Jobs was a visionary entrepreneur who contributed immeasurably to information technology, changing not only the way we do business but also the way we communicate and share information. His company, Apple, founded in 1976 with Steve Wozniak, eventually launched the Macintosh computer in 1984, with a graphical user interface that competed with the early versions of Microsoft Windows. This reference biography sheds light on Jobs's departure from Apple in 1985, his extraordinary comeback in 1997, and his innovations in the meantime, which included the founding of the computer animation company Pixar. Jobs and Apple went on to launch the iPod, iTunes, the iPhone, and the iPad. Author Michael Becraft has distilled the vast literature on Jobs into a concise but vivid portrait of the man, his vision, the controversies that have swirled around him, and his lasting impact on business, culture, and society. Arranged chronologically, the book includes extensive primary sources and is written to be accessible to a wide range of readers. Additionally, it incorporates images that heighten reader engagement, provides a timeline for referencing Jobs's achievements across his lifetime, and supplies an extensive bibliography for those seeking original source documents.
In response to the current terrorist threat, law enforcement agencies at every level have expanded technological and intelligence-gathering initiatives in order to support new tactical, investigative and deployment strategies. The demand for homeland security requires that agencies hire professional and specially-trained criminal and intelligence a
This book not only includes chapters on more than twenty new screen sleuths but also updates information on several detectives included in the first two volumes of Famous Movie Detectives. Author Michael Pitts also provides new material on sleuths in silent films and serials, as well as a listing of radio and television detective programs.
The Federal Bureau of Investigation, America's most famous law enforcement agency, was established in 1908 and ever since has been the subject of countless books, articles, essays, congressional investigations, television programs and motion pictures--but even so it remains an enigma to many, deliberately shrouded in mystery on the basis of privacy or national security concerns. This encyclopedia has entries on a broad range of topics related to the FBI, including biographical sketches of directors, agents, attorneys general, notorious fugitives, and people (well known and unknown) targeted by the FBI; events, cases and investigations such as ILLWIND, ABSCAM and Amerasia; FBI terminology and programs such as COINTELPRO and VICAP; organizations marked for disruption including the KGB and the Ku Klux Klan; and various general topics such as psychological profiling, fingerprinting and electronic surveillance. It begins with a brief overview of the FBI's origins and history.
Guys Like Us considers how writers of the 1950s and '60s struggled to craft literature that countered the politics of consensus and anticommunist hysteria in America, and how notions of masculinity figured in their effort. Michael Davidson examines a wide range of postwar literature, from the fiction of Jack Kerouac to the poetry of Gwendolyn Brooks, Frank O'Hara, Elizabeth Bishop, and Sylvia Plath. He also explores the connection between masculinity and sexuality in films such as Chinatown and The Lady from Shanghai, as well as television shows, plays, and magazines from the period. What results is a virtuoso work that looks at American poetic and artistic innovation through the revealing lenses of gender and history.
Eminent jurists, professional legal organizations, and human rights monitors in this country and around the world have declared that President George W. Bush may be prosecuted as a war criminal when he leaves office for his overt and systematic violations of such international law as the Geneva and Hague Conventions and such US law as the War Crimes Act, the Anti-Torture Act, and federal assault laws. George W. Bush, War Criminal? identifies and documents 269 specific war crimes under US and international law for which President Bush, senior officials and staff in his administration, and military officers under his command are liable to be prosecuted. Haas divides the 269 war crimes of the Bush administration into four classes: 6 war crimes committed in launching a war of aggression; 36 war crimes committed in the conduct of war; 175 war crimes committed in the treatment of prisoners; and 52 war crimes committed in postwar occupations. For each of the 269 war crimes of the Bush administration, Professor Haas gives chapter and verse in precise but non-technical language, including the specific acts deemed to be war crimes, the names of the officials deemed to be war criminals, and the exact language of the international or domestic laws violated by those officials. The author proceeds to consider the various US, international, and foreign tribunals in which the war crimes of Bush administration defendants may be tried under applicable bodies of law. He evaluates the real-world practicability of bringing cases against Bush and Bush officials in each of the possible venues. Finally, he weighs the legal, political, and humanitarian pros and cons of actually bringing Bush and Bush officials to trial for war crimes.
Nuclear medicine is the bridge between a particular clinical problern and a relevant test using radionuclides. It began as a minor technical tool used in a few branches of medicine, notably endocrinology and nephrology. However, throughout the world it has now become established as a clinical discipline in its own right, with specific training programmes, special skills and a particular approach to patient management. Although the practising nuclear medicine physician must necessarily learn a great deal of basic science and technology, a sound medical training and a clinical approach to the subject remains of fundamental importance. It is for this reason that we have attempted in this book to approach the subject from a clinical standpoint, including where necessary relevant physiological material. There exist many excellent texts which cover the basic science and technology of nuclear medicine. We have, therefore, severely limited our coverage of these aspects of the subject to matters which we felt tobe essential, particularly those which have been less well covered in other texts- for example, the contents of Chapter 20 on Measurement by Royal and McNeill. Similarly, we have limited details of methodology to skeletal summaries of protocol (Appendix 1) and have included at the end of some chapters descriptions of particular techniques where we and the authors felt that it would be helpful.
It’s difficult to imagine today—when the Super Bowl has virtually become a national holiday and the National Football League is the country’s dominant sports entity—but pro football was once a ramshackle afterthought on the margins of the American sports landscape. In the span of a single generation in postwar America, the game charted an extraordinary rise in popularity, becoming a smartly managed, keenly marketed sports entertainment colossus whose action is ideally suited to television and whose sensibilities perfectly fit the modern age. America’s Game traces pro football’s grand transformation, from the World War II years, when the NFL was fighting for its very existence, to the turbulent 1980s and 1990s, when labor disputes and off-field scandals shook the game to its core, and up to the sport’s present-day preeminence. A thoroughly entertaining account of the entire universe of professional football, from locker room to boardroom, from playing field to press box, this is an essential book for any fan of America’s favorite sport.
Francis Palmer Smith was the principal designer of Atlanta-based Pringle and Smith, one of the leading firms of the early twentieth-century South. Smith was an academic eclectic who created traditional, history-based architecture grounded in the teachings of the cole des Beaux-Arts. As The Architecture of Francis Palmer Smith shows, Smith was central to the establishment of the Beaux-Arts perspective in the South through his academic and professional career. After studying with Paul Philippe Cret at the University of Pennsylvania, Smith moved to Atlanta in 1909 to head the new architecture program at the Georgia Institute of Technology. He would go on to train some of the South's most significant architects, including Philip Trammell Shutze, Flippen Burge, Preston Stevens, Ed Ivey, and Lewis E. Crook Jr. In 1922 Smith formed a partnership with Robert S. Pringle. In Atlanta, Savannah, Chattanooga, Jacksonville, Sarasota, Miami, and elsewhere, Smith built office buildings, hotels, and Art Deco skyscrapers; buildings at Georgia Tech, the Baylor School in Chattanooga, and the Darlington School in Rome, Georgia; Gothic Revival churches; standardized bottling plants for Coca-Cola; and houses in a range of traditional "period" styles in the suburbs. Smith's love of medieval architecture culminated with his 1962 masterwork, the Cathedral of St. Philip in Atlanta. As his career drew to a close, Modernism was establishing itself in America. Smith's own modern aesthetic was evidenced in the more populist modern of Art Deco, but he never embraced the abstract machine aesthetic of high Modern. Robert M. Craig details the role of history in design for Smith and his generation, who believed that architecture is an art and that ornament, cultural reference, symbolism, and tradition communicate to clients and observers and enrich the lives of both. This book was supported, in part, by generous grants from the Graham Foundation for Advanced Studies in the Fine Arts and the Georgia Tech Foundation, Inc.
Americana is a music that defies definition. It isn’t rock, although it does encompass rock. It isn’t folk, but folk is there. It isn’t Celtic, but it is woven with Celtic threads. It is a blend of forms, music that draws on a wide range of influences. Gathering these many genres together, Americana continually reinvents itself and actively tells the story of its origins and its future. The Americana Revolution: From Country and Blues Roots to the Avett Brothers, Mumford & Sons, and Beyond is an informal social history that describes Americana as both a musical genre and a movement, showing what it is, where it came from, and where it is going. Musician and historian Michael Scott Cain examines how the idea of genre, especially Americana, affects the creation and consumption of music. He tries to discern the formulas of this slippery genre and seeks out the places where artists have broken or bent those formulas in the name of creativity. Through anecdotes and interviews, Cain provides a firsthand view into the creation of Americana to clarify how the genre can be categorized and defined. Through the stories of its creators both long gone and new to the scene, Americana music comes alive as a diverse melting pot of creative genius. With this book, Cain grants music lovers from all backgrounds an unparalleled view into the future of a music that embraces new influences but never forgets its roots.
This work presents 369 British films produced between 1937 and 1964 that embody many of the same filmic qualities as those "black films" made in the United States during the classic film noir era. This reference work makes a case for the inclusion of the British films in the film noir canon, which is still considered by some to be an exclusively American inventory. In the book's main section, the following information is presented for each film: a quote from the film; the title and release date; a rating based on the five-star system; the production company, director, cinematographer, screenwriter, and main performers; and a plot synopsis with author commentary. Appendices categorize films by rating, release date, director and cinematographer and also provide a noir and non-noir breakdown of the 47 films presented on the Edgar Wallace Mystery Theatre, a 1960s British television series that was also shown in the United States.
With contributions by Michael Ashikhmin, Michael Gleicher, Naty Hoffman, Garrett Johnson, Tamara Munzner, Erik Reinhard, Kelvin Sung, William B. Thompson, Peter Willemsen, Brian Wyvill. The third edition of this widely adopted text gives students a comprehensive, fundamental introduction to computer graphics. The authors present the mathematical fo
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