This chronicle of the Byzantine Empire, beginning in 1025, shows a profound understanding of the power politics that characterized the empire and led to its decline.
The ambition of Michael Psellos on Literature and Art is to illustrate an important chapter in the history of Greek literary and art criticism and introduce precisely this aspect of Psellian writing to a wider public.
Contains translations of the funeral orations written by Michael Psellos, the leading Byzantine intellectual of the eleventh century, for the three ecumenical patriarchs of Constantinople.
A fascinating exploration of the history of memory and human civilization Memory makes us human. No other animal carries in its brain so many memories of such complexity nor so regularly revisits those memories for happiness, safety, and the accomplishment of complex tasks. Human civilization continues because we are able to pass along memories from one person to another, from one generation to the next. The Guardian of All Things is a sweeping scientific history that takes us on a 10,000-year-old journey replete with incredible ideas, inventions, and transformations. From cave drawings to oral histories to libraries to the internet, The Guardian of All Things is the history of how humans have relentlessly pursued new ways to preserve and manage memory, both within the human brain and as a series of inventions external to it. Michael S. Malone looks at the story of memory, both human and mechanical, and the historic turning points in that story that have not only changed our relationship to memory, but have also changed our human fabric. Full of anecdotes, history, and advances of civilization and technology, The Guardian of All Things is a lively, epic journey along a trajectory of history no other book has ever described, one that will appeal to the curious as well as the specialist.
Michael Psellos has long been known as a key figure in the history of Byzantine literary and intellectual culture, but his theoretical and critical reflections on literature and art are little known outside of a small circle of specialists. Most famous for his Chronographia, a history of eleventh-century Byzantine emperors and their reigns, Psellos also excelled in describing as well as prescribing practices and rules for literary discourse and visual culture. The ambition of Michael Psellos on Literature and Art is to illustrate an important chapter in the history of Greek literary and art criticism and introduce precisely this aspect of Psellian writing to a wider public. The editors of this volume present thirty Psellian texts, all of which have been translated - some in part, most in their entirety - into English. In the majority of cases, the works are translated for the first time in any modern language, and several are discussed at length here for the first time. They are grouped into two separate sections, which roughly translate to two areas of theoretical reflection associated with the modern terms 'literature' and 'art.'0.
This is the first edition of ten Funeral Orations of Michael Psellos based on all the manuscripts preserving those works and accompanied by a full apparatus fontium and the necessary critical apparatus. Some of those texts had been published by the Greek scholar Konstantinos Sathas at the end of the XIX c. Those editions hardly correspond to the contemporary standards. The same applies to several more recent editions, prepared by P. Gautier, which also leave much to be desired. The most important texts of our collection are the funeral orations for the patriarchs Michael Keroullarios, Konstantinos Leichoudes and John Xiphilinos, a personal friend of Michael Psellos. All the texts offer valuable details concerning Psellos’s early life; at the same time they constitute an important testimony to the survival of the Late Antique Rhetoric in XI c. Byzantium. They constitute a necessary supplement to Psellos’s more famous work, his Chronography, verifying and shedding a new light on the events narrated there.
The first volume of Michael Horton’s magisterial intellectual history of “spiritual but not religious” as a phenomenon in Western culture Discussions of the rapidly increasing number of people identifying as “spiritual but not religious” tend to focus on the past century. But the SBNR phenomenon and the values that underlie it may be older than Christianity itself. Michael Horton reveals that the hallmarks of modern spirituality—autonomy, individualism, utopianism, and more—have their foundations in Greek philosophical religion. Horton makes the case that the development of the shaman figure in the Axial Age—particularly its iteration among Orphists—represented a “divine self.” One must realize the divinity within the self to break free from physicality and become one with a panentheistic unity. Time and time again, this tradition of divinity hiding in nature has arisen as an alternative to monotheistic submission to a god who intervenes in creation. This first volume traces the development of a utopian view of the human individual: a divine soul longing to break free from all limits of body, history, and the social and natural world. When the second and third volumes are complete, students and scholars will consult The Divine Self as the authoritative guide to the “spiritual but not religious” tendency as a recurring theme in Western culture from antiquity to the present.
In World History as the History of Foundations, 3000 BCE to 1500 CE, Michael Borgolte investigates the origins and development of foundations from Antiquity to the end of the Middle Ages. In his survey foundations emerge not as mere legal institutions, but rather as “total social phenomena” which touch upon manifold aspects, including politics, the economy, art and religion of the cultures in which they emerged. Cross-cultural in its approach and the result of decades of research, this work represents by far the most comprehensive account of the history of foundations that has hitherto been published.
A new, illustrated study of the Iliac tablets, a group of objects inscribed in miniature with epic episodes. Like the tablets themselves, Michael Squire tackles major themes through small ones, by relating their production to macroscopic problems of signification in Graeco-Roman antiquity.
In 1039 Byzantium was the most powerful empire in Europe and the Near East. By 1079 it was a politically unstable state half the size, menaced by enemies on all sides. The History of Michael Attaleiates is our main source for this astonishing reversal. This translation, based on the most recent critical edition, includes notes, maps, and glossary.
Taking as his starting point the collapse of the medieval world, Gillespie argues that from the very beginning moderns sought not to eliminate religion but to support a new view of religion and its place in human life- and that they did so not out of hostility but in order to sustain certain religious beliefs. He goes on to explore the ideas of such figures as William of Ockham, Petrarch, Erasmus, Luther, Descartes, and Hobbes, showing that modernity is best understood as the result of a series of attempts to formulate a new and coherent metaphysics or theology.
This book represents an attempt to depict the late Roman and Byzantine monetary economy in its fullest possible social, economic and administrative context, with the aim of establishing the basic dynamics behind the production of the coinage, the major mechanisms affecting its distribution, and the general characteristics of its behaviour once in circulation. The book consists of four main sections, on economy and society, on finance, and on the circulation and production of coinage, and has made an unrivalled contribution in the field of late classical, Byzantine and medieval economic history. The text is fully supported by the extensive quotation of translated sources, and by maps, tables and plates.
This survey and synthesis of the structural and decorative uses of Roman remains, particularly marble, throughout the mediaeval Mediterranean, deals with the Christian West - but also Byzantium and Islam, each the inheritor of much Roman territory. It includes a 5000-image DVD.
This commentary records, through notes taken by Hermias, Syrianus' seminar on Plato's Phaedrus, one of the world's most influential celebrations of erotic beauty and love. It is the only Neoplatonic commentary on Plato's Phaedrus to have survived in its entirety. Further interest comes from the recorded interventions by Syrianus' pupils - including those by Proclus, his eventual successor as head of the Athenian school, who went on to teach Hermias' father, Ammonius. The first of two volumes of Hermias' commentary, the chapters translated here discuss the argument that the soul can be proved immortal as being the self-moving source of eternal motion. Aristotle explicitly disagreed with Plato on this treatment of the soul and Syrianus, having previously (in a commentary on the Metaphysics) criticised Aristotle severely when he disagreed with Plato, feels obliged here, too, to address the apparent disagreement. This new translation is thus vital for understanding Syrianus' attitude to Aristotle.
This book, now in its third edition, is still the most uniquely comprehensive resource for finding word parts needed to express a concept. Along with aiding vocabulary expansion, this dictionary provides guidance to those who may be interested in inventing or deciphering words bearing an established and embedded meaning. This work is split into three parts. Part I, the dictionary proper, provides an alphabetical listing of over 5,100 word parts. Each entry includes a brief definition, examples of use and etymology. Part II, the Finder, is a reverse dictionary that allows users to start with a meaning or concept to then find word parts that express the meaning. The only reverse dictionary of its kind,this section is updated with over 4,600 search terms in total. The expanded Part III organizes word parts under 20 convenient categories--like The Body, Fear or Dislike of, Experts and Shapes.
The fall of Constantinople to the Ottomans in 1453 marked the end of a thousand years of the Christian Roman Empire. Thereafter, world civilisation began a process of radical change. The West came to identify itself as Europe; the Russians were set on the path of autocracy; the Ottomans were transformed into a world power while the Greeks were left exiles in their own land. The loss of Constantinople created a void. How that void was to be filled is the subject of this book. Michael Angold examines the context of late Byzantine civilisation and the cultural negotiation which allowed the city of Constantinople to survive for so long in the face of Ottoman power. He shows how the devastating impact of its fall lay at the centre of a series of interlocking historical patterns which marked this time of decisive change for the late medieval world. This concise and original study will be essential reading for students and scholars of Byzantine and late medieval history, as well as anyone with an interest in this significant turning point in world history.
A vivid and intimate glimpse of ancient life under the sway of cosmic and spiritual forces that the modern world has forgotten. Life immerses the reader in the cosmic sea of existences that made up the late ancient Mediterranean world. Loosely structured around events in the biography of one early Christian writer and traveler, this book weaves together the philosophical, religious, sensory, and scientific worlds of the later Roman Empire to tell the story of how human lives were lived under different natural and spiritual laws than those we now know today. This book takes a highly literary and sensory approach to its subject, evoking an imagined experience of an ancient natural and supernatural world, rather than merely explaining ancient thought about the natural world. It mixes visual and literary genres to give the reader a sensory and affective experience of a thought-world that is very different from our own. An experimental intellectual history, Life invites readers into the premodern cosmos to experience a world that is at once familiar, strange, and deeply compelling.
Dorotheus of Gaza and Ascetic Education approaches fundamental questions about the role and function of education in late antiquity through a detailed study of the thought of Dorotheus of Gaza, a sixth-century Palestinian monk. It illumines the thought of a significant figure in Palestinian monasticism, clarifies relationships between ascetic and classical education, and contributes to debates about how different educational projects related to late-antique cultural change. Dorotheus appropriates and reconfigures classical discourses of rhetoric, philosophy, and medicine and builds on earlier ascetic traditions. Education is a powerful site for the reconfiguration and reproduction of culture, and Dorotheus' educational programme can be read as a microcosm of the wider culture he aims to construct partly through his adaptation and representation of classical and ascetic discourses. Key features of his educational programme include the role of the notion of godlikeness, the governing role of humility as an epistemic virtue intended to organize affective and ethical development, and his notion of education as life-long habituation. For Dorotheus, education is irreducibly affective and transformative rather than merely informative at the individual and communal scales. His epistemology and ethics are set within an account of the divine plan of salvation which is intended to provide a narrative framework through which his students come to understand the world and their place in it. His account of ways of knowing and ordering knowledge, ethics and moral development, emotions of education, and relationships between affect, cognition, and ethical action aims towards transformation of his students and their communities.
Why do modern poets quote from dictionaries in their poems? How has the tape recorder changed the poet's voice? What has shopping to do with Gertrude Stein's aesthetics? These and other questions form the core of Ghostlier Demarcations, a study of modern poetry as a material medium. One of today's most respected critics of twentieth-century poetry and poetics, Michael Davidson argues that literary materiality has been dominated by an ideology of modernism, based on the ideal of the autonomous work of art, which has hindered our ability to read poetry as a socially critical medium. By focusing on writing as a palimpsest involving numerous layers of materiality—from the holograph manuscript to the printed book—Davidson exposes modern poetry's engagement with larger historical forces. The palimpsest that results is less a poem than an arrested stage of writing in whose layers can be discerned ghostly traces of other texts. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
The Iliad is about "klea andron", the glorious and terrible deeds of men in relation to other men, the raw content of the soul of man, but not of woman. It is a vast lagoon of dream fragments of the male unconscious, haunted with eternal shadows that compete, strut, fight, kill and rape, and above all seek the approval of other men. In this book, I have traced the history of the Iliad from papyrus, to parchment, to paper, to e-book. Next, I have looked critically into the first ten lines of Book 1 of the Iliad in the Latin, French, Greek (vernacular), and lastly English translations, beginning with the first translations of Hall, and Chapman. New translations of passages recovered from papyri and parchment, done by the present author, are included. Lastly, a theory of translation of poetry is attempted.
This book presents a clear, readable introduction to a popular field of history. It shows that military history encompasses a wide range of perpectives on all aspects of past militaty organization and activity.
Essential reading for talkers and listeners of all stripes: An original, entertaining, and surprising book that investigates verbal blunders: what they are, what they say about those who make them, and how and why we've come to judge them. “An enjoyable tour of linguistic mishaps.” —The New York Times Book Review Um... is about how you really speak, and why it's normal for your everyday speech to be filled with errors—about one in every ten words. In this charming, engaging account of language in the wild, linguist and writer Michael Erard also explains why our attention to some blunders rises and falls. Where did the Freudian slip come from? Why do we prize "umlessness" in speaking—and should we? And how do we explain the American presidents who are famous for their verbal stumbles?
The book's subject matter is philosophical mystery. More particularly, it proffers a theistic hermeneutic--from patristic philosophy--for claims and indications of mystery.
Cardinal Bessarion was a towering figure in the fifteenth-century Renaissance. His life spanned the century. In his sixty-nine years of life, he was a stellar student, a Basilian monk, a Greek Orthodox archbishop, a Roman cardinal, a papal diplomat, and an eminent humanist and scholar. Cardinal Bessarion’s life and career were shaped by the tidal wave of the advance of the Ottoman Turks towards the West and by the centuries-old tension between the Orthodox East and the Latin West. He made a significant impact in both these areas. His long-term legacy is his contribution to the revival of classical learning in the fifteenth century Renaissance. This biography presents Cardinal Bessarion in his time and explores his personal perspective on his times and experience. It will be of interest to anybody with an interest in the fifteenth century Renaissance and to specialists in Christian/Islamic relations in the period, the theological tensions between the Latin West and the Greek East, and the history of scholarship.
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