One of the most capable of the late nineteenth century western artists, Frank Paul Sauerwein (1871-1910) is also one of the most quietly admired. Upon Sauerwein's untimely death, friends were many, family few, only an ageing father. And like even the best of friends, they had their respective lives to lead. There were no sons or daughters to continue that begun, no wife to continue the mission embarked upon, no war chest to promote his works. Records lost, diaries gone, paintings placed to thwart the attic's draft, writings long since misplaced. And so for nearly a hundred years, the light has been dimly lit, perhaps as Sauerwein would have wanted it, yet history has a way of locating those pilgrims of the past who in retrospect offered a vibrant message and timeless images. Frank Paul Sauerwein, the Biography, brings to light an impressive quantity of information on the artist as well as an in-depth analysis of his works from his early, middle and late periods. It features in color many of his works that have never been published and focuses on his seminal and epic paintings, many of which have rarely been seen. Several additional archival and original photographs of both Sauerwein and his works have likewise been located and reproduced. Additionally the reader will find critical information on the artist and related data including a chronology, a listing of known paintings and a discussion of certain of the techniques utilized by this master artist.
Winner, 2021 National Cowboy and Western Heritage Museum Western Heritage Award, Art/Photography Book (The Wrangler) Sometime in 1947, a letter arrived in the mailbox of Harold Dow Bugbee, already a well-known and highly sought illustrator for western pulp magazines and other publications. “Sir,” it began, “I have seen several of your pictures in the Cattleman. Sure like them and I am writing you to ask if you have all of your pictures in a book—if you do—we want to buy one.” “After seventy years of waiting,” writes Michael R. Grauer in this colorful survey of Bugbee’s life and career, “here is such a book.” Bugbee and his family arrived in Clarendon, Texas, in 1914, from Massachusetts. He helped his father with the 1,000-acre family ranch and eventually attended the Agricultural and Mechanical College of Texas, where he studied architectural drawing. Subsequently, he enrolled at the Cumming School of Art in Des Moines, Iowa, but left after two years when the founder of the school told the young Texan that he had learned all the school had to offer. Bugbee avidly absorbed cowboy scenes and the lifestyle that birthed them. He filled canvases with colorful, authentic images that capture the spirit of the American West of the early to mid-1900s, especially in and near his beloved Texas Panhandle. By the 1930s, Bugbee was providing pen-and-ink sketches for magazines such as Ranch Romances, Western Stories, Country Gentleman, and Field and Stream. This richly illustrated overview of the man and his art provides a valuable and entertaining resource for collectors and students of western and Texas art.
Frank Reaugh (1860-1945; pronounced "Ray") was called "the Dean of Texas artists" for good reason. His pastels documented the wide-open spaces of the West as they were vanishing in the late nineteenth century, and his plein air techniques influenced generations of artists. His students include a "Who's Who" of twentieth-century Texas painters: Alexandre Hogue, Reveau Bassett, and Lucretia Coke, among others. He was an advocate of painting by observation, and encouraged his students to do the same by organizing legendary sketch trips to West Texas. Reaugh also earned the title of Renaissance man by inventing a portable easel that allowed him to paint in high winds, and developing a formula for pastels, which he marketed. A founder of the Dallas Art Society, which became the Dallas Museum of Art, Reaugh was central to Dallas and Oak Cliff artistic circles for many years until infighting and politics drove him out of fashion. He died isolated and poor in 1945. The last decade has seen a resurgence of interest in Reaugh, through gallery shows, exhibitions, and a recent documentary. Despite his importance and this growing public profile, however, Rounded Up in Glory is the first full-length biography. Michael Grauer argues for Reaugh's importance as more than just a "longhorn painter." Reaugh's works and far-reaching imagination earned him a prominent place in the Texas art pantheon.
I am unaware of any textbook which provides such comprehensive coverage of the field and doubt that this work will be surpassed in the foreseeable future, if ever!' From the foreword by Robert C. Moellering, Jr., M.D, Shields Warren-Mallinckrodt Professor of Medical Research, Harvard Medical School, USA Kucers' The Use of Antibiotics is the leading major reference work in this vast and rapidly developing field. More than doubled in length compared to the fifth edition, the sixth edition comprises 3000 pages over 2-volumes in order to cover all new and existing therapies, and emerging drugs not yet fully licensed. Concentrating on the treatment of infectious diseases, the content is divided into 4 sections: antibiotics, anti-fungal drugs, anti-parasitic drugs and anti-viral drugs, and is highly structured for ease of reference.Within each section, each chapter is structured to cover susceptibility, formulations and dosing (adult and paediatric), pharmacokinetics and pharmacodynamics, toxicity and drug distribution, detailed discussion regarding clinical uses, a feature unique to this title. Compiled by an expanded team of internationally renowned and respected editors, with a vast number of contributors spanning Europe, Africa, Asia, Australia, South America, the US and Canada, the sixth edition adopts a truly global approach. It will remain invaluable for anyone using antimicrobial agents in their clinical practice and provides in a systematic and concise manner all the information required when treating infections requiring antimicrobial therapy. Kucers' The Use of Antibiotics is available free to purchasers of the books as an electronic version on line or on your desktop: It provides access to the entire 2-volume print material It is fully searchable, so you can find the relevant information you need quickly Live references are linked to PubMed referring you to the latest journal material Customise the contents - you can highlight sections and make notes Comments can be shared with colleagues/tutors for discussion, teaching and learning The text can also be reflowed for ease of reading Text and illustrations copied will be automatically referenced to Kucers' The Use of Antibiotics
The present book provides an introduction to using space-filling curves (SFC) as tools in scientific computing. Special focus is laid on the representation of SFC and on resulting algorithms. For example, grammar-based techniques are introduced for traversals of Cartesian and octree-type meshes, and arithmetisation of SFC is explained to compute SFC mappings and indexings. The locality properties of SFC are discussed in detail, together with their importance for algorithms. Templates for parallelisation and cache-efficient algorithms are presented to reflect the most important applications of SFC in scientific computing. Special attention is also given to the interplay of adaptive mesh refinement and SFC, including the structured refinement of triangular and tetrahedral grids. For each topic, a short overview is given on the most important publications and recent research activities.
Winner, 2021 National Cowboy and Western Heritage Museum Western Heritage Award, Art/Photography Book (The Wrangler) Sometime in 1947, a letter arrived in the mailbox of Harold Dow Bugbee, already a well-known and highly sought illustrator for western pulp magazines and other publications. “Sir,” it began, “I have seen several of your pictures in the Cattleman. Sure like them and I am writing you to ask if you have all of your pictures in a book—if you do—we want to buy one.” “After seventy years of waiting,” writes Michael R. Grauer in this colorful survey of Bugbee’s life and career, “here is such a book.” Bugbee and his family arrived in Clarendon, Texas, in 1914, from Massachusetts. He helped his father with the 1,000-acre family ranch and eventually attended the Agricultural and Mechanical College of Texas, where he studied architectural drawing. Subsequently, he enrolled at the Cumming School of Art in Des Moines, Iowa, but left after two years when the founder of the school told the young Texan that he had learned all the school had to offer. Bugbee avidly absorbed cowboy scenes and the lifestyle that birthed them. He filled canvases with colorful, authentic images that capture the spirit of the American West of the early to mid-1900s, especially in and near his beloved Texas Panhandle. By the 1930s, Bugbee was providing pen-and-ink sketches for magazines such as Ranch Romances, Western Stories, Country Gentleman, and Field and Stream. This richly illustrated overview of the man and his art provides a valuable and entertaining resource for collectors and students of western and Texas art.
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