Through 33 years and thousands of articles and photographs, journalist Michael Pearce has shared the Kansas hunting and fishing experience with the novice and the avid outdoors lover, and all in-between. Now he's sharing advice on turning the state's game, fish and plants into easy meals that rival those served in fine restaurants...Contains 50 proven recipes, from tiny doves to gargantuan mule deer bucks, flaky white crappie to tender morels. He's included meat care tips to make sure you start with the most tender, flavorful fish and game. Mixed in are some of Michael's favorite stories and photographs from the Wichita Eagle, offering readers a complete flavor of the Kansas outdoors.
Sheer fun' The Times Trieste in 1906 is of vital strategic importance and one of the world's greatest seaports. But assorted nationalist movements are threatening to pull the place apart and the militarist regime has trouble keeping a lid on things. Amid all the chaos the British consul goes missing, and Special Branch Seymour is sent to find him. Born to an immigrant family in London's East End, Seymour has an acute linguistic ear - crucial in turn-of-the-century Trieste. As he attempts to solve the riddle of the consul's disappearance, Seymour discovers dark and disturbing corners of the city and finds that it holds the secrets of his own family's past. Praise for Michael Pearce's A Dead Man in . . . series 'The steady pace, atmospheric design, and detailed description re-create a complicated city. A recommended historical series' Library Journal 'His sympathetic portrayal of an unfamiliar culture, impeccable historical detail and entertaining dialogue make enjoyable reading' Sunday Telegraph
From the author of the award-winning Mamur Zapt books, the second in a series introducing Seymour of Special Branch and set in the British embassies and Consulates of Europe in the early 1900s. The Second Secretary of the Embassy in Istanbul has died in decidedly strange circumstances while attempting to swim the Dardanelles Straits, the passage between Europe and Asia, heavily used by warships, liners, tankers and cargo vessels of all kinds. A romantic attempt to repeat the legendary feat of Leander, as the Embassy says? Or an attempt to spy out a possible landing place for a British military expedition, as the Turks insist? Whichever, Cunningham has ended up with a bullet in his head. The suspicious circumstances of his death have to be investigated so the Foreign Office sends out an officer of the Special Branch: Seymour. As Seymour tries to untangle the threads that lead to Cunningham's death, their ends lead him into all parts of the city, from the little box shops of the Avenue of Slippers to Les Petits Champs des Morts, where fashionable Turkish ladies loiter among the tombs to eat sweets; from the crowded coffee houses around the Galata Bridge where men sit all day smoking bubble pipes to the heart of the Topkapi Palace itself. Praise for Michael Pearce's A Dead Man in . . . series 'The steady pace, atmospheric design, and detailed description re-create a complicated city. A recommended historical series' Library Journal 'Sheer fun' The Times 'His sympathetic portrayal of an unfamiliar culture, impeccable historical detail and entertaining dialogue make enjoyable reading' Sunday Telegraph
Malta, 1913, and hot air balloons hover over the Grand Harbour. One of them comes down in the water but no one is hurt - except that the balloonist dies later when taken into the Naval Hospital for a check-up. But he is not the only one who had died there unexpectedly, as a letter to The Times points out, and a special investigator, Seymour of the Foreign Office, is sent out from London to find out what is going on. For in 1913 Malta is still a British protectorate, governed by the British; indeed, with its red postboxes, English beer and English language it seems like an exotic Little Britain. But the rumblings of war are reaching out to that small island in the Mediterranean and many of the old Maltese families are becoming divided in their loyalties: at the same time staunchly supportive to the British and yet starting to question Malta's subordinate status and wondering whether the time has come to strike out an independent path for themselves. So the letter to The Times has touched a raw nerve, as Seymour soon finds out: is it a critique of bad nursing practises? Or is there a different, more sinister explanation to these sudden deaths? Praise for Michael Pearce's A Dead Man in . . . series 'The steady pace, atmospheric design, and detailed description re-create a complicated city. A recommended historical series' Library Journal 'Sheer fun' The Times 'His sympathetic portrayal of an unfamiliar culture, impeccable historical detail and entertaining dialogue make enjoyable reading' Sunday Telegraph
The third exciting crime thriller in Michael Pearces Dead Man series. Why is Seymour of Scotland Yard summoned to somewhere so exotic as North Africa? Isn't the death of a Frenchman there something for the local police? Well, yes and no. The local police are answerable to the International Committee, of which the chairman is the British Consul. So naturally the ensuing investigation has to be above board. And so Seymour is bought in as he has had experience of this sort of thing before. And if he fails - well he is expendable, after all . . . Praise for Michael Pearce's A Dead Man in . . . series 'The steady pace, atmospheric design, and detailed description re-create a complicated city. A recommended historical series' Library Journal 'Sheer fun' The Times 'His sympathetic portrayal of an unfamiliar culture, impeccable historical detail and entertaining dialogue make enjoyable reading' Sunday Telegraph
Naples, 1913. Sun-baked, blue-skied, and with its amazing bay, one of the most beautiful spots in Italy - but also, one of the most backward. Into that world is sent a minor British consular official, Scampion, banished from Florence because he has allowed himself to be caught up in the mad social whirl surrounding D'Annunzio, the famous Italian poet, Nationalist and revolutionary. Scampion brings with him from Florence the new craze that is sweeping Italy: bicycling. And one day as he walks home after a road race that he has been organising, he is stabbed to death. Nothing extraordinary about that in Naples - it happens all the time - but his wallet was not taken, a fact that is remarkable. Could Scampion's murder have something to do with the racing? Bicycling may seem like a harmless pursuit but in Italy passions run high and Neopolitans, too, are great gamblers; they gamble on anything, including bicycle races. And where there is gambling, in Naples there is usually the Camorra, the powerful Neopolitan secret society. But then the Foreign Office receives a tip off that the murder may be more complicated. It might be linked to high politics in Rome. And that's when Seymour, the foreigner from the F.O., is sent south to investigate . . . Praise for Michael Pearce's A Dead Man in . . . series 'The steady pace, atmospheric design, and detailed description re-create a complicated city. A recommended historical series' Library Journal 'Sheer fun' The Times 'His sympathetic portrayal of an unfamiliar culture, impeccable historical detail and entertaining dialogue make enjoyable reading' Sunday Telegraph
Barcelona, 1912. A city still recovering from the dramatic incidents of the so-called 'Tragic Week' when Catalonian conscripts bound for the unpopular war in Spanish Morocco had rebelled at the city's dockside against the royalist forces. In the fighting, many were killed, and afterwards, even more put in prison. Including an Englishman, who was later found dead in his cell. The dead man had been a prominent businessman in Gibraltar, so what had he been doing in Barcelona? What part did he play in the illicit three-way trade between Gibraltar, Spanish Morocco and Barcelona? And just how did he really meet his end - murdered, in a prison cell? The case, in Gibraltar's view, cries out for investigation - and by someone independent of the Spanish authorities. So Scotland Yard are summoned to send out one of their men - but who? Seymour ticks all the right boxes - he has experience of the tangled diplomatic world in that part of the Mediterranean. He speaks foreign languages. And possibly most importantly of all - he grew up near the docks of London's East End, so with any luck he knows how to swim if pushed in the water . . . PRAISE FOR MICHAEL PEARCE'S A DEAD MAN IN . . . SERIES 'His sympathetic portrayal of an unfamiliar culture, impeccable historical detail and entertaining dialogue make enjoyable reading' Sunday Telegraph 'The steady pace, atmospheric design, and detailed description re-create a complicated city. A recommended historical series' Library Journal 'Sheer fun' The Times
The murder of an Italian man in backstreet 1912 Cairo spells trouble for Gareth Owen, the Mamur Zapt, British Chief of Cairo's Secret Police, as he uncovers a possible ethnic cleansing plot and a hidden cache of weapons.
Athens, 1913, the capital of a country on the brink of war. The new Greek prime minister, Venizelos, tired of the Ottoman overlords, has what he calls the Great Idea - a vision of a new Greece that unites all the Greek people scattered around the Mediterranean. Not such a great idea, in the view of other countries, among them Britain, which believes in letting sleeping dogs lie. And cats. Including the one recently poisoned in Athens and which belonged to the exiled former Sultan. Unfortunately, as is the way with the Balkans, rumours start flying around; one being that this was a sighting shot for the ex-Sultan himself. This, in the Balkans, could start a war and so Britain has to sit up and take notice. Something has to be done. Fast. And - please, urge the diplomats - low-key. The lowest key of all is to send out a police officer from Scotland Yard to investigate, and, as it happens, the Foreign Office has a person in mind: Seymour, of the CID, who has had some experience of this sort of thing before . . . Praise for Michael Pearce's A Dead Man in . . . series 'The steady pace, atmospheric design, and detailed description re-create a complicated city. A recommended historical series' Library Journal 'Sheer fun' The Times 'His sympathetic portrayal of an unfamiliar culture, impeccable historical detail and entertaining dialogue make enjoyable reading' Sunday Telegraph
This book details the dramatic history of the weaponization of avant-garde art as propaganda, from its violent origins selling the idealistic communism of revolutionary France to its use as an American weapon wielded against the Nazi and Soviet threat as World War II began. It shows how art became ammunition in the war of ideas as the protagonists of the Second World War attempted to control the minds of their people. The text highlights how the avant-garde was the battlefield for the epic struggle between collectivism and American individualism, and will appeal to the reader with an interest in vivid stories of art, history, and politics.
This book delivers sensible emergent aesthetics, explaining the processes that happen in human minds when we share ideas as works of art, skewering the orthodoxies of contemporary art with pragmatic wisdom about why representational art thrives in the new millennium. Art in the Age of Emergence has captured the imaginations of thinkers and artists alike. This is an indispensable read for those who want to understand representational art in the 21st Century.
A classic murder mystery from the award-winning Michael Pearce, which sees the Mamur Zapt investigate a series of suspicious kidnappings in the Cairo of the 1900s.
In this classic mystery from the award-winning Michael Pearce, a powerful politician is murdered in Cairo in the 1900s and the Mamur Zapt is called in to investigate.
“A lovingly detailed portrait of Egypt during the Great War. The result is a bit like a police procedural reimagined by Douglas Adams” Kirkus Reviews on The Bride Box Atbara, Sudan, 1913. A dead man is fished out of the River Nile. An accident – or something more sinister? A visiting Pasha from the Royal Household believes it was murder – and that he himself was the intended target. He insists that the Mamur Zapt, Head of the Khedive’s Secret Police, escorts him on his return train journey to Cairo, for protection. It’s to be an eventful voyage. Matters take an unexpected turn when the train is stranded in the desert following a sandstorm. With the help of English schoolboy Jamie Nicholson, the Mamur Zapt pursues his investigations, convinced that at least one of his fellow passengers has a secret to hide. And what was the Pasha really doing in that remote corner of the Sudan? Could the Mamur Zapt’s deepest fears be true? Could he really be about to uncover a conspiracy against the British?
Black British Drama: A Transnational Story looks afresh at the ways black theatre in Britain is connected to and informed by the spaces of Africa, the Caribbean and the USA. Michael Pearce offers an exciting new approach to reading modern and contemporary black British drama, examining plays by a range of writers including Michael Abbensetts, Mustapha Matura, Caryl Phillips, Winsome Pinnock, Kwame Kwei-Armah, debbie tucker green, Roy Williams and Bola Agbaje. Chapters combine historical documentation and discussion with close analysis to provide an in-depth, absorbing account of post-war black British drama situated within global and transnational circuits. A significant contribution to black British and black diaspora theatre studies, Black British Drama is a must-read for scholars and students in this evolving field.
For millennia, Egypt has depended upon the waters of the Nile. Its annual floods fertilize the land. By the time Britain extends its dominion over Egypt, the Cairo Barrage is the key to control, its name taken from the French term meaning a dam or irrigation channel designed to increase a river's depth or to divert its flow. An attempt to blow up the Manufiyah regulator in the Barrage is not a petty matter. Gareth Owen, The Mamur Zapt, Chief of Cairo's Secret Police, is hurriedly summoned. He hasn't a clue what a regulator is. Nor can he identify the mysterious Lizard Man who seems to have a grudge against the whole Egyptian irrigation system. But he does know that the ceremonial cutting of the temporary dam thrown up each year across the mouth of the Khalig Canal restarts the whole irrigation cycle, allowing water to pour through the canal and signal the opening of dams all across the land. The cut will require policing. Especially as it is going to be the last cut before the canal is filled in. While this modernization will wipe out a health hazard, the Cairenes love the party that goes with the cut. They are less than happy with the dam. Things grow worse when a young woman's body is discovered at the site. Owen has to say it's extremely embarrassing. Is this the traditional ritual sacrifice? Or a sign of sabotage? A diversion? Or just plain murder?
Routledge Dictionary of English Language Studies is an indispensable guide to the richness and variety of the English language for both students and the general reader.
Cairo, 1910. Captain Owen, The Mamur Zapt, is the head of Egypt's Political CID in the heyday of British Rule. He is ultimately responsible for law and order in the Khedive's Cairo. When the rules, whether obvious or hidden, are flouted, he steps into action - although it sometimes looks like he's merely stepped sideways, out of the way. Now it is the end of the boom, leaving banks beleaguered and borrowers in trouble whether the poorest land-working fellahin or the richest land-owning Pashas. Then a civil servant suspiciously dies at his desk. The whiff of corruption is in the air. Even Owen, who is supposed to be investigating the affair, appears to be living beyond his means. As he turns to such unlikely allies as the Grand Mufti, the local barber, and the Widow Shawquat, he penetrates to the heart of such sinister organizations as the Khedive's Agricultural Society. The rich are tricky, and money speaks louder than words, challenging Owen to use all his skills to stop the Camel of Destruction....
Sinister happenings are afoot in Edwardian Cairo, involving a Snake Catchers Guild and allegations of police corruption. Mamur Zapt, head of Cairo's secret police, needs all his wits about him if he is to protect the British position in Egypt.
A classic historical mystery from award-winning Michael Pearce, in which the body of a young woman washes up in the Nile and the Mamur Zapt is drawn into the seedy world of Egyptian politics.
In WWI Egypt, a murdered girl and her runaway sister lead the Khedive’s head investigator to an underground slave trade in this “deftly plotted” mystery (Booklist, starred review). Cairo, 1913. Pasha Ali Maher has received an unexpected gift: a traditional Bride Box. But what should contain treasures anticipating a marriage instead contains the body of the would-be bride herself. At the same time, a little girl is discovered riding under a train from Luxor—having escaped from her captors—and the Mamur Zapt, Head of the Khedive’s Secret Police, is called in to investigate. Though the two girls are discovered to be sisters, the Pasha and his lady insist they have no connection to the crimes. And as British rule begins to falter, throwing the Mamur Zapt into political turmoil, his investigations uncover a still-thriving slave trade that was supposed to have been stamped out in Egypt long ago. “This is a deftly plotted, cleverly written, highly entertaining mystery, but it’s the gentle humor and the warmth of the characters that earns it two thumbs decisively up.” —Booklist, starred review
CRM first entered the business vocabulary in the early 90’s; initially as a systems driven technical solution. It has since escalated in importance as system providers increased their market penetration of the business market and, in parallel, CRM’s strategic importance gained more traction as it was recognized that CRM was, at its heart, a business model in the pursuit of sustainable profit. This was accentuated by the academic community stepping up their interest in the subject in the early 2000’s. Today, it is a universal business topic which has been re-engineered by the online shopping revolution in which the customer is firmly placed at the center of the business. The current reality, however, is that, for the vast majority of businesses, CRM has not been adopted as a business philosophy and practicing business model. It has not been fully understood and therefore fully embraced and properly implemented. The author addresses this head-on by stripping CRM down into its component parts by delving into and explaining the role and relevance of the C, R, and M in CRM. This is a practical guide but set within a strategic framework. The outage is clear actionable insights and how to convert them into delivery. It is written in an easily digestible, non-jargon style, with case studies to demonstrate how CRM works. This book can be immediately used as the primary practical reference to guide the development and implementation of a CRM strategy.
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