Spoof is the story of the lives of two men who are identical twins. Terry Lickliter and his brother Tom were minor characters in Illusive Innocence, my first novel. In Spoof both men are in their late fortys. Terry worked in Silicon Valley until the mid-nineties and made a fortune when his company sold out to a high tech giant. He moved to Grand Haven Michigan and built two large houses on Lake Michigan, a Victorian with an attached lighthouse and a Tudor. Tom Lickliter resided in Florida and worked as an Electrician and moved back to Michigan to join his brother. The two brothers had been living twenty-eight hundred miles apart. Terry and his wife Kristine (a true San Franciscan) are rich and Tom and his wife Monique (a southern belle born in Savannah, Georgia) are middle class citizens. The gift of a quarter-million dollar Tudor on lake Michigan is a lot for Tom and his wife Monique to accept. Tom is sterile but Terry fathers his children. Together the men open a small business but work to create a very successful international business. Sudden wealth changes their lives. From Sailing Lake Michigan and the Pacific to the power of a corporate boardroom lives become entrapped into secrets and hysteria. Spoof is an adventurous story of couples, friends and business associates but also describes the secretive loving relationships of a charismatic man.
Henry and Barby are neighbors, classmates, and more. Barby's family is affluent and well-to-do, while Henry's family leads a simple life on a small income. Feelings of ambivalence pervade young Henry's adolescence as he becomes involved with both Barby and her sister. Brandy, Barby's older sister, seduces Henry, and their secret sexual escapades entrap them in a love they try to ignore. As llenry struggles to endure the love of two sisters, college and careers carry them into adulthood. Then tragedy strikes, and the two families unite as they try to hold on to some kind of normalcy. These were the innocent years. The two teenagers sat and talked while warming themselves. "Henry, I hate you." Henry looked at Barby bewildered. "What did I do now?" Barby reached out and pulled his hair over his head covering his face. "Your hair looks nicer than mine. I refuse to associate with a boy who has hair like that. It's bad enough that it's longer but it looks nicer too!" He looked at her rolling his eyes back and forth. "So wash it once in a while." She slapped him across his shoulder with her open palm. "Ouch," she said. "Now you are trying to hurt me." Her face broke into a repressed grin. "Barby, you hit me, l didn't hit you." She pouted now, sticking out her bottom lip. "Do you think I'm pretty?" Henry put his hands over his face hiding his response. "I think Brandy is pretty," he said in a low voice-almost a whisper.
Spoof is the story of the lives of two men who are identical twins. Terry Lickliter and his brother Tom were minor characters in Illusive Innocence, my first novel. In Spoof both men are in their late fortys. Terry worked in Silicon Valley until the mid-nineties and made a fortune when his company sold out to a high tech giant. He moved to Grand Haven Michigan and built two large houses on Lake Michigan, a Victorian with an attached lighthouse and a Tudor. Tom Lickliter resided in Florida and worked as an Electrician and moved back to Michigan to join his brother. The two brothers had been living twenty-eight hundred miles apart. Terry and his wife Kristine (a true San Franciscan) are rich and Tom and his wife Monique (a southern belle born in Savannah, Georgia) are middle class citizens. The gift of a quarter-million dollar Tudor on lake Michigan is a lot for Tom and his wife Monique to accept. Tom is sterile but Terry fathers his children. Together the men open a small business but work to create a very successful international business. Sudden wealth changes their lives. From Sailing Lake Michigan and the Pacific to the power of a corporate boardroom lives become entrapped into secrets and hysteria. Spoof is an adventurous story of couples, friends and business associates but also describes the secretive loving relationships of a charismatic man.
In the summer of 1779, British general Sir Henry Clinton launched one last attempt to gain control of the Hudson River, the most strategically important waterway during the American Revolution. The campaign involved all of George Washington's main Continental Army and most of the forces around New York City under Clinton's command, but ended without a major battle. Still, the summer saw plenty of action. American cavalry sparred with their British counterparts in eastern New York; thousands of militiamen resisted brutal British raids along the Connecticut coast; and Washington stunned the British with daring night bayonet attacks on the fortified posts of Stony Point and Paulus Hook. This study details the strategy, tactics, officers, soldiers, and spies that shaped this critical campaign, which helped set the stage for America's final victory in the Revolution.
The North Carolina Gazetteer first appeared to wide acclaim in 1968 and has remained an essential reference for anyone with a serious interest in the Tar Heel State, from historians to journalists, from creative writers to urban planners, from backpackers to armchair travelers. This revised and expanded edition adds approximately 1,200 new entries, bringing to nearly 21,000 the number of North Carolina cities, towns, crossroads, waterways, mountains, and other places identified here. The stories attached to place names are at the core of the book and the reason why it has stood the test of time. Some recall faraway places: Bombay, Shanghai, Moscow, Berlin. Others paint the locality as a little piece of heaven on earth: Bliss, Splendor, Sweet Home. In many cases the name derivations are unusual, sometimes wildly so: Cat Square, Huggins Hell, Tater Hill, Whynot. Telling us much about our own history in these snapshot histories of particular locales, The North Carolina Gazetteer provides an engaging, authoritative, and fully updated reference to place names from all corners of the Tar Heel State.
A rare behind-the-scenes look at John Wayne: the legend, hero, and Hollywood icon of numerous epic Western films, including an Academy Award-winning performance in True Grit. No legend ever walked taller than “The Duke.” Now, author Michael Munn’s startling new biography of John Wayne sets the record straight on why Wayne didn’t serve in World War II, on director John Ford’s contribution to Wayne’s career, and the mega-star’s highs and lows: three failed marriages, and two desperate battles with cancer. Munn also discloses publicly, for the first time, Soviet dictator Josef Stalin’s plot to assassinate Wayne because of his outspoken, potentially influential anti-Communist views. Drawing on time spent with Wayne on the set of Brannigan—and almost 100 interviews with those who knew him—Munn’s rare, behind-the-scenes look proves this “absolute all-time movie star” was as much a hero in real life as he ever was on-screen.
More than 8,000 men served in the Fifth Marine Regiment during World War I and the occupation of Germany. Marine units were among the first to arrive in war-torn Europe in 1917, and they sustained greater casualties than other American units. This book tells the story of the "Devil Dogs" in World War I and the years after through the recollections of veterans recorded over the past century. The influenza epidemic that raged during the war is discussed. An annotated roster of the regiment lists each Marine, with service details provided where known.
This paper presents a selective survey of issues relevant to the choice of nominal anchors for monetary policy. Section I reviews long price-level histories for the United Kingdom and United States, which reveal that the price level behaved very differently following WWII in these countries than it had done in previous post-war experiences. In particular following WWII the responsibilities of monetary policy expanded to encompass a business- cycle stabilization role and the nominal anchor shifted from the fixed anchor or price-level stability to the moving anchor of inflation-rate stability. The remaining sections of the paper review some of the considerations that are relevant to setting the average inflation rate in countries without a fixed nominal anchor.
With species ranging from the legendary, fear-inspiring western diamond-backed rattlesnake to the tiny threadsnake, Texas has a greater diversity of snakes than any other state in the country. This fully illustrated field guide to Texas snakes, written by two of the state’s most respected herpetologists and updated by their student and later colleague, gives you the most current and complete information to identify and understand all 111 species and subspecies. Texas Snakes: A Field Guide has all the resources you need to identify snakes in the wild and in your own backyard:• 113 full-color, close-up photos that show every snake, as well as, 39 detailed line drawings• 113 range maps• Up-to-date species accounts that describe each snake’s appearance, look-alikes, size, and habitats• A checklist of all Texas snakes with a key to the species• Reliable information on venomous snakes and prevention of or initial treatment for snakebite• Concise discussion of conservation, classification, and identification approachesDrawn from the lead authors’ monumental, definitive Texas Snakes: Identification, Distribution, and Natural History, this field guide is your must-have source for identifying any snakes you see in Texas.
In this grand history of naval warfare, Palmer observes five centuries of dramatic encounters under sail and steam. From reliance on signal flags in the seventeenth century to satellite communications in the twenty-first, admirals looked to the next advance in technology as the one that would allow them to control their forces. But while abilities to communicate improved, Palmer shows how other technologies simultaneously shrank admirals' windows of decision. The result was simple, if not obvious: naval commanders have never had sufficient means or time to direct subordinates in battle.
The Natural History of Creation is the third and final installment in M.A. Corey's natural theology series. This remarkable trilogy has worked in tandem with the findings of modern science to help spearhead the rebirth of the once-dead natural theology movement. In this detailed, yet easy to read work, the author focuses on the religious account of creation found in Genesis One and comes to the astonishing conclusion that there is indeed much scientific truth to be found in this ancient work. Many other writers have also noticed the breathtaking parallels that exist between modern evolutionism and the creation account given in the Bible, but nowhere will the reader find a more thorough description of them than in The Natural History of Creation. - Back cover.
This is a critical overview of monster magazines from the 1950s through the 1970s. "Monster magazine" is a blanket term to describe both magazines that focus primarily on popular horror movies and magazines that contain stories featuring monsters, both of which are illustrated in comic book style and printed in black and white. The book describes the rise and fall of these magazines, examining the contributions of Marvel Comics and several other well-known companies, as well as evaluating the effect of the Comics Code Authority on both present and future efforts in the field. It identifies several sub-genres, including monster movies, zombies, vampires, sword-and-sorcery, and pulp-style fiction. The work includes several indexes and technical credits.
This reference work, updated since the 1997 edition, provides comprehensive information on the major professional leagues in North America--baseball, basketball, football, hockey and soccer. Arranged chronologically, the entries for each league in each sport include individual statistical leaders, championship results, major rules changes, winners of major awards, and hall of fame inductees.
Using firsthand accounts—journals, letters from British officers in the field, reports from colonial governors in the colonies—Michael Pearson has provided a contemporary report of the Revolution as the British witnessed it. Seen from this perspective, some of the major events of the war are given startling interpretations: For example, the British considered their defeat at Bunker Hill nothing more than a minor setback, especially in light of their capture of New York and Philadelphia. Only at the very end of the conflict did they realize that the Yankees had lost the battles but won the war. From the Boston Tea Party to that day in 1785 when the first U.S. ambassador presented his credentials to a grudging George III, here is the full account of "those damned rebels" who somehow managed to found a new nation.
“Behind almost every painting is a fortune and behind that a sin or a crime.” With these words as a starting point, Michael Gross, leading chronicler of the American rich, begins the first independent, unauthorized look at the saga of the nation’s greatest museum, the Metropolitan Museum of Art. In this endlessly entertaining follow-up to his bestselling social history 740 Park, Gross pulls back the shades of secrecy that have long shrouded the upper class’s cultural and philanthropic ambitions and maneuvers. And he paints a revealing portrait of a previously hidden face of American wealth and power. The Metropolitan, Gross writes, “is a huge alchemical experiment, turning the worst of man’s attributes—extravagance, lust, gluttony, acquisitiveness, envy, avarice, greed, egotism, and pride—into the very best, transmuting deadly sins into priceless treasure.” The book covers the entire 138-year history of the Met, focusing on the museum’s most colorful characters. Opening with the lame-duck director Philippe de Montebello, the museum’s longest-serving leader who finally stepped down in 2008, Rogues’ Gallery then goes back to the very beginning, highlighting, among many others: the first director, Luigi Palma di Cesnola, an Italian-born epic phony, whose legacy is a trove of plundered ancient relics, some of which remain on display today; John Pierpont Morgan, the greatest capitalist and art collector of his day, who turned the museum from the plaything of a handful of rich amateurs into a professional operation dedicated, sort of, to the public good; John D. Rockefeller Jr., who never served the Met in any official capacity but who, during the Great Depression, proved the only man willing and rich enough to be its benefactor, which made him its behind-the-scenes puppeteer; the controversial Thomas Hoving, whose tenure as director during the sixties and seventies revolutionized museums around the world but left the Met in chaos; and Jane Engelhard and Annette de la Renta, a mother-daughter trustee tag team whose stories will astonish you (think Casablanca rewritten by Edith Wharton). With a supporting cast that includes artists, forgers, and looters, financial geniuses and scoundrels, museum officers (like its chairman Arthur Amory Houghton, head of Corning Glass, who once ripped apart a priceless and ancient Islamic book in order to sell it off piecemeal), trustees (like Jayne Wrightsman, the Hollywood party girl turned society grand dame), curators (like the aging Dietrich von Bothmer, a refugee from Nazi Germany with a Bronze Star for heroism whose greatest acquisitions turned out to be looted), and donors (like Irwin Untermyer, whose collecting obsession drove his wife and children to suicide), and with cameo appearances by everyone from Vogue editors Anna Wintour and Diana Vreeland to Sex Pistols front man Johnny Rotten, Rogues’ Gallery is a rich, satisfying, alternately hilarious and horrifying look at America’s upper class, and what is perhaps its greatest creation.
This revised and greatly expanded edition of a well-established reference book presents 5105 feature length (four reels or more) Western films, from the early silent era to the present. More than 900 new entries are in this edition. Each entry has film title, release company and year, running time, color indication, cast listing, plot synopsis, and a brief critical review and other details. Not only are Hollywood productions included, but the volume also looks at Westerns made abroad as well as frontier epics, north woods adventures and nature related productions. Many of the films combine genres, such as horror and science fiction Westerns. The volume includes a list of cowboys and their horses and a screen names cross reference. There are more than 100 photographs.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.