Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions of death and resurrection. Rather, he portrays the motifs of the church’s wall paintings as those of empowerment, healing, marriage, and incarnation, while boldly reidentifying the figure of a woman formerly believed to be a repentant sinner as the Virgin Mary. This richly illustrated volume is a breakthrough work that enhances our understanding of early Christianity at the nexus of Bible, art, and ritual.
The author examines the social and political meaning of divine sonship in the Roman Empire. He analyzes the conceptual framework within which the term ''son of God'' has traditionally been considered in biblical scholarship. Then, through engagement with recent scholarship in Roman history, he offers new ways of interpreting the Christian theological metaphors of ''begotten''and ''adoptive'' sonship. He focuses on social practices and political ideology, revealing that scholarship on divine sonship has been especially hampered by mistaken assumptions about adopted sons.
Adoptionism—the idea that Jesus is portrayed in the Bible as a human figure who was adopted as God's son at his baptism or resurrection—has been commonly accepted in much recent scholarship as the earliest explanation of Jesus's divine status. In this book Michael Bird draws that view into question with a thorough examination of pre-Pauline materials, the Gospel of Mark, and patristic sources. Engaging critically with Bart Ehrman, James Dunn, and other scholars, Bird demonstrates that a full-fledged adoptionist Christology did not emerge until the late second century. As he delves into passages often used to support the idea of an early adoptionist Christology, including Romans 1:3–4 and portions of the speeches in Acts, Bird persuasively argues that early Christology was in fact incarnational, not adoptionist. He concludes by surveying and critiquing notable examples of adoptionism in modern theology.
Search engine placement has become a key task for those engaged in website marketing because: * Good positioning in search engines/directories dramatically increases visitor traffic. * Optimizing search engine ranking is the most important and cost effective way of marketing a website. * Customers use search engines more than any other method to locate websites. Alex Michael and Ben Salter guide readers through proven techniques for achieving and measuring success, along with a review of the most important search engines and directories. Throughout the book there are numerous real case studies and tips to help the marketer build a world class web presence.
Through discussions of Audrey Hepburn's film, charity work, reminiscences from friends and collaborators, and photographs of her various looks over the years, this book reveals the woman and the icon.
A rare behind-the-scenes look at John Wayne: the legend, hero, and Hollywood icon of numerous epic Western films, including an Academy Award-winning performance in True Grit. No legend ever walked taller than “The Duke.” Now, author Michael Munn’s startling new biography of John Wayne sets the record straight on why Wayne didn’t serve in World War II, on director John Ford’s contribution to Wayne’s career, and the mega-star’s highs and lows: three failed marriages, and two desperate battles with cancer. Munn also discloses publicly, for the first time, Soviet dictator Josef Stalin’s plot to assassinate Wayne because of his outspoken, potentially influential anti-Communist views. Drawing on time spent with Wayne on the set of Brannigan—and almost 100 interviews with those who knew him—Munn’s rare, behind-the-scenes look proves this “absolute all-time movie star” was as much a hero in real life as he ever was on-screen.
Despite virtually unanimous patristic association of the Gospel of Mark with the apostle Peter, the Gospel was mostly neglected by those same writers. Michael J. Kok surveys the second-century reception of Mark, from Papias of Hierapolis to Clement of Alexandria, and finds that the patristic writers were hesitant to embrace Mark because they perceived it to be too easily adapted to rival Christian factions. Kok describes the story of Marks Petrine origins as a second-century move to assert ownership of the Gospel on the part of the emerging Orthodox Church.
In Hearing Kyriotic Sonship Michael Whitenton explores first-century audience impressions of Mark’s Jesus in light of ancient rhetoric and modern cognitive science. Commonly understood as neither divine nor Davidic, Mark’s Jesus appears here as the functional equivalent to both Israel’s god and her Davidic king. The dynamics of ancient performance and the implicit rhetoric of the narrative combine to subtly alter listeners’ perspectives of Jesus. Previous approaches have routinely viewed Mark’s Jesus as neither divine nor Davidic largely on the basis of a lack of explicit affirmations. Drawing our attention to the mechanics of inference generation and narrative persuasion, Whitenton shows us that ancient listeners probably inferred much about Mark’s Jesus that is not made explicit in the narrative.
Eight story-reflections, each based on a different Beatitude, offer accounts of immigrant children who fled Central America on their own to escape violence and poverty. Artwork created by immigrant youth and meditations written by Jesuit Father Leo O'Donovan accompany the stories.
A national symbol of romance since the 1970s, Redford's stardom has often eclipsed the life and trials of the man himself. In this biography -- written with Redford's personal papers, journals, script notes, correspondence, and hundreds of hours of taped interviews -- Michael Feeney Callan strips away the Hollywood façade, exposing the complicated, surprising man beneath. The life of Robert Redford is a series of contradictions: descended from impoverished East Coast barbers on his father's side and once-wealthy Texans on his mother's side,the young Redford suffered from aimlessness and semi-poverty, dropping out of college and briefly spending time in jail before launching a career in theatre. Redford has contributed more -- and more widely -- to entertainment than most stars of his calibre. As an actor, he's appeared on Broadway and film, with an Oscar-nominated performance in 1973's The Sting. As a director, he's earned Oscar nominations for Best Picture and Best Director and has received three Golden Globe nominations for Best Director.He won the Academy Award for Best Director in 1980 for Ordinary People.And as a producer of independent films -- including the patronage of his Sundance Institute -- he's worked on films including All the President's Men and 2004's The Motorcycle Diaries. This is a fascinating exploration of one of our most celebrated and least understood public figures, and an essential read for anyone interested in the rocky road to Hollywood.
“No part of the Empire has given up more completely of her splendid men than Yukon ... Such being the case, the Dominion should not be forgetful of this region—the Empire’s farthest North, and take pride in the encouragement of the spirit that dominates the people of the Land of the Midnight Sun.” —Dawson Daily News, May 15, 1918 Nearly a thousand Yukoners, a quarter of the population, enlisted before the end of the Great War. They were lawyers, bankers, piano tuners, dockworkers and miners who became soldiers, nurses and snipers; brave men and women who traded the isolated beauty of the north for the muddy, crowded horror of the battlefields. Those who stayed home were no less important to the war’s outcome—by March of 1916, the Dawson Daily News estimated that Yukoners had donated often and generously at a rate of $12 per capita compared to the dollar per person donated elsewhere in the country. Historian Michael Gates tells us the stories of both those who left and those on the home front, including the adventures of Joe Boyle, who successfully escorted the Romanian crown jewels on a 1,300-kilometre journey through Russia in spite of robbers, ambushes, gunfire, explosions, fuel shortages and barricades. Gates also recounts the home-front efforts of Martha Black, who raised thousands of dollars and eventually travelled to Europe where she acted as an advocate for the Yukon boys. Stories of these heroes and many others are vividly recounted with impeccable research.
Orson Welles was once asked which directors he most admired. He replied: "The old masters. By which I mean John Ford, John Ford, and John Ford." A legend in his own time, John Ford (1894–1973) received a record four Academy Awards for best director, and two of his World War II documentaries won Oscars for the US Navy. He directed 136 films in a career that lasted from the early silent era through the late 1960s. Ford is celebrated throughout the world as the cinema's foremost chronicler of American history, the leading poet of the Western genre, and a wide-ranging filmmaker of profound emotional impact. His classic films—including Stagecoach (1939), The Grapes of Wrath (1940), How Green Was My Valley (1941), The Quiet Man (1952), The Searchers (1956), and The Man Who Shot Liberty Valance (1962)—remain widely popular, and he has been acknowledged as a major influence on filmmakers such as Jean Renoir, Ingmar Bergman, Akira Kurosawa, Howard Hawks, Frank Capra, Samuel Fuller, Elia Kazan, Sidney Lumet, Martin Scorsese, Steven Spielberg, and George Lucas. In this groundbreaking critical study, Joseph McBride and Michael Wilmington provide an overview of Ford's career as well as in-depth analyses of key Ford films. Analyzing recurring Fordian themes and relating each film to his entire body of work, the authors insightfully explore the full richness of Ford's tragicomic vision of history. This new and revised version includes a study of the twenty-seven Ford silent films now known to survive in whole or in part (more than double the number available when the original edition was published); essays on three controversial aspects of Ford: his tragicomic sensibility, his views of race, and the influence of his Irish heritage; and an expanded version of McBride's interview with Ford on the last day of his career.
I can't separate what part of pro football is business and what part is personal with me," he said. "I just know that it is very important that I succeed." He had loved games as a young boy, had played them as a young man, and now, as a naive but determined 27-year-old in the summer of 1959, Lamar Hunt announced that he was going to launch a new football league. What he couldn't possibly have known on that day was that the forces of the entrenched National Football League would soon be arrayed against him. The league would place its own team in his hometown of Dallas, in direct competition with his team, and would attempt to undermine the new league, trying on repeated occasions before that first season to prevent the new American Football League from ever starting. And what the NFL couldn't have known, but would soon find out, was that Hunt, the mild-mannered, bespectacled son of legendary oilman H. L. Hunt, had an indomitable will, and patience beyond his years. Resolute and innovative, he successfully launched the AFL and, seven years later, helped broker a merger deal, which created the need for a championship game between the two leagues. Then he came up with the name of the game--the Super Bowl. Never before, and not since, has anyone with so many resources spent so much time watching, participating in, and being captivated by the absorbing ritual of sports and the suspended state of play. His accomplishments would put him in the company of the other giants of American sports--Charles C. "Cash and Carry" Pyle, Abe Saperstein, George Halas, Branch Rickey, Red Auerbach, Pete Rozelle. Each was present at a revolution. But Hunt, significantly, was present at a number of revolutions. And he was the catalyst for each one. Before his death in 2006, Hunt revolutionized three different sports--pro football, tennis, and soccer--winding up in the Hall of Fame of each. Written by award-winning author Michael MacCambridge, Lamar Hunt: A Life In Sports is the definitive and official biography of one of the 20th century's most important and beloved sporting figures; the soft-spoken, strong-willed man whose audacious challenge to the NFL transformed the landscape of American sports, but only served as an opening act to his epic sporting journey. Drawing on 50 years of Hunt's personal papers and more than 200 interviews, author Michael MacCambridge provides an intimate, original portrait of the man forever captivated by these serious pursuits we call games.
The World between Empires presents a new perspective on the art and culture of the Middle East in the years 100 B.C.–A.D. 250, a time marked by the struggle for control by the Roman and Parthian Empires. For the first time, this book weaves together the cultural histories of the cities along the great incense and silk routes that connected southwestern Arabia, Nabataea, Judaea, Syria, and Mesopotamia. It captures the intricate web of influence and religious diversity that emerged in the Middle East through the exchange of goods and ideas. And for our current age, when several of the archaeological sites featured here—including Palmyra, Dura- Europos, and Hatra—have been subject to deliberate destruction and looting, it addresses the crucial subject of preserving what has been lost and contextualizes the significance of these works on a local and global scale. This essential volume features 186 objects of exceptional importance from Europe, the Middle East, and the United States. Readers are taken on a fascinating journey that explores sites of intense political and religious struggles against Roman rule as well as important religious centers and military bulwarks of the Parthian Empire. Reaching across two millennia, The World between Empires brings vividly to life how individuals and cities in ancient times defined themselves, and how these factors continue to resonate today. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
This is the master volume to the 28 book set on Irish Family History from the Irish Genealogical Foundation. The largest and most comprehensive of the series, this volume includes family histories from every county in Ireland and Northern Ireland. It also has, for the first time, the complete surname index for the entire series. The 27 other books which are indexed in this volume will provide additional information on even more families.
Ideal for fellows and practicing pulmonologists who need an authoritative, comprehensive reference on all aspects of pulmonary medicine, Murray and Nadel’s Textbook of Respiratory Medicine offers the most definitive content on basic science, diagnosis, evaluation and treatment of the full spectrum of respiratory diseases. Full-color design enhances teaching points and highlights challenging concepts. Understand clinical applications and the scientific principles of respiratory medicine. Detailed explanations of each disease entity allow you to work through differential diagnoses. Key Points and Key Reading sections highlight the most useful references and resources for each chapter. An expanded sleep section now covers four chapters and includes control of breathing, consequences of sleep disruption, as well as obstructive and central apnea. New chapters in the Critical Care section cover Noninvasive Ventilation (NIV) and Extracorporeal Support of Gas Exchange (ECMO). New chapters focusing on diagnostic techniques now include Invasive Diagnostic Imaging and Image-Guided Interventions and Positron Emission Tomography, and a new chapter on Therapeutic Bronchoscopy highlights the interventional role of pulmonologists.
A triumphant success. . . . His prose is confident, clear . . . occasionally perfect." —Dennis Potter, The Times (London) "It is impossible to suppose that this ‘Life' will ever be superseded . . . the best literary biography to appear for many years."—John Rothenstein, New York Times "Written with vivacity and scrupulousness. . . . [Michael Holroyd] has a great novelist's sense of the obstinate mystery of the human person."—George Steiner, The New Yorker
Following his service as an Intelligence Infantryman with the Australian Army, Michael Hosking relates his engrossing journey of recovery from PTSD. Honouring the valour of the original 7th Battalion, he recounts his experiences during the Vietnam War and pays homage to the brave who fell in many battles. The narrative includes his early years during a colourful, larrikin youth, and how the Army plucked him from civilian life, trained him to fight, and sent him sailing to Vietnam on the great adventure. But he discovers confusion, fear, and resentment in Vietnam, as he survives the jungle and enjoys mateship, but fights internal struggles, pain, and guilt over the war. Troubles upon returning home are myriad, death and grief follow him, and seeking peace, he journeys overseas to recover his identity, make sense of life, and be released from the effects of PTSD. Humorous adventures unfold across Europe and east along the Hippie Trail through Central Asia, where intriguing and gradual recovery from PTSD takes place in his heart. His spiritual journey of discovery, release, and outreach includes life-changing travels to impoverished African countries.
In this book, Michael J. Thate offers an experiment in reception criticism in its consideration of the formation and reception of the historical Jesus discourse. He also attempts to historicize Leben-Jesu-Forschung within debates and narratives of secularization. These two foci guide the book through its two parts. First Thate explicates Schweitzer's dominant archival function in Leben-Jesu-Forschung, while aiming to make fragile the "grand architect's" receptive hegemony. Then he combines critical memory theory and other theoretical readings of the material in an attempt to refocus the study of the historical Jesus as early Christian memory politics in the service of identity explication. He attempts to problematize Schweitzer's legacy of a tidy systematic approach in which much of historical Jesus scholarship continues to operate.
The practice of forensic pathology includes the collection and analysis of evidence in relation to a corpse in order to establish the cause of death. Knowledge of the cause of death contributes to the determination of the manner of death by medical examiners and coroners, who are occasionally assisted by law enforcement officers. In the process of establishing the cause and manner of death, representatives of various investigative bodies have several responsibilities, including explaining the death to family members, attempting to reduce the risk of similar deaths in the future, and, if applicable, apprehending the individuals who are responsible for the death. The most well-known and popular role of a forensic pathologist is in the inves- gation of cases of suspicious death; however, most medicolegal autopsies involve unexpected deaths that are above suspicion, many of which are caused by trauma (trauma being defined as any physical force or agent that causes bodily harm). The purpose of Forensic Pathology of Trauma: Common Problems for the Pathologist is to provide practical advice and information about the conduct of the forensic autopsy in cases of trauma, and to offer guidance about the analysis of the autopsy findings in these cases.
Bringing together an interdisciplinary and international group of researchers working on a wide variety of cities throughout Asia, Latin America and Europe, this book addresses, rethinks and, in some cases, abandons the notions of formal and informal urbanism. This collection critically interrogates both the ways in which 'informal' and 'formal' are put to work in the governing and politicisation of cities, and their conceptual strengths and weaknesses. It does so by focusing on a wide variety of topics, from specific forms of housing and labour often traditionally linked to the formal/informal divide, to urban political negotiations, cultural practices, and ways of being in the city. The book takes stock of and reflects on how contemporary urban informality/formality relations are being produced and are/might be understood, and puts forward an enlarged and comprehensive understanding of urban informality.
We do not have many definitions of Christianity from late antiquity, but among the few extant is the brief statement of Gregory of Nyssa (335-395 CE) that it is "mimesis of the divine nature." The sentence is both a historical gem and theologically puzzling. Gregory was the first Christian to make the infinity of God central to his theological program, but how could he intend for humans to imitate the infinite? If the aim of the Christian life is "never to stop growing towards what is better and never to place any limit on perfection," how could mimesis function within this endless pursuit? In Imitations of Infinity, Michael A. Motia situates Gregory among Platonist philosophers, rhetorical teachers, and early Christian leaders to demonstrate how much of late ancient life was governed by notions of imitation. Questions both intimate and immense, of education, childcare, or cosmology, all found form in a relationship of archetype and image. It is no wonder that these debates demanded the attention of people at every level of the Roman Empire, including the Christians looking to form new social habits and norms. Whatever else the late ancient transformation of the empire affected, it changed the names, spaces, and characters that filled the imagination and common sense of its citizens, and it changed how they thought of their imitations. Like religion, imitation was a way to organize the world and a way to reach toward new possibilities, Motia argues, and two earlier conceptions of mimesis—one centering on ontological participation, the other on aesthetic representation—merged in late antiquity. As philosophers and religious leaders pondered how linking oneself to reality depended on practices of representation, their theoretical debates accompanied practical concerns about what kinds of objects would best guide practitioners toward the divine. Motia places Gregory within a broader landscape of figures who retheorized the role of mimesis in search of perfection. No longer was imitation a marker of inauthenticity or immaturity. Mimesis became a way of life.
A self-contained, accessible introduction to the basic concepts, formalism and recent advances in electromagnetic scattering, for researchers and graduate students.
Do you remember trying to solve the Rubik's cube whilst dressed in your He-Man picture pyjamas? Did you try to make 'cool' sound effects with your mouth like Jones from Police Academy? Or maybe you swooned over Scott and Charlene's (aka Jason and Kylie's) wedding of the year? If that sounds like you, there's no mistaking you were a child of the eighties. Rev up your DeLorean, switch on the Flux Capacitor and take a cruise back through the decade that made you the person you are today. This amusing and entertaining collection of reminiscences will jog the memories of all who grew up in the same decade where greed was good, mullets were cool and white dog poo littered the streets.
The fascinating tale of Hollywood powerhouse Paramount Pictures--beginning with its birth in the 1910s through the turbulent decade of the 1930s--was told in Early Paramount Studios by Marc Wanamaker, Michael Christaldi, and E.J. Stephens. Now the same authors are back to tell the next 60 years of the studio saga in Paramount Studios: 1940-2000, with a foreword by former Paramount head of production Robert Evans. This book picks up the story during the time of World War II--a successful era for the studio--which was followed by a decade of decline due to the upstart medium of television. By the 1960s, the studio teetered on the brink of bankruptcy before rebounding, thanks to several 1970s blockbusters, such as Love Story, The Godfather, and Chinatown. The tale continues through the final decades of the 20th century when Paramount showcased some of the greatest hits in its history.
Here is the first comprehensive examination of the international film career of Iowa-born actress Jean Seberg (1938-1979). Bursting onto the scene as star of Otto Preminger's controversial Saint Joan (1957), the 19-year-old Seberg encountered great difficulty recovering from the devastating criticism of her performance. The turnaround came in 1959 with her brilliant work in Jean-Luc Godard's "new wave" classic A bout de souffle (Breathless). Though her Hollywood prospects were harmed by subsequent political involvements, Seberg continued to work with some of Europe's finest directors. Her later films offer a fascinating view of the movie industry in the 1960s and 1970s--and of a courageous actress always ready for a new challenge. A biographical sketch provides a framework for detailed scrutiny of her 37 films. Background information and a critical evaluation is provided for each title.
Hotel companies who are able to deal with Big Data will create a sustainable competitive advantage. But what is Big Data and how can we use it in the Hospitality Industry? What is the distinctive value and what are key areas for a successful implementation? Michael Toedt explains in this book the biggest hurdle – the lack of knowledge within the senior management and the willingness to implement the necessary changes – and gives hoteliers recommendations to avoid the main failures.
The self-emptying of Christ, proclaimed in the letter to the Philippians 2:7, remains a much-debated topic in modern theology and exegesis. The Interpretation of Kenosis from Origen to Cyril of Alexandria brings the insights of Greek Christianity to the understanding of kenosis to illustrate that new dimensions of the topic open up when it is examined in the historical era of early Christianity. Origen of Alexandria showed that his understanding of kenosis allowed him to resist overly confining understandings of divine immutability, yet retain the conviction that the immutable Word's self-emptying calls the Christian believer to awe and wonder. Gregory of Nyssa found in kenosis a way to emphasize the Son of God's embrace of all of human life, including historical development. Cyril of Alexandria, finally, the term kenosis more than anyone else in Greek-speaking Christianity. It was a theme across all major eras and genres of his writing, from scriptural exegesis to doctrinal disputes, including those about the divinity of the Son and the natural union of the Son with human reality. Cyril found in kenosis an anchor point for two themes: first, that the strangeness and shocking quality of the term kenosis reminds the believer that God's categories always stretch beyond human "who emptied himself?" can only be answered by a single-subject Christology that proclaims the kenosis of the Word. This book opens and closes with chapters relating early Christian teaching on Christ's self-emptying to modern scripture scholarship and to concerns of feminist systematic theology.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.